I’m going to let you in on a little secret if I may. It’s not always easy to create an entirely fictional place when you write. On the one hand, creating a fictional setting means that you don’t have to verify street names, local landmarks and the like. You can locate buildings, parks, streets and so on anywhere you like. And there’s no end to the possibilities for the kinds of characters you create.
But on the other hand, a completely fictional setting still has to be credible. Even readers who live in the region where the fictional town or city is located have to believe the place could really exist. The climate, the kinds of businesses, the pastimes and the character types have to ring true or readers won’t be drawn into the story. And if you write a series set in that fictional place, it has to change and evolve as the series goes on. That happens to real-life places. Buildings go up and are torn down. People move in and out. Businesses open, close and change. A fictional setting has to reflect that evolution if it’s to be believed.
Some authors have created fictional settings that are so authentic that people have believed they actually exist. For example, Agatha Christie created St. Mary Mead, the home of Katherine Grey in The Mystery of the Blue Train and later of course the home of Miss Jane Marple. Interesting that in a village like that, the two women never meet. Still, St. Mary Mead is a very credible kind of English village with a cast of ‘regular’ characters who fit in there. There’s the vicar Leonard Clement and his wife Griselda, there’s Colonel Arthur Bantry and his wife Dolly, and there are others too. St. Mary Mead also changes as time goes by, as you would expect. That’s one of the themes for instance in The Mirror Crack’d From Side to Side (AKA The Mirror Crack’d). In that novel, council housing and other social changes have come to the village, and some residents aren’t too happy about them. Miss Marple takes the changes in stride but it’s clear that the village is evolving as real places do.
K.C. Constantine’s Mario Balzic series takes place in fictional Rocksburg, Pennsylvania. It’s a mining town in the western part of Pennsylvania and most of the characters there fit right in. Chief of Police Balzic for instance reflects the Polish-American and Italian-American influences in that region and the town residents tend to be working-class ‘regular folks.’ It’s a fictional town but the series reflects the culture, economy, character types and climate of that area. Trust me. To my knowledge (but please, correct me if I’m mistaken), Rocksburg is completely fictional. But it might be a real place for its authenticity.
That’s also true of Ruth Rendell’s Kingsmarkham. Fans of her Inspector Reg Wexford series will know that most of the novels in it take place in this fictional town. It isn’t a real place, but it’s certainly authentic. In novels such as Road Rage and Simisola, we see the town adapt (or not) to social and other changes. The cast of ‘regulars’ is authentic; so are details such as climate, kinds of businesses and physical setting. Fans of the series will tell you that to them, Kingsmarkham might very well be an actual place. In fact, it’s said that Rendell once had to remind a reader that she created the place when that reader questioned her about it. I don’t have all of the details but I wouldn’t be at all surprised if it were true. Kingsmarkham is very genuine.
So is Three Pines, the rural Québec creation of Louise Penny. As fans of this series will know, Chief Inspector Armand Gamache of the Sûreté du Québec spends his share of time there. Beginning with Still Life, readers have gotten to know many of the locals very well. Gamache doesn’t live there, but he’s become one of them in his way. The place is authentic. It fits in with the region and it develops and evolves as the series goes on. Buildings change hands, people come and go, and there’s a cast of recurring characters that adds much to the authenticity of this fictional place. The climate and culture are also realistic. I would guess that plenty of people have done an Internet search for Three Pines, thinking they would find it on an actual map. Here’s what Penny says about the place:
‘I love Three Pines. I created it because I would want to live there.’
It may not be on maps, but it’s a believable town.
We could also say that about Vigàta, the fictional home of Andrea Camilleri’s Inspector Salvo Montalbano. Vigàta is located in Sicily and is based on Camilleri’s home town of Porto Empedocle. It’s not a real place, but it’s quite authentic. The trattorias, the buildings, the local culture and the character types ring very true, and that’s not just because it’s inspired by a real place. Camilleri creates an authentic sense of setting with the subtle and not-so-subtle details that make a place genuine.
There are other series too that are set in fictional towns based on real places. For example, Nelson Brunanski’s John ‘Bart’ Bartowski series is set in Crooked Lake, Saskatchewan. That town is based on a real place, Wakaw, Saskatchewan. Robert B. Parker’s Paradise, Massachusetts is the home of his Jesse Stone series. Paradise is loosely based on Swamscott, Massachusetts. And fans of Craig Johnson’s Walt Longmire series will know that Durant, Wyoming, the setting for those novels, is based on an actual place, Buffalo, Wyoming.
Plenty of cosy mystery series are also set in fictional places that feel quite real. Lilian Jackson Braun’s Cat Who… series is like that. It’s set mostly in Pickax, a small town in Moose County, ‘400 miles north of nowhere.’ And Elizabeth Spann Craig’s got two series set in fictional towns in North Carolina. But those places seem genuine. They’re populated with believable characters, the places evolve as the series goes on, and the culture and climate reflect the region.
Now if you’ll excuse me, the Tilton Sentinel’s newest edition is out and I want to catch up on the news. :wink: While I’m gone, feel free to share the fictional places that seem very real to you.
*NOTE: The title of this post is a line from Paul Vance and Lee Pockriss’ Playground in My Mind.