Let’s face it: the world is sometimes not very much fun at all. Whether it’s your personal or professional life, or the larger world in general, there are times when you just need to take a break. And book lovers know that there’s nothing like the right book to help you escape.
We all have our own ‘escape routes,’ too. Some readers like to turn to light crime fiction. You know, the kind that takes place in small towns, with a minimum of violence, quirky characters, and maybe even some romance. There are many examples of this kind of cosy mystery, of course. Lorna Barrett’s Booktown mysteries, which feature mystery bookshop owner Tricia Miles fall into this category. So do Elizabeth Spann Craig’s Southern Quilting mysteries, which ‘star’ retired folk art curator Beatrice Coleman. If you enjoy cosy series, I’ll bet you’ve got several to add to this list.
These series, when they’re done well, can create for the reader a world where things work out, and where it’s all going to be all right. It’s a little tricky to do such a series well, though, without it getting too ‘frothy.’ The best cosy series have enough realism and solid characters that they’re not too full of ‘sugar content.’
Those kinds of series aren’t for everyone, though. For some people, ‘escape’ means a ‘high-octane’ sort of thriller, complete with narrow escapes, undercover operatives, and shadowy groups. Robet Ludlum’s Jason Bourne novels come to my mind as an example of this. So does Lindy Cameron’s Redback, which features a crack team of Australian retrieval/rescue specialists who go up against a mysterious and very dangerous terrorist group. By the way, Ms.Cameron, if you happen to be reading this, I think Redback would make a terrific film.
Some thriller fans don’t mind suspending quite a lot of disbelief, and it’s easy to see why. It’s escapism, and doesn’t necessarily reflect real life. Other thriller fans like their ‘wild rides’ to be more realistic. So, for the thriller author, there’s always the question of just how much to stretch credibility. But even so, there are plenty of readers for whom ‘escape’ means the ways in which Ian Fleming’s James Bond gets himself out of trouble.
‘Escape’ can have another meaning too: travel. For some readers, the novels they read when they need to ‘get away from it all’ are set in exotic places. I see you out there, fans of Andrea Camilleri’s Salvo Montalbano series. It’s not hard to appreciate the allure of gorgeous weather, delicious food and white, sandy beaches. Shamini Flint’s Inspector Singh series is also set in what for many people is an exotic location: Singapore. Inspector Singh travels quite a lot in the series, to places such as Mumbai, Beijing, Cambodia and Bali. So the novels really give the reader a chance to ‘visit’ all sorts of different locations.
A series set in an exciting, different sort of place can’t just trade on its setting, of course. The story and characters do matter, and readers don’t want their crime novels to start resembling a travelogue. But sometimes, when the world gets a bit much, a virtual trip to Greece, or Malaysia, or Ibiza, or perhaps Botswana, can be very enticing indeed.
There are also plenty of crime fiction fans who like to escape using a virtual time machine. Life might not have been better during the Victorian Era, or Ancient Rome, or the early 1950s. In fact, in some ways, it was very much harder. But it can be really interesting to learn about life in a very different time. And isn’t it nice to contemplate a life without spam email and ‘robo-calls?’ C.J. Sansom’s Matthew Shardlake novels, for instance, are set in Tudor England. Life at that time, and in that place, wasn’t very easy, even if you had money. But there’s plenty of court intrigue and insights on the customs of the times to invite readers to forget their modern-day worries, at least for a time. Alan Bradley’s Flavia de Luce series is set in the 1950’s mostly in the English village of Bishop’s Lacey. It’s not completely idyllic; there’s post-war financial difficulty, for instance. But Bradley does evoke a quieter time.
Of course, readers only enjoy literary escapes if their destinations are well-written. It’s not enough to have a cosy premise, or an exciting ‘thrill ride,’ or a solid historical context. Character development and story content really do matter. But that said, there are just some novels and series that are perfect ‘getaway vehicles.’ I’ve mentioned a few. Now it’s your turn. When you’re looking for a book simply to escape, what sort of series do you choose? If you’re a writer, do you write escapist novels? I know, that’s not an easy question as we all define that term differently. What’s your take on this?
On Another Note…
Thanks very much to all of you who voted on which of my stories you’d like to see continued. It means a lot to me that you liked them that well. Interestingly, A Bite to Eat and Giving All Your Clothes to Charity were tied. So the matter was settled by a coin toss. The winner? A Bite to Eat. Look for the next instalment very soon!
*NOTE: The title of this post is a line from Peter Gabriel’s In Your Eyes.