You know the sort of moment. You’re reading a novel, perhaps even drawn into it, when all of a sudden, the author, or a character, drops a proverbial bombshell. It’s usually (but certainly not always) a piece of information. And although such bombshells don’t always result in major plot twists, they certainly add to the suspense of a story.
Bombshells are, perhaps, easier to do in film than in books. Filmmakers can use tools such as facial expressions, atmospheric lighting and music, and so on, to add to the suspense of a bombshell. But even then, they’re a bit tricky. Too much of a bombshell, and you stretch credibility and risk melodrama. Not enough, and you could lose the reader’s interest. But when they’re done carefully, a bombshell can add to a story.
Sometimes, in crime fiction, the bombshell is the identity of the murderer. Agatha Christie’s The Murder of Roger Ackroyd is like that. When retired business magnate Roger Ackroyd is stabbed one night in his study, the most likely suspect seems to be his stepson, Captain Ralph Paton. For one thing, Paton had motive. For another, he went missing on the night of the murder, and hasn’t been seen since. So, the police assume he’s on the run from them. Paton’s fiancée, Flora Ackroyd, doesn’t think he’s guilty, though, and asks Hercule Poirot to clear his name. Poirot agrees, and looks into the matter. Fans of this story know that the dénouement contains a major bombshell having to do with the killer’s identity, and that bombshell brought Christie a lot of criticism at the time. It certainly changes the way one sees the book.
In one plot thread of Len Deighton’s Berlin Game, MI6 has discovered that there’s a KGB agent in a very high position at the agency’s London Central offices. Whoever the mole is, that person has access to highly classified information, to say nothing of private information about MI6 members. So, finding out that person’s identity is an urgent matter. Bernie Sansom is a middle-aged former field agent, who now has a desk job at the London Central offices, so he’s in a good position to try to catch the mole. This leads to an important bombshell piece of information that has a profound impact on the agency, on Sansom, and on the other two books in this trilogy.
In Karin Alvtegen’s Betrayal, we are introduced to Eva Wirenström-Berg, her husband, Henrik, and their six-year-old son, Axel. Eva has what she thinks is the perfect ‘white picket fence’ life – the one she’s always dreamed of having. Then a bombshell drops. She discovers that Henrik has been unfaithful. Devastated by the news, Eva is determined to find out who the other woman is. When she does, she makes her own plans, and things soon begin to spin tragically out of control. In this case, the bombshell isn’t a murderer’s or other criminal’s identity. But it has a powerful impact on what happens in the novel.
Michael Connelly’s Harry Bosch has certainly had his ups and downs when it comes to romance. But, in The Black Echo, he meets FBI agent Eleanor Wish; and, over the course of time, they fall in love. In fact, it’s not spoiling the series to say that they marry at the end of Trunk Music. The magic doesn’t last, though, for several reasons. So, by the time of Angels Flight, the two split up. But there’s more to come. In Lost Light, Bosch has officially retired from the police force. But he’s still haunted by the four-year-old murder of production assistant Angella Benton, who was murdered in the vestibule of her apartment building. So, he starts to ask questions unofficially. The case turns out to have an FBI connection, which leads Bosch to his ex-wife. And that’s when he learns that he has a daughter, Maddie, whom he’s never met. It’s a real shock to Bosch, and certainly changes the course of the novels that follow Lost Light.
Larry Watson’s Montana 1948 is the story of the coming of age of twelve-year-old Daniel Hayden. As the title suggests, the real action in the story takes place a few years after World War II, in Bentrock, the county seat of Mercer County, Montana. David lives a more or less settled life with his parents, Gail and Wayne (Mercer County’s sheriff). Everything changes when the family’s housekeeper, Marie Little Soldier, falls ill with pneumonia. To everyone’s shock, she refuses to let Wayne’s brother, Frank, treat her. Frank Hayden is a well-known and well-respected doctor, and no-one really understands why she wouldn’t want his help. Then, she drops a bombshell. It seems that Frank has been raping some of his patients who come from the Fort Warren (Sioux) Indian Reservation. Nobody’s come forward before this because the Hayden name is too powerful. But Marie swears that it’s all true, and admits that she’s been one of the doctor’s victims, herself. This bombshell is devastating to the Hayden family, and has a tragic outcome.
Those explosive pieces of information have to be handled carefully, as all explosives do. They have to fall out naturally from the plot, and they’re often more powerful if they’re not presented in an overly dramatic way. That said, though, they can add a great deal to a story, and show some different sides of characters, too. Which fictional bombshell revelations have stayed with you?
*NOTE: The title of this post is the title of a song by The Gap Band.