Category Archives: Elizabeth Spann Craig

Turn the Choral Music Higher, Pile More Wood Upon the Fire*

Preparing For GatheringsIt’s the time of year when people make plans for office parties, family gatherings and holiday travel. There are often all sorts of preparations to be made for everything from clothing to cleaning to food and travel tickets. And that’s to say nothing of gifts (but that’s for another post). It all can add up to an awful lot of stress. Part of the reason for that is arguably that people often picture an ‘ideal, perfect holiday’ as they plan, and hold themselves to that ideal. And of course, all sorts of disasters can happen, and people want to avoid them.

Certainly the stress of those preparations is a fact of real life, and of course, it’s there in crime fiction, too. That sort of stress is seldom the reason for a murder, but it does ratchet up the pace and sometimes the suspense. Here are just a few examples to show you what I mean.

In Agatha Christie’s Hercule Poirot’s Christmas (AKA Murder For Christmas and A Holiday For Murder), wealthy family patriarch Simeon Lee decides to invite the members of his family to Gorston Hall for Christmas. Lee is an unpleasant tyrant, but he is very wealthy, so no-one dares refuse the invitation. Lee’s son Alfred and Alfred’s wife Lydia share the home, so most of the preparations fall on them. And it’s not going to be pleasant, either. For one thing, Alfred finds out that his brother Harry, whom he’s disliked for years, will be there. So will his niece Pilar, whom he’s never met. For another, there will be extra bedrooms, more food and so on that will need to be planned. None of the other family members are any more keen to prepare for this holiday, but everyone duly gathers. On Christmas Eve, Simeon Lee is murdered. Hercule Poirot is staying in the area with a friend, and he agrees to work with the local police to investigate. As it turns out, the murder has everything to do with a past that came back to haunt the victim (I know, I know, fans of The Hollow…)

Gail Bowen’s Murder at the Mendel begins just before Christmas. The Mendel Gallery is planning an exhibition of the artwork of Sally Love. As it happens, she was a friend of academician and political scientist Joanne Kilbourn, so Kilbourn decides to go to the gallery and see the exhibit. She’d like if possible to see if the friendship could be renewed. But that doesn’t work out as planned; in fact, it’s awkward. Then, when gallery owner Clea Poole is murdered, Sally becomes a likely suspect. Then, there’s another murder. Kilbourn has to juggle getting involved in the murders with final preparations for Christmas and for a week of skiing that she’d planned for herself and her children. And the lead-up to the holiday is a little frantic. Here, for instance, is a snippet of a scene featuring Kilbourn’s daughter Mieka, who’s come home from university for the holidays:
 

‘…my daughter Mieka was sitting at the dining-room table behind piles of boxes and wrapping paper and ribbons…
‘Help,’ she said. ‘I’m three days behind in my everything.’
I sat down beside her and picked up a box. ‘For whom? From whom?’ I asked.
‘For you. From me. No peeking. Now choose some nice motherly paper. Something sedate.”
 

There’s nothing like the glittery clutter and frantic pace of gift-wrapping…

In Anthony Bidulka’s Flight of Aquavit, successful accountant Daniel Guest hires Saskatoon PI Russell Quant to find out who’s been blackmailing him. Guest is married and firmly ‘in the closet,’ but he has had some trysts with men. And someone’s found out about it. Quant agrees to see what he can do, although he thinks it would be more logical for his client to simply come out as gay. This Guest refuses to do, so Quant gets to work on the case. The search for the truth takes Quant to New York, where he finds out some surprising truths. When he returns, there’s a murder. And an attempt on his own life. Meanwhile, Quant’s mother Kay has come to stay for the Christmas holidays. He loves his mother, but it’s awkward living at close quarters with her now that he’s an adult. But Kay does come in handy as Quant gets ready for his annual Christmas come ‘n’ go. He’s not really a particularly high-strung person, as the saying goes, but he does want things to look nice and turn out well. And with Kay’s help, they do.

There’s a lot at stake in Riley Adams’ (AKA Elizabeth Spann Craig) Delicious and Suspicious. The Cooking Channel’s Rebecca Adrian has come to Memphis to choose the restaurant that will win the coveted Best Barbecue award. The award will mean lots of recognition and more business for the winning restaurant, so everyone at Aunt Pat’s Barbecue is eager to show the place off to best effect. Aunt Pat’s has been in Lulu Taylor’s family for generations, and as current owner, she oversees everything that goes on there. When Adrian arrives, Taylor’s as anxious as anyone else for the visit to go well:
 

Got to be the Cooking Channel scout,’ Lulu hissed. She scurried to the mirror. ‘I knew I should have worn my power suit today!”
 

She and her family members do their best to make their guest welcome, and she’s confident that the food will be delicious. But only a few hours later, Adrian dies of what turns out to be poison. Then the gossip starts to spread that the victim was killed by the food at Aunt Pat’s. Taylor wants to salvage the restaurant’s reputation and keep the business going, so she decides to investigate. And she soon learns that more than one person had a good reason to want Rebecca Adrian dead.

Martin Edwards’ The Serpent Pool begins on New Year’s Eve. Cumbria Constabulary DCI Hannah Scarlett and her partner Marc Amos are planning to go to a New Year’s Eve party at the home of successful attorney Stuart Wagg. It’s more upmarket than Scarlett likes, but she’s persuaded to go. She doesn’t lack confidence in herself most of the time, but there is of course the question of what to wear:
 

‘…her mind drifted back to the wardrobe challenge. Leather trousers were a safe bet. They were the colour of chocolate fudge cake – if she daren’t eat it, at least she could wear something that reminded her of it. That halter neck top with copper sequins, maybe, plus the brown boots for tramping outside to watch the firework display.’
 

The two go to the party and at first Scarlett’s pleased with her clothing choice, even getting compliments. But then then things go downhill. First, there’s a loud argument and one of the guests, after too much to drink, throws a glass of red wine at another and storms out. Not many days later, the host is murdered. Scarlett and her Cold Case Review Team are already looking into a six-year-old murder, and they find that this recent one (and another killing as well) is connected.

As crime fiction shows us, it doesn’t matter how frantically and carefully we prepare for gatherings. Anything can happen, and sometimes does…
 
 
 

*NOTE: The title of this post is a line from Billy Joel’s She’s Right On Time.

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Filed under Agatha Christie, Anthony Bidulka, Elizabeth Spann Craig, Gail Bowen, Martin Edwards, Riley Adams

I Want to be Elected*

VotingWhen many people think of elections and politics, they think of national-level elections. And that makes sense, since presidents and prime ministers have a great deal of power, and those elections get a lot of press. But it’s often the local and state/province/department – level elections that have the most impact on our day-to-day lives. For example, when you apply for a permit to build a house or develop some land, you generally don’t do so at the national level. So smaller elections can be very important.

They can stir up real passion, too, and the buildup of tension and excitement can be an interesting backdrop for a crime story. An election can also serve as an interesting sub-plot, even if it’s not the most important plot thread of a story.

In Gail Bowen’s Deadly Appearances, up-and-coming Saskatchewan politician Androu ‘Andy’ Boychuk is preparing to make a very important speech at a local picnic/barbecue. He’s widely seen as his party’s next leader, so everyone wants to hear what he has to say. As he’s beginning his speech, though, he takes a sip of water and then suddenly dies of what turns out to be poison. One of his campaign workers and speechwriters is political scientist and academician Joanne Kilbourn. She’s also a personal friend. When Boychuk dies, she decides to deal with her grief by writing a biography of him. The more she learns about Andy Boychuk’s life, the more she sees that there are sides to him that no-one knew. That search for the truth also leads Kilbourn to the truth about who killed Boychuk and why – and into real danger for herself.

We see the power of local politics too in Peter Temple’s Bad Debts. Danny McKillop spent eight years in prison for the drink driving murder of Melbourne citizens’ rights activist Anne Jeppeson. Now he’s been released, and he is desperate to contact the attorney who represented him Jack Irish. But before Irish can meet up with his former client, McKillop is murdered. Irish feels guilty already because he didn’t do a good job of defending McKillop in the first place. So he decides to look into the murder. He soon discovers that the victim was most likely framed for the killing of Anne Jeppeson. If that’s the case, then not only is the killer still free, but that person also probably murdered McKillop. As Irish and journalist Linda Hillier get closer to the truth, they discover that it’s all related to dirty politics, greed and intrigue.

Alan Orloff’s Deadly Campaign features a U.S. Congressional campaign. Edward Wong has just won the Democratic primary election, and will soon be preparing to face his Republican opponent in the larger general election. One night there’s a celebration event at the Northern Virginia restaurant owned by Wong’s uncle Thomas Lee. During the evening, a group of thugs bursts in and breaks up the party, using baseball bats to cause damage to the restaurant. Wong’s family does not want the police involved, but his uncle sees things differently. Lee asks his friend Channing Hayes, who co-owns a nearby comedy club, to ask around and see if he can find out who’s responsible for the attack, before anyone gets hurt or worse. Hayes reluctantly agrees. It’s not long though before the Wong family finds out that Lee and Hayes have been looking into what happened. The family leaders make it very clear to both that their involvement is not necessary; the matter is settled and there is no need to ask any more questions. They also make some not-very-veiled threats about the consequences if either man continues to investigate. Lee though is determined to find out the truth and Hayes feels no choice but to continue. Besides, he’s not exactly enamoured of the Wong family. And what the two find is that the attack is related to politics, greed and power-grabbing. And so are some murders that also occur in the novel…

We see an example of more local politics in Shelly Reuben’s The Boys of Sabbath Street. Artemus Ackerman is mayor of the small city of Calendar. A former magician, he wants to convert an old local theatre building into a museum of magic. To do that, he’ll need funding and the support of city leaders. He thinks he may be getting everything arranged when there’s a fire on the same street as the building. Then there’s another. And another. It’s soon obvious that there’s an arsonist at work. If the arsonist isn’t caught, there won’t be public support for this new museum. What’s more, people will likely lose their confidence in their mayor. Ackerman’s smart enough to know this, so he asks his publicist/assistant Maggie Wakeling to find out what she can. She works with Fire Marshal George Copeland to get to the bottom of this nightmare before anyone is killed.

In Elizabeth Spann Craig’s Pretty is as Pretty Dies, retired schoolteacher Myrtle Clover discovers the body of malicious real estate developer Parke Stoddard in a local church. Myrtle’s son Red, who’s the local police chief, doesn’t want his mother involved. In fact, he’d much rather her do things other retired people do – play Bingo, go to church meetings, and so on. But Myrtle is by no means ready to be ‘put out to pasture.’ To show that she’s not going to be pushed aside, she decides to investigate. The victim made more than her share of enemies in her relatively short time in the small town of Bradley, North Carolina, so there are plenty of suspects. One of them is City Councilman Benton Chambers, whom the victim was blackmailing. As Myrtle discovers, Chambers is not the ‘family man’ and ‘man of the people’ that he would have his constituents believe he is. So one very good possible motive for murder here is political.

One of the funniest commentaries on local politics (at least I find it funny) is in Craig Johnson’s The Cold Dish, the first in his series featuring Absaroka County, Wyoming Sheriff Walt Longmire. In this novel, Longmire and his team investigate the murders of two young men who are connected with a vicious gang-rape two years earlier. Longmire isn’t what you’d call a political animal, although he does know the value of showing up at community events and so on. He’d rather just do his job. Still, he understands that he has his job because of people’s votes. At one point in the murder investigation, one of the crime scene investigators says this to Longmire:
 

‘You blow one homicide, it looks like a mistake. You blow two, it starts looking like negligence. Or worse yet, stupidity.’

 

Here’s how Longmire answers.
 

‘I thought I’d use that on the bumper stickers in the next election, VOTE LONGMIRE, HE’S STUPID.’

 

I wonder if that slogan would be successful… ;-)

It’s not just national-level politics that can get downright dirty. Local and state/provincial/department politics can be dangerous too.

 
 
 

*NOTE: The title of this post is a line from Alice Cooper’s Elected.

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Filed under Alan Orloff, Craig Johnson, Elizabeth Spann Craig, Gail Bowen, Peter Temple, Shelly Reuben

The Cover Sometimes Makes the Book*

Book Back CoversI think we’d all agree that the quality of a novel has little to do with its cover. Speaking for myself, I’ve read plenty of unforgettable novels that didn’t have remarkable covers, and my share of completely forgettable novels with gorgeous covers. And yet, people spend a great deal of time and effort designing covers. There are cover reveals when books are released, and quite a lot of animated discussion about what should be on those covers when books are being planned.

There are probably several reasons for this. One is that, especially in today’s crowded market, it’s important to get people’s attention quickly. And that often means a great cover. A cover also can serve as a kind of shorthand to tell people about the novel. For instance, have a look at this cover of Will Thomas’ Fatal Enquiry.

 

Fatal Enquiry

It tells you right away that the story takes place in London. The man’s clothes also tell you that the novel takes place in the past.

This is the cover of Sam Hilliard’s The Last Track.

 

Last Track

Just one look at it tells you that the story takes place in a rural area. And the way the man on the cover is dressed tells you right away that the story takes place in modern times. As it turns out, both things are true.

But covers do more than just give a ‘snapshot’ of what’s inside. They also ‘brand’ a novel. Here, for instance is my edition of Agatha Christie’s Mrs. McGinty’s Dead (Yes, I know, it’s been much loved. I had it as a gift when I was a teenager, and no, I’m not saying how long ago that was).

 

Mrs McGinty

If you notice, there’s a figure of Hercule Poirot on the cover. Christie’s novels have of course come out in dozens of different editions. Each one has some way of ‘branding’ it as a Christie novel.

You can see that sort of ‘branding’ with this cover of Riley Adams’ (AKA Elizabeth Spann Craig) Delicious and Suspicious.

 

Delicious and Suspicious

If you look at the top, it’s ‘branded’ as part of her Memphis Barbecue series. And that can be very effective in getting readers interested. Fans know to look for that little ‘brand mark’ when they’re looking for a Riley Adams novel, even if they can’t recall the title they want.

A cover can also give readers a sense of the sort of crime fiction novel they’re considering. For instance, here’s the cover of Lindy Cameron’s Redback.

 

Redback

The cover tells you right away that this is probably not a light, cosy read. And it’s not. The cover also has a ‘thrillerish’ sort of feel to it, and that’s exactly what this novel is. It involves terrorism, international intrigue, and a crack Australian rescue team that goes up against them. A-hem, Ms. Cameron – still waiting for the next Team Redback novel…..

Now have a look at the cover of James W. Fuerst’s Huge.

 

Huge

It’s bright red, so it’s attention-getting. But it doesn’t suggest a lot of violence or a fast ‘thriller’ pace. And actually, this novel has neither.

Some people pay particularly close attention to covers. For instance, collectors of books with certain kinds of covers, or from certain eras, look for the sort of cover they want. Others only pay attention to a cover if it’s particularly off-putting. Either way, covers are a really interesting aspect of the crime fiction novel, even if they don’t always tell you whether a novel is of high quality.

And…speaking of covers, here’s the cover of Patti Abbott’s forthcoming release, Concrete Angel.

 

CONCRETE ANGEL

You can tell just by looking that it’s got a theme of someone who’s trapped in a tragic situation. And that’s exactly what the novel is about. It’s coming out in mid-2015, and I’m looking forward to it!

What you do think of this whole issue of covers? Do you pay attention to them? Do you collect books from a certain era because of the cover? Do you look for a certain cover artist’s work? If you’re a writer, what are your thoughts on covers for your books?
 
 
 

*NOTE: The title of this post is a line from Styx’s Miss America.

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Filed under Agatha Christie, Elizabeth Spann Craig, James W. Fuerst, Patti Abbott, Riley Adams, Sam Hilliard, Will Thomas

Heard it From a Friend Who Heard it From a Friend Who…

WordofMouthvery interesting post on Elizabeth Spann Craig’s excellent blog has got me thinking about how we learn about authors and new books coming out. She makes the point (and she’s right) that the way we talk to each other about books has changed.

It used to be that book lovers would share their finds at book clubs, perhaps in bookshops themselves or sometimes with friends and family members. Those things do still happen. But today, there are more ways to share books than ever before. So the meaning of ‘word of mouth’ has changed.

I’ll just offer two examples; I’m sure you’ll be able to think of lots more than I could. The Internet has made it possible for readers to find out about new books both from large online companies (you know the one I mean) and from publishers themselves. This means that smaller publishers can get a sense of what readers want. And it means that readers can discover books they might not have noticed in brick-and-mortar bookshops.

There’s also social media. Speaking strictly for myself, I’ve discovered some truly fine crime fiction through book blogs I trust – crime fiction I would never have heard of had it not been for blogging. For instance, I’ve become a fan of the work of Angela Savage, Geoffrey McGeachin, Anthony Bidulka and of course Elizabeth Spann Craig. I could give a long list of other examples too. And I would never have ‘met’ these particular authors if it weren’t for blogs.

But ‘word of mouth’ is much more than blogs. It’s also in places such as Facebook, Twitter, Instagram and other social networks. Dozens and dozens of posts and tweets mention this or that author, this or that release and this or that great new book. In a lot of ways, this new kind of ‘word of mouth’ has made it more possible than ever for authors who aren’t exactly household names to get their work out there. That is, if the author is comfortable with social media and is willing to make the time and do the work to use it as the powerful tool it can be. And it makes it more possible than ever for readers to discover a deep and rich treasure trove of authors and books. All of this is very good for the genre. The more good books out there, the better for the genre. The more readers interested in those books, the better for the genre. And it keeps busy crime writers everywhere very happy. ;-)

But here’s the thing. That much word of mouth can also have drawbacks. One of them is ‘noise.’ Let me explain what I mean. In her post, Spann Craig mentions 50 Shades of…well, you know what I mean, as an example of a book that got a huge amount of attention. As the saying goes, it went viral. That also happened with Stieg Larsson’s Millennium trilogy. I’m not going to debate the merits of that particular series, other than to suggest that once something like that does ‘go viral,’ there’s a great deal of pressure – call it peer pressure if you want to – to read, review and even enjoy the newest sensation. It’s everywhere in bookstores, it’s everywhere on reviews and so on. Are those ‘sensations’ good books? Some are. Some aren’t. But what happens is that that huge flurry of attention could well mean that other excellent books don’t get any.

That sort of ‘noise’ also means that there’s a great deal of pressure on other crime writers to ‘do what’s worked.’ If you’re a publisher or agent, that makes sense. A certain book happened to catch on (whether it’s a good book or not) and made a lot of money. Why wouldn’t a publisher or agent want to repeat that success? So it’s not surprising that what sometimes happens is that these folks begin to look for the same kind of thing from other writers. Of course this doesn’t happen in every case. But I wonder whether the success – the ‘going viral’ – of one or another book or series contributes to what can end up being ‘cookie cutter’ plots, characters and so on. After all, if this or that or the other kind of protagonist, sort of plot or kind of killer made a big hit for one author, why wouldn’t it be for another? Again, I’m absolutely not saying this happens in every case. I do think it may put a lot of pressure on authors though, unless they already have had some success of their own.

Another drawback of this new ‘word of mouth’ is that it creates an awful lot of stimulus for readers. We all make jokes about our TBR lists (no, I’m not telling you how many books are on mine!). But it’s no joke when one’s trying to sift through the myriad blogs, online reviews, e-zines and postings to choose something to read. No-one has the time to read all of the excerpts and reviews and make a fully informed choice. So we find ways to streamline the process. We go to only a small number of trusted blogs. Or we stick with a small number of authors we’ve discovered. Or we only read books that are on award shortlists. Or…or… This means there are a lot of talented authors out there whose work we may never read.

It’s at least as big a challenge if you’re a crime writer. No matter how talented you are, it’s harder than ever to stand out from the crowd, as the saying goes, unless by some fluke you’ve written something that gets a lot of attention. Publishers know how hard it is to get people to read an ‘unknown’s’ work, so lots of them don’t accept such manuscripts. And they have very high expectations (for very logical reasons) for sales. Those expectations are hard to meet no matter how skilled a writer one is when there are so many other choices. And independent publishers, who may have more options when it comes to choosing authors, have to work all the harder to get ‘their’ authors’ work in people’s hands. What’s more, even if a crime writer does get a contract from a publisher, there’s no guarantee of any kind of long-term relationship. A lot of authors of my acquaintance don’t get more than 2- or 3-book contracts, even if they’ve had solid sales.

Does this mean I think that the new ‘word of mouth’ is a bad thing? Absolutely not! I think having more choices out there is very, very good for the genre. As a reader, I may be bewildered by the sheer number of new novels available, and I may sometimes be disheartened by the long list of books I’ll never have the time to read. I may occasionally have to repair dents in my wall made by throwing a book that was a waste of my time and money. But I want all of those choices. I’m glad of the array of books available to me, both in paper and electronic form. I’d hate my reading options to be limited.

As a crime writer, I get more than disheartened (Please. Don’t ask.) when I think about how difficult it is to get people to read my novels and to get a publisher interested in publishing the ones that aren’t out yet. It’s sometimes very hard to make the time and expend the energy to keep up an online presence that will (hopefully) get people’s attention in a non-obnoxious way. And all of these things happen in part because there are a lot of other crime writers out there, some of them far more talented than I will ever be. So readers have a lot of options to choose from, and that means I have to work very, very hard to be heard. But that’s not a bad thing. Hard work makes me a better writer (I hope!). And the new ‘word of mouth’ means that I learn from what successful folks are doing. I’m getting better because of what I’ve seen and read. And that’s good for me and good for my writing.

In the end, the new ‘word of mouth’ is like a lot of other new things. It’s neither all good nor all bad. It takes adjustment, it brings on a lot of different challenges, and it’s got different potential payoffs. And whether we like it not, as readers and as writers, it’s something that seems to be here.

What do you think about all of this? How do you as a reader sort through all of today’s ‘word of mouth’ to find authors and books to love? If you’re a writer, how do you make today’s ‘word of mouth’ work for you?

Thanks, Elizabeth, for the inspiration!
 
 
 

*NOTE: The title of this post is a line from REO Speedwagon’s Take it on the Run.

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Filed under Angela Savage, Anthony Bidulka, Elizabeth Spann Craig, Geoffrey McGeachin

I See Flags, I Hear Bells*

IPageantsn many small towns (and actually, some not-very-small towns!), pageants are a way to bring people together, to provide entertainment and to show off local (and sometimes not-so-local) talent. It can all be a lot of fun and it does bring in business. But if you think about it, pageants can also bring trouble. There’s conflict and jealousy among participants and of course, there’s the fact that all sorts of people are brought together. Yes, the pageant is a terrific context for a murder mystery isn’t it?

It’s really little wonder there are several examples of this sort of context in the genre. I only have space in this blog for a few examples. I’m sure you’ll be able to fill in the gaps I’ve left.

In Victor Whitechurch’s Murder at the Pageant, Sir Henry Lynwood and his guests at Frimley Manor hold a costume pageant in aid of a local hospital. Their plan is to re-enact Queen Anne’s 1705 visit to the manor. The pageant itself goes well, and those involved return later to the manor house, where they enjoy a festive dinner. Later that night, one of the tenants on the property Jasper Hurst is killed. Just before he dies, two people are seen taking him away in the sedan chair that was used in the pageant. Captain Roger Bristow, who wrote the pageant and has arranged the event, works with the police to find out who killed Hurst and why. As it turns out, Hurst’s death is connected with the theft of a necklace belonging to the pageant’s ‘leading lady.’

Christianna Brand’s Death of Jezebel begins when Johnny Wise finds out that his girlfriend Perpetua Kirk has been unfaithful to him with Earl Anderson. What’s more, Wise didn’t discover this on his own; he was told by the cruel and malicious Isabel Drew. Brokenhearted over the loss of his love, Wise commits suicide. Seven years later, a medieval pageant is planned for Elysian Hall, in London. It’s to be converted into a model medieval village, where the event is going to take place. Isabel Drew is to play the lead role in the pageant. Against this backdrop, she, Anderson and Kirk have been getting threatening notes in which they are warned they’ll be killed. The murderer makes good that threat during the pageant when Isabel is strangled in public view and thrown from the tower constructed for the event. Inspector Charlesworth (whom fans will remember from Death in High Heels) and Inspector Cockrill (he of Green For Danger fame) work together to find out who committed the crime. Along with the pageant setting, this is one of those Golden-Age ‘impossible but not impossible’ crimes.

H.R.F Keating is perhaps best known for his mysteries featuring Inspector Ganesh Ghote. But he also wrote a standalone called Is Skin Deep, Is Fatal. In that novel, night-club owner Fay Curtis dies, apparently of suicide. Shortly before her death, she sent a note to pageant promoter Teddy Pariss, who is putting together a Miss Valentine beauty pageant. During rehearsals, Pariss is stabbed to death. Among other things, the note suggests to Superintendent Ironside that the two deaths might be connected. If so, then perhaps Fay Curtis’ death was not suicide. Ironside works with PC Peter Lassiter and DC Jack Spratt to find out who’s behind the deaths. It turns out that there are plenty of suspects too. As you might guess, the pageant has brought together some very competitive suspects. There’s also the fact that several of the people involved are keeping their own secrets…

David Roberts’ Sweet Sorrow is the last in his historical series featuring journalist Verity Browne and Lord Edward Corinth. At this point in the series (It’s 1939), the two have married, and have set up house at The Old Vicarage, in the village of Rodwell, Sussex. They’re hoping to have a peaceful summer, but that’s not at all what happens. Byron Gates, a London-based poet-turned detective novelist has moved with his daughter Ada and step-daughter Jean to Rodwell to escape imminent bombing in the big city. Gates has discovered that Virginia Woolf and some of her group are living in the area and he wants to join that circle. His children put on a pageant for the locals, based on the history of King Charles I and his beheading. Shortly after the pageant, Gates is found dead, beheaded just like King Charles. Cornish is pressed into service to help investigate, and it’s not long before more than one possibility is raised. Was Gates murdered because of suspected traitorous political loyalties? Was he killed for a personal reason? Cornish and Browne work together to find out the truth in this case.

And then there’s Riley Adams’ (AKA Elizabeth Spann Craig’s) Hickory Smoked Homicide. In that novel, we meet Tristan Pembroke, a malicious and self-important beauty pageant coach. She has no qualms about ruining the chances of anyone who gets in the way of the pageant contestants she mentors. And she’s managed to alienate just about everyone she meets with her rude and arrogant manner. One night, she hosts a benefit art auction. By the time the evening’s over, Tristan’s been murdered. Restaurant owner Lulu Taylor discovers the body and starts to ask questions. When it turns out that her own daughter-in-law Sara is a suspect, she’s even more determined to find out who the killer really is. Besides the mystery itself, we also get a look in this novel at how much pressure is involved in beauty pageants, even those intended for younger girls.

In Shelly Reuben’s The Boys of Sabbath Street, the small town of Calendar is getting ready for its annual Founders Day celebration. There’ll be music, shows, food, and more. Maggie Wakeling, assistant and PR representative for Mayor Artemus Ackerman, has a lot of planning to do to get ready. Then, there’s a fire on Sabbath Street. It soon comes out that this was a possible case of arson. Fire Marshal George Copeland is investigating when there’s another fire. And another. Now it looks as though an arsonist is at work, and Wakeling and Copeland work together to find out who that person is. Along with the obvious pressure to stop the fires, there’s additional stress because of the upcoming festivities. Founders Day represents an important PR opportunity for Calendar, and if it’s ruined, that could have real consequences for local businesses.

And that’s the thing about pageants and other such events. They’re often stressful and for those involved, the stakes are very high. It’s no wonder at all that we see them pop up in crime fiction as often as we do. These are just a few examples. Over to you.

Many thaks to Moira at Clothes in Books for the inspiration for this post. Do yourself a big favour and go visit her blog. Stay awhile; you’ll learn a lot about fashion, popular culture, and how it all impacts us. And you’ll read some terrific book reviews.
 
 
 

*NOTE: The title of this post is a line from Stephen Sondheim’s A Parade in Town.

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Filed under Christianna Brand, David Roberts, Elizabeth Spann Craig, H.R.F. Keating, Riley Adams, Shelly Reuben, Victor Whitechurch