As any crime fiction fan knows, murder can happen just about anywhere and can affect just about anyone. So in crime fiction, people in all sorts of professions can end up being sleuths – even professions you might not think are all that, well, dangerous. And the fact is, more and more often, the police rely on experts from different fields to give them background information. So it’s realistic to believe that someone who’s, say, an insurance claims adjuster could be a fictional sleuth. And after all, a talented writer can make just about any profession interesting.
In Agatha Christie’s Endless Night, we meet Michael ‘Mike’ Rogers, who drives for a car hire firm. Driving people around isn’t exactly what you’d call a glamourous profession, but Rogers is a bit restless anyway and doesn’t intend to drive cars for the rest of his life. When he meets wealthy Fenella ‘Ellie’ Guteman, he soon falls in love with her and she with him. They have what seems to be the perfect home, Gipsy’s Acre, and all seems well. But a local woman Esther Lee has already warned them that Gipsy’s Acre is cursed, and that terrible things will happen. And soon enough, death strikes. Then there’s another murder. And another. You wouldn’t expect a driver for a car hire company to be mixed up in a set of murders, but that’s exactly what happens here…
In Dorothy Sayers’ Murder Must Advertise, Lord Peter Wimsey goes undercover in the kind of job you wouldn’t really normally associate with murder. Copywriter Victor Dean has died suddenly from a fall down a spiral staircase at Pym’s Publicity, Ltd., where he works. At first his death is put down to an accident, but he left behind an unfinished letter in which he said that someone at the firm had been using the company’s resources for illegal purposes. Pym’s is determined to maintain its respectability, so instead of calling in the police, they want Wimsey to investigate. He finds that Dean was correct; someone in the company had been using the company’s advertisements to arrange meetings between drugs rings and local dealers. Dean blackmailed the person responsible and paid for that decision with his life. Now admittedly, Wimsey isn’t by profession a copywriter but still, you wouldn’t think a copywriter would be at the heart of a murder mystery but it happens here.
Does being a ‘man of all work’/handyman sound like the kind of job that would involve you in a lot of murders? Does it sound exciting? No? Well ask Phoebe Atwood Taylor’s Asa ‘Asey’ Mayo and you just might get a surprising answer. When we first meet him in The Cape Cod Mystery, he is employed by Cape Cod local Bill Porter. When Porter is arrested for the murder of visiting writer Dale Sanborn, Mayo is pretty certain that his boss isn’t guilty. So with help from Porter’s friend Prudence Whitsby, he looks into the matter more deeply. Mayo’s not on the surface of it the kind of guy you’d expect to be hot on the trail of a killer. But he knows the locals and the area, he’s an observant person and he’s quite philosophical in his way.
You wouldn’t think that people who work in finance would get involved in the kind of tension and danger that a murder investigation brings, but you’d be wrong. Just ask John Putnam Thatcher, Senior Vice President at the Sloan Guaranty Trust, and the creation of the writing team, ‘Emma Lathen.’ Thatcher may spend his share of time working over numbers, but that doesn’t mean he doesn’t get involved in crime. In Murder to Go, for instance, the Sloan has financially backed Chicken Tonight, a fast food enterprise that’s suddenly becoming very popular. Then, a group of people are poisoned by one of the company’s recipes, and now it looks as though the company may have real financial trouble. As if that weren’t enough, Clyde Sweeney, one of Chicken Tonight’s warehouse delivery drivers, disappears and is later killed. In order to protect its investment, the Sloan has to find out what’s going on at Chicken Tonight, so Thatcher starts asking question. In the end, he finds out that it’s all related to behind-the-scenes greed and intrigue. What’s interesting about accountancy is that in recent years, forensic accountancy has become a respected branch of the profession, and is quite useful to the police. With today’s computer programs and expertise in accountancy, it’s possible to learn an awful lot about a victim or suspect’s financial doings and that can provide a lot of valuable information to an investigator.
Nelson Brunanski’s John ‘Bart’ Bartowski doesn’t exactly have the kind of profession you’d connect with murder either. He and his wife Rosie own Stuart Lake Lodge, a fly-fishing lodge in northern Saskatchewan. They live, however, in the small town of Crooked Lake, further south in the province. Sounds peaceful and certainly not glamourous or full of danger or tension, right? But danger and tension are exactly what Bart runs into in Frost Bite. Agribusiness CEO Lionel Morrison had recently spent some time at Stuart Lake Lodge. Then, Bart finds him frozen to death under a pile of wheat at the Crooked Lake Wheat Pool elevator. As it is Bart’s involved in the case since Morrison was staying at his lodge and since he found the body. But since Morrison was a ‘heavy hitter,’ there’s a media ‘feeding frenzy’ and Bart’s drawn even deeper into the case. Not something you’d expect from a peace-loving fly-fishing lodge owner who’s preparing for his daughter’s upcoming wedding and facing a health issue.
See? You don’t have to be a cop, a PI, an attorney or a journalist to be a sleuth. You don’t have to be in the medical profession either. Sometimes murder involves people in professions that you’d think would be the furthest removed from violence or the suspense of a police investigation. It takes a talented author to make sleuths like that believable and interesting but when it happens, that sort of sleuth can add innovation to the genre.
*NOTE: The title of this post is a line from Bob Dylan’s Tangled Up in Blue.