Bad Company, and I Can’t Deny it*

“Better no company than bad company” is a very old saying. Similar to it is the saying that we’re known by the company we keep. There’s some real truth to that line of thinking, actually. We do tend to pick friends and associates who are similar in at least some ways. And it always seems that people who spend a lot of time in the company of nasty people just tend to get themselves in trouble. We see a lot of that in real life, and it’s true in crime fiction, too.

In Arthur Conan Doyle’s The Adventure of the Greek Interpreter, for instance, Dr. Watson hears an odd story from Holmes. A Greek interpreter named Mr. Melas has more or less been kidnapped by Harold Latimer and compelled to go to a remote house and help Latimer and an associate named Wilson Kemp communicate with a young Greek man who seems to be their prisoner. Latimer and Kemp want this young man to sign some papers, and Melas immediately senses that all is not well. The young man is not convinced to sign the papers, and Melas is taken away from the house and abandoned. He manages to make it back home, and the next day tells his story to Holmes’ brother Mycroft, who belongs to the same club. Mycroft asks his brother to investigate, and Holmes and Watson get involved just in time to save Melas’ life. As it turns out, the young man had come to England to rescue his sister Sophy, who’d gotten mixed up with Latimer and Kemp, both of whom are very nasty people. They tried to get Sophy to sign over all her property and money to them, and when she refused, they kept her as a prisoner. At the end of this story, we find out that Latimer and Kemp meet a very appropriate fate.

In Agatha Christie’s Dead Man’s Folly, we meet Alec Legge, a young scientist who’s taken a cottage in the village of Nassecomb with his wife Peggy. He’s been under a great deal of stress lately, and the getaway is designed to give him a rest. They’ve only been in Nasscomb for a few months when Legge’s peace and quiet are shattered. He had gotten mixed up with a radical political group, but when they went too far for him, he tried to extricate himself. Now, the group’s made it clear that they have no intention of making it that easy for him to leave them. As if those worries weren’t enough, Legge gets mixed up in a murder case when a local girl, fourteen-year-old Marlene Tucker, is strangled during a fête at the local estate Nasse House. Hercule Poirot’s been invited to the fête to present the prizes for one of the events. So when Marlene Tucker’s body is discovered, he works with Inspector Bland to find her killer. It turns out that she was murdered because of a secret she’d learned, so Poirot looks into the lives of everyone who was a part of the preparations for the fête. One of those people is Alec Legge. Now, not only is Legge in great trouble because of his past political associations, but he’s also a murder suspect.

In Dorothy Sayers’ Murder Must Advertise, Lord Peter Wimsey goes undercover to find out who killed copywriter Victor Dean. Dean fell to his death down a spiral staircase at his workplace, Pym’s Publicity, Ltd. At first, his death looks like a tragic accident but he left behind a half-finished letter in which he mentioned that someone at the company was involved in illegal activities. Pym’s top managers are worried about the company’s pristine reputation, so they hire Wimsey to take Dean’s place and find out what he can. Wimsey agrees and soon enjoys success as “the new copywriter.” He also begins his investigation. He learns that someone in the company has been getting paid to use company advertising as a tool for a powerful drugs gang to set up meetings with local drug dealers. When Dean found out about this agreement, he began to blackmail the killer, who struck back by murdering Dean. In reality, it was the killer’s involvement with very much the wrong sort of people that got that person involved in murder.

Getting mixed up with the wrong kind of people is a serious problem for Trevor Sharp in Peter Robinsons’s Gallows View. Trevor is a teenage boy who’s somewhat of a misfit. His father’s concerned about him because lately, Trevor’s been mixed up with Mick Webster, who’s already been in a lot of trouble. Mick himself is mixed up with some fairly unsavoury people, so his friendship with Trevor just draws Trevor into a bad situation. When a series of break-ins begins to happen in the Yorkshire town of Eastvale, newly-arrived DI Alan Banks slowly comes to the conclusion that Trevor Sharp knows more than he’s saying about it. Then, there’s a murder. As Banks and his team work to figure out what’s really happened in Eastvale, we also see more than one person try to warn Trevor Sharp that he’s in with bad company and needs to re-think what he’s doing. Tragically, he’s got other plans…

In Stephen J. Cannell’s The Tin Collectors, L.A.P.D. homicide detective Shane Scully gets an unusual request. Sandy Sandoval is a prostitute who also happens to be an excellent and effective L.A.P.D. informant. She’s been asked to work on a very dangerous undercover assignment, and doesn’t want to put her fifteen-year-old son Charles “Chooch” at risk. So she asks Scully to look after Chooch while she’s working her case. Scully’s not very comfortable with the idea, but he agrees. Soon enough, he finds out that Chooch has been in a lot of trouble, and not just at school. He’s been mixed up with some very dubious people and using drugs. Scully tries to help Chooch see that he’s headed for extremely serious trouble if he doesn’t make some wiser choices, but Chooch isn’t interested in hearing much of what Scully has to say. It doesn’t help matters that at the moment, Scully’s in a serious mess of his own. In response to a late-night frantic call, Scully went to the home of his former partner Ray Molar to try to protect Molar’s wife Barbara from her own husband. Molar shot at Scully, but his bullet missed. Scully’s self-defense bullet did not. Now, Scully faces a review of his conduct that quickly mushrooms into a possible murder charge when he discovers that Molar was mixed up with very much the wrong people. Before long, but Scully and Chooch are in real danger unless Scully can find out who’s been sabotaging him and why.

There’s a really interesting case of getting mixed up with a dangerous group in Tana French’s The Likeness. In that novel, Dublin detective Cassie Maddox is recovering from the effects of a former case, and has been transferred from Dublin’s murder investigation squad to the domestic violence team. Then, she gets a call that changes everything. The body of a young woman has been found, and what’s particularly eerie is that she looks exactly like Cassie. What’s more, her identification carries the name Alexandra Madison, which is the alias Cassie used in her last assignment. At the urging of her former supervisor, Cassie assumes the Lexie Madison identity once again to penetrate this unknown woman’s world and find out who the woman really is and who killed her. As Lexie, Cassie joins an eccentric and strangely close-knit group of housemates at Whitethorn House, outside Dublin. They’re not “bad company” in the usual sense (e.g. gang members or members of a crime ring), but they aren’t a “typical” group of people. Once she becomes a part of this group, Cassie finds the members both strange and appealing, and before she knows it, she’s mixed up in a very dangerous game. She also finds out who the young woman really was and why she was murdered.

Getting mixed up with the wrong people can get a person into very big trouble. As crime fiction shows us, minding the company we keep can be pretty important. Which “bad company” novels have you enjoyed?

 
 
 

*NOTE: The title of this post is a line from Bad Company’s Bad Company.

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16 Comments

Filed under Agatha Christie, Dorothy Sayers, Peter Robinson, Arthur Conan Doyle, Tana French, Stephen J. Cannell

16 Responses to Bad Company, and I Can’t Deny it*

  1. In Bad Boy by Peter Robinson Alan Banks daughter gets involved with a smooth talking handsome rogue and it takes some time before she realises that he is in a great deal of trouble.
    I am reading Deon Meyer’s Devil’s Peak and in that Christine a prostitute gets involved with a drug dealing client who proves to be very bad company. Don’t know how it ends yet but so far it is a fine crime thriller. I always feel like shouting at the character, usually a woman, don’t do it, he’s bad company. Mind you I feel like shouting that at some real life women.

    • Norman – Oh, thank you for reminding me of Bad Boy. That, too, is a good entry into the Alan Banks series. Of course, I happen to like that series so I’m biased, but folks, Norman is right that it’s a very good example of my point.
      As far as Devil’s Peak goes… well, I won’t spoil it for you. But yeah, Christine should not have chosen that client; you’re quite right about that. And it is sad, isn’t it, how many people get mixed up with what used to be called long ago, “a bad hat.” I have the same urge, both in real life and in crime fiction, to shout out, “Noooooo!!!!!” I ought to do a post about that urge sometime…..

  2. kathy d.

    The only book I’ve read here is The Likeness. And, yes, Cassie gets mixed up — for her job — with a dangerous group, as had Lexie before her. However, I’ve forgotten some of the ending, so time to revisit a book I could not put down, so I’ll be glad to do this.
    There are so many mysteries where this is a theme, so many trusting souls who don’t pick up on dangerous people or situations quickly enough.
    And, yes, unfortunately, this is part of real life and being young or naive or trusting or just caught up in a situation not of one’s making. Getting older does make one wiser, usually, that is.

    • Kathy – That’s a well-taken point. There are far too many people who get caught up in dangerous situations with dangerous people whom they shouldn’t have trusted. That’s true in crime fiction and sadly, it’s true in life, too. I think because this kind of premise does really happen in real life, it’s also a compelling fictional theme. It adds a layer of suspense, too, as readers are tempted to warn the character(s) not to be so trusting. It’s an interesting phenomenon and when it’s done well, I think it can add a solid layer to a story.
      Interesting point, too, about getting older making one wiser. I don’t know if that’s always true but if it is, it’s a bit of compensation for the drawbacks to getting older ;-) .

  3. kathy d.

    When I hear of friends’ teenaged children getting into scrapes because they have no idea of how serious a potential situation can be or what a bad influence a friend can be, or of consequences, I count my lucky stars for the adults’ wisdom and that the youth will gain wisdom as they age. So many examples come to mind. However, the reality creates fodder for writers in addition to what they create.

    • Kathy – Oh, absolutely – those teen years are some of the riskiest in terms of getting involved with dangerous people and situations. Many teens have this sense of indestructibility that gets them into an awful lot of trouble. And as you say, most people get a little more wisdom as they get older, and they’re less likely to fall in with the wrong kind of people. It is good fodder for writing though…

  4. kathy d.

    A friend’s 14-year-old daughter sneaked out of her home at 4 a.m., a friend picked her up driving, they had a hit-and-run. Had no idea anyone could get hurt; luckily no one did. No idea they were not immortal, nor idea they shouldn’t leave the scene if hit someone. No idea a car could do damage. Really? Yes. She is doing community service, had to go to an ER with a parent, grounded forever. So it’s a combination of bad judgment by her friend who had the car and the plan, bad judgment on her part, bad everything. I keep hearing from my sister, the therapist, that teenagers don’t know they’re not immortal, don’t know what they do has consequences nor what their friends do, don’t think of far ahead, just the now.

    • Kathy – Your sister has a good point! I don’t have a deep background in psychology, but from what I’ve studied, there just isn’t this sense of what the consequences are of certain kinds of decisions until one gets older. It makes the teen years a very dangerous time. And I’m sorry to hear about your friend’s daughter although it is very good to hear that nobody was hurt. It sounds like a case of very bad judgement and bad decision-making all round, and it’s just so fortunate that it didn’t turn out far, far more disastrously than it did.

  5. Patti Abbott

    As I think you know I got bogged down with that group in Tana French’s book. I never did find it credible that she could pull off stepping into those shoes. I hope she pulled it off in the end.

    • Patti – I remember that you didn’t “buy” that part of the plot. And you’re not the only one I’ve spoken to/heard from who found that too much of a stretch to really enjoy the novel. Others have absolutely adored the story. I think it’s that kind of a novel; few people I’ve been in contact with are neutral about it…

  6. Agree with Patti on that Tana French group! Bogged down is about it how real were they (not)? And added in the two separate plot coincidences…hmmm! But yes, bad associations are the staple of crime fiction, one excellent example of this is Bad Traffic by Simon Lewis, sadly a rather under-rated book but I think a quite brilliant vision of England by various Chinese characters, some of whom get involved with very bad people indeed…..

    • Maxine – Oh, thank you for reminding me of Bad Traffic! I wanted to read that shortly after it came out, but didn’t, and then it went off my proverbial radar. I’m annoyed about that and need to get that back onto my TBR. I’m really glad you mentioned it.
      About The Likeness….Yeah, I agree. One has to suspend one’s disbelief, both with those people and those plot coincidences you mention. The novel has some solid aspects to it, but…. let’s just say you and Patti are not the only people who found that suspension of disbelief too much to ask. Other people, though, devoured the book. As I “said” to Patti – it’s one of those books…

  7. kathy d.

    I liked The Likeness, was glad to go wherever Tana French led me. I have to reread the ending though.
    However, I’m a Fred Vargas aficionado, so I’ll go with the flow — although I don’t like supernatural or ghost elements in a plot (unless there’s a logical explanation), strong coincidences or accidental solutions (an earthquake happened at the right time, swallowing up the villain’s gun which he was pointing at the “good” guys and gals or a band of good people luckily land right at the right place at the right time and save everyone).

    • Kathy – It’s interesting that you would mention Fred Vargas. She’s another author whose work people either really like or do not. Most people aren’t neutral about her work, either. I think it helps to be, as you put it, a “go with the flow” kind of person to really enjoy her work. And you make a really interesting point about the long arm of coincidence. If coincidence plays too strong a role in a story, that puts me off completely. Your earthquake example is a good illustration of that; it’s just too much to believe. When a story relies on that sort of thing, it loses me…

  8. kathy d.

    Yes, agree with you on coincidence.
    It’s interesting: No writer seems to set off such opposite reactions as does Fred Vargas.
    I know among my mystery-reading friends who will like her books and who won’t, and have already planned to whom I should loan An Uncertain Place.
    I have found that she always explains any seemingly weird plot devices, and that since is a medieval archaelogist, and is grounded in science, that it makes sense that she would do it.
    Yes, either one loves her books or doesn’t. Reading choices are a matter of taste, as is true with music, art and so much more.

    • Kathy – How right you are. One can say that a book is or is not well-written, or a character is or is not well-drawn, and so on. But there is the very important factor of personal taste. And reactions to Vargas’ work really highlight that.

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