Not long ago, I did a spotlight on Jane Haddam’s Not a Creature Was Stirring. And, as always seems to happen, the best thing about the post wasn’t the post at all. It was the discussion that followed it. In this case, a few of you commented about Haddam’s series, and wondered why it’s not much more widely read than it is.
And that’s got me thinking about other series that are like that. You know the sort of series I mean. They’re well-regarded, and may run to five, ten, or even more, books. But at the same time, they aren’t very widely read, and you don’t see them on a lot of ‘recommended’ lists.
It’s a difficult question to answer, really. After all, people differ greatly on what ‘counts’ as ‘widely read’ and ‘well known.’ That said, though, it’s interesting to consider why some series catch fire, as the saying goes, and are talked about a lot, and others aren’t.
Haddam’s is arguably one such series. For those not familiar with these novels, they feature former FBI agent Gregor Demarkian. He has an Armenian background, and is a member of Philadelphia’s Armenian community. In fact, most of the novels in the series are set in and around that city. Although he’s retired, he does consult with the police under certain circumstances. And a lot of the cases he investigates come through his best friend and local parish priest, Father Tibor. This is a 29-book series, so it’s not just a matter of a few books. And Haddam’s won awards for her work. And yet, plenty of people aren’t familiar at all with her series.
The ‘Emma Lathen’ writing team of Mary Jane Latsis and Martha Henissart created the very well-regarded John Putnam Thatcher series. As fans of the series can tell you, Thatcher is a vice-president for the Sloan Guaranty Trust. The Sloan is often involved in mergers, acquisitions, international banking, and so on. So, there’s plenty of opportunity for nefarious doings, including fraud and murder. This series is 24 novels long, and, like Haddam’s, has won awards. In fact, one of the entries, Murder Against the Grain, won the Crime Writer’s Association (CWA)’s 1967 Gold Dagger Award. And the team won the Malice Domestic Award for Lifetime Achievement in 1997. Admittedly, this series is arguably more widely known than Haddam’s. Still, it doesn’t always make the list of best-known authors and series the way, say, Colin Dexter’s Inspector Morse series might.
The same might be said for the work of Marian Babson. Since 1971’s Cover Up Story, she’s had more than 40 books published. Interestingly enough, they’re all standalones (although some do re-use characters). They’re traditional-style mysteries, usually involving amateur sleuths. That said, though, they aren’t really what you’d call ‘cosy.’ While they tend to be low on violence (especially graphic violence), they aren’t ‘light, frothy’ books. Babson’s work is very highly regarded, especially among those who prefer traditional mysteries. She won the CWA’s 1996 Dagger in the Library Award for her body of work. And yet, a great many readers, including crime fiction fans, aren’t familiar at all with her work. And it’s not for lack of quality or high regard. Like Haddam and the Emma Lathen team, it’s also not because she only wrote a few novels.
There’s also the case of K.C. Constantine. He is the author of the Mario Balzic series, which takes place in the fictional Western Pennsylvania town of Rocksburg, where Balzic is Chief of Police. Beginning with The Blank Page, there are 17 novels in the series, most of which feature Balzic (two feature his protégé, Detective Sergeant Ruggiero ‘Rugs’ Carlucci, as well as other ‘beat’ cops). Rocksburg is the sort of town where everyone knows everyone, so, as the series evolves, we get to know Balzic, his wife, and several other people in the town quite well. And, in fact, character development plays an important role in the series. It’s a highly-regarded series, and fans will tell you it’s well worth reading. And, yet, you might easily be forgiven for never having heard of these books. In a way, that’s how Constantine likes it. He chooses to remain as anonymous as possible, and values his privacy, and that of his family, very much. So, even if you’re a crime fiction fan who goes to conferences such as Malice Domestic, Crimefest, Bouchercon, or other such events, you’re not likely to meet him.
And then there’s Jill McGown’s series featuring Detective Inspector (DI) David Lloyd, and Detective Sergeant (DS) Judy Hill of Stansfield CID. Beginning with 1983’s A Perfect Match, this is a traditional-style police procedural series. As the series goes on, Lloyd and Hill move along in their careers. They also continue their romantic relationship, eventually marrying and having a family. But the focus in these novels is on the mysteries. All in all, there are thirteen books in the series, and they’re well regarded. In fact, A Shred of Evidence was adapted for television film in 2001. McGown’s fans are devoted, too. And yet, this series is arguably not a ‘household word,’ the way, say, Sue Grafton’s Kinsey Millhone series is.
There are plenty of other series, too, that fall into this category. I’ll bet you could name far more examples than I could. And there are a number of reasons that a series might not be particularly widely known. Even if authors are willing to go to a lot of conferences, etc., to promote their work, there’s a lot of competition. And with today’s self-publishing and other digital publication, there are even more book choices. So, readers have to make decisions about what they’ll choose. So do publishers. Even if an author is talented, and gets professional acclaim, that doesn’t mean that particular author is a best-seller. And publishers are interested in promoting the work of authors whose work sells a lot.
There are other reasons, too. What do you think about this? Which authors do you feel deserve a lot more attention than they’ve gotten? Why do you think those authors haven’t ‘caught fire?’ Thanks to those who commented on that earlier post, and got me thinking about this!
*NOTE: The title of this post is a line from Billy Joel’s Rosalinda’s Eyes.