It’s arguably not as easy to go ‘off the grid’ as it once was, as I mentioned in yesterday’s post. But if you know where to go and what to do, and you have the money and motivation, you can do it. Sometimes, though, it’s not as easy as just disappearing, even if you want (or need) to do that. For example, those dealing with domestic abuse (usually, but not always, women and children) may simply not have access to money, a car and so on. So they need to rely on shelters or on groups of ‘safe houses.’ Sometimes they’re helped by individuals too.
Shelters and other similar places have been around more or less since the 1970s; before then, someone who had to escape had very, very few choices. Even today it can be awfully difficult, but there are shelters and other places that can help to protect survivors of abuse. They’re certainly out there in real life, and they are in crime fiction too.
Deborah Crombie’s In a Dark House features Helping Hands, a Southwark women’s shelter. One night, there’s a fire in a warehouse next door to Helping Hands, and one of its residents reports the incident. The body of an unidentified woman is found among the ashes, and Superintendent Duncan Kincaid begins the investigation. At the same time, Kincaid’s partner, DI Gemma James, gets a call from the Reverend Winnie Montfort. One of Montfort’s congregants is missing, and she may be the unidentified woman. There are other possibilities though. One of them is Laura Novak, who works at Guy’s Hospital, and who is also on the Board of Directors at Helping Hands. Without giving away spoilers, I can say that the shelter and the people who live and work there do figure into this mystery.
Denise Mina’s Garnethill trilogy features Maureen ‘Mauri’ O’Donnell. In the second novel Exile, she has a job at Place of Safety, a women’s shelter. There, she meets Ann Harris, who is one of the shelter’s residents. Then, Ann disappears. On the one hand, the residents are under no obligation to tell the staff where they go and what they do. On the other, it’s always a cause for concern when residents go missing, because it could easily mean they’ve returned to an abusive situation. So Mauri does worry about Ann’s well-being. Still, there’s nothing to indicate a problem until two weeks later, when Ann’s body is found in the Thames. Mauri immediately suspects that Ann’s husband Jimmy killed her. But Jimmy’s cousin Louise, who runs the shelter, thinks he’s innocent. So she and Mauri start to ask questions about what really happened.
When we first meet Zoë Sharp’s Charlotte ‘Charlie’ Fox in Killer Instinct, she’s left the armed forces for reasons she would rather not discuss. But she’s found a way to fit back into civilian life:
‘I’ve been holding self-defence at the Shelseley Lodge Women’s Refuge for the last couple of years.’
On the whole, she finds the work satisfying, and the shelter provides her a place to teach her classes in exchange for not charging its residents any tuition. One night, she goes with a friend to a karaoke night event at the newly remodeled Adelphi Club. During the evening, she gets into a fight with another patron Susie Hollins. When Susie is later found murdered, the police are naturally very interested in Charlie. If she’s going to clear her name, she’s going to have to find out who the killer is, and all of the possibilities are dangerous…
In Sara Paretsky’s Tunnel Vision, her PI sleuth V.I. Warshawski is the lone holdout against the powerful Culpepper brothers, who own the Chicago building where she has her office, and who want to sell it. To add to that stress, one night, she finds a homeless woman and her children living in the building’s basement. She’s trying to find a solution for this family when her most important client asks her to help him find a community service placement for his son, who’s been arrested for computer hacking. Warshawski finds a place for the boy at Home Free, a homeless advocacy group. Then, Deirdre Messenger, who sits on Home Free’s Board of Directors, is murdered and her body left in Warshawski’s office. Warshawski knew the victim, since both were volunteers at Arcadia House, a women’s refuge. So even if the body hadn’t been found in her office, she’d have taken an interest. She starts asking questions and ends up uncovering some very dirty domestic abuse secrets in some very high places.
Of course, there are plenty of individuals who help those who need to escape, even if they’re not affiliated with a particular group. In Betty Webb’s Desert Wives, for instance, private investigator Lena Jones works with her PI partner Jimmy Sisiwan to rescue thirteen-year-old Rebecca Corbett from Purity, a polygamous sect. Rebecca’s father Abel has rejoined the sect after some time away, and has agreed that Rebecca will marry the group’s leader Solomon Royal. Rebecca’s mother Esther, who’s divorced from Abel, wants Rebecca to be returned to her. So Jones and Sisiwan track Rebecca down and rescue her. In the process, Jones sees that Royal has been shot and is badly wounded. Still, she thinks that since neither she nor Rebecca had anything to do with the incident, they’ll be fine. But shortly after Rebecca and Esther are re-united, Jones learns that Royal has died. Now Esther is a suspect in his murder and will very likely be extradited from Arizona to Utah to face trial. So Jones infiltrates Purity to find out who really killed the victim. As she gets to know the area, she discovers that what’s going on at Purity is much more than just teenage girls being forced to marry (as if that weren’t bad enough!). But she also learns of a few individuals who have helped some of the women and children escape. And that makes a big difference.
Domestic abuse shelters and refuges are important ‘safety nets’ for those trapped in abusive situations. So it’s little wonder they show up in crime fiction, too. And in real life, they can use all the help they can get. Just as an example, if you’re looking for a new home for books you no longer want to keep, why not consider such a shelter? A good book can provide a badly needed balm when someone’s in such a situation. Your time, your donations and your advocacy when funding’s being debated are also good ways to help.
*NOTE: The title of this post is the title of a Rolling Stones song.