Category Archives: Cat Connor

You’re in My Mind All the Time*

AnzacDayToday (or tomorrow, depending on when you read this) is Anzac Day. It’s a day set aside to thank and commemorate the men and women of Australia and New Zealand’s armed forces. They have served, and continue to serve, with distinction and bravery.

I’m neither an Australian nor a New Zealander. So why am I setting time aside for Anzac Day? One reason is that I am a world citizen. I know (at least a little) about the role the ANZAC forces have played in world history since WWI. Their bravery and sacrifice has helped keep me and my countrymen and women safe. There is no way to properly express gratitude for that. But you can at least learn a bit about it.

You can learn about the ANZAC forces here and here.

 

There’s another reason for which I set time aside for Anzac Day. I’ve been fortunate enough to travel to both NZcountries. During my travels I’ve met some truly fine people. They’ve hosted me generously and treated me kindly, and I’ve made some good friends. I’ve had some memorable conversations about everything from politics to sport to film to education to social issues. And books. Of course, books. I’ve learned a lot and I’ve seen some amazing things. I’ve petted kangaroos, ‘toured’ Auckland from 328m up in the air, and seen some spectacular scenery. And that’s just the start!   All of this has been courtesy of people who wouldn’t want a fuss made about how kind they’ve been. But I remember.

AusRoosI’ve made some good online Australian and New Zealand friends too – friends I’ve not yet met in person. I hope that will change. We’ve had wonderful conversations about writing, books, and lots of other topics, too, and I’ve learned an awful lot. To all of you, thanks for reaching out.

So yes, I take some time on Anzac Day. I owe a lot, on many levels, to the good people of Australia and New Zealand. Here’s to you all!

 

 

Have you read these Australian authors?

 

Y.A. Erskine

Sulari Gentill 

Robert Gott

Katherine Howell

Adrian Hyland

Wendy James

Geoffrey McGeachin

Andrew Nette

Michael Robotham

Angela Savage

Peter Temple

David Whish-Wilson

Felicity Young

 

Australian Blogs You’ll Want to Follow

 

AustCrime

Australian Women Writers Challenge

The Crayon Files

Fair Dinkum Crime

Mysteries in Paradise

Reactions to Reading

Reading, Writing and Riesling

 
 

Have you read these New Zealand authors?

 

Cat Connor

Neil Cross

Donna Malane

Ngaio Marsh

Paddy Richardson

Bev Robitai

Grant Shanks (Andrew Grant)

Vanda Symon

Paul Thomas

 

New Zealand Blogs You’ll Want to Follow

 

Beattie’s Book Blog

Booksellers New Zealand

Crime Watch

The Crayon Files

NZ Book Lovers  

 

Give a little back. Support an Australian author. Support a New Zealand author. And let’s all of us be grateful for the way the Anzac forces have supported us.

 
 
 

*NOTE: The title of this post is a line from Snapper’s Gentle Hour, also recorded by The Clean. Later, Yo La Tengo recorded a version of it too. Listen to all of the versions and see which you like best.

34 Comments

Filed under Adrian Hyland, Andrew Grant, Andrew Nette, Angela Savage, Bev Robitai, Cat Connor, David Whish-Wilson, Donna Malane, Felicity Young, Geoffrey McGeachin, Grant Shanks, Katherine Howell, Michael Robotham, Neil Cross, Ngaio Marsh, Paddy Richardson, Peter Temple, Robert Gott, Sulari Gentill, Vanda Symon, Wendy James, Y.A. Erskine

There’s No Use Sitting on the Fence When You Know it All Makes Sense*

ThemesSometimes one of the most important clues in a murder case – the thing that really ties the case together – is a common theme, such as a poem, a song or something of that nature. Once the sleuth figures out what that common theme is, it’s easier to find out what’s behind the murder or set of murders. Those themes often point to the killer too. I’m not talking here about cryptic codes and ciphers. Rather, I mean motifs that give clues as to what the criminal is thinking and where s/he may strike next. Let me offer just a few examples from crime fiction to show you what I have in mind.

In Arthur Conan Doyle’s The Musgrave Ritual, Sherlock Holmes tells Watson of an early case of his – a case brought to him by an old university friend Reginald Musgrave. Some strange things were going on at the Musgrave family home of Hurlstone. Brunton the butler and second housemaid Rachel Howells went missing. Nothing was stolen, so theft didn’t seem to be the motive for their leaving. According to what Musgrave told Holmes, the only odd thing he’d noticed before their disappearance was that he’d caught Brunton going through some family papers. So, Holmes tells Watson, he went with his friend to Hurlstone. It turns out that an old family ritual that involved the repetition of a short verse is the theme that explains everything. Once Holmes figures out what the verse means, he finds out the truth about Brunton and Rachel Howells.

Agatha Christie used themes like that in more than one of her stories. In And then There Were None (AKA Ten Little Indians) for instance, ten people are invited for a stay on Indian Island off the Devon coast. They no sooner arrive and settle in than each is accused of having been responsible for at least one death. Then, one of the guests suddenly dies of what turns out to be poison. Late that night there’s another death. Now it’s clear that someone has lured them all to Indian Island and is planning to kill them. So the survivors will have to find out which of them is the killer if they’re to stay alive. In this case, the theme is the old poem Ten Little Indians, a copy of which is in each person’s room. Of course, knowing that theme doesn’t necessarily mean anyone will be spared… (I know, I know, fans of A Pocket Full of Rye and The ABC Murders…).

John Dickson Carr’s Hag’s Nook is the story of American Tad Rampole’s visit to England and the home of Dr. Gideon Fell. It’s also the story of the Starberth family. Two generations of the Starberth family were Governors of the now-disused Chatterham Prison. Although the prison hasn’t been in use for a hundred years, the Starbeth family still has an odd connection to the place. Each male heir has to spend the night of his twenty-fifth birthday in the Governor’s Room at the old prison. To prove he’s been there, he must open the safe in the room and follow the instructions that are there. Now it’s the turn of Martin Starberth. Rampole is especially interested when Fell tells him this story, because Rampole has fallen in love with Martin’s sister Dorothy. So he and Fell watch and wait on the night of Martin’s birthday. The next morning, Martin’s body is found. He apparently fell over the balcony attached to the Governor’s Room, but it’s soon clear that he was murdered. The only problem is that no-one was seen going to or from the prison that night. There are rumours that he fell victim to a family curse, but the real solution is more prosaic than that. The only clue to it though is a poem that Anthony Starberth wrote many years earlier. Once Fell makes sense of the poem, he’s able to find out who the killer is.

In Elly Griffiths’ The Crossing Places, forensic archaeologist Ruth Galloway gets involved in a police investigation when a set of old bones is discovered in North Norfolk. DCI Harry Nelson thinks they may be the bones of Lucy Downey, a girl who went missing ten years ago, but Galloway is able to show they are much older than that. Then Nelson comes to Galloway again with a related request. He’s been receiving strange letters, most likely from the person who abducted Lucy. The letters also make veiled reference to anther girl Scarlet Henderson who recently disappeared. Nelson thinks that if Galloway can help him make sense of the letters, they’ll give him a clue as to who’s behind the abductions. Galloway is able to help with some of the quotes and references used in the letters and although they don’t specifically point to one person, they do point to the kind of knowledge the abductor would have. The letters show that there is a theme to part of what has happened, and that leads to some of the answers Nelson needs.  

Time is a theme in Jeffery Deaver’s The Cold Moon. In this novel, Lincoln Rhyme and his partner Amelia Sachs are on the trail of a serial killer known as The Watchmaker who is meticulous and obsessed with time. In fact, The Watchmaker leaves clocks at each of his crime scenes. Rhyme is able to use this theme of time to find out who the killer is, but now he’s under pressure to stop The Watchmaker before he’s able to strike again. He’s also discovered that The Watchmaker intends to strike again (yes, pun intended) in just a few hours…

Poetry proves to be a theme in Cat Connor’s Killerbyte. New Zealand ex-pat and FBI operative Gabrielle ‘Ellie’ Conway is the co-moderator of a poetry chat room called Cobwebs. One night chat room member Carter McLaren turns up at Ellie’s house to threaten her after being banned from the room. He’s arrested, but later his body is discovered in Conway’s car. Then another chat room member is killed. And another. There’s even a suggestion that Conway herself is responsible. So in order to clear her name and find out who’s targeting the chat room, Conway and her co-moderator and lover Cormack ‘Mack’ Connelly try to track the killer down. They don’t have much to go on at first, since the killer is very good at leaving no traces. But the killer does leave notes at each crime scene with lines of poetry. That poetry theme begins to tie the crimes together and once Conway and Connelly make sense of it, they get important information. The poems, plus a chance clue, put them on the right track.

Sometimes the most important clue to a murderer is a theme such as a song, poetry, time or something else. That theme gives a clue as to what the killer is thinking, and it can be very helpful in putting the sleuth on the right track.

 
 
 

*NOTE: The title of this post is a line from Stealers Wheel’s Waltz (You Know it Makes Sense).

18 Comments

Filed under Agatha Christie, Arthur Conan Doyle, Cat Connor, Elly Griffiths, Jeffery Deaver, John Dickson Carr

The Alphabet in Crime Fiction: Technology

TechnologyWe’re at another stop today as we of the Crime Fiction Alphabet meme continue our treacherous travels through the alphabet. Thanks as ever to our tour guide Kerrie at Mysteries in Paradise for making all the arrangements and keeping us as safe as can be expected. ;-)

Our visit today is to the main offices of the legendary T Company, which makes all sorts of different kinds of ingenious little devices. Everyone’s busy planning what sorts of things they’ll bring home from the factory tour, so I think this is a good time to share my contribution for this stop: technology. 

Technology is, of course, critical to today’s society. We can accomplish so much with it, and it’s become an important element of most of our lives. But it’s very much a proverbial double-edged sword. As any crime fiction fan can tell you, technology figures in a lot of mayhem too. I’ve only space here for a few examples, but you’ll soon see what I mean.

In Rex Stout’s Fer de Lance, Nero Wolfe gets a visit from Maria Maffei, who is worried about her brother Carlos. He’s disappeared with no explanation and she’s certain he’s come to harm. She’s proven right when Carlos is found stabbed to death. An article found in his possession suggests that his murder might be connected to the death of Peter Barstow, president of Holland University. Barstow was golfing when he suddenly died, seemingly from a stroke. But as it turns out, he was killed by a specially-designed golf club that Carlos Maffei made. Wolfe knows that if he finds out who killed Barstow, he’ll have the key to discovering who paid Maffei to make the golf club. So he and Archie Goodwin look into Barstow’s family life, business associations and social life to find out who would have wanted to commit murder. The sleuths do solve the mystery of the killer’s identity, and when the killer begins to suspect that they know, there’s an interesting battle of wits between Wolfe and Goodwin on the one hand and the murderer on the other.

Aaron Elkins’ Fellowship of Fear also makes some –er – very interesting use of technology. In that novel, cultural anthropologist Gideon Oliver is spending some time serving as a visiting fellow at the United States Overseas College (USOC). The plan is for him to give a series of guest lectures at various bases throughout Europe. But right from the start things go rather badly for him. First he’s attacked in his hotel room by two men who apparently think he has something of value. He makes a report to police officer John Lau, who begins to work with Oliver to try to find out who the attackers are. Then Oliver gets drawn into a whole web of international espionage and counter-espionage. Tom Marks and Hilaire Delvaux, two leaders in the NATO Security Directorate (NSD)’s counterespionage bureau, ask to see him. They tell him that they suspect Soviet spies are trying to steal something (although they’re not sure exactly what), and they want Oliver to report to them if he sees anything or anyone suspicious. Not seeing much choice in the matter, he agrees. Not long after that he’s attacked and nearly killed. He runs into other difficulties too as he travels to the different European bases. All of this convinces him that if he doesn’t figure out who at the USOC might be helping the Soviets, he’s going to continue to be a target. So he keeps asking questions and eventually gets to the truth about what’s really going on. In one particular scene, he and Lau are touring Spain’s Prado Museum. That’s when they spot a strange man with an umbrella. Something about him unsettles both men, and it turns out they are wise to be concerned. The umbrella is actually a very ingenious piece of technology that hides a gun. No, Oliver isn’t killed, but it shows you just how dangerous technology can be.

We see that in Lindy Cameron’s Redback, too. In that novel, we meet Bryn Gideon, leader of a crack Australian team of retrieval experts called Redback. Their specialty is rescuing people who are trapped in dangerous situations and they’re called in when the delegates to the Pacific Tourism and Enviro-Trade Conference are taken hostage by a group of local rebels. Team Redback succeeds in rescuing the hostages but soon gets drawn into a battle of wits against a shadowy group of international terrorists that uses local or regional terror groups to do its ‘dirty work.’ That turns out to be the connection among two murders, a devastating train bombing, and an explosion on a U.S. military base, among other violence. And just what do these terrorists use to keep their group organised and recruit and train new members? That’s right: technology. It turns out that they communicate via a new video game called Global War Tek.  See what I mean about technology?

In Cat Connor’s Killerbyte, New Zealand ex-pat and FBI operative Gabrielle ‘Ellie’ Conway is passionate about poetry – her own and others’. So she co-moderates an online poetry chat room called Cobwebs. The chat room turns deadly when one of the members Carter McLaren shows up at Ellie’s home to threaten her after being banned from the room. He’s arrested but later his body is found in the trunk of Conway’s car. Conway wants to clear her name and more than that, wants to find out who killed a member (even a former member) of the chat room. So she and her co-moderator and lover Cormac ‘Mac’ Connelly try to track down the murderer. Then there’s another death. And another. It’s obvious now that the killer is targeting chat room members. Despite all of their Internet skills and knowledge, and in spite of Conway’s FBI background and skills, this killer always seems to stay one step ahead of them. But they’re not without resources themselves. In the end a non-technical (and very useful) clue puts Conway and Connelly on the right track. But throughout this novel, both they and the killer make some fairly ingenious use of technology, and in the killer’s case, it turns out to be deadly.

There’s a frightening use of technology in Jussi Adler-Olsen’s Mercy (AKA The Keeper of Lost Causes). Copenhagen homicide detective Carl Mørck is slowly returning to duty after a line-of-duty injury that killed one of his colleagues and left the other with paralysis. He’s never really easy to work with and since his return he’s become so difficult that he’s ‘promoted’ to head a new department specially set up to investigate cases of ‘special interest.’ The first case he and his assistant Hafez al-Assad investigate is the five-year-old disappearance of up-and-coming politician Merete Lynggaard. Everyone’s always believed that she was killed in a tragic incident on a ferry, but little hints soon suggest that she may still be alive. So Mørck and Assad work to try to find her before it’s too late. And they’re up against some fairly sophisticated and scary technology as they do so…

And then there’s Anthony Bidulka’s When the Saints Go Marching In, the first of his Adam Saint novels. Saint is a specialist with the Canadian Disaster Recovery Agency (CDRA). His job is to travel to any place where Canada, its interests or its citizens are involved in any kind of disaster. Saint lives a very high-technology sort of life and since a lot of what the CDRA does and knows is classified, he also is familiar with a lot of high-security technology. Everything changes when he travels to Magadan, Russia, where CDRA head Geoffrey Krazinkski has been killed at a plane crash site. The death is passed off as a tragic accident, but Saint is soon certain that it was no accident. He’s starting to ask questions about it when a personal emergency brings him suddenly back to Canada. Saint’s personal matter means the end of his career with the CDRA, In fact, all of his access codes, all of the technology he usually uses, and all of his resources are cut off. But that doesn’t stop him from asking questions about what happened. In fact he turns out to be more effective after officially leaving the CDRA. He gets drawn into a very dangerous mission with international implications. At the heart of it all? Greed and the willingness to use technology to satisfy it.

So as you see, technology can be deadly. Not that I’d ever give up my Internet access or anything quite that drastic, but one does have to be extremely cautious around technology. Now, let’s go take that tour. Lots of fascinating little devices I can show you there… ;-)

26 Comments

Filed under Aaron Elkins, Anthony Bidulka, Cat Connor, Jussi Adler-Olsen, Lindy Cameron, Rex Stout

Sorry I’m not home at the moment…

Killerbyte‘Hi, it’s Margot. Sorry I’m not here. I’ve gone to visit Craig Sisterton at the excellent Crime Watch, where he’s very kindly invited me to review Cat Connor’s Killerbyte. Leave a message and I’ll get back to you as soon as I can. Or better yet, come visit me at Craig’s blog and read my review. And while you’re there, do follow his blog. I know of no better source for news on Kiwi crime fiction. Craig’s got lots of terrific interviews, reviews and news about crime fiction from New Zealand and from all over the world, so c’mon over – you’ll be glad you did!

Thanks for calling.’  Beep

2 Comments

Filed under Cat Connor, Killerbyte

Every Step You Take I’ll Be Watching You*

Violations of PrivacyOne of the facts of life about modern technology is that we arguably have a lot less privacy than we used to have. Today, when you sign a lease or apply for a job (at least in the U.S.) it’s not uncommon to include a credit and criminal background check in the process. And computer and Internet technology has made it increasingly easy to get very private information without waiting weeks or longer. Even if you move from one country to another, it’s still fairly straightforward to find out if, for instance, you have a criminal history. And with so many people using social networking such as Facebook and Twitter, it’s not hard to find out private things about people – who their friends are, where they eat, how they vote in elections and lots more.

On the one hand you can say that having less privacy has benefits. It’s easier for police to catch criminals because they have access to information that they didn’t used to have. People who are not guilty of crimes can more easily support their claims, too (e.g. travel and credit card records that show someone was in another place at the time of a crime). On the other hand, a lot of people see this trend as a violation of their privacy. Whose business is it really what you buy, where you go (so long as you don’t commit a crime) or how you vote? And today’s ability to track people makes it frighteningly easy to follow someone – ask anyone who’s been stalked. Identity theft and fraud are scary realities too now that today’s criminals can find ways to get credit card and ID numbers. In that sense, we have to be more careful than we used to be.  For better or for worse, we do seem to have less privacy and it shouldn’t be surprising that this trend shows up in crime fiction.

For example, in Arthur Conan Doyle’s A Scandal in Bohemia, Sherlock Holmes gets a visit from the King of Bohemia, who is planning to get married soon. The king is worried because his former lover Irene Adler has a compromising photograph of them and he’s afraid of the scandal that would get around if that photograph is ever published. He hires Holmes to get the photograph and return it so that his reputation will be protected. Holmes fans know of course that Irene Adler is a formidable opponent. In fact, she manages to elude Holmes and ends up keeping the photograph, promising never to use it unless she is forced to do so. The science and art of photography were relatively new at the time of this story; it’s interesting that if it had been written just a few decades earlier, there might not even be a compromising photograph. As it is, we can see how the limitations of technology meant the king was only worried about that one photograph. He had no worries about members of the press or his fiancée’s family getting hold of private telephone conversations or other communication between the two lovers. The limitations of technology also make it difficult for Holmes to track Irene Adler. In part it’s because he decides not to, but it’s more than that. The technology of the time meant that there were very few fingerprint records and the records that were available were not easily accessible. And of course there were no credit cards, no telephone records or other ways to track Adler. So she was able to maintain her privacy a lot more easily than she would be able to do in today’s world.

By the time Agatha Christie was writing, people already had less privacy because technology had evolved. In Death in the Clouds (AKA Death in the Air) for instance, Hercule Poirot investigates the poisoning death of Marie Morisot, a well-known French moneylender who did business under the name of Madame Giselle. The only possible suspects are the other passengers with whom she shared a flight from Paris to London. As a part of the investigation, Poirot and Inspector Japp look into all of the other passengers’ backgrounds. They also find out as much as they can about Madame Giselle’s past. Part of what they learn comes from personal interviews, which were not new. But part of what they learn comes from police and other contacts in other countries. By the time of this novel, photographs could be sent by cable from place to place, and the telephone had made communication easier. So it was beginning to be much harder for people to hide their pasts and that is what puts the proverbial nail in the coffin for the killer in this novel.

In Cat Connor’s Killerbyte, FBI special agent Gabrielle ‘Ellie’ Conway and her lover Cormac ‘Mac’ Connelly track down a vicious killer through the use of modern technology among other things. Conway and Connelly are both members of an Internet chat room called Cobwebs, which is devoted to poetry. When one of the members Carter McLaren is banned from the chat room, he tracks Conway down and threatens her. He’s arrested but disappears after he makes bail. When he’s later found dead in the trunk of Conway’s car, it’s clear that this is more than just a chat room member who took revenge too far. Then there’s another death. And another body is found. At each crime scene, police find a Post-It note with a poem, and before each murder, Conway and Connelly get cryptic taunting emails. It’s soon evident that the killer is targeting chat room members and that the killer is someone who knows Conway personally. As Conway and Connelly slowly put the pieces together, they and the FBI use modern computer surveillance and other high-tech equipment to track down the killer. In the end, it’s a simpler clue that leads the two sleuths in the right direction, but technology plays an important role in stripping away the killer’s privacy.

But this novel also shows the negative side of that loss of privacy. It turns out that the killer is technologically very adept at covering up ‘footprints’ and tracking down victims. Individual computer IP addresses, bugging devices and even tracking software are all part of what this killer uses to follow Conway and Connelly and to stalk victims.

We also see that kind of electronic violation of privacy in Karin Alvtegen’s Betrayal. Eva Wirenström-Berg and her husband Henrik have been having marital difficulties, but so far they’ve stayed together. Then, Eva discovers that Henrik has been unfaithful. When she finds out, she takes a decision that turns out to have consequences she couldn’t possibly have imagined. At first her decision doesn’t seem so fateful though and she continues her life with Henrik and their son Axel. Then she learns the identity of Henrik’s mistress. Eva decides on a particular plan for revenge that also has consequences she hadn’t imagined. This plan involves a real violation of privacy. I can say without spoiling the story that it involves breaking into an email account, which Eva is able to do with frightening ease actually. In the end, you could say that Eva and Henrik have betrayed each other and their choices end up causing real tragedy.

There’s an interesting and chilling case of violation of privacy in Camilla Grebe and Åsa Träff’s Some Kind of Peace. Stockholm psychologist Siri Bergman is still coping with the death of her beloved husband Stefan, but she’s functioning if not exactly functional. Then she gets a letter that makes it clear that she’s being stalked. What’s worse, someone seems to have gotten access to her private client information. That violation puts not just her but her clients at risk. There are other incidents too that seem designed to damage her credibility. Then the body of one of Bergman’s clients Sara Matteus is found in the water on her property. The death is set up to look like a suicide; there’s even a suicide note implicating Bergman in this client’s decision to kill herself. But it’s soon proven that this was a murder. Bergman herself is briefly a suspect until she’s able to show that she’s not guilty. Now the threats from this stalker become even more ominous and it’s clear that Bergman’s life is in danger. She’ll have to find out who the killer is in order to re-establish her credibility, protect her clients’ privacy and stay alive.

Today’s technology has made it easier than it ever was to catch criminals, and harder to avoid getting caught if one is a criminal. But it’s a double-edged sword as you might say. It’s also easier than ever to violate an innocent person’s privacy. Information is easier and easier to find, and today’s crime novels reflect that. Dozens and dozens of crime fiction stories (there really isn’t room here for me to list them) include cases where cops or private investigators trace criminals through their emails and social networking, even if the criminal leaves the country. Others depict people who’ve had their emails and banking accounts compromised. So do we have less privacy than we did? I’d say so. Is it a problem? For a lot of people, yes. For cops and private investigators, I’m not so sure.  What do you think?

 

 
 

*NOTE: The title of this post is a line from the Police’s Every Breath You Take.

12 Comments

Filed under Agatha Christie, Arthur Conan Doyle, Åsa Träff, Camilla Grebe, Cat Connor, Karin Alvtegen