Category Archives: Vicki Delany

That’s Where the Big Bands Used to Come and Play*

Dance HallsAmong many other things, crime fiction shows us how society changes over time. It also gives readers a look at really interesting social phenomena. For instance, from the turn of the last century until the 1960s, the dance hall was an important fixture in the social life of many communities. Before the nightclub was introduced, dance halls were the places people went to on a Friday or Saturday night. Some dance halls were of course seedy and dangerous. Others were more respectable places where young people could meet. Either way, they were places where a diverse group of people got together, where romance blossomed, where liquor was sometimes served and conflicts sometimes erupted. Yes, they were perfect contexts for a mystery. Here are a few examples to show you what I mean.

In Agatha Christie’s short story The Case of the Middle-Aged Wife, Maria Packington is fed up with her life and with her husband George, who has been paying far more attention to his secretary than business requires. At the end of her tether, she answers a cryptic personal ad:

 

Are you happy? If not, consult Mr. Parker Pyne, 17 Richmond Street.

 

Intrigued, she does just that. Pyne takes her case and that’s how she meets Claude Luttrell. Luttrell is pleasant, attractive and debonair. The two begin to go out to meals and to dance halls. For George’s part, he’s pleased that Maria is much less grumpy and jealous, and hopes that means she’ll leave him freer to pursue his own interests. Then one night, the Packingtons and their respective escorts end up at the same dance hall, The Red Admiral. That evening changes everything.

Fans of Rex Stout’s Nero Wolfe/Archie Goodwin series will know that Goodwin and his sometimes-girlfriend Lily Rowan go out dancing in several of the stories. In Death of a Dude for instance, Rowan has invited Goodwin to be part of a house party at her ranch in rural Montana. Goodwin plans to return to New York after a short holiday, but his plans change when Philip Brodell is shot and Lily’s ranch manager Roger Dunning is accused of the murder. Lily is quite sure he’s innocent, and she wants an initially-reluctant Goodwin to investigate. He doesn’t feel quite at home in this rural atmosphere, but this is Lily Rown, so he agrees. He also writes to Nero Wolfe explaining what’s happened and why he won’t be back to New York until much later than he’d thought. Wolfe takes an interest in the case; in fact, this is one of the few Rex Stout stories in which Wolfe leaves his famous New York brownstone in the course of an investigation. He travels to Montana where he and Goodwin find out who shot Brodell and why. And part of the answer lies at Woodrow ‘Woody’ Stephanian’s Hall of Culture, which serves as a Saturday night dance hall, and where Goodwin and Lily go out more than once.

In Kerry Greenwood’s The Green Mill Murder,  Phryne Fisher and her date Charles Freeman are dancing at the Green Mill, a popular upmarket dance hall. A dance marathon has just ended when one of the contestants Bernard Stevens slumps to the floor, stabbed to death. Phyrne gets involved in the investigation, but before she can get very far, Charles Freeeman disappears. His mother hires Phryne to find him, and what she discovers leads back to Freeman’s past and to the end of World War I. It’s also tied in with the solution of the mystery.

And then there’s Victoria Thompson’s Murder on St. Mark’s Place. New York City midwife Sarah Brandt is called to the home of one of her patients Agnes Otto, who is due at any time to give birth to her third child. Thinking she’s been called to assist at the delivery, Brandt arrives to find that Agnes’ sister Gerda has been beaten to death and her body found in an alley. Gerda had recently come from Germany to live with her sister and start a new life. She was working at a shirt factory and so far as anyone knew, didn’t have any enemies. Agnes is sure that the police won’t bother investigating the murder of a poor German immigrant, and that’s what upsets her the most. Brandt agrees to contact Detective Sergeant Frank Malloy, whom she knows from another case, and ask his help. Together she and Malloy begin to look into the matter. It turns out that Gerda spent her fair share of time at Harmony Hall, a rather disreputable dance hall. They soon learn that several girls, known as Charity Girls, went to the dance hall to get the things in life that they couldn’t begin to afford on their own. In exchange for ‘services rendered,’ they could get clothes, good meals, and so on. It turns out that Harmony Hall is key to finding out what really happened to Gerda.

Vicki Delany’s Klondike Mystery series takes place at the end of the last century in Yukon Territory, and features Fiona MacGillivray, owner of Dawson’s Savoy Dance Hall. At that time, Dawson is a gold-rush boom town, and many different people from all over the world have come to make their fortunes. The Savoy is of course one of the social hubs in the area, so Fiona and her son Angus often find themselves involved when there are conflicts and of course, murders. For example, in Gold Digger, the first novel of the series, the stage at Savoy is the scene of a murder when American news reporter Jack Ireland is killed. There’s no lack of suspects either, since he’d managed to make plenty of enemies even in the short time he’d been in Dawson. Since Fiona herself falls under suspicion, she works to find out who the killer really is.

Now that nightclubs have more or less replaced them, we don’t really see dance halls any more. But they were an important part of social history for many cultures. And they can be very effective settings for crime novels.

 

 
 

*NOTE: The title of this post is a line from The Kinks’ Come Dancing.

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Filed under Agatha Christie, Kerry Greenwood, Rex Stout, Vicki Delany, Victoria Thompson

Now Here I’m Facing Adventure, Then Why Am I So Scared*

YouthAt some point in life, we’ve all faced the prospect of starting out – of beginning our careers. It’s an exciting time in many ways; there’s so much to look forward to, and young people often have a lot of passion for their work. On the other hand, it’s a very nerve-wracking time too. Many young people don’t yet have confidence in themselves as they will when they’re older. And they often don’t have the wisdom that they will when they’re older either. So it can be a scary experience to get started in a career. In fiction, characters who are just getting started in their careers can add some richness to a story just because of that interesting mix of energy and anxiety. Here are a few examples from crime fiction.

In Agatha Christie’s  Appointment With Death, we are introduced to the Boyntons, an American family on a tour of the Middle East. During their travels, they decide to make a visit to Petra for a few days. On their second day there, family matriarch Mrs. Boynton suddenly dies of what looks like a heart attack. But Colonel Carbury isn’t sure that’s what happened, so he asks Hercule Poirot, who’s making his own trip to the area, to investigate. Poirot agrees and interviews each of the people in the Petra tour group. One of those people is seventeen-year-old Ginevra ‘Ginny’ Boynton, Mrs. Boynton’s daughter. She is mentally fragile after a lifetime of living with her tyrannical mother, but Dr. Theodore Gerard, who was on the Petra tour, sees great potential in the girl. He is a specialist in psychological cases and plans to treat her at one of his clinics and then see that she gets her preparation for the stage. I don’t think it’s spoiling the story to say that Ginny shows herself to be a talented actress. And yet, she still shows some of the natural anxiety of young people starting out.

Gail Bowen’s Joanne Kilbourn is a proud mother and now grandmother. The series featuring her shares her home life as well as her life as an academic and a political science expert. Readers get to know the members of her family and we see how their lives evolve. As the series begins, Kilbourn’s oldest daughter Mieka is off to university, with the mixture of excitement and anxiety that you might expect. Later, she decides to start her own catering company. Her mother has lots of concerns about this, since she wanted Mieka to finish her degree program. But Mieka is determined to make a go of it and see if she can be a success. As she talks about her business plan, we can see how she is both anxious about it and excited at the same time:

 

‘Her [Mieka’s] voice was strong. ‘I want my chance. I know I may get flattened but I have to try.’ 

 

As the series goes on, Mieka continues to develop and gets some of the confidence that people often acquire as they mature.

We see the same development in Vicki Delany’s Moonlight ‘Molly’ Smith. As the series featuring her begins with In the Shadow of the Glacier, Smith has just started her career with the Trafalgar Police. She’s smart and determined to do well, but at the same time, she’s inexperienced and anxious. That’s especially evident when she discovers the body of developer Reginald Montgomery in an alley. At first it’s assumed that Sergeant John Winters will work with his usual partner Detective Lopez. But Lopez is out of town and Winters is paired with Smith. This makes her almost as nervous as finding the body did. But at the same time, she’s excited at the opportunity to work on this murder case. And she’s got the makings of a good cop. Smith matures as the series develops, and it’s interesting to watch her growth.

In Chris Grabenstein’s Tilt a Whirl, we are introduced to Danny Boyle, a ‘summer cop’ in Sea Haven, New Jersey. He’s used to police work like directing traffic and issuing parking tickets. But then one morning, the body of wealthy developer Reginald Hart is discovered at an amusement park. Boyle works with Officer John Ceepak to find out who killed Hart and why. As the novel goes on, we see that he’s anxious about working as a full-time cop. He’s also a little nervous about working with Ceepak. At the same time, he’s got a sense of excitement about it and wants to make good.

Sylvie Granotier’s The Paris Lawyer sees beginning attorney Catherine Monsigny taking on her first major case. Myriam Villetreix has been charged with poisoning her wealthy husband Gaston and she wants Monsigny to defend her. As Monsigny prepares for the trial, she’s excited at the opportunity to work this high-profile case. It could make her career. She’s also anxious though, and takes quite a lot of time over the research, her strategy and even the clothing she’ll wear. She doesn’t see herself as incompetent, but she’s not yet confident enough in her skills to really trust her instincts. At  the same time she is haunted by the memory of her mother’s death. Monsigny’s mother Violet was murdered and because she was not much more than a toddler at the time, Monsigny doesn’t have clear memories of that day. As it happens the trial will take place not far from where the murder occurred, so she also returns to that earlier murder to find out who killed her mother and why.

Shona MacLean (who now writes as S.G. MacLean) created Alexander Seaton, a former candidate for the ministry who is now a teacher. In The Redemption of Alexander Seaton, he is undermaster of the grammar school in Banff, Scotland. When the body of apothecary’s assistant Patrick Davidson is found in Seaton’s classroom, he gets involved in investigating the murder. Towards the end of the novel, Seaton gets an opportunity for a teaching job at a school in Aberdeen. For a young man like him, it’s a plum job and on that level he’s excited about it. On the other hand, Seaton already has doubts about himself and he’s anxious about how he’ll do. But his mentor Dr. John Forbes encourages him and helps him to develop some faith in himself, and as the series goes on, we see Seaton start to mature.

In Jean-Pierre Alaux’s and Noël Balen’s Winemaker Detective series, oenologist Benjamin Cooker takes on a new assistant Virgile Lanssien. Cooker has a notable reputation as a wine expert, and Lanssien is a little nervous about working with him, and anxious to make a good impression. At the same time, he is himself quite competent, and he’s excited to develop his knowledge and skills. In Lanssien’s character we see that combination of anxiety and excitement that’s characteristic of young people just starting their careers.

If you remember what it was like to start out, you know just what that combination feels like. Which examples from crime fiction have stayed with you?

 

 
 

*NOTE: The title of this post is a line from Richard Rogers and Oscar Hammerstein II’s I Have Confidence.

  

 

 

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Filed under Agatha Christie, Chris Grabenstein, Gail Bowen, Jean-Pierre Alaux, Nöel Balen, Shona MacLean, Sylvie Granotier, Vicki Delany

Hello It’s Me*

TelephonesYou don’t see many public telephones any more, at least not in the area where I live. In part that’s because so many people have mobile ‘phones; there’s just no need for them. Telephones have become rich storehouses of people’s information, so when there is a murder, the police check the victim’s telephone to see who might have contacted that person and when the last calls were placed. All of this helps to narrow down the possibilities when it comes to suspects and motives for murder.

Actually telephone records have been around for a long time as very useful tools. And an interesting comment exchange with Rebecca Bradley has got me thinking about that. Now, I’ll wait while you go visit Rebecca’s blog. It’s an excellent resource for readers and writers of crime fiction. And Rebecca hosts the online Crime Book Club, which discusses a different crime novel each month (This month: Alan Bradley’s The Sweetness at the Bottom of the Pie – Wednesday 16 April, 8PM GMT).

Back now? Right – telephones. Hercule Poirot uses records of telephone calls in Hercule Poirot’s Christmas (AKA A Holiday For Murder and Murder For Christmas). In that novel, we meet the various members of the Lee family, which is headed by unpleasant and tyrannical patriarch Simeon Lee. When he invites his family to gather at Gorston Hall for Christmas, no-one really wants to accept. But at the same time, no-one dares to refuse. On Christmas Eve, Lee is murdered in his private room. Hercule Poirot is staying nearby with a friend, and he works with Superintendent Sugden to find out who the murderer is. It’s not easy either because all of the family members have motives for murder. One of them is Lee’s son George, a Member of Parliament and very concerned about his image. He claims that he was making a telephone call at the time of the murder. It’s interesting to find out what the truth about that telephone call reveals about George Lee. What’s more, it shows that even then, detectives traced calls.

We see that in Erle Stanley Gardner’s The Case of the Velvet Claws too. Perry Mason’s been hired by Eva Belter to stop sleazy tabloid reporter Frank Locke from blackmailing her. Locke found out that she was having an affair with an up-and-coming politician and plans to milk that for all it’s worth. Mason agrees to meet with Locke to try to get him to leave Belter alone. They do meet but Mason is sure that Locke knows more than he’s saying. So he follows Locke one day, ending up at a local hotel. There, he arranges with the hotel telephone operator to trace a call that Locke makes. The information from that call gives Mason the information he needs about why his client has been targeted for blackmail. But that’s when things get complicated. When Eva’s husband George is murdered, she becomes the prime suspect and appeals to Mason to clear her name.

Qiu Xiaolong’s Death of Red Heroine takes place in 1990’s Shanghai, not many years before mobile telephones became easily available to almost everyone. In that novel, Chief Inspector Chen Cao and his assistant Yu Guangming investigate the murder of national model worker Guang Hongying. Her body is found one afternoon in the Baili Canal, and it’s thought at first that she was raped and killed by a taxi driver. But there are pieces of evidence that suggest otherwise. This case will be delicate though, because the victim was linked to several powerful people. Still, Chen and Yu persevere. One of the leads they follow is a series of telephone calls that ties the victim to one particular person. Those calls are all made from and received at a public telephone and it’s interesting to see how those records are kept.

As I say, most people now have mobile telephones, and those records can prove extremely helpful. Of course, people who want to cover their tracks know that too, so they often use pay-as-you-go ‘phones. But the police can find those useful too at times. In one plot thread of Gene Kerrigan’s The Rage for instance, DS Bob Tidey is working with Garda Detective Rose Cheney on the murder of Emmet Sweetman, a dubious banker who made a lot of money during the ‘Celtic Tiger’ years, but got into serious financial trouble when the crash came. He did business with some dangerous people and the detectives want to know who those associates are. They’re lucky enough to find Sweetman’s pay-as-you-go ‘phone, which he used for his off-the-record dealings, and that discovery proves quite informative.

Today’s telephones are also frequently used for texting, and those texts can also be very helpful to detectives. In C.J. Box’s Below Zero for instance, Wyoming game warden Joe Pickett is on the trail of the Mad Archer, a poacher who shoots animals and leaves them to die. Then Pickett’s daughter Sheridan begins receiving text messages from her foster sister April Keeley, whom everyone thought was tragically killed six years earlier. Pickett rushes home to find out the truth about those texts. If they were from April, then he wants to trace her. Where has she been and why hasn’t she contacted her foster family? If the texts are not from April, Pickett wants to know who would want to play the sick game of pretending they are. Those text messages turn out to be very helpful in leading Pickett to the truth about April.

Of course, it’s not always as easy as it may seem to use telephone records. In Vicki Delany’s Winter of Secrets, Constable Molly Smith and Sergeant John Winters investigate the Christmastime deaths of Jason Wyatt-Yarmouth and his friend Ewan Williams. Part of that investigation is a set of interviews with the victims’ friends. At one point Winters asks one of them if Jason got a call on Christmas Eve:

 

‘‘I don’t know. We didn’t keep him under armed guard, you know. Can’t you check his phone calls or something?’
Everyone knew too much these days, or thought they did, about police methods. Ewan and Jason both had cell phones on them. Completely ruined by their immersion in the icy river. Winters had put in a request for the phone records of the dead men but had yet to hear back. It was a slow week everywhere.’

 

It’s sometimes a difficult process to get telephone information, although of course, you don’t see that on television or films.

Still, telephone records give extremely valuable information in solving cases. With modern messaging, Internet capability and so on, they’re increasingly individual too. Little wonder cops always look for people’s telephones.

Oh, sorry, I’ve got a call – must take this. Thanks, Rebecca, for the inspiration!

 

 
 

*NOTE: The title of this post is the title of a Todd Rundgren song.

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Introducing: Vicki Delany

Vicki DelanyHello, All,

Welcome to another edition of Introducing…  Today I’d like you to meet Canadian author Vicki Delany. Based in Ontario, Delany had a career in computer programming and later, in systems analysis. But she also had an interest in writing and had two novels of suspense published while she was working and raising her children.

Since that time Delany has written other standalone novels of suspense as well as an adult literacy development novel Juba Good. She’s alsoGold Digger Delany
written two series. One of them, the Klondike Mystery series, takes place in 1898 Dawson, Yukon. It features Fiona McGillivray, who is the mother of a young teenager and the owner of the Savoy Dance Hall. Currently the series consists of Gold Digger, Gold Fever, Gold Mountain and Gold Web.  I hope there’ll be another.

The other series, for which she is perhaps better known, is her Smith and Winters series. That series takes place in Trafalgar, British Columbia and features Constable Moonlight ‘Molly’ Smith and her boss Sergeant John Winters. This series begins with In the Shadow of the Glacier. The seventh Smith and Winters novel, Under Cold Stone, has just been released.

undercoldstoneIn this novel, Smith’s mother Lucy ‘Lucky’ and her partner Paul Keller (Trafalgar’s Chief Constable of Police) are taking a ‘just for the two of us’ trip to Banff, in Alberta’s Rocky Mountains. Their plan is to indulge themselves at the Banff Springs Hotel. But they get drawn into a murder when Keller’s estranged son Matt disappears. What’s worse, it looks as though Matt may have committed murder. Matt’s experienced in wilderness life, so he could be anywhere, and RCMP Sergeant Edward Blechta thinks Matt’s escape is proof that he’s guilty. The case isn’t within Molly Smith’s jurisdiction, but she goes to Banff to be of whatever support she can to her mother. At first, she doesn’t plan to get involved in the investigation, but when Matt’s girlfriend begs her to find out the truth and clear Matt’s name, she starts asking questions.

In the meantime, Winters has his hands full in Trafalagar. Some ugly protests against the Grizzly Resort have been launched, and Winters has to do his best to keep the peace. Although the two plot threads seem distinct, Delany ties them together.

One of the things readers will very much appreciate about this series is that both Smith and Winters are normal people, if I can put it that way. They both have scars, as we all do, but neither is demon-haunted, addicted, or unable to work with others. The novels follow the plots from each one’s perspective too so that we see a broader picture of the story.

One thing that often concerns readers about a series is whether they can start with a later novel rather than at the beginning. In this case, one can. Delany does include story arcs in the series, but readers who haven’t been ‘in on it’ from the beginning can easily pick up the gist of those arcs. And each novel has a self-contained mystery plot that doesn’t require any knowledge from previous books.

Delany’s work is distinctly Canadian and gives the reader a real sense of setting. And for those who prefer not to have a lot of gore and violence in their reading, I’ll note that these two series do not include really ugly depictions of violence. And yet, they have enough of a ‘bite’ that it would be hard to call them ‘cosy.’ Now that I’ve whetted your appetite…

 

Want to know more about Vicki Delany? Her website is here and her Twitter page is here.

Want to know more about Under Cold Stone? Check it out here.

Want to know more about the Klondike Mysteries? You can find more here.

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Blue Suits and Bankers With Their Volvos and Their Valentines*

GentrificationGentrification is a fact of life in a lot of places. The idea is that a place will have greater appeal, a stronger economy and a wealthier tax base if it attracts people who can afford to pay upmarket prices for places to live, shop and so on. On the surface of it, that makes some sense. Most people would agree that it’s good to have a tax base that can sustain a place.

But here’s the problem, according to a lot of other people. Gentrification makes places too homogeneous (let’s face it; shopping malls don’t vary that much). It tends to take away the distinctive nature of an area, a city or a town. Gentrification also means that many middle- and working-class residents can’t afford to live in a place any longer. And it causes traffic and lots of other logistical problems.

That conflict – between those who support gentrification and those who oppose it – certainly plays out in real life. Perhaps you even live in an area affected by it. And it makes for a solid level of interest in crime fiction too.

In Agatha Christie’s Death on the Nile for instance, Linnet Ridgeway has purchased Wode Hall, in Malton-under-Wode. She’s completely remodeling the place and intending to make some major changes. Part of her plan is to have some of the local cottages torn down and the residents moved. As you can imagine, some of those residents are not happy at all at being forced out of their homes. Here though is Linnet’s view:

 

‘They don’t seem to realize how vastly improved their living conditions will be!’

 

Linnet has money – a lot of it – and high social position, so the locals’ protests aren’t going to be very successful. But Linnet’s lovely new home won’t do her much good. Shortly afterwards, she’s shot during her honeymoon trip. Hercule Poirot is on the same cruise that Linnet and her new husband were taking, so he and Colonel Race investigate the murder. Although this example of gentrification isn’t a major plot thread, it shows an aspect of the victim’s character and it’s reflective of how gentrification can work.

In Peter Temple’s Bad Debts, a huge gentrification plan is underway for Melbourne. Called Yarra Cove, it’s to comprise a waterfront, marina, exclusive shops and restaurants and more. It’s intended to be

 

‘…arguably, Melbourne’s smartest new address.’

 

A lot of people want that upmarket money. What’s more, the area is currently run-down and seen by many as not safe. But not everyone agrees. In fact, an activist group led by Anne Jeppeson has been protesting the closing of the public housing located in that area. There hasn’t been much opportunity for public comment on the gentrification plan either. Sometime-attorney Jack Irish gets involved in this debate when a former client Danny McKillop is murdered shortly after being released from prison. McKillop was convicted of the drink-driving killing of Anne Jappeson and all of the evidence was against him. But now that McKillop’s been murdered, Irish comes to suspect that he might have been framed for Jeppeson’s death. If so, there’s something much bigger going on here than a tragic incident of drink driving.

Michael Connelly’s Echo Park forces Harry Bosch to return to a case he wasn’t able to solve when he first investigated it. Marie Gesto disappeared one day after leaving a Hollywood grocery store and Bosch was assigned the case. But although he had a suspect in mind, he wasn’t able to get the evidence he needed. Now, Raynard Waits has been arrested in Los Angeles’ Echo Park area for two other brutal murders. Incontrovertible evidence links him to the killings, so he’s not going to get away with them. His plan is to make a deal with the police. He’ll trade information on other cases, including the Gesto case, in exchange for avoiding the death penalty. Bosch works with what he learns from Waits to re-open the Gesto case and find out what really happened. Here are Bosch’s thoughts about the Echo Park area:

 

‘These days Echo Park was also a favored destination of another class of newcomer-the young and hip. The cool. Artists, musicians and writers were moving in. Cafés and vintage clothing shops were squeezing in next to the bodegas and mariscos stands. A wave of gentrification was washing across the flats and up the hillsides below the baseball stadium. It meant the character of the place was changing. It meant real-estate prices were going up, pushing out the working class and the gangs.’

 

Gentrification isn’t really the reason for Marie Gesto’s disappearance. But it’s an underlying part of the context of this novel.

On the other hand, gentrification is an important theme in Barry Maitland’s The Marx Sisters. A development company has made plans to tear town Jerusalem Lane, an historic area of London, and replace it with an upmarket shopping, dining and entertainment district. There’s a lot of money involved, so there is a great deal of pressure brought to bear on the residents of Jerusalem Lane to sell up and leave. It is a unique district though, and not everyone wants to leave. One holdout is Meredith Winterbottom, who lives in Jerusalem Lane with her two sisters Eleanor Harper and Peg Blythe. When Meredith suddenly dies, it looks a lot like a suicide. But DS Kathy Kolla isn’t so sure. So she and her boss DCI David Brock begin to ask some questions. They find that there are several people who’ve benefited from the victim’s death. One for instance is the development company’s representatives, who now have a clear path to completing their gentrification project. Another is the victim’s son, who will inherit his mother’s home and therefore, who stands to gain by the sale of it. And then there are the other residents of Jerusalem Lane, who could have had their own motives. That’s not to mention the fact that the three sisters are the great-granddaughters of Karl Marx. They had several old books and letters that would be of great interest to collectors and academics. Among other things, this is an interesting look at a district that will be forever changed by gentrification.

Vicki Delany’s In the Shadow of the Glacier is in part the story of the murder of Reginald Montgomery. He and his business partner have been planning the Grizzly Resort and Spa near the small town of Trafalgar, British Columbia. The idea is to bring a gentrified, upmarket group of tourists (and their money) to the area. Some people like the idea. The economy can use the boost, and the gentrification will mean more jobs. Others though see the resort as a threat to the environment and the local ecosystem. So the resort is by no means a ‘done deal.’ When Constable Moonlight ‘Molly’ Smith finds Montgomery’s body in an alley one night, she and Sergeant John Winters look into this whole gentrification plan as one possible motive for the killing. There are others, too, including issues in Montgomery’s personal life. Throughout the novel, there’s a real layer of interest as the debate goes on about the effects of having an upmarket resort nearby.

Planned gentrification also plays an important role in Shamini Flint’s A Calamitous Chinese Killing. Some wealthy and influential people want to tear down one of Beijing’s impoverished but historic districts to make room for a new, gentrified district full of upmarket shops, restaurants and housing. Professor Luo Gan has been among those protesting this gentrification, claiming that it will drive people out of their homes and will cheat them financially. When one of his students Justin Tan is found murdered, the official police theory is that he was killed by thugs in a robbery gone wrong. But Tan is the son of Susan Tan, First Secretary at the Singapore Embassy in Beijing. She doesn’t believe her son’s murder was the work of robbers, and she wants answers. So she arranges for Inspector Singh to travel from Singapore to Beijing and look into the matter. Singh reluctantly agrees and makes the trip. Soon enough, he finds evidence that the victim’s murder was likely deliberate. Now, Singh works with former Beijing cop Li Jun to find out who the murderer is. Someone involved in the gentrification project could be responsible for the murder. But that’s not by any means the only possibility. In the end, and after another murder, Singh and Li Jun find out what happened to Justin Tan and why.

Gentrification has a way of eliciting really strong feelings. It’s very much a proverbial double-edged sword, and not always popular. It’s a fact of life though, and it adds to a lot of crime fiction novels. Which gaps have I left?

 

 
 

*NOTE: The title of this post is a line from Billy Joel’s No Man’s Land.

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Filed under Agatha Christie, Barry Maitland, Michael Connelly, Peter Temple, Shamini Flint, Vicki Delany