In The Spotlight: Patricia Melo’s The Body Snatcher

>In The Spotlight: Carl Hiaasen's Skinny DipHello, All

Welcome to another edition of In The Spotlight. Patricia Melo has gained a strong reputation as a skilled writer of Brazilian noir. Her work is highly regarded, and it’s about time it was included in this feature. Let’s do that today and turn the spotlight on The Body Snatcher.

The story follows the fortunes of the narrator, who is a salesman and former telemarketer from São Paulo. When a tragedy ends his job there, he moves to the town of Corumbá, not far from the Bolivian border. He settles in there, and begins a relationship with Sulamita, who works as an administrative assistant for the local police. One day, he witnesses a small plane crash into a nearby river. He rushes to the scene and finds the pilot, but he’s too late to save the man. While he’s there, he takes a backpack and a watch from the pilot. That’s when he discovers that the backpack is full of cocaine.

Instead of reporting the crime and turning the cocaine and watch in to the police, the narrator decides to sell the cocaine – just this one time – and use the profits to get a bit ahead financially, and even consider buying a piece of land and moving out of Corumbá, as Sulamita wants. So he goes into business with Moacir, who lives nearby and who seems to know the right people. Before long, Moacir has made a ‘business connection’ with some drug dealers.

At first it look as though things will go well. But they’re already starting to fall apart. It turns out that the dead pilot was also involved with these drug dealers. When they come to suspect that this newly ‘discovered’ cocaine was theirs already, they begin to turn nasty. Now the narrator and Moacir have to come up with a great deal of money in order to pay their ‘associates’ back for the cocaine they took.

The narrator comes up with a plan that just may work. The pilot’s body has gone missing, and the police think that he may have survived long enough to go a short distance, but no further. But they haven’t found the body yet. It turns out that the pilot has very wealthy parents, who are desperate to get their son’s body back for burial. So the plan is to extort them for money in exchange for the body of their son.

Of course, this plan requires a body that can pass for that of the pilot. That’s where Sulamita comes in. It’ll be her task to find a likely candidate (she works specifically at the police mortuary). Then, the rest of the plan can be put in motion. It seems to be a foolproof way to get money…at least that’s what the narrator thinks.

This is a noir story, so you can well imagine that things don’t go the way anyone thinks they will. In fact, they spin out of control in more than one way. Interestingly enough, too, there are several places in the story where things could have been stopped before they went too far. The cocaine, the watch, and the location of the crash could have been reported to the police immediately. The pilot’s parents could have been told the truth about their son. There are other points, too, where a different decision would have changed everything. In fact, it seems that each decision only makes things worse.

There are other ways, too, in which we see the noir elements of this novel. Many of the characters are not nice people. The narrator, for instance, makes excuses for himself by saying that at least he’s not a murderer, and he’s not a rapist. But his choices certainly aren’t what most of us would consider ethical. Although he and Sulamita aren’t coldly unconcerned about everyone they hurt, they go ahead with their plan anyway. And they aren’t the only characters who make choices that cause a lot of hurt and pain.

It’s worth noting here that the story is told in first person (past tense). Readers who prefer third person will notice this. Interestingly enough, the narrator is not given a name. The closest Melo comes to naming him is the nickname that the drug dealers give him: Porco (the Portuguese word for pig – the reason for that is a small story in itself). As an aside, it’s also worth mentioning that the dialogue in the story isn’t set off, as it usually is, by quotation marks. Readers who prefer dialogue to be set off will notice this.

The outcome of the novel is consistent with its noir quality. I can say without spoiling the story that this isn’t a case of guilty people being led off to face justice. In fact, there’s an underlying sense throughout that everyone’s corrupt in different ways. It’s just a matter of what sort of corruption it is. Is it worse to be a murderer, or to profit from extorting money from vulnerable, suffering people? Is it worse to sell drugs, or to be a rapist? And since everyone’s out to get what they can from life, one’s a fool not to do the same. Throughout the story, the narrator justifies what he does by pointing out that his sins, if you will, are not as bad as others’ are, whether or not that’s objectively true.

This story takes place in the Brazilian state of Mato Grosso do Sul, next to the Bolivian border, and Melo places the reader there in many ways. The climate, the culture, and the sorts of people who live in Corumbá are all depicted, and all of them show a side of the country that the tourists don’t usually see. Readers who like vivid depictions of life in different places will appreciate this.

The Body Snatcher is the noir story of an all-too-susceptible salesman who takes advantage of an unexpected opportunity to make easy money in an illegal way. It features several characters who have their own faults, and a distinctly Brazilian setting. But what’s your view? Have you read The Body Snatcher? If you have, what elements do you see in it?

 

 
 

Coming Up On In The Spotlight

 

Monday, 20 June/Tuesday, 21 June – Bad Country – C.B. McKenzie

Monday, 27 June/Tuesday, 28 June – Dead Angler – Victoria Houston

Monday, 4 July/Tuesday, 5 July – The Constable’s Tale – Donald Smith

29 Comments

Filed under Patricia Melo, The Body Snatcher

29 responses to “In The Spotlight: Patricia Melo’s The Body Snatcher

  1. Heartafire

    thank you for the detailed review, this is one of my all time truly favorite scary tales.

  2. I have heard some good things about this author, Margot, but I just can’t add a new author right now, while I have a huge backlog. I will put her on a list for the future.

    • Oh, I know just what you mean, Tracy, about lots of books on the TBR list. I sometimes think I’ll never get through all of the books I want to read. But if you do get the chance to read Melo’s work, I hope you’ll enjoy it.

  3. Hmm… I’m on the lookout for books set in different locations for my Around the World challenge. This sounds a bit more noir than I usually go for, but going out of one’s comfort zone is part of what travelling’s about, isn’t it? A definite maybe… 🙂

    • I like the way you think, FictionFan. It’s certainly dark – no heroes in this one. But we do get a real look at a certain segment of Brazilian society. And there are some interesting (if not particularly appealing) characters. If you do read it, I’ll be interested in your take on it.

  4. Sounds great, Margot. Thanks for this spotlight.

  5. Col

    Keishon tipped me off to this author. A few books bought, but nothing yet read from her….time to change that!

  6. I think I might find this too hard going actually, and I say that as someone who quite likes Nourish tales … On the other hand, the local sounds really intriguing, so am tempted 🙂

    • It is a rather dark story, Sergio, no question about that. But it does have a strong sense of place and context. And there are some really interesting characters, too. If you read it, I hope you’ll enjoy it.

  7. One more thrilling blog entry, Margot. And all I got done instead is applying for a new ‘salary taxation number’ in our not so lightweight bureaucracy. I liked your part on the nuances of ‘noir’ in context.

  8. This looks really interesting, Margot. I think I will check it out. Thanks, as always for your hard work.
    Andrew

  9. Another ‘new-to-me’ author I’ll add to my list to watch for, Margot. This sounds like something I’d really enjoy. Thanks for the introduction.

  10. The setting sounds fascinating – that’s what would lure me in rather than the noir-ish content. I read another book by her a few years ago – IN Praise of LIes, which I think was a lot lighter.

    • This one really is full of atmosphere and setting, Moira. On that score, I think you’d find it really interesting. And you’re right; Melo doesn’t always get quite this dark.

  11. Reblogged this on e. michael helms and commented:
    Read Margot Kinberg’s thoughts on Patricia Melo’s noir novel, The Body Snatcher. Very interesting!

  12. Margot, great job of dissecting Melo’s South American noir. Sounds like a very interesting read.

  13. Margot, as I was reading through your review I wondered if there were no nice characters in the book and then I saw that you’d mentioned that aspect too. This definitely sounds noirish and drugs and nasty characters in a Brazil-Bolivia setting probably makes the story that much more stark, I think.

    • It does, indeed, Prashant. And although some of the characters are a little more appealing than others, you’re right; there are no really nice characters. And even the characters who have some good qualities have tragic flaws. It is rather a darkish novel.

  14. This book reminds me of the move A Simple Plan with Billy Bob Thorton and Bill Paxton. EVERYTHING they do is the wrong decision. It starts out with families that don’t have a lot of money who stumble upon a crashed plan that is full of cash. Shouldn’t they be allowed to take it, they ask. No one will get hurt, they say. And it just gets WORSE and WORSE and WORSE until your nerves are totally shot! Because I’m already a high anxious person who wants everyone to do the right thing all the time (and thus minimize situations that cause anxiety because everything is “controlled”), I don’t like stories like these.

    • That’s an interesting parallel you draw between The Body Snatcher and A Simple Plan, GtL. Certainly both of them involve characters who keep making choices that just get them in deeper and deeper. And in both cases, you can’t argue that the characters didn’t know their choices could have consequences. But they make them anyway. I can see how you wouldn’t care for stories like that if you’re the kind of person who prefers order to chaos, and productive choices to ones that just get one in more trouble.

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