There’s something about rock stars, film stars and other idols. People sometimes almost hero-worship them. Now, personally, I can’t imagine being obsessed about, say, a rock star – ahem. 😉 – But there are a lot of people who are. Just check Twitter, Instagram or other social networks and you’ll see that those kinds of stars get a lot of attention. And if you check news stories, that attention can quickly turn to obsession and more. That happens in crime fiction, too.
For instance, there’s a classic example of that kind of obsession in Agatha Christie’s The Mirror Cracked From Side to Side (AKA The Mirror Crack’d). Heather Badcock and her husband Arthur have moved into the new council housing that’s come to the village of St. Mary Mead. Heather is extremely excited because her idol Marina Gregg has bought Gossington Hall, right nearby. She and her husband Jason Rudd are planning to carry on the tradition of an annual charity fête, and Heather can’t wait for the opportunity to speak to Marina Gregg in person. The big day comes and to Heather’s delight, she actually gets the chance to have a short conversation with the film star. Shortly after that though, Heather is taken ill and later dies. It’s soon shown that she was poisoned, and at first, everyone believes that the intended victim was Marina Gregg. But Miss Marple and her friend Dolly Bantry discover that Heather was the target all along. Now they have to figure out why.
In Michael Connelly’s The Overlook, LAPD cop Harry Bosch and his new partner Ignacio ‘Iggy’ Ferras are investigating the death of a physicist Stanley Kent. He was killed on an overlook on Hollywood’s Mulholland Drive, and of course Bosch and Ferras want to talk to anyone who might have been in the area and seen something. That’s how they meet twenty-year-old Jesse Milford. Milford came to L.A. as so many people do, to ‘make it’ in the film business. He’s obsessed with entertainer Madonna, and was actually on her property at the time of the murder. He wanted a photograph or some sort of memento to send to his mother to let her know he was all right. He may not be a major character in the novel, but he shows how obsessed we can be with our stars.
In Peter Lovesey’s Stagestruck, rock star Clarion Calhoun is getting a little older, and losing some fans. She wants to stay on top, so she decides to make a move from rock music to theatre. Her choice is a production of I Am a Camera, and everyone is counting on her ‘name draw’ to ensure a long run. When rehearsals start though, the cast and crew discover that Clarion has little acting talent. She insists on keeping her role though, and the production goes on. Then on opening night, Clarion is attacked by what turns out to be tainted makeup. Her makeup artist/dresser Denise Pearsall is the first suspect, but when she’s found dead, it’s clear that something more is going on. Superintendent Peter Diamond investigates the attack and the murder and when he starts digging, he finds out that as cliché as it sounds, appearances here are deceiving. In the end he discovers that it all has to do with someone’s past.
Peter James’ Not Dead Yet looks even more closely at how obsessed a fan can be. Rock star Gaia Lafayette has decided to do some film acting. She will be starring in a film about Maria Fitzherbert, mistress to King George IV. Everything’s set for the filming to take place in Brighton, where Gaia was born and raised. There are some security concerns though, because Gaia has received a death threat. Then there’s an attempt on her life. Superintendent Roy Grace is assigned to ensure the star’s security during the filming, but he’s got other issues he’s dealing with at the moment. One is a dead body found in a chicken coop. When that body turns out to be tied in with the threats on Gaia’s life, Grace knows that he’s going to have to take this protection case seriously. One of the characters in this novel is Anna Galicia, Gaia’s biggest fan. Anna is obsessed with her idol, and is more than excited when she finds that Gaia is actually coming to Brighton. It’s an interesting psychological portrait of a person who is consumed by her devotion to a star.
And it’s not just rock stars who are the focus of this kind of obsession. For instance, in Barbara Vine/Ruth Rendell’s Gallowglass, a troubled young man named Joe is saved from suicide by a man named Sandor. Sandor convinces Joe that he is destined to ‘serve the chief.’ It’s all part of Sandor’s plan to kidnap one of the world’s most beautiful women, supermodel Nina Abbott. Sandor’s been obsessed with her for some time, and is determined to, as he sees it, free her from imprisonment in the heavily guarded home in which she lives, so she can be with him. Of course, things don’t work out as Sandor intends…
As you can see, there are a lot of obsessed fans out there, both in real life and in crime fiction. I’ve only given a few examples here. And of course, obsession can certainly go too far. But there’s nothing wrong with some posters, t-shirts, memorabilia, music, right? What!? 😉
Happy Birthday, Mr. Joel!
*NOTE: The title of this post is a line from Billy Joel’s The Entertainer.