Everyone makes mistakes, and plenty of people do things they shouldn’t do. That’s part of being human, really. And often, those mistakes – those ‘sins’ if you want to call it that – are forgiven. You pay that speeding ticket, and watch your driving, and you’re forgiven. You pay the overdraft fee on your bank account, and don’t let it happen too often, and you’re all right.
But every profession has certain ‘sins’ that aren’t forgiven. For instance, responsible news journalists report the truth and only the truth. That profession doesn’t easily forgive a person who makes up news stories, or who reports something that isn’t true.
Those ‘unforgiveable sins’ can make interesting contexts or plots for crime fiction. They can create a motive for murder, add character development, move a plot along, and build suspense. They also do happen in real life, and this can add to a story as well.
For instance, in the world of banking and finance, embezzlement is unforgiveable. People caught doing so are often ‘blacklisted’ and not able to work again within the field. It’s a serious enough sort of crime that those committing it will sometimes do whatever it takes to avoid getting caught – at least in fiction. In John D. MacDonald’s Nightmare in Pink, for instance, Travis McGee is drawn into a dangerous case involving embezzlement when an old military friend, Mike Gibson, asks for his help. Gibson’s younger sister, Nina, has just lost her fiancé, Howard Plummer. On the surface of it, Plummer’s murder looks like a mugging gone wrong. But she suspects otherwise. Plummer worked for an investment company called Armister-Hawes, and had begun to suspect that there were irregularities in some things happening at the company, including embezzlement. And, as McGee finds out, there are some well-connected people at the company who do not want him to find out the truth.
In the field of academia, one of the ‘unforgiveable sins’ is plagiarism. Presenting someone else’s work as one’s one can constitute grounds for failing a course, and later, for losing (or not getting) a job. And once word gets around that it’s happened, it usually means that the guilty party is unlikely to get another job, a speaking invitation, or a publishing contract. Plagiarism is part of the plot of Janice MacDonald’s Another Margaret. In the novel, sessional lecturer Miranda ‘Randy’ Craig makes ends meet by teaching courses as needed for Grant McEwan University, in Edmonton. Her friend, Denise Wolff, asks her to work on an alumni event to coincide with the University of Alberta’s Homecoming (Craig got her M.A. at that institution). Craig agrees, and the planning begins. Then, Wolff tells her a disturbing piece of news. A new novel by Margaret Ahlers is about to be published. What’s unsettling about this is that Craig did her M.A. thesis on Ahlers, and knows for a fact that the author has been gone for years. And it’s very, very unlikely that an unpublished manuscript would have turned up after all this time. If it’s not a genuine Ahlers novel, then someone is a plagiarist. All of this brings up a mystery that Craig was involved when she was working on her thesis; that mystery ties into the present-day mystery, and puts Craig in a great deal of danger.
In the world of sport, one of those ‘unpardonable sins’ is fixing games or matches. It can be very tempting, though, especially if a lot of money is involved. Just ask rugby player Mark Stevens, whom we meet in John Daniell’s The Fixer. He’s a former star of New Zealand’s legendary All-Blacks team, who’s heading towards the end of his career. Now, he plays for a French professional team, and doing well enough. Everything changes when he meets Rachel da Silva, who works for a Brazilian magazine. She’s been sent to France to do an in-depth piece on rugby, and wants to interview Stevens. He’s happy to do the interview, and before long, the two are working together on the article. Soon, da Silva tells Stevens about a friend of hers named Philip, who’s made a lot of money betting on rugby. And it’s not long before Philip’s very generous gifts, and da Silva’s very personal attention, draw Stevens into a web of providing ‘inside information,’ so that Philip can make even more money. That’s one thing, but then Stevens discovers that what Philip really wants is for him to fix matches. Now, Stevens faces a serious dilemma. He’s as opposed to fixing matches as any real athlete, or fan of sport, is. On the other hand, he’s in deep, as the saying goes. And there will be real danger for him if he doesn’t do as he’s asked.
The police are entrusted with a great deal of power and authority. Abuse of that power is grounds for, at the very least, disciplinary action. It can be grounds for much more, including termination or even imprisonment. There are many novels that feature corrupt police and those who try to bring them to justice. One of those is David Whish-Wilson’s Line of Sight, which introduces Perth Superintendent Frank Swann. He’s been away from Perth for a few years, but returns when he hears about the murder of an old friend, Ruby Devine. He starts asking questions about the death, but soon runs into a proverbial wall of silence. One reason is that he called a Royal Commission hearing on corruption in the police department. That alone makes him a ‘dead man walking.’ What’s more, the police who are the target of this investigation – a group called ‘the purple circle’ – are powerful. No-one wants to run afoul of them. So, Swann gets very little help. Even so, he finds out the truth about his friend’s murder, and about its connection to the ‘purple circle.’
Nurses work with sometimes very vulnerable people. So, they’re held to what you might call a higher standard when it comes to caring for their charges. For a nurse, causing harm to a patient is a very serious matter. Even if it’s unintentional, it can get the nurse fired. Neglect or intentional harm is an even more serious ‘sin.’ We see how that plays out in Caroline Overington’s Sisters of Mercy. This novel tells the story of Sally Narelle ‘Snow’ Delaney. As the story begins, she’s in prison (for reasons which are revealed in the novel). In one plot thread, she begins to write letters to New South Wales journalist Jack ‘Tap’ Fawcett. Her purpose is to set the record straight about some things he’s written. Through those letters, we learn a great deal about Snow’s childhood, her training as a nurse, and the experiences she’s had in that profession. We also learn about the events that led to her imprisonment. As the story unfolds, we get an ‘inside look’ at a system that’s supposed to protect the most vulnerable, and about what happens when it doesn’t.
Each profession has its standards, and when members violate those standards, the consequences can be especially severe. Among other things, there’s a sense of, ‘you’re supposed to know better, so it’s doubly wrong when you break this rule.’ These are only a few examples. Your turn.
*NOTE: The title of this post is a line from Echo and the Bunnymen’s Forgiven.