In The Spotlight: Donna Morrissey’s The Fortunate Brother

Hello, All,

Welcome to another edition of In The Spotlight. A death in the family – especially an unexpected death – can wreak havoc on those left behind. Even after the healing begins, things are never the same. Since many crime novels have to do with murder and sudden death, it makes sense that we would see portrayals of families coping with that loss in the genre. Let’s take a look at such a novel, and turn the spotlight on Donna Morrissey’s The Fortunate Brother, the 2017 winner of the Arthur Ellis Awards for Excellence in Canadian Crime Writing, Best Novel. This is the third of Morrissey’s novels to feature Sylvanus Now.

As the novel begins, it’s been three years since the death of Sylvanus and Addie Now’s son, Chris. He died in a tragic oil rig accident in Alberta, and the family (Sylvanus, Addie, and their other children, Sylvie and Kyle) has been devastated. Sylvanus has taken to drinking; and, much as Addie loves her husband, she’s getting fed up. Kyle finds it difficult to deal with his loss and grief, and Sylvie hasn’t really been back to the family home since Chris died.

Then, a local bully named Clar Gillard is murdered. The police begin to investigate, and they find no shortage of suspects. Gillard was abusive to his wife, Bonnie, and malicious, even cruel, to plenty of other people in this small community in Newfoundland. No-one will miss him.

Soon, though, the evidence begins to suggest that one of the members of the Now family might be guilty. Sylvanus had an argument with the victim shortly before his death, and it wouldn’t be out of character for Gillard to have come back later to ‘finish matters,’ and Sylvanus to stand up for himself. Gillard attacked Kyle, too, and he could have retaliated. And then there’s Addie’s friendship with Bonnie. Could she have killed Gillard to save her friend? There are other possibilities, too.

As the Now family copes with all of this suspicion, they also face another challenge: Addie is diagnosed with breast cancer. It’s at the stage where it can be handled surgically, but even so, it’s a terrible hurdle to face. Still, it brings the members of the family back together, and forces them to face their grief, guilt, and pain over Chris’ death.

Little by little, as the truth about Gillard’s murder comes out, we also learn some other truths that have been kept hidden. And in the end, the members of the Now family find ways to reach out to each other. And that, in its turn, helps their healing process.

This is, in its way, a whodunit. So, an important element in the novel is the slow process of working out who was where, at what time, who had an alibi, and so on. And that’s not easy. This is a small community (more about that community shortly), and everyone knows everyone. There are a lot of longstanding friendships, and people don’t want to see their friends/cousins/etc. arrested. Besides, Gillard was, to say the least, not well-liked. So, there’s no great outcry for justice, if I can put it that way. Some of the characters don’t tell the police everything (or anything) they know. Still, the police are skilled, and they do get to the truth about what happened.

The story is told from Kyle Now’s point of view (third person, past tense), so we see everything through his eyes. This gives readers an intimate look at the Now family, and the way they’re coping (or not) with Chris’ loss. Kyle carries a great deal of grief and guilt, although he is not responsible for what happened to his brother. And that has a real impact on how he sees the world. He’s no longer a child, but he’s not mature yet. And there are several things he doesn’t know about some of the characters, including members of his own family. So, in a way, you might argue that there’s a hint of the unreliable narrator about him. That said, though, as the story goes on, he learns some of those truths, and does some growing.

So do the other members of the Now family. An important element in the novel is the way the family deals with Chris’ death. It’s a devastating blow for all of them, and each has coped in a different way. As the novel goes on, the family pulls together a bit, and it’s clear that each of them cares a great deal for the others. Despite the sorrow and sadness, this family is a unit. I can say without spoiling the story that everyone does some healing. Morrissey doesn’t offer an ‘everything is perfectly fine now,’ sort of ending. It isn’t fine. But by the end of the novel, the different family members can talk about what happened, and support each other.

Another very important element in the novel is its setting. The novel takes place in The Beaches, Newfoundland, and Morrissey places the reader there in several ways. The physical setting, the language patterns, the culture, and the interactions are all distinctive. And the Now family is very much a part of this context.

The Fortunate Brother is the story of a family coming to terms with a tragic loss. It’s also the story of what happens to a small community when one of its members is murdered. It takes place in a unique cultural setting, and features a young man who’s trying to make sense of the things he’s learning about himself, his family, and his home town. But what’s your view? Have you read The Fortunate Brother? If you have, what elements do you see in it?

 
 
 

Coming Up On In The Spotlight
 

Monday, 15 January/Tuesday, 16 January – Sergeant Cluff Stands Firm – Gil North

Monday, 22 January/Tuesday, 23 January – Killer Instinct – Zoë Sharp

Monday, 29 January/Tuesday, 30 January – Sold – Blair Denholm

12 Comments

Filed under Donna Morrissey, The Fortunate Brother

12 responses to “In The Spotlight: Donna Morrissey’s The Fortunate Brother

  1. I do like the sound of this. As you probably know I enjoy a small town setting and so this one in Newfoundland fits the bill. I also like that it seems as though much of the story hinges on an earlier sad event.
    Thank you for bringing this to me attention

    • You know, Cleo, I thought of you when I was reading this. I think you might like it, and I do think you’d like the element of the impact of the past sorrow on this family. If you do read it, I hope you’ll be glad you did.

  2. It sounds as if it’s done well and I like that it gives a real sense of place through the language and so on. But I’m afraid the subject matter is not for me – my TBR escapes unscathed… 🙂

    • Curses, FictionFan! Foiled again! I’ll get you next time! Bwahahaha! 😉

      In all seriousness, it does give a real sense of place, and the characters are, in my opinion, well-drawn. But no book or subject matter is for everyone.

  3. Spade & Dagger

    If it was in my local library I would probably read it for the sense of place (Newfoundland is somewhere I would love to visit), but generally I like the crime/mystery aspect of a book to be more dominant than the family relationships ‘stuff’ 🙂

    • You’re not alone, Spade & Dagger. Everyone has a different sense of what the ‘right’ balance is between the actual fictional crime and its investigation, and the characters’ personal relationships.

  4. Col

    Kind of interested, but probably not one for me to seek out.

  5. Margot: I thought it was a fine book. It was of my favourites in 2017. I consider it a worthy winner of the Arthur Ellis Award for Best Novel. I hope she writes more mysteries. She has the talent.

  6. This sounds good and I would like the setting. There are earlier books about this family, I think I might want to read those first.

    • I agree that reading the two earlier books would give you more perspective on the family, Tracy. And I think Morrissey did a very effective job with the setting.

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