There are all kinds of things that can draw us in to a crime fiction series. We may identify with the protagonist, or we may find the setting irresistible. Sometimes it’s the cast of ‘regular’ characters. There are other things too that draw us in. You’d think that with all of these appeals, people wouldn’t stop reading the work of their favourite authors. And yet, they do. I’m not talking here of series we stop reading because the quality of it goes down. That’s happened to all of us I’d imagine. Rather, I’m talking of series we truly enjoy but nonetheless stop reading. If you’ve ever thought to yourself, ‘I haven’t read those books for years. Wonder why I stopped..,’ you know exactly what I mean. Why do we stop reading series we really enjoy?
Part of it may simply be sheer volume. For example, Evan Hunter AKA Ed McBain wrote more than 50 of his 87th Precinct novels. And although they vary in quality, they’re all of high calibre. So a reader might be very hard-put to follow the entire series, no matter how engaging the books are. Gladys Mitchell’s Mrs. Bradley series is like that too. Mitchell was a prolific writer. A lot of people think this series is more uneven than the 87th Precinct series but even if one would choose only the best among them, there would still be dozens of novels. It wouldn’t be easy to keep up and manage all of them. And the thought of trying to do so can be daunting, especially for those who prefer to read all of the books in a series and not skip any of them.
In the opposite sort of phenomenon, there are also series, even beloved series, that people stop reading because there hasn’t been a new entry in a long time. For example, Lilian Jackson Braun began her Jim Qwilleran series in the late 1960s. But after the first three novels, Braun took a break from writing the series until the mid-1980s. By that time of course, a lot of readers had moved on to other authors. Philip Kerr did a similar thing with his Bernie Gunther series. He took a fifteen-year break between the first novels in the series and 2006’s The One From the Other. In both of those cases, readers found other series to love and for a time it was a matter of, ‘Oh, I used to read ____’s books and loved them. There just aren’t any new ones.’
People’s tastes change over time, too. For instance, you may have started your crime fiction reading with a real interest in PI novels such as John D. MacDonald’s Travis McGee series. But as time has gone by, perhaps you’ve gotten away from those novels, as high-quality as they are. Maybe you’ve become more interested in police procedurals such as Stephen Booth’s Fry and Cooper series, or Reginald Hill’s Dalziel and Pascoe novels. Or perhaps you’ve developed an interest in more noir kinds of novels such as Andrew Nette’s Ghost Money. In cases like that, it’s got nothing to do with the quality of a series. Rather, it’s changes in taste and reading priorities.
Sometimes people drift away from series because those series don’t get a lot of press, and don’t stay on one’s proverbial radar. For instance, Margaret Coel has been writing her Wind River Reservation series featuring attorney Vicky Holden and Franciscan priest Fr. John O’Malley since 1996. It’s certainly gotten some attention, and (at least in my opinion) it’s a well-written series with well-developed characters. But it hasn’t gotten nearly the international attention that, say, Tony Hillerman’s Jim Chee/Joe Leaphorn novels have gotten. And with the constant media hype of certain books and authors, it takes concentration to focus on those whose work isn’t always being hyped. So it’s easy to let series like that slip away without even being aware of it.
Perhaps the biggest reason people don’t keep up with series they truly enjoy is that there is so much other well-written crime fiction to read. And with today’s technology, we have instant access to reviews, news about new releases and so on. On the positive side, that means that we can read more kinds of well-written crime fiction by more different kinds of authors than ever before. We have more choices than we’ve ever had. And that’s a good thing for the crime fiction fan. On the other hand, it does make it harder to keep up with one’s favourite series.
What about you? Which series have you really enjoyed, but let get away from you? How do you keep up with series you love without ignoring new releases and new-to-you authors? If you’re a writer, what do you do to keep your fans loyal (beyond, of course, telling good stories as well as you can)?
NOTE: The title of this post is a line from Lou Handman and Roy Turk’s Are You Lonesome Tonight?