Every month, a lot of terrific new crime fiction is released – enough to keep TBR piles and lists from ever actually shrinking. Erm – please tell me I’m not the only one with that problem. Please?? And there are authors such as Michael Connelly and Katherine Howell, who consistently keep their series going with high-quality stories. Interestingly enough though, there are also authors who write one or a few books and then stop. Of course there are a lot of reasons for this. Authors go on to different things, or have to deal with poor health, or something else happens. You wish they’d written more perhaps because that one (or those two) novels were well-done. There are a lot of them out there, and of course, they are not just crime fiction authors, but this is a crime fiction blog, so….
One of the most famous examples of a one-novel author is Harper Lee, whose To Kill a Mockingbird is, in my opinion anyway, a crime novel as much as it is anything else. Among other plot threads, Mayella Ewell claims that she was raped by Tom Robinson. Her father supports her and Robinson is arrested and nearly lynched. Complicating matters is the fact that this is Maycomb, Alabama, at a time when racism was a way of life. Mayella Ewell is White, and Tom Robinson is Black, which means he’s not likely to get a fair trial. Well-known lawyer Atticus Finch takes Robinson’s case, determined to see that he does get a fair hearing, and as the town prepares for the trial and deals with its aftermath, we see the effect that even alleged crime can have on a small community. There are of course a lot of other themes in this novel; whole university courses are devoted to it. And it won many literary prizes. And every year, the University of Alabama School of Law and the American Bar Association (ABA) award the Harper Lee Prize For Best Legal Fiction. This novel has had a real impact on modern fiction, to say the least. But it’s Lee’s only novel.
Also from the American South was James Ross. He’s said to be ‘the man who invented Southern noir.’ Written in 1940, Ross’ They Don’t Dance Much is the story of down-and-out farmer Jack Macdonald, who’s just lost his property due to non-payment of taxes. Macdonald’s friend Smuts Milligan owns a local store, but wants to expand it into a roadhouse and dance hall. Macdonald begins working for his friend and the two of them start to develop Smuts’ plans. When the business doesn’t go as well as they’d hoped, Smuts becomes desperate for money and as any crime fiction fan can tell you, financial desperation leads to all sorts of things. In this novel, it leads to brutal murder. Not a novel for the faint of heart, but it established Southern Gothic noir. And it was Ross’ only novel.
British author Robert Pollock didn’t write a lot of novels either. If someone else knows his work better than I do, please correct me. But it seems he only wrote four novels (although he wrote some non-fiction too). One of those novels is Loophole or, How to Rob a Bank. It’s the story of professional thief Mike Daniels and his team, who put together a plan to rob London’s City Savings Deposit Bank. They enlist the help of laid-off architect Stephen Booker, and before long, all of the details are worked out. On the day of the planned robbery, everything is ready. But no-one has planned for the sudden storm that blows up during the heist. I’ll confess this is the only one of Pollock’s books that I’ve read. Still, I don’t think this is part of a series. I sort of wish it was though, or at least that Pollock had continued writing caper/crime novels.
Mary Semple Scott also wrote only one crime novel, 1940’s Crime Hound. St. Louis investigator Herbert Crosby, who works for the DA’s office, decides to take a lakeside holiday. But he soon gets drawn into murder when a shady realtor he had an appointment with is murdered. When his own gun is stolen and later used for two other murders, it’s clear that Crosby is being set up. If he’s going to avoid going to jail himself (something the local sheriff would like only too well), Crosby is going to have to find out who’s framed him. It would have been interesting to see what Scott could have done with Crosby’s ‘regular guy’ character in a series.
There’s also David Markson, who wrote only two crime fiction novels featuring his New York PI sleuth Harry Fannin. In Epitaph For a Tramp, Fannin helps solve the murder of his ex-wife, whose body is found on his doorstep. And in Epitaph for a Dead Beat, Fannin investigates three murders that show just how deadly the literary world can be. Markson of course went on to become famous for his postmodern literary works, but the two Fannin novels are, so far as I know (so correct me if you know better) the only crime novels he wrote. For pulp crime fiction fans, they’re part of the canon.
And then of course there are more recently-published authors who’ve only done one or two novels, but who you’d love to see do more. Or at least do them more quickly. For instance, Adrian Hyland has written two novels (Diamond Dove/Moonlight Downs and Gunshot Road) featuring Aboriginal Community police officer (ACPO) Emily Tempest. There’s yet to be a third, although I hope that will change soon. Very soon.
These are just a few examples of authors who’ve only done one or two novels, but a lot of people wish wrote more. Which one-novel (or a few novels) authors do you wish wrote more?
*NOTE: The title of this post is the title of a song by Styx.