Category Archives: Reginald Hill

Do You Remember Your President Nixon*

NIXON RESIGNATIONAs I post this, it’s forty years today since Richard Nixon resigned as President of the United States. Whatever you think of Nixon’s presidency, his politics, or the scandal that brought down his administration, it’s hard to deny the impact of his resignation, at least in the US.

Of course, there’d been scandals before at very high levels of the US and other governments. But this was the first time for the US that a scandal led to a presidential resignation. What’s more, the investigation into Nixon’s activities and those of other members of his administration were very public – on television for the world to see. For many people who’d always trusted their government, the Nixon resignation was a rude shock and a bitter lesson that sometimes that trust is misplaced.

But if you look at crime fiction, you see that high-level government scandal has been around for a long time. There are a lot of examples of this plot point in the genre; space only permits me a few. But I’m sure that you’ll be able to think of many more than I could anyway.

A few of Agatha Christie’s stories feature government scandals. One of them is the short story The Incredible Theft. In that story, Lord Charles Mayfield hosts a house party that consists of himself, his secretary Carlisle, Retired Air Marshal Sir George Carrington and Carrington’s wife Julia and son Reggie. Also present is an enigmatic American Mrs. Vanderlyn. During the visit, Mayfield and Carrington want to consult about the plans for a new air bomber. Those plans have been kept top secret since they would be of great interest to England’s enemies. During the evening, the plans are stolen. Recovery of the plans is essential in order to protect them, and it’s got to be done quietly, too. Otherwise the scandal and the insinuation that someone powerful is aiding the enemy could bring down the government. So Sir George calls on Hercule Poirot to help find the plans.

Reginald Hill’s Recalled to Life concerns a case from 1963. Cissy Kohler was arrested and imprisoned for her involvement in the murder of her employer’s wife Pamela Westropp. At the time, Ralph Mickledore was also arrested and convicted in connection with the murder. As the novel begins, Kohler has recently been released from prison, and new hints are surfacing that suggest that she was innocent. More than that, they suggest that the investigating officer Wally Tallentire know that and hid evidence of it. When Superintendent Andy Dalziel finds this out, he’s determined to prove those allegations false. Tallentire was his mentor, and he has absolute faith in the man’s integrity. So Dalziel looks into the case again and from a different angle, so does Peter Pascoe. One interesting thing about this case is that it was tried in the same year as the famous Profumo case, in which John Profumo’s relationship with Christine Keeler was made public and eventually led to the resignation of then-Prime Minister Harold Macmillan. In fact that scandal is mentioned in the novel as a way of explaining public attitudes towards the Westropp case, and the assumption that Kohler was guilty.

In Kel Robertson’s Smoke and Mirrors, Australian Federal Police (AFP) Officer Bradman ‘Brad’ Chen is recovering physically and psychologically from his last case (detailed in Dead Set). His plans are to work on his Ph.D. thesis and have a normal life, whatever that means. But he’s drawn back to AFP work by a double murder at Uriarra, a writer’s retreat near Canberra. The victims are Alec Dennet, a member of the 1972-75 Gough Whitlam government, and Dennet’s editor Lorraine Starke. As the investigating team learns, Dennet and Starke were working on Dennet’s memoirs at the time of their deaths. Since the manuscript has disappeared, it looks as though someone committed murder to be sure it wouldn’t be published. And that suggests several possible suspects. For one thing, there are some very highly-placed people who don’t want everything about the Whitlam government’s activities to be known. For another, there are some very nasty groups from other countries too who would very much like that manuscript, not just for the information it may contain, but also for its monetary value. Among other things, this novel gives readers a look at the effects of a scandal years after it’s broken.

And then there’s Philip Margolin’s Executive Privilege. Washington-based former cop-turned-PI Dana Cutler is hired by prominent attorney Dale Perry to follow a young intern Charlotte Walsh and report on where she goes and whom she sees. Cutler doesn’t see why a ‘nobody’ intern could be of interest to anyone, but a fee is a fee. So she begins her work. Then one night, Walsh leaves her car in a mall parking lot, is picked up in another car and is taken to a secluded safe house. Cutler is shocked to find that Walsh is meeting with US President Christopher Ferrington. The next morning, Cutler learns that Walsh’s body has been found in her car, which is still in the parking lot. Now Cutler is an important witness – and a target for some very powerful people who don’t want the young woman’s death investigated. It turns out that Charlotte Walsh’s murder is connected with another murder and a common experience the two victims had.

There are also several books by Margaret Truman, including Murder at the White House, in which scandal at the very highest levels of government is explored. But Nixon’s resignation didn’t just change people’s attitudes about government and its leaders. It also made heroes out of journalists such as Robert Woodward and Carl Bernstein, who uncovered what was going on in the Nixon administration.

The perception of journalists as interfering annoyances (you see this attitude come up in some classic crime fiction) changed for a lot of people during the Watergate investigation. And we see that shift in some modern crime fiction. For instance, Liza Marklund’s Annika Bengtzon is a crime reporter who breaks several high-level scandals in the series that features her. One of the recurring characters in Peter Temple’s Jack Irish series is journalist Linda Hiller. She helps Irish bring down some very powerful people in Bad Debts, and even though she doesn’t appear in all the novels, she’s presented in a positive light, as a someone who’s working to stop corruption. And of course to get herself a major story. And Ian Rankin’s John Rebus co-operates more than once with journalist Mairie Henderson. The image of the reporter/journalist as the gutsy, heroic protagonist may not have originated with Woodward and Bernstein, but it certainly got a boost as a result of their Watergate investigation.

The Nixon resignation had powerful and lasting effects, and not just on those directly involved. It was one of the pivotal US events of the 1970s. Little wonder that scandals are still given nicknames that end in ‘-gate.’

ps. If you’re kind enough to read this blog occasionally, you know that I almost always take my own ‘photos. But this one’s far better than any I could take. Thanks, Channel One News.

 

 

 

*NOTE: The title of this post is a line from David Bowie’s Young Americans.

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Filed under Agatha Christie, Ian Rankin, Kel Robertson, Liza Marklund, Margaret Truman, Peter Temple, Philip Margolin, Reginald Hill

They’re Talkin’ About You and It’s Bringin’ Me Down*

PoliceInvestigationWhen the police investigate or re-investigate a case, they don’t always confine themselves to just looking at whether the right person was arrested. They also look at the way the case was pursued, and that means looking at their own. I’m not talking here of police corruption. Crime fiction fans know that there are plenty of stories where the protagonist goes up against corrupt cops. Rather, I mean stories in which the police have to look at the way a case has been handled. It’s always uncomfortable to do that, as the cops may be investigating someone they’ve known and liked for a long time. But sometimes it’s indicated, and it can make for a very effective layer of suspense in a story.

For instance, in Reginald Hill’s Recalled to Life, Cissy Kohler has been released from prison after serving time for the 1963 murder of Pamela Westrop. Soon, allegations are made that Kohler was innocent and that Wallly Tallentire, who investigated the case, knew that and hid relevant evidence. Superintendent Andy Dalziel resents that claim bitterly; Tallentire was his mentor, and he is convinced that Tallentire’s conduct was entirely appropriate. He also believes that Kohler was guilty all along. Still, the case is re-opened and a new investigation is made. Dalziel and Peter Pascoe go about it from different angles, but each pursues the real truth about what happened to Pamela Westrop. Throughout the novel, there’s a thread of tension brought on by the reality of investigating a cop whom Dalziel knew and respected for years.

There’s a similar kind of tension in Colin Dexter’s The Remorseful Day. Harry Repp has been released from prison after serving time for burglary. An anonymous tip now alleges that he is also guilty of the two-year-old murder of a nurse Yvonne Harrison. So Superintendent Strange asks Inspector Morse and Sergeant Lewis to re-open the case. Morse seems unusually apathetic about the investigation, so Lewis does a lot of the work. As he looks into the matter, he makes a truly upsetting discovery that seems to show the reason for Morse’s apparent lack of interest in this murder. Dexter makes it clear how difficult it is for Lewis to continue the investigation after his find. But of course, this is Colin Dexter, so things are not what they seem.

Louise Penny gives readers a look at what it’s like to be on the receiving end of those sorts of questions in her series featuring Chief Inspector Armand Gamache of the Sûreté du Québec. Beginning with Still Life, the first in the series, we get hints, and later facts, about an earlier case involving Gamache. We later learn that questions about it have been raised.  I don’t want to say more for fear of spoilers. But I can say that this particular story arc lends a solid layer of tension to the novels. Although each of the novels contains a separate murder investigation, the story arc shows that these kinds of questions can go on in the background and can have a profound effect on the life of the subject of them.

Peter Lovesey’s The Last Detective: Introducing Detective Superintendent Peter Diamond has a similar sort of sub-plot. The body of famous TV actor Geraldine ‘Gerry’’ Jackman has been found in Chew Valley Lake not far from Bristol. Superintendent Peter Diamond and his assistant DI John Wigfull investigate the death and they soon find that this is going to be a difficult case. For one thing, it turns out that the victim didn’t die by drowning, and was probably killed elsewhere and brought to the lake. For another, the deeper they dig into her background, the more complications they find. As if that weren’t enough, there’s already somewhat of a cloud over Diamond, resulting from his conduct during an earlier case. He’s very much ‘on probation’ in this investigation and in fact, it’s even arranged for a ‘company spy’ to keep tabs on him.

The murder of Sergeant John White of the Tasmania Police brings on a deep look into his life in Y.A. Erskine’s The Brotherhood. White has the reputation of being very much ‘a cop’s cop.’ Never accused of ‘going dirty,’ always supportive of his colleagues, he is much respected and admired by his peers. One morning he and probationer Lucy Howard respond to reports of a break-in. While they’re at the scene, White is stabbed. The most likely suspect is seventeen-year-old Darren Rowley, who’s been in trouble with the law before. But the police can’t move too quickly here. Rowley is part Aboriginal and from what people call a ‘disadvantaged background.’ The police know that the media is watching everything they do to be certain they ‘play by the rules.’ Besides, there are some hints that something more was going on with this case. As we learn what really happened in the days leading up to the murder, and on the day itself, we also see how the police react when one of their own – someone they really respected – comes under the proverbial microscope.

And then there’s Annie Hauxwell’s  In Her Blood. In that novel, London investigator Catherine Berlin has been building up a case against loan shark Archie Doyle. She’s been working with an informant who goes by the name of Juliet Bravo. One day ‘Juliet’ is found dead in Limehouse Basin. Berlin feels responsible for putting her informant at risk, so she takes a special interest in finding out who killed her. Soon, though, she finds herself suspended for not following protocol with regard to her interactions with her informant. But she wants to know the truth about ‘Juliet’s’ death. Then, Berlin faces a personal crisis. She’s a registered heroin addict who’s been getting her supply from Dr. George Lazenby under the registered addicts program. One afternoon she goes to his office to keep her regular appointment only to find him dead and herself a suspect in his murder. With only seven days’ supply of the drug left, she’ll have to clear her name as quickly as she can, before withdrawal sets in. In the end, she finds out the truth behind Lazenby’s murder and how it ties in with ‘Juliet’s’ murder. She also discovers some things best left unknown about some of her colleagues.

There are also novels such as Ian Rankin’s The Complaints that deal with internal investigations of police. It’s difficult to have the responsibility of ‘policing the police,’ and those who do so don’t necessarily have a lot of friends in the rest of the department. But it’s a fact of police life.

It’s always difficult when questions are raised about a colleague, especially if that colleague is someone you’ve liked and respected. It’s even worse when it’s a member of the police force, who are supposed to be worthy of public trust. When it happens in real life it’s distressing for everyone. When it happens in crime fiction, it can add suspense to a story. Which gaps have I left?

 

 
 

*NOTE: The title of this post is a line from REO Speedwagon’s Take it on the Run.

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Filed under Annie Hauxwell, Colin Dexter, Ian Rankin, Louise Penny, Peter Lovesey, Reginald Hill, Y.A. Erskine

Everybody Needs an Education*

Cop as TeacherA lot of learning to be a good detective comes from on-the-job experience. Even police detectives, who presumably go through police academy, don’t really learn how to be detectives until they actually do the work. So among many tasks that fall to more senior detectives is teaching new arrivals. Sometimes the teaching is very informal. The new detective simply starts working with the more senior sleuth and observes and gradually learns. Sometimes the process is more formal. Either way it’s interesting to see how more senior detectives fit into their roles as teachers. It’s certainly part of the job in real life and it is in crime fiction too.

For instance, Louise Penny’s Chief Inspector Armand Gamache is a veteran investigator. He’s therefore expected to help coach new arrivals and he has a good reputation as a teacher. So when Yvette Nichol is named to the Sûreté du Québec in Still Life, she is determined to make a good impression. Gamache and his team are looking into the murder of former schoolteacher Jane Neal, and being assigned to the group is Nichol’s chance to make her mark. Gamache tries to coach her in his own way, and makes several attempts to teach her how to think and act like a detective. But unfortunately, Nichol isn’t an apt pupil. She’s intelligent and observant, but she is also smug, arrogant and defensive. She refuses to pay attention when Gamache gives her advice and hints. He tries to be patient with her but that doesn’t work. Even his second-in-command Jean-Guy Beauvoir, who respects his boss, says that Gamache is putting forth too much effort. Gamache tries to use the opportunity to coach Beauvoir too in how to supervise in difficult situations. But it doesn’t work very well because Beauvoir turns out to be all too accurate in his estimation of Nichol. And as fans of this series know, Nichol plays an important role in a story arc. It’s an interesting look at Gamache-as-teacher.

As Katherine Howell’s Violent Exposure begins, paramedics Carly Martens and Aidan Simpson are dispatched to the scene of what seems like a case of domestic violence between Connor Crawford and his wife Suzanne. Carly much prefers working with her usual partner Mick Schultz. However, she’s a training officer and Simpson’s been paired with her to complete his training. Both Crawfords claim that all’s well, and with no other option, the paramedics leave. The next day Suzanne is murdered and Connor disappears. New South Wales police detective Ella Marconi and her partner Dennis Orchard are assigned to the case. When they try to trace Connor Crawford, they find no records at all on him. So as well as solving the murder, they’ll have to find out who Connor Crawford really is or was. In the meantime, Carly and Mick have problems of their own. Aidan Simpson is overconfident and arrogant. He’s got a lot to learn and refuses to take any advice or pitch in when he’s needed. He’s defensive too and can be sneaky. He’s certainly not ready to be a full-fledged paramedic and both of his training officers are fed up with him. It adds a layer of interest in this story to see the two veteran paramedics cast as coaches.

As we learn in Y.A. Erskine’s The Brotherhood, Sergeant John White of the Tasmania Police takes seriously his role as coach and teacher. That’s one of the reasons that the members of his team have a lot of respect and liking for him. It’s also why probationer Lucy Howard is eager to make a good impression when she and White are called to the scene of a home invasion one afternoon. It ends in tragedy when White is killed. The most likely suspect is seventeen-year-old Darren Rowley, who has a police record and a bad reputation. But it may not be as clear-cut a case as it first seems, and matters are not made any better by the team’s grief at the loss of their sergeant. One of the people who are deeply affected by White’s murder is Constable Cameron ‘Cam’ Walsh, whom White mentored. In fact, that’s part of what Cam remembers best about his boss – the skilled way he had of teaching new arrivals how to do their jobs.

In Jean-Pierre Alaux and Nöel Balen’s Treachery in Bordeaux, well-respected winemaker and oenologist Benjamin Cooker takes on a new role – that of teacher. He’s been joined by a new assistant Virgile Lanssien. Lanssien is eager to make a good impression on his new boss/teacher, and it’s clear that he’s open to learning. For his part, Cooker soon finds that Lanssien is quick, interested, and quite knowledgeable himself. The two soon get involved in a mystery when fellow vintner Denis Maissepain discovers that four barrels of his wine have been contaminated. Massepain is a careful and scrupulous winemaker so it’s unlikely he would have been careless enough to allow his own wine to be spoiled. The most likely other possibility is that someone else sabotaged the wine. So Cooker and Lanssien investigate to find out who would have wanted to ruin Massepain. Throughout the novel, we see several moments where Cooker takes some time to do some coaching. To his credit, Lanssien is fully aware of the opportunity he has and takes advantage of it.

Sarah Caudwell’s Hiary Tamar has an interesting opportunity for teaching. Tamar is a law professor who still keeps in touch with former student Timothy Shepherd, who now works in London with a group of other young attorneys. Shepherd and his co-workers have also become friends. In this four-book series, the group of lawyers gets involved in a series of murder cases and Tamar helps them to find out the truth behind the killings. The young people all have solid professional skills and they’re competent. But it’s interesting to see how, in their own ways, they have a teacher/pupil view of their relationship with Tamar even though none of them is in law school.

And then there’s Jean Pierre ‘J.P.’ Taine, whom we meet in Anthony Bidulka’s Dos Equis. Saskatoon PI Russell Quant is taking what you might call a leave of absence from life (Read Date With a Sheesha to find out why – I don’t want to spoil anything). He’s spending time at a friend’s home in Mexico when he gets a call from another PI Jane Cross, who works in Regina. She says that she needs his help, presumably on a case, so he goes to her office. By the time Quant gets there though, it’s too late. Jane’s been murdered. And that’s how he meets Taine, who’s had his brushes with the law, but who wants to be a detective. Quant doesn’t trust Taine at all at first, but they work together on this murder and on the case that Jane was working when she was killed. Throughout the novel, we see how Quant has to develop some teaching skills (he’s not very patient with Taine’s inexperience at first). Among other things it’s an interesting development to Quant’s character.

Many professional detectives don’t think of themselves as teachers too, but as crime fiction clearly shows, they are. Oh, and you’ll notice that I’ve not included a lot of partnerships such as Reginald Hill’s Andy Dalziel and Peter Pascoe (It would probably be quite an experience to have Dalziel as a teacher!), or Colin Dexter’s Inspector Morse and Sergeant Lewis. Too easy. ;-)

 

 
 

*NOTE: The title of this post is a line from the Kinks’ Education.

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Filed under Anthony Bidulka, Colin Dexter, Jean-Pierre Alaux, Katherine Howell, Louise Penny, Nöel Balen, Reginald Hill, Sarah Caudwell, Y.A. Erskine

Are You Sorry We Drifted Apart?*

Letting Series Get AwayThere are all kinds of things that can draw us in to a crime fiction series. We may identify with the protagonist, or we may find the setting irresistible. Sometimes it’s the cast of ‘regular’ characters. There are other things too that draw us in. You’d think that with all of these appeals, people wouldn’t stop reading the work of their favourite authors. And yet, they do. I’m not talking here of series we stop reading because the quality of it goes down. That’s happened to all of us I’d imagine. Rather, I’m talking of series we truly enjoy but nonetheless stop reading.  If you’ve ever thought to yourself, ‘I haven’t read those books for years. Wonder why I stopped..,’ you know exactly what I mean. Why do we stop reading series we really enjoy?

Part of it may simply be sheer volume. For example, Evan Hunter AKA Ed McBain wrote more than 50 of his 87th Precinct novels.  And although they vary in quality, they’re all of high calibre. So a reader might be very hard-put to follow the entire series, no matter how engaging the books are. Gladys Mitchell’s Mrs. Bradley series is like that too. Mitchell was a prolific writer. A lot of people think this series is more uneven than the 87th Precinct series but even if one would choose only the best among them, there would still be dozens of novels. It wouldn’t be easy to keep up and manage all of them. And the thought of trying to do so can be daunting, especially for those who prefer to read all of the books in a series and not skip any of them.

In the opposite sort of phenomenon, there are also series, even beloved series, that people stop reading because there hasn’t been a new entry in a long time. For example, Lilian Jackson Braun began her Jim Qwilleran series in the late 1960s. But after the first three novels, Braun took a break from writing the series until the mid-1980s. By that time of course, a lot of readers had moved on to other authors. Philip Kerr did a similar thing with his Bernie Gunther series. He took a fifteen-year break between the first novels in the series and 2006’s The One From the Other. In both of those cases, readers found other series to love and for a time it was a matter of, ‘Oh, I used to read ____’s books and loved them. There just aren’t any new ones.’

People’s tastes change over time, too. For instance, you may have started your crime fiction reading with a real interest in PI novels such as John D. MacDonald’s Travis McGee series. But as time has gone by, perhaps you’ve gotten away from those novels, as high-quality as they are. Maybe you’ve become more interested in police procedurals such as Stephen Booth’s Fry and Cooper series, or Reginald Hill’s Dalziel and Pascoe novels. Or perhaps you’ve developed an interest in more noir kinds of novels such as Andrew Nette’s Ghost Money. In cases like that, it’s got nothing to do with the quality of a series. Rather, it’s changes in taste and reading priorities.

Sometimes people drift away from series because those series don’t get a lot of press, and don’t stay on one’s proverbial radar. For instance, Margaret Coel has been writing her Wind River Reservation series featuring attorney Vicky Holden and Franciscan priest Fr. John O’Malley since 1996. It’s certainly gotten some attention, and (at least in my opinion) it’s a well-written series with well-developed characters. But it hasn’t gotten nearly the international attention that, say, Tony Hillerman’s Jim Chee/Joe Leaphorn novels have gotten. And with the constant media hype of certain books and authors, it takes concentration to focus on those whose work isn’t always being hyped. So it’s easy to let series like that slip away without even being aware of it.

Perhaps the biggest reason people don’t keep up with series they truly enjoy is that there is so much other well-written crime fiction to read. And with today’s technology, we have instant access to reviews, news about new releases and so on. On the positive side, that means that we can read more kinds of well-written crime fiction by more different kinds of authors than ever before. We have more choices than we’ve ever had. And that’s a good thing for the crime fiction fan. On the other hand, it does make it harder to keep up with one’s favourite series.

What about you? Which series have you really enjoyed, but let get away from you? How do you keep up with series you love without ignoring new releases and new-to-you authors? If you’re a writer, what do you do to keep your fans loyal (beyond, of course, telling good stories as well as you can)?

 

 
 

NOTE: The title of this post is a line from Lou Handman and Roy Turk’s Are You Lonesome Tonight?

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Filed under Andrew Nette, Ed McBain, Evan Hunter, Gladys Mitchell, John D. MacDonald, Lilian Jackson Braun, Margaret Coel, Philip Kerr, Reginald Hill, Stephen Booth, Tony Hillerman

She’s Here to Look After You*

NanniesWith so many households made up of adults who work full-time, many people make use of child care providers. Sometimes the solution is to have someone live in or come in on a daily basis. Other families leave their children in the care of a person who cares for children in (usually) her own home. Child care issues can add tension to family dynamics. For one thing, there’s always the fact of leaving a child in someone else’s care; that can bring feelings of guilt and second-guessing. There is also of course the issue of trust in one’s caregiver, especially when it comes to children, since they are so vulnerable. But millions of people do use child care, so it makes sense that we would also see it in crime fiction.

Of course, child care is not a new phenomenon. People with the means to do so have had nannies and governesses for a very long time. For example, in Arthur Conan Doyle’s The Adventure of the Copper Beeches, Violet Hunter asks Sherlock Holmes’ help in deciding whether or not she should take a position as governess to Jephro Rucastle’s six-year-old son. On the one hand, the pay is more than generous. On the other, she’s a little unsettled about some of the odd requests Rucastle makes of her. They don’t seem like much at first; it’s just a matter of what Rucastle calls ‘whims,’ such as wearing a dress of a certain colour. But when he asks Violet to cut her hair, she gets concerned. So does Holmes, but when Rucastle increases his salary offer, Violet feels she has no choice but to take the position. Holmes assures her that if she is in need of his help, all she has to do is send word and he’ll be there. It turns out that Holmes’ instincts are right; Violet is only there for a short time before odd things begin to happen. It turns out that the Rucastle family is hiding some secrets that could prove very dangerous for their governess.

In Agatha Christie’s And Then There Were None (AKA Ten Little Indians), ten people receive an invitation to Indian Island off the Devon coast. Each accepts and they duly arrive on the island. Just after dinner on the first night, everyone is shocked when each person is accused of having caused the death of at least one other person. Not long after that, one of the guests suddenly dies of what turns out to be poison. Late that night, another person dies. It’s soon clear that someone has lured everyone to the island and is killing them one at a time. The survivors now have to find out who the killer is and try to stay alive themselves. One of the guests is Vera Claythorne, games mistress at a girls’ school. Before that though, she was governess to Cyril Hammond, a young boy who drowned when he swam out too far into the sea. As we learn about what happened to Cyril, we see that the event isn’t quite as clear-cut as it first seems…

Patricia Moyes’ Dead Men Don’t Ski takes place, for the most part, at the Bella Vista hotel in Santa Chiara, in the Italian Alps. Scotland Yard’s Henry Tibbett and his wife Emmy have gone to Santa Chiara for a skiing holiday, but they soon get mixed up in a murder. One of the hotel guests Fritz Hauser is shot one afternoon and his body found in a downward-running ski lift chair. The local police in the form of Captain Spezzi begin to investigate, and Spezzi soon settles on a suspect. She is Gerda Braun, governess to Baron and Baroness von Wurtburg’s two children. She’s accompanied her charges and their mother to the hotel for an annual visit to Italy, but Spezzi is sure that there’s more to it than that. She has her own past history and secrets, and a good motive to have murdered Hauser. Although Tibbett doesn’t immediately discount her at first, he’s not nearly as sure as his colleague is that she is the killer. So he investigates further and finds that just about everyone at the hotel had a good reason to want Fritz Hauser dead.

Reginald Hill’s Recalled to Life also features a nanny. Cissy Kohler has spent years in prison for her involvement in the 1963 murder of Pamela Westropp, her employer’s wife. At the time, she was nanny to their twin children. She’s released after her sentence and goes straight to the U.S. before really talking to anyone. In the meantime, there are hints that the wrong person was convicted of the crime. There are also hints that the investigator Wally Tallantire might have tampered with evidence. Tallantire is no longer alive to defend himself, but Superintendent Andy Dalziel, whose mentor Tallantire was, is very much alive. He is eager to defend Tallantire’s memory, so from two different perspectives, he and Peter Pascoe re-open the case. They find out that much more was going on in the Westropp family and their ‘circle’ than it seemed on the surface.

The Davies family is the focus of Elizabeth George’s A Traitor to Memory. Twenty years before the main events of the novel, two-year-old Sonia Davies drowned. Her nanny Katja Wolff was arrested in connection with the incident and imprisoned. She’s recently been released from prison and her release roughly coincides with some other tragic events. First, twenty-eight-year-old Gideon Davies, a world class violinist, finds one night that he cannot remember how to play. Terrified, he consults a psychologist to find out what is blocking him. In the process, he delves into the family past. In the meantime, Davies’ mother Eugenie has been fatally struck by a car in a hit-and-run incident. Inspector Thomas Lynley and Sergeant Barbara Havers investigate the death and they find that what has happened in that family has everything to do with the events of decades earlier.

Of course, not all child minders get mixed up in murder. For example, there’s Sandra, who acts as child minder to Elly Griffiths’ Ruth Galloway. Galloway is the single mother of Kate, and has decided to raise her alone. But she is also Head of Forensic Archaeology at North Norfolk University. That means she has a full-time position and a lot of obligations. And there’s the fact that the police consult her when there are cases involving deaths that aren’t recent. So Galloway needs someone she can depend on to help look after Kate. That’s where Sandra comes in. She is a dependable, caring friend and a careful child minder.

Governesses, nannies, child minders, whatever you call them, the people who watch over children play crucial roles in our lives. Little wonder they do in crime fiction too.

Oh, you’ll notice that I didn’t mention any of the many crime fiction novels that feature day care facilities. That’s the stuff of another post…

 

 
 

*NOTE: The title of this post is a line from Au Pairs’ Set-Up.

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Filed under Agatha Christie, Arthur Conan Doyle, Elizabeth George, Elly Griffiths, Patricia Moyes, Reginald Hill