Category Archives: Colin Dexter

We’re Off to the Pub to Play in the Trivia Club*

As this is posted, it’s the birthday of famous quiz show host Alex Trebek. If you think about it, quiz shows such as Jeopardy and Mastermind are interesting examples of how much people like trivia. If you watch those shows, or you’ve ever played Trivial Pursuit or games like it, you know what I mean. And sometimes, knowing trivia can be lucrative.

Even if all you get is bragging rights, trivia can be interesting. Trivia even finds its way into crime fiction. And sometimes, it can end up being important, and not trivial at all.

Take Agatha Christie’s Lord Edgware Dies, for instance. In that novel, famous American actress Jane Wilkinson comes to Poirot with an unusual (for him) sort of problem. She wants a divorce from her husband, Lord Edgware, so that she can marry again. But she says he won’t consent. Her solution is for Poirot to visit Edgware and ask him to withdraw his objection. It’s a strange request, but Poirot agrees. When he and Captain Hastings visit Edgware, though, their host tells them that he’s already written to his wife to tell her that he consents to the divorce. Confused, Poirot and Hastings leave, only to learn the next day that Edgware’s been stabbed. Jane is the most likely suspect, but there are a dozen people willing to swear that she was at a dinner party in another part of London at the time of the murder. So, Poirot and Chief Inspector Japp, who’s assigned to the case, have to look elsewhere for the killer. In the end, a piece of trivia casually mentioned turns out to be part of the murderer’s undoing.

In Karin Alvtegen’s Betrayal, we are introduced to Jonas Hansson. He’s got deep scars from an unhappy childhood and very dysfunctional parents. But he found solace in his fiancée, Anna. Then, Anna nearly died in a fall from a pier at a local boat club. She’s been in a coma since then, and Jonas spends as much time as he can by her side. At first, that attention impresses the staff at the hospital where Anna lives. But soon enough, we see that Jonas isn’t dealing with his life in a very healthy way. One night, he happens to be in a pub where he meets Eva Wirenström-Berg, who’s just found out that her husband, Henrik, has a mistress. Both she and Jonas make some fateful decisions that end up having tragic consequences for everyone. Interestingly enough, Jonas uses a particular set of trivia – distances between different places in Sweden – to cope with stress.
 

‘Alingsås to Arjeplog 1179 kilometres, Arboga to Arlanda 144, Arvidsjaur to Borlänge 787.’
 

He uses the ritual of repeating the distances to himself to calm down.

Trivia turns out to be useful to Saskatoon PI Russell Quant in Anthony Bidulka’s Flight of Aquavit. Successful accountant Daniel Guest is being blackmailed, and he wants Quant to find out who’s responsible, and get that person to stop. He gives Quant the information he has about who the blackmailer might be, and Quant gets started. At one point, the trail leads to a local community theatre, where Quant hopes the secretary might provide him with some photographs he wants to see:
 

‘‘Hello, my name is Rick Astley and I’m the Artistic Director for Theatre Quant in Mission.’ I was betting she wasn’t old enough to be up on her late 1980’s teen idol trivia or informed enough about British Columbia community theatre to catch on to my clever ruse. And actually she looked pretty unimpressed with life in general regardless of the decade. I continued on, hoping my enthusiasm, if not my really bad English accent, would be contagious.”
 

Quant’s knowledge of musical trivia helps get him the photographs he wants, and a tiny piece of the puzzle.

Catriona McPherson’s Dandelion ‘Dandy’ Gilver series begins with Dandy Gilver and the Proper Treatment of Bloodstains. In that novel, private detective Dandy Gilver gets a new client, Walburga ‘Lollie’ Balfour, who believes her husband, Philip ‘Pip,’ is trying to kill her. She doesn’t want Pip to know she’s consulted a detective, so she asks Dandy to visit her in the guise of a maid seeking a job. Dandy agrees, and takes a position under the name of Fanny Rossiter. The idea is that she’ll find out what she can, and try to protect her client. Late on the first night of ‘Fanny’s’ employment, Pip is stabbed. Dandy gets involved in the case as she tries to clear her client’s name. At one point, she comes upon the maid who discovered Pip’s body, desperately trying to get bloodstains out of her clothes. Dandy doesn’t think this maid is the killer, so she tries to be practical about it:
 

‘‘Apart from anything else, Miss Etheldreda, hot water sets a bloodstain so nothing will ever shift it. A cold water and salt soak is what’s needed.’’
 

That little bit of knowledge helps Dandy get some information she wants, and brings down the barrier between her and Etheldreda.

One of the major events in Liane Moriarty’s Big Little Lies is a Trivia Night event at Piriwee Public School, on Piriwee Peninsula, near Sydney. It’s intended as a fundraiser to provide the school’s classrooms with Smart Boards. Everyone’s ready for a fun event, but instead of a friendly competition in aid of a good cause, disaster strikes. The hors d’oeuvres don’t arrive, which means that people are drinking too much without anything to eat. The alcohol fuels already-simmering resentments, and the end result is tragedy. Then, the book takes readers back six months to show how the resentments built, and what led to the events of Trivia Night.

You see?  Trivia isn’t just for Jeopardy or for Quiz Night at the pub. And, of course, trivia isn’t always deadly. Just ask Colin Dexter’s Inspector Morse. He depends on that sort of knowledge, and his knowledge of language, to do his crossword puzzles. And where would he be without those?

 
 
 

*NOTE: The title of this post is a line from Squeeze’s Sunday Street.

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Filed under Agatha Christie, Anthony Bidulka, Catriona McPherson, Colin Dexter, Karin Alvtegen, Liane Moriarty

Hardly Anyone Has Seen How Good I Am*

Not long ago, I did a spotlight on Jane Haddam’s Not a Creature Was Stirring. And, as always seems to happen, the best thing about the post wasn’t the post at all. It was the discussion that followed it. In this case, a few of you commented about Haddam’s series, and wondered why it’s not much more widely read than it is.

And that’s got me thinking about other series that are like that. You know the sort of series I mean. They’re well-regarded, and may run to five, ten, or even more, books. But at the same time, they aren’t very widely read, and you don’t see them on a lot of ‘recommended’ lists.

It’s a difficult question to answer, really. After all, people differ greatly on what ‘counts’ as ‘widely read’ and ‘well known.’ That said, though, it’s interesting to consider why some series catch fire, as the saying goes, and are talked about a lot, and others aren’t.

Haddam’s is arguably one such series. For those not familiar with these novels, they feature former FBI agent Gregor Demarkian. He has an Armenian background, and is a member of Philadelphia’s Armenian community. In fact, most of the novels in the series are set in and around that city. Although he’s retired, he does consult with the police under certain circumstances. And a lot of the cases he investigates come through his best friend and local parish priest, Father Tibor. This is a 29-book series, so it’s not just a matter of a few books. And Haddam’s won awards for her work. And yet, plenty of people aren’t familiar at all with her series.

The ‘Emma Lathen’ writing team of Mary Jane Latsis and Martha Henissart created the very well-regarded John Putnam Thatcher series. As fans of the series can tell you, Thatcher is a vice-president for the Sloan Guaranty Trust. The Sloan is often involved in mergers, acquisitions, international banking, and so on. So, there’s plenty of opportunity for nefarious doings, including fraud and murder. This series is 24 novels long, and, like Haddam’s, has won awards. In fact, one of the entries, Murder Against the Grain, won the Crime Writer’s Association (CWA)’s 1967 Gold Dagger Award. And the team won the Malice Domestic Award for Lifetime Achievement in 1997. Admittedly, this series is arguably more widely known than Haddam’s. Still, it doesn’t always make the list of best-known authors and series the way, say, Colin Dexter’s Inspector Morse series might.

The same might be said for the work of Marian Babson. Since 1971’s Cover Up Story, she’s had more than 40 books published. Interestingly enough, they’re all standalones (although some do re-use characters). They’re traditional-style mysteries, usually involving amateur sleuths. That said, though, they aren’t really what you’d call ‘cosy.’ While they tend to be low on violence (especially graphic violence), they aren’t ‘light, frothy’ books. Babson’s work is very highly regarded, especially among those who prefer traditional mysteries. She won the CWA’s 1996 Dagger in the Library Award for her body of work. And yet, a great many readers, including crime fiction fans, aren’t familiar at all with her work. And it’s not for lack of quality or high regard. Like Haddam and the Emma Lathen team, it’s also not because she only wrote a few novels.

There’s also the case of K.C. Constantine. He is the author of the Mario Balzic series, which takes place in the fictional Western Pennsylvania town of Rocksburg, where Balzic is Chief of Police. Beginning with The Blank Page, there are 17 novels in the series, most of which feature Balzic (two feature his protégé, Detective Sergeant Ruggiero ‘Rugs’ Carlucci, as well as other ‘beat’ cops). Rocksburg is the sort of town where everyone knows everyone, so, as the series evolves, we get to know Balzic, his wife, and several other people in the town quite well. And, in fact, character development plays an important role in the series. It’s a highly-regarded series, and fans will tell you it’s well worth reading. And, yet, you might easily be forgiven for never having heard of these books. In a way, that’s how Constantine likes it. He chooses to remain as anonymous as possible, and values his privacy, and that of his family, very much. So, even if you’re a crime fiction fan who goes to conferences such as Malice Domestic, Crimefest, Bouchercon, or other such events, you’re not likely to meet him.

And then there’s Jill McGown’s series featuring Detective Inspector (DI) David Lloyd, and Detective Sergeant (DS) Judy Hill of Stansfield CID. Beginning with 1983’s A Perfect Match, this is a traditional-style police procedural series. As the series goes on, Lloyd and Hill move along in their careers. They also continue their romantic relationship, eventually marrying and having a family. But the focus in these novels is on the mysteries. All in all, there are thirteen books in the series, and they’re well regarded. In fact, A Shred of Evidence was adapted for television film in 2001. McGown’s fans are devoted, too. And yet, this series is arguably not a ‘household word,’ the way, say, Sue Grafton’s Kinsey Millhone series is.

There are plenty of other series, too, that fall into this category. I’ll bet you could name far more examples than I could. And there are a number of reasons that a series might not be particularly widely known. Even if authors are willing to go to a lot of conferences, etc., to promote their work, there’s a lot of competition. And with today’s self-publishing and other digital publication, there are even more book choices. So, readers have to make decisions about what they’ll choose. So do publishers. Even if an author is talented, and gets professional acclaim, that doesn’t mean that particular author is a best-seller. And publishers are interested in promoting the work of authors whose work sells a lot.

There are other reasons, too. What do you think about this? Which authors do you feel deserve a lot more attention than they’ve gotten? Why do you think those authors haven’t ‘caught fire?’ Thanks to those who commented on that earlier post, and got me thinking about this!

 
 
 

*NOTE: The title of this post is a line from Billy Joel’s Rosalinda’s Eyes.

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Filed under Colin Dexter, Emma Lathen, Jane Haddam, Jill McGown, K.C. Constantine, Marian Babson, Sue Grafton

Searching For the Truth*

Any writer will tell you that research plays a role (and sometimes a very important role) in creating a quality novel, story, or article. Research can take a person in any number of directions, too; and I’m sure that, if you’re a writer, you’ve got plenty of good ‘research stories’ to share. I know I do.

Research plays a role in crime fiction, too. After all, you never know what research might turn up. And if it’s something that people would rather keep secret, anything might happen.

For instance, in Dorothy L. Sayers’ Gaudy Night, mystery novelist Harriet Vane returns to her alma mater, Shrewsbury College, Oxford, to participate in the school’s Gaudy Dinner and the accompanying festivities. A few months later, she’s asked to go back to Shrewsbury. It seems that several distressing things have been going on at the school, and the administrators don’t want the police involved, if that’s possible. There’ve been anonymous threatening notes, vandalism, and more. Vane agrees, and goes under the guise of doing research for a new novel. In the process, she turns up some things that someone does not want revealed; and it nearly costs her her life. Lord Peter Wimsey joins Vane to help find out the truth, and, together, they discover who and what are behind the disturbing occurrences.

Colin Dexter’s Inspector Morse gets involved in some research in The Wench is Dead. In that novel, he’s laid up with a bleeding ulcer. With not much else to do, he reads a book he’s been given, Murder on the Oxford Canal, about the 1859 murder of Joanna Franks on a canal boat. At the time, two men were arrested, convicted, and executed. But, as Morse reads and considers the case, he begins to believe that those men were not guilty. With help from Sergeant Lewis and Bodleian librarian Christine Greenaway, Morse looks into the case again, and finds out the truth about the long-ago murder.  You’re absolutely right, fans of Josephine Tey’s The Daughter of Time.

Deadly Appearances is the first in Gail Bowen’s series featuring Joanne Kilbourn Shreve. As the series begins, she is an academician and political scientist. So, she’s well aware of the importance and value of research. One afternoon, she attends a community picnic at which her friend, Androu ‘Andy’ Boychuk, is to make an important speech. He’s been selected to lead Saskatchewan’s provincial Official Opposition Party, and has a bright political future ahead of him. Tragically, he collapses and dies just after beginning his speech. It’s soon shown that he was poisoned. Kilbourn grieves the loss of her friend and political ally, and decides to write his biography. The more she researches for the book, the more she learns about Boychuk. And that knowledge leads her to the truth about his murder – and to some real personal danger.

Paddy Richardson’s Rebecca Thorne is a Wellington-based journalist. Her career, of course, involves quite a lot of background research, as any credible story has to be supported. In Cross Fingers, Thorne is working on an exposé documentary about dubious land developer Denny Graham. She’s lined up interviews with people who claim he’s duped them, and she’s been trying to get information from Graham’s people, too, to be as fair as she can. Then, her boss asks her to change her focus, and do a story on the upcoming 30th anniversary of the Springboks’ 1981 tour of New Zealand. At the time, apartheid was still the law of the land in South Africa, and a lot of New Zealanders protested the government’s decision to invite the Springboks. On the other hand, the police needed to keep order, and rugby fans just wanted to see some good matches. The result was a set of violent clashes between protestors and police. Thorne is reluctant to do that story. For one thing, she wants to do her interviews for the Graham story before his victims lose their nerve. For another, she doesn’t see that there’s any new angle on the rugby tour story. Still, her boss insists, and Thorne gets to work. Then, as she does research on the tour, she finds a story of interest. It seems that two dancers dressed as lambs went to several of the games and entertained the fans. Then, they stopped attending. Thorne wants to know what happened to The Lambs, so she starts researching. She learns that one of them was murdered one night, and his killer never caught. The case nags at her, especially when it becomes clear that several people do not want her to find out the truth.

And then there’s Martin Edwards’ Daniel Kind. He’s an Oxford historian whose work gained him not just academic plaudits but also a lot of popular appeal. Burnt out from being a well-known TV personality, Kind moved to the Lake District and more or less dropped out of media sight. He still writes, gives lectures, and so on, though. And he’s still interested in research. His research findings are often very helpful to the Cumbria Constabulary’s Cold Case Review Team, led by DCI Hannah Scarlett. Since her team’s focus is on older cases that are re-opened, she finds Kind’s historical perspective useful and informative. For example, Kind’s research on Thomas de Quincey proves to be key in both The Serpent Pool and The Hanging Wood.

There are other fictional sleuths, too, such as Christine Poulson’s Cassandra James, and Sarah R. Shaber’s Simon Shaw, who do research as a part of their lives. Those skills serve them very well when it comes to sleuthing, too (right, fans of Elly Griffiths’ Ruth Galloway?).

Research skills – knowing how to pose questions, look for information, weigh its value, and come to conclusions – are important in a lot of professions. And they can certainly add to a crime novel.

 
 
 

*NOTE: The title of this post is the title of a song by Edwyn Collins.

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Filed under Christine Poulson, Colin Dexter, Dorothy L. Sayers, Elly Griffiths, Gail Bowen, Josephine Tey, Martin Edwards, Paddy Richardson, Sarah R. Shaber

I’ll Let You Touch the First Editions*

With today’s easy digital access to information, it’s often possible for people to do background reading without leaving their homes or offices. Many articles are available online (although some come with a fee). In other cases, one can order a copy of a journal or a book. And that makes research much easier than it used to be. Trust me.

But, speaking strictly for myself, there’s something about doing research in an actual university or college library. For one thing, many of them are beautiful buildings, so the surroundings are a treat in themselves. And, when a university has generous benefactors and donors, there’s a chance it will have rare, even priceless, manuscripts, books, and so on. That’s a dream come true to scholars and bibliophiles. Many university libraries also have scholarly books and journals that a public library might not carry. That, too, is very helpful if you’re doing research.

University libraries also have a rich sense of atmosphere. And you never know what you’ll find out in them. And that can make them very effective settings in crime fiction.

In Dorothy L. Sayers’ Gaudy Night, for instance, mystery novelist Harriet Vane returns to her alma mater, Shrewsbury College, Oxford, when a disturbing series of events starts happening. She goes to the school under the pretext of doing research for a new novel, so she spends her share of time in the college’s library. And that library plays a critical role in solving the mystery. For instance, some important manuscripts are taken from the library; others are defaced. There’s other vandalism, too. With help from Lord Peter Wimsey, Vane discovers who’s behind the trouble at the college. And it turns out that the mystery is rooted in a longstanding grievance that one of the characters has.

Fans of Colin Dexter’s Inspector Morse series will know that much of it takes place in the town (and sometimes on the campus) of Oxford. And that means that Morse is familiar with several of Oxford’s libraries. They play roles in a few of the novels, too. For instance, in The Wench is Dead, Morse is recovering from a bleeding ulcer. During his recuperation, he is given a copy of Murder on the Oxford Canal, which tells the story of the 1859 murder of Joanna Franks on a canal boat. At the time of the murder, two men were arrested, convicted, and executed in connection with the death. But Morse isn’t sure that they were guilty. So, he decides to look into the case. He can’t get about very well, so he gets help from Sergeant Lewis, as well as from Christine Greenaway, one of the Bodleian’s librarians. And that background information proves to be very useful as Morse looks into the murder again.

Christine Poulson’s Cassandra James mysteries take place at Cambridge, where James is head of the English Literature Department at St. Etheldreda’s College. In the first of the series, Murder is Academic, James gets involved when her predecessor, Margaret Joplin, is found dead. The trail leads to another case, which James wants to look up. So, she goes to the university’s library:
 

‘There was nowhere else I would rather have been than this library, in this city. In fact, I’d like to live in the library. I’d often wondered if that would be possible. Of course, you’d have to hide at closing time.’
 

During this particular visit, James has a frightening experience that plays its role in the outcome of the mystery. And it’s interesting how quickly its atmosphere changes from warm, safe, and beautiful to sinister.

Gail Bowen’s Joanne Kilbourn Shreve is a former academician, so she, too, is quite familiar with university libraries. And the one at her institution figures into Burying Ariel. In that novel, one of Bowen’s colleagues, Kevin Coyle, is accused of sexual assault. There isn’t clear-cut evidence, and the case begins to divide the department. Then, Ariel Warren, a lecturer in the same department, is found stabbed to death in the basement of the university’s library. Coyle is convinced that her murder is related to his case. But there are other possibilities, too. And it turns out that this killing has to do with the network of relationships on campus.

And then there’s Sarah R. Shaber’s Simon Shaw, a Pulitzer Prize-winning historian who teaches at Kenan College, a small school in North Carolina. Shaw’s very familiar with the inner workings of university libraries, and finds them helpful as he looks into past murders that still impact the present. In Simon Said, for instance, Shaw looks into the 1926 murder of Anne Bloodworth when her bones are discovered on a piece of property that’s about to be deeded to the college. And in The Fugitive King, Shaw investigates the 1957 murder of Eva Potter. In both cases, he uses university libraries (both Kenan College’s and the University of North Carolina, Chapel Hill’s) to get background information on the cases. Those old records prove to be very helpful.

My own Joel Williams, who teaches at Tilton University, finds a very helpful old map and some old records in the university’s library in Past Tense. In that novel, he works with the Tilton, Pennsylvania, police to find out who’s responsible for the 1974 murder of a Tilton University student, Bryan Roades.

University libraries have all sorts of fascinating records, rare books and manuscripts, and much more. So, it’s no wonder they’re still a beacon for scholars, even in today’s digital world. And they can serve as effective atmospheres.

ps The ‘photo is of the university library where I spent my share of time during my undergraduate years. It wasn’t grand or glorious, but I have good memories of it.
 
 
 

*NOTE: The title of this post is a line from Haunted Love’s Librarian.

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Filed under Christine Poulson, Colin Dexter, Dorothy L. Sayers, Gail Bowen, Sarah R. Shaber

Tired of Waiting For You*

I’ll bet you know the feeling. You’re at a job interview, a medical appointment, a bank, or perhaps even a mechanic. At some point, you’re asked to wait. That wait can seem endless, especially if you’re already feeling a little tense (you’re anxious about the job, or wondering what the medical news will be, or whether you’ll get that loan, or how much the car’s going to cost this time).

The tension people feel at those times is almost palpable, and in real life, it can be useful. People may not be as much on their guard, and that can be helpful for police detectives. It can also add a layer of suspense to a crime story. There’s an element of character depth, too that such suspense can add (how does a certain character behave under stress?).

In Agatha Christie’s Death in the Clouds (AKA Death in the Air), for instance, a group of passengers is on a flight from Paris to London. Towards the end of the flight, one of those passengers, Marie Morisot, is discovered dead of what turns out to be poison. The only possible suspects are the other passengers in that same cabin. So, the police, in the form of Chief Inspector Japp, ask those people to wait in a separate room until each can be interviewed. That scene is full of tension as the wait goes on. In this case, Japp doesn’t artificially extend the passengers’ wait, but it’s interesting to see how it impacts all of them. Hercule Poirot was on this flight, so he works with Japp to find out who the killer was.

Christianna Brand’s Green For Danger takes place mostly at Heron Park Hospital, which has been converted for wartime military use. One day, a postman named Jospeh Higgins is brought to the hospital with a broken femur. The operation to set the bone is risky, as all operations are; still, it’s considered straightforward. Tragically, though, Higgins dies during the surgery. Inspector Cockrill of the Kent Police is assigned to do the routine paperwork, but he soon comes to believe that this death was not an accident. Then, there’s another death, this time, an obvious murder. The only really viable suspects are the people who were involved in the original death. So, Cockrill keeps a close eye on them, more or less keeping them in the same place. And they’re soon shunned by other people at the hospital. The tension that goes with being suspected, and with being cooped up, adds much to the atmosphere of this novel.

In Colin Dexter’s The Jewel That Was Ours, Inspector Morse and Sergeant Lewis are called to the exclusive Randolph Hotel. Laura Stratton, an American tourist who was staying there, has died of an apparent heart attack, and a valuable jewel has been taken from her room. The missing piece is called the Wolvercote Tongue, and is part of a Saxon buckle that’s on display at the Ashmolean Museum. Before her death, the victim was going to donate that piece to the museum, so the fact that it’s missing is a real blow on several levels. The next day, Dr. Theodore Kemp, the museum’s curator, is found dead. It seems clear that the two incidents are related, so Morse and Lewis investigate them that way. And they start with Laura Stratton’s tour group. During the investigation, the tour group can’t move on to the rest of their stops, so there’s a bit of a claustrophobic feel as they wait for Morse and Lewis to unravel the truth. In the end, it’s all tied to a past tragedy.

Aditya Sudarshan’s A Nice Quiet Holiday begins as Judge Harish Shinde and his law clerk, Anant, travel to Bhairavgarh, in the Indian state of Rajasthan, for a two-week holiday. One of Shinde’s old friends, Shikhar Pant, has invited them for a visit, and it’s a good excuse to get out of the Delhi heat. Among the other guests at Pant’s home is his cousin, Kailish Pant, a well-known writer. There’s tension right away, mostly over the work being done by two other guests, Ronit and Kamini Mittal, who run an NGO. They’re trying to provide AIDS information and other reproductive health support to some of the rural areas, and many people see that as obscene. Others feel threatened for other reasons. And opinion among Pant’s guests is quite divided. Matters come to a head one afternoon when Kailish Pant is murdered. Inspector Patel is assigned to investigate, and he begins to talk to the house party. The judge and Anant work with Patel to find out who the killer is, and their job isn’t made any easier by the very tense atmosphere that’s created by that feeling of having to wait.

And that feeling of anxiety and suspense is there no matter how luxurious the atmosphere. For instance, in Swati Kaushal’s Drop Dead, we are introduced to Shimla Superintendent of Police Niki Marwah. She and her team are called to the ultra-luxurious Lotus Resort when the body of Rakesh ‘Rak’ Mehta is discovered in a valley not far from the resort. He was the CEO of Indigo Books India, and had brought his senior staff to the Lotus for a retreat. The case is soon identified as a ‘suspicious death,’ and Marwah and the team look more closely at the members of the victim’s staff. They learn that each of Mehta’s senior employees had a motive for murder, so until the investigation is complete, the staff will have to stay where they are. And that adds a solid layer of atmosphere and suspense, even in an elegant, extremely comfortable place like the Lotus.

There are plenty of other examples of this sort of tension. You see it as people wait for police interviews, in those ‘country house’ mysteries, and in other places, too. And it’s little wonder; anxious waiting really does add a layer of tension to a story.

 
 
 

*NOTE: The title of this post is the title of a song by the Kinks.

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Filed under Aditya Sudarshan, Agatha Christie, Christianna Brand, Colin Dexter, Swati Kaushal