We don’t see it as much these days, but there was a time when it wasn’t uncommon for a family to hire a live-in nurse if they had a relative who needed regular medical care. For the person with health issues, it means being cared for at home, rather than a hospital. For the family, it’s much more convenient, if they have the means. Live-in nurses get to learn a lot about a family, and they add an interesting dynamic to a household. So it makes sense that they’d find their way into crime fiction, too.
Agatha Christie chose a live-in nurse as the narrator in Murder in Mesopotamia. Famous archaeologist Dr. Eric Leidner hires Nurse Amy Leatheran to help care for his wife, Louise. They’re on a dig a few hours from Baghdad, and this is the first time Louise has joined the team. She’s been having difficulty with anxiety, and reports seeing faces at windows and hearing hands tapping and so on. Leatheran’s task will be to allay her fears and help with her anxiety. At first, things go well enough, although the atmosphere is a little tense. But Leatheran soon notices friction, carefully covered up with politeness, among some of the members of the excavation team. Then, Louise confides her reasons for being afraid: she believes that her first husband, Frederick Bosner, may be planning to kill her. According to her story, they were married for a brief time, but he was killed. It might be, though, that he didn’t die; and he’s always said that she would be his and no-one else’s. At first there doesn’t seem a whole lot of merit to that story. But one afternoon, Louise is murdered. Hercule Poirot is in the area, and is persuaded to investigate. Among other things, this novel offers a look at the life of a live-in nurse of the times. Yes, indeed, fans of Appointment With Death and of The ABC Murders. Oh, and of The Mirror Crack’d From Side to Side.
In Barbara Vine’s (AKA Ruth Rendell) The Minotaur, we are introduced to Kerstin Kvist, a Swedish nurse who moves to the UK to be near her lover Mark Douglas. She’s hired by the Cosway family to look after thirty-nine-year-old John Cosway, who is said to be schizophrenic. On the surface, it looks like a good arrangement for everyone. But soon after her arrival Kvist begins to suspect that something is very badly wrong. For one thing, the family still seems to live in the Victorian Era, which is strange enough. What’s more, family matriarch Mrs. Cosway has ordered that her son be kept heavily sedated. Kvist is sure that he doesn’t need to be medicated in that way. So, bit by bit, she withdraws the medication her patient is on, but doesn’t tell anyone. That decision leads to real tragedy, which is documented in the diary that Kvist keeps.
Minette Walters’ novella The Tinder Box is the story of the murders of elderly Lavinia Fanshaw, and her live-in nurse, Dorothy Jenkins. Everyone in their village of Sowerbridge is convinced that the murderer is an Irish worker named Patrick O’Riordian. He is duly arrested, and it seems that the case will be settled. But Siobhan Levenham, who also lives in Sowerbridge, believes that Patrick is innocent. She thinks that he’s been ‘railroaded’ because of local prejudice, and wants to clear his name. But the more she learns about the accused’s past, the more she begins to wonder what really happened. Is O’Riordian guilty? If so, what went on among him, Lavinia Fanshaw and Dorothy Jenkins? As she looks for the truth, Levenham begins to question her own thought processes.
Anne Perry’s historical series features Hester Latterly, a nurse who’s recently returned from service in the Crimean War (the series takes place in Victorian London). At first, she works in a free hospital, but she is dismissed for insubordination. She treated a patient in crisis without a doctor present, something she’s not permitted to do. After that incident, Latterly takes up a career as a private nurse, working in homes where a patient is recuperating (or, at times, is chronically ill). She meets Detective William Monk (in The Face of a Stranger) through her sister-in-law, who swears by Monk’s PI skills. As the series goes on, Latterly and Monk work together on cases, and later become partners in life as well. Among other things, this series shows the life of a private nurse shortly after Florence Nightingale’s reform efforts began to make nursing a higher-status and more skilled profession.
And then there’s James Ellroy’s historical (1950’s) novel, L.A. Confidential. The novel’s focus is three L.A.P.D. officers, each of whom gets drawn into solving the case of a group of murders at the Nite Owl Café. One of these cops is Jack Vincennes, who is acting as a technical advisor for a television show called Badge of Honor. The set designer, David Mertens, has a rare form of epilepsy, and needs regular nursing attention and medication in order to function. For that, he’s hired a live-in nurse, Jerry Marsalas, to look after his needs. Marsalas also accompanies Mertens to the studio set, to be available as needed. Without spoiling the story, I can tell you that these characters play important roles in the novel.
See what I mean? Live-in nurses have all sorts of crime-fictional jobs, from classic and Golden Age novels to modern noir, and a lot of other types besides. This is just a small dose (I know, I know, fans of Charles Todd’s Bess Crawford); which ones have stayed with you?
*NOTE: The title of this post is a line from Country Joe McDonald’s Lady With the Lamp.