If you’re kind enough to read this blog occasionally, you’ll know that right now, I’m working on revising my fourth Joel Williams novel. Revising can be a difficult process, especially if some fundamental things about a story need to be changed. But most authors have to make at least some revisions to their drafts.
One of the things I’ve discovered about this particular novel as I’ve been revising is that, of all things, the title I’d chosen no longer works. The plot has changed, and that means that the title doesn’t reflect it very well any more. So, I have to choose a new title.
Titles are interesting things, too. In some way, they have to catch the reader’s attention. Some authors do that by selecting unusual titles. For instance, the titles of Alan Bradley’s Flavia de Luce novels are certainly inventive. There’s A Red Herring With Mustard, and I Am Half Sick of Shadows, just to name two. And Bradley’s by no means the only author to opt for such unusual titles.
Other authors, such as Sue Grafton and the ‘Nicci French’ team use titles to link the novels in their series. Fans can tell you that Grafton’s Kinsey Millhone series is sometimes called ‘the alphabet series,’ because each book begins with a letter of the English alphabet (e.g. A is for Alibi, B is for Burglar, etc..). And the Nicci French Frieda Klein novels all have days of the week in their titles (e.g. Blue Monday).
Whatever title an author chooses, most people agree that it needs to be short enough to be remembered fairly easily. Too many words and it’s clumsy. That’s why there are so many crime titles that are one or two words (e.g. Elmore Lenoard’s Get Shorty, or Ruth Rendell’s The Vault). There are exceptions to this, of course. However, titles that are ‘crisp’ and not overblown generally seem to be more successful.
A title also arguably has a real advantage if it reflects something about the book. Michael Connelly’s The Black Ice has as one of its central plot points a dangerous new drug, known as ‘black ice.’ In this case, ‘black ice’ also refers more metaphorically to very dangerous situations that one might not see coming, and are all the more perilous if one’s not prepared. And Rex Stout’s Champagne For One is about the death of Faith Usher, who dies of poison after drinking a glass of champagne at a dinner party.
As you can see, the choice of a title can be a tricky business. It can’t be too long (but it has to be long enough to say something about the book). It can’t be too ‘cookie cutter’ (but not too ‘cutesy’ either). It has to be attention-getting (but not so strange that it’s off-putting). Little wonder that I’m really paying attention to this part of the revision.
But, you see, I have an advantage. I have you. You folks are all readers, and excellent judges of the titles of that get your attention or annoy you (or something in between). So, I’ve decided to ask you to help me and choose the title of my next Joel Williams novel. Below, you’ll see a poll with some possible titles. If you’d like a say, vote for your choice. The poll will be up for about a week, and then we’ll talk about it.
Now, to help you decide, here’s the tentative blurb (there may be some changes, but this is the basic story):
Research Can Be Deadly!
Criminal justice professor Joel Williams and two colleagues are studying Second Chances, a Philadelphia alternative school program that’s supposed to keep at-risk students off the streets and out of prison. But it hasn’t kept those young people out of danger. The research team is shocked when their work turns up a tragic death. One of the students, 15-year-old Curtis Templeton, fell from a building near the school, and everyone says it was a horrible accident. But if it was an accident, why isn’t anybody willing to talk about it? And if it wasn’t, who would want to kill Curtis?
To get answers, Williams and the team will step into the world of for-profit alternative schools, and into the lives of the people they’re meant to serve. And they’ll go up against someone who’s willing to do whatever it takes to keep certain secrets hidden.
What do you think? Which title says it best?
*NOTE: The title of this post is a line from The Thompson Twins’ Flesh and Blood.