Category Archives: Dick Francis

Where You Come From*

One of the interesting things about fictional PIs is the diversity in their backgrounds. The profession isn’t limited to people who have a particular academic degree or job experience. This means that the author has a lot of flexibility when it comes to a PI’s background. And that can make for intriguing layers of character development, to say nothing of plot points and other characters.

There are some fictional PIs who decide early in life that that will be their profession. Arthur Conan Doyle’s Sherlock Holmes, for instance, chose the profession quite deliberately. And, in A Study in Scarlet, he describes himself to Dr. Watson as
 

‘…a consulting detective, if you can understand what that is.’’
 

He’s carefully prepared for his career, too. In fact, his focus is so much on being the finest detective that he doesn’t take a lot of interest in topics unless they’ll be helpful to him professionally.

There are many fictional PIs who are former police officers. This means that they may very well have connections within the police community. And that can either be a source of valuable information, or an obstacle, depending on how the author wants to use that relationship.

For instance, Anthony Bidulka’s Russell Quant is a former member of the Saskatoon Police Service (SPS). He decided that life on the police force wasn’t for him, and hung out his own shingle. But he still has contacts on the force. He doesn’t spend a lot of social time with his former colleagues, and he’s much happier as a PI. But he’s established a useful and mutually beneficial relationship with the SPS.

Fans of Agatha Christie’s Hercule Poirot will know that he used to be a member of the Belgian police. That career ended, and then life changed abruptly with the advent of World War I. Poirot went to England as a refugee and started a career in private detection there. Interestingly enough, Christie doesn’t delve very much into Poirot’s early history. There are a few stories (right, fans of The Chocolate Box) that shed some light on Poirot’s life as a police detective. But he doesn’t maintain ties with his former colleagues.

Sometimes, fictional private investigators get into the business unexpectedly, or even accidentally. For instance, Dick Francis’ Sid Halley was at one time a well-known jockey. But he suffered a riding accident that severely injured his left hand and ended his riding career. At loose ends, so to speak, he got a job working for a large private detective agency, Hunt, Radnor and Associates. Private investigation wasn’t in Halley’s plan, and he’s bitter over the loss of his racing career. Still, he’s had to find some sort of job. His real career in private detection, though, begins in Odds Against, when his former father-in-law asks him to uncover a plot to take over the Seabury Racecourse for development. This case, which brings Halley back into contact with the racing world, also, as you might say, brings him back to life. He becomes a racetrack investigator; and, although he misses riding, and is still sometimes bitter, he manages to put himself back together.

Some PIs start by doing informal investigations, mostly to help friends. It’s only later that they make it an official business. Walter Mosley’s Ezekiel ‘Easy’ Rawlins is like that. As the series begins (in Devil in a Blue Dress), he’s been laid off from his job at an aircraft manufacturing plant. It’s shortly after the end of World War II, and several former aircraft, munitions, and other war-related factories are closing or downsizing. Rawlins has to find some way to earn a living. So, when his friend, a bar owner named Joppy, introduces him to a man named DeWitt Albright, Rawlins listens to what Albright has to say. Albright is looking for a woman named Daphne Monet, who seems to have gone missing. He wants Rawlins to find her, and is willing to pay well for it. Rawlins is in serious need of money, so he agrees. But, as he soon discovers, this isn’t a simple case of finding a woman who may be in hiding. It involves theft, blackmail, and murder. Rawlins solves the case, and he does get paid, but he works informally for the first few novels in this series. Mostly, he does things for friends and their acquaintances.

That’s also the case with Lawrence Block’s Matthew Scudder. He was a New York homicide detective (another former police officer!). But a tragic accidental shooting changed everything. As the series begins (with The Sins of the Fathers), he doesn’t really have a ‘regular’ job. But he does know how to find people and get answers. He works very informally. As he puts it:
 

‘‘Sometimes I do favors for people. They give me gifts.’’
 

He doesn’t get his official PI license until later in the series.

Some PIs have very unusual backgrounds. Leigh Redhead’s Simone Kirsch for instance, is a former stripper. She still does gigs now and again. It might seem unlikely that a stripper would make the change to a career as a PI. But for Kirsch, there’s a reason. When she got the point where it was time to quit, she tried to join the Victoria Police. That’s because she’s still grateful to the police for saving her life and her mother’s and brother’s when she was younger. But,
 

‘Either I didn’t have the moral credentials to be a girl in blue, or the Victoria Police had enough scandal without dropping a stripper into the mix.
 

She’s not accepted into police training, so she decides that the PI course is the next best thing. And she’s good at it, too. It helps that she stays in close contact with several people in ‘the business.’ They’re often good sources if information.

Fictional PIs (real ones, too) sometimes have some fascinating backgrounds, or at least unusual ones. That can add to a story, and make for solid character development and contexts.

 
 
 

*NOTE: The title of this post is the title of a song by the Mighty Mighty Bosstones.

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Filed under Agatha Christie, Anthony Bidulka, Arthur Conan Doyle, Dick Francis, Lawrence Block, Leigh Redhead, Walter Mosley

The Pinkertons Pulled Out My Bags*

detective-agenciesPlenty of PIs, both real and fictional, work alone or with just one partner. There are some advantages to that, too, if you think about it. One of the biggest advantages is the flexibility (since the PI can choose which cases to take, what hours to work, and so on). And the lone PI doesn’t have to share the profits with anyone. So, it’s easy to see why a detective might want to go it alone.

It’s not all roses, though, as the saying goes. A lone PI can’t cover as many cases as an agency can. And an agency, complete with a staff, often has more resources, both financial and in terms of people. There’s also the possibility that a client might prefer to work with an agency, rather than just one PI, or a PI partnership. So, quite a number of PIs belong to an agency, at least at first.

One of the most famous of all detective agencies is Pinkerton’s (The Pinkerton National Detective Agency), originally founded in the US by Scottish immigrant Allan Pinkerton. It’s still in operation, although it’s now a subsidiary of another firm. Pinkerton’s plays an important role in K.B. Owen’s historical (end of the 19th Century) Concordia Wells series. Concordia is a teacher at Hartford Women’s College. She’s also an amateur detective. One of her friends (and a former mentor) is Penelope Hamilton, who is a Pinkerton’s agent. In fact, in Unseemly Haste, Concordia gets involved in one of Penelope’s cases as she travels across the country to visit her aunt. Agencies such as Pinkerton’s were very popular in the days before the FBI and other federal agencies changed the landscape of nationwide criminal investigation.

In Dashiell Hammett’s short story Fly Paper, Major Waldo Hambleton hires the Continental Detective Agency to find his daughter, Sue, who has cut off all contact with her family. She’s reportedly been mixed up with some very shady people, so Hambleton wants to be sure that she’s all right. Then, he gets a letter from Sue, asking for money. He has the agency send a representative to the address she gave – an address that belongs to Joseph ‘Holy Joe’ Wales, whom Sue has been seeing. She’s also been involved with a thug named ‘Babe’ McCloor. When the detective finally finds Sue’s own place, it’s too late: she’s dead of arsenic poisoning. Now this missing person case has become a case of murder – or perhaps suicide…

Fans of Sue Grafton’s Kinsey Millhone will know that she trained as a private investigator. At first, she worked as a police officer, but two years was enough to show her that police life wasn’t for her. Then, she worked for a detective agency for a short time, while she learned the ropes. After that, as happens with many PIs, she decided to hang out her own shingle. For Kinsey, the independence and flexibility of having her own agency is worth much more than the security that belonging to a larger agency might provide.

In Dick Francis’ Odds Against, we are introduced to Sid Halley. He’s a former jockey whose career was ended when his left hand was severely damaged in a racing accident. Not sure where to go or what to do after that, he got a job at Hunt Radnor Associates, a large detective agency. He worked there for two years until he was shot by a suspect in an investigation. His father-in-law (later ex father-in-law) Charles Roland can see that Halley is floundering, and offers him a way out. He wants Halley to investigate Howard Kraye, a shady businessman who Roland suspects is trying to take over his Seabury Racecourse. Halley agrees, and embarks on a new career as a racetrack investigator.

Tarquin Hall’s Vishwas ‘Vish’ Puri is the owner of a well-respected Delhi agency, Most Private Investigators, Ltd. Although he’s the head of the agency, he depends crucially on the members of his team. Each of them has special skills and backgrounds that help the agency. There’s Tube Light, his head investigator, who has a special knack with computers. Facecream is a valuable member of the team who can blend in anywhere she goes. She often does undercover work. And there’s Flush, so called because his was the first house in his village to have indoor plumbing. And of course, Puri couldn’t get very far without Handbrake, his driver. Handbrake knows how to blend in with other drivers, street vendors and so on, which helps him get information.

While we often think of PI characters as ‘lone wolves’ – and many are – there are plenty who don’t work alone. Some work with just one partner (like Betty Webb’s Lena Jones). Others are slowly building (like Alexander McCall Smith’s Mma Precious Ramotswe). But there are lots who work for a bigger agency. It’s not a bad choice, especially if you’re new to the field and don’t have your own reputation yet. Or if you haven’t (yet) got the funds to set up for yourself. Which fictional larger agencies have stayed with you?

 
 
 

*NOTE: The title of this post is a line from Elton John’s Ballad of a Well-Known Gun.

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Filed under Alexander McCall Smith, Betty Webb, Dashiell Hammett, Dick Francis, K.B. Owen, Sue Grafton, Tarquin Hall

I Can Show You the World*

Rose ReadsResearch shows fairly conclusively (at least to me) that early exposure to a lot of reading supports children’s literacy development. But the research doesn’t always convey the way love of reading and appreciation of the magic of a book can be passed along. It can though, and it is.

If you remember being read to as a child, you know what I mean. If you’ve experienced what it’s like to read to children or grandchildren, you know what I mean. Passing the magic along is a very special experience. And it gets even better when your child/grand-child reads to you. Trust me. There’s nothing like it.

If you look at the world of crime fiction, you can see clearly how one generation’s love of books and writing can be passed on. For instance, fans of Dick Francis’ work will tell you that he created some memorable mystery standalones and series. The ones I like best are the Sid Halley novels, but that’s just my opinion. Fans will also tell you that his son Felix also became a writer. He co-authored some work with his father, and has continued the tradition of sport/racecourse mysteries under his own name.

Patti Abbott is a highly skilled writer. Her short story collection Monkey Justice is well-written, compelling and with a nice touch of noir. And her novel Home Invasion takes a fascinating look at a family over the course of fifty years. It’s told in a series of stories, all related by the overall family history. She is also the author of a number of fine short stories that have been published in lots of different contexts. Abbott is also the mother of Megan Abbott. Yes, the Megan Abbott, author of Die a Little, Bury Me Deep, The End of Everything and, well, you get the idea. Certainly the love of reading and writing and the magic of a good story have been passed along in that family.

There’s also James Lee Burke, author of the highly-regarded Dave Robicheaux series. Fans will know that Robicheaux is a cop with the New Iberia, Louisiana Police. Burke has also written the Billy Bob Holland series. Holland is a former Texas Ranger who has become an attorney. There’s also Burke’s Hackberry ‘Hack’ Holland series about a Korean War veteran who’s also been in politics and is now a Texas sheriff. He’s written other novels and short story collections as well. Besides all of this, Burke is the father of crime writer Alafair Burke. Her series include the well-regarded Ellie Hatcher novels (there’s a new one coming out in late June/early July!) and the Samantha Kincaid series. Fans will know that Kincaid is a deputy District Attorney, while Hatcher is an NYPD cop. These two authors have different styles, but it’s clear that the love of books, reading and writing has been passed along.

Jonathan and Faye Kellerman are both highly regarded authors. Readers of their series will know that Jonathan Kellerman is the author of, among other things, the Alex Delaware/Milo Sturgis series. Faye Kellerman is the author of the Peter Decker/Rina Lazarus series, along with other work she’s done. They’ve also passed along the love of reading, writing and books. They are the parents of thriller author and playwright Jesse Kellerman, whose work includes Potboiler, Trouble, and The Executor.

And you don’t have to confine yourself to crime fiction to see how the magic can be given to the next generation. Laura Ingalls Wilder is famous as the author of the Little House series. Those novels ‘hooked’ generations of young people on books. Wilder was also the mother of Rose Wilder Lane, who became a journalist, novelist and travel writer in her own right. She also wrote biographies and other books as well. Even in a place and time when it wasn’t as easy to get books as it is now, the love of reading and writing was passed along in the Wilder family too.

‘That’s all very well,’ you may be thinking, ‘but I’m not a famous writer.’ Doesn’t matter. You can still pass the Lelah Readsmagic along. On this World Book Day, let’s remember that one of the finest gifts you can give the next generation is literacy and love of reading. Read with your children and grand-children and you’re leaving a priceless legacy. It doesn’t take an awful lot of time, and passing on the love of reading is free, healthy, and enriching for everyone. Talk about making memories! Don’t have children or grand-children? Don’t have nieces or nephews? Doesn’t matter. Lots of local schools, libraries and other groups would love to have your help in bringing reading to children who might not otherwise be exposed to it. Find out what’s happening in your area to bring the magic of books to children and be a part of it. You never know which young person might end up writing about the next school for wizards…

On top of everything else, writers everywhere will appreciate your assistance in creating the next generation of book junkies. 😉

 

 

 

*NOTE: The title of this post is a line from Tim Rice and Alan Menken’s Whole New World.

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Filed under Alafair Burke, Dick Francis, Faye Kellerman, Felix Francis, James Lee Burke, Jesse Kellerman, Jonathan Kellerman, Laura Ingalls Wilder, Megan Abbott, Patti Abbott, Rose Wilder Lane

You Gotta do it Till You’re Through it So You Better Get to it*

BacktoWorkIf you’ve ever been ill or away and then had to get back into your routine, you know how hard that can be. At the same time as it’s good to get back to work, it’s also difficult to get back into your daily life. And for detectives it’s even more of a challenge. Many of them deal with things that are awful to face even on the best of days, let alone when they’re getting back to work after some time away. But that resilience – that ability to get back into the routine after getting knocked down, so to speak – is a really useful trait if you’re a detective. The challenge of getting back to work can also add a layer of interest to a story.

Peter Temple introduces us to part-time lawyer/part-time investigator Jack Irish in Bad Debts. Irish is getting back to work after his wife Isabel was shot by one of his clients. His first response to losing his wife was to hide at the bottom of the bottle so to speak. But as Bad Debts begins, he’s stopped that instinctive response to life and now does occasional legal work as well as a sort of side business in finding people who would rather not be found, mostly to  get them to pay debts they owe. Life is slowly returning to stability for Irish until he gets a ‘phone message from a former client Danny McKillop. McKillop was imprisoned on charges that he killed Anne Jeppeson in a drink-driving hit-and-run incident. Now he’s been released and is desperate to talk to Irish. Irish doesn’t respond right away and by the time he follows up to see what McKillop wants, it’s too late; McKillop himself has been killed. Irish feels a sense of obligation to McKillop’s family. He was the attorney who defended McKillop in the original case and did an unprofessional job of it because of his drinking. So he decides to find out the truth behind both deaths. In this novel we see how at the same time as Irish is glad to have a purpose, he also finds it difficult sometimes to be back on the job.

That’s also true of Dick Francis’ Sid Halley, a former jockey whose left hand was permanently injured in a racing accident. After he recovers enough physically to work again, he spends two years working at a detective agency. But he really comes back to work in Odds Against. In that novel, Halley’s ex-father-in-law Charles Roland hires him to uncover a plot to take over the Seabury Racecourse, which Roland owns. Halley finds it difficult to get back to life around racecourses. He’s insecure, especially because of his injury, and he’s been away from the scene for a few years. But he finds the resilience he needs to search out the truth about the racecourse plot. He also discovers a new career for himself as a racetrack investigator.

Gail Bowen introduces us to her sleuth, political science expert and academic Joanne Kilbourn, in Deadly Appearances. Kilbourn and her family are coping with the loss of her husband Ian, who was murdered when he stopped to help a young couple who were having car trouble. Since that time the family has stuck together but of course, it hasn’t been easy. When Kilbourn’s friend Androu ‘Andy’ Boychuk is poisoned during an important political speech he’s making, Kilbourn decides to face her grief by writing a biography of him.  As she finds out more about Boychuk’s past, she also gets to the truth about who killed Boychuk and why. And that gets Kilbourn into a great deal of danger. So as the next novel Murder at the Mendel begins, Kilbourn is getting back to work, this time in a guest teaching position in Saskatoon. There, she finds that an old friend Sally Love is having a show of her controversial art at the Mendell Gallery. Kilbourn wants to renew their friendship but it turns out to be difficult. Then, local gallery owner Clea Poole is murdered, and Sally is a likely suspect. Kilbourn is still dealing with her own setbacks, but she finds the resilience she needs to help Sally – and to deal with the truth about the history of their friendship.

In Martin Edwards’ The Coffin Trail, we meet DCI Hannah Scarlett who has to get back to work after a case she was investigating falls apart. She’s been made the scapegoat for everything that went wrong with the case and after a brief break, is re-assigned to avoid a public-relations disaster. Although it’s ‘sold’ as a ‘fresh challenge,’ Scarlett knows that being assigned to head the Cumbria Constabulary’s Cold Case Review Team is s demotion. Still she takes up her new job and gets back to work. Scarlett and her new team are soon involved in the investigation of the deaths of Gabrielle Anders, a somewhat enigmatic beauty who’d recently moved to the Lake District, and Barrie Gilpin, the autistic young man who was said to have killed Anders. With help from Oxford historian Daniel Kind, who’s recently moved back to the Lake District himself, Scarlett and her team find out the truth about the Anders and Gilpin deaths. Then later, in The Arsenic Labyrinth, Scarlett has to get back to work again after a serious personal loss that she suffers in the previous novel The Cipher Garden. Scarlett finds it difficult at times to get ‘back in the game’ as the saying goes, but also finds the resilience she needs.

So does Jussi Adler-Olsen’s Carl Mørck, whom we first meet in Mercy (AKA The Keeper of Lost Causes). As that novel begins, Mørck is recovering from a scene-of-crime incident in which he was gravely wounded, one of his colleagues was murdered and another was left with paralysis. At first, Mørck has little interest in getting back to work. He’s hardly maudlin about it but he is still suffering from the trauma of what happened. In fact, he is so difficult to work with that he’s ‘promoted’ to the newly-created Department Q, which is charged with investigating cases ‘of special interest.’ Despite Mørck’s lack of interest in doing much of any work, he’s soon drawn to the case of the disappearance of Merete Lynggaard, a promising politician who disappeared five years earlier. Everyone’s always thought she drowned in a tragic ferry accident. But there are hints that she may actually still be alive. So Mørck and his assistant Hafez al-Assad work together to find out what really happened to Lynggaard and where she is now, if she is indeed still alive.

And then there’s Stockholm attorney Rebecka Martinsson, whom we first meet in Åsa Larsson’s Sun Storm (AKA The Savage Altar). Martinsson returns to her home town of Kiruna when a former friend is accused of murder and asks for her help. Finding out who the real murderer is takes a serious toll on Martinsson but she gets back to work after a fashion in The Blood Spilt. In that novel, Martinsson works with police detectives Anna-Maria Mella and Sven-Erik Stålnacke to find out who murdered local priest Mildred Nilsson. The events at the end of that novel set Martinsson back even further so to speak, so she takes some time away. Then, at the beginning of The Black Path, Martinsson returns to work again and gets involved in the investigation of the murder of Inna Watrang, Head of Information at Kellis Mining. Although returning to work is difficult for her, Martinsson is pleased to slowly feel her life become a little more stable.

It’s never easy to get started working again after a time away. That’s especially true if the time away was spent coping with illness or trauma. But most detectives do get back to work again, and that balance between wanting to be back in a routine and needing to deal with whatever takes one away from the routine can add real interest to a story.

 

 
 

*NOTE: The title of this post is a line from Elvis Costello’s Welcome to the Working Week.

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Filed under Åsa Larsson, Dick Francis, Gail Bowen, Jussi Adler-Olsen, Martin Edwards, Peter Temple

I’m Not the Same As I Used to Be*

An interesting comment exchange has got me thinking about the way our reading tastes and the novels and series that appeal to us change over the years. In part of course our tastes change as we mature and develop. Our tastes also change as we read more and expose ourselves to different sub-genres and authors. Want to see how you’ve changed as a reader? Pick up a book you first read at least ten years ago. Do you still feel the same way about it? Are there any authors whose work you used to love but have now drifted away from reading? I’m not talking here about authors who’ve changed their style; we’ve all had the experience of reading a novel by an author who’s long since ceased to innovate or who’s changed her or his style. I’m really talking about an author whose work you feel differently about because you’ve changed. There may even be authors whose work you used to dislike but have come to really like.

Some people for instance started out by reading spy thrillers, and there’ve been a lot to love over the decades. For instance, Frederick Forsyth’s The Odessa File is the story of crime reporter Peter Miller, who happens to follow an ambulance to the scene of the death of Holocaust survivor Solomon Tauber, who’s committed suicide. Through Tauber’s diary entries and some of his own investigation Miller learns of an ultra-secret worldwide organization to re-establish the Nazis as a world power.

There’s also the work of John le Carré, like The Spy Who Came in From the Cold. In that novel, jaded and wearied British spy Alec Leamas is the leader of British Intelligence in East Berlin. When several of his agents are killed on his watch, it’s obvious that Leamas isn’t doing his job very well any more. Then, his best agent Karl Riemeck is murdered. Leamas is called back to London where he’s persuaded to take on just one more assignment: the murder of Hans Dieter Mundt, who organised the killings of Leamas’ agents.

Spy thrillers like these and the work or authors such as Robert Ludlum are past-paced and “high-octane” so it’s no wonder that they’ve sparked many people’s interest in crime fiction. Were spy thrillers your first introduction to crime fiction? Do you still love them as much as you did? Did you move on to more modern thriller authors such as Daniel Silva? Do you branch out into psychological thrillers such as those by Ruth Rendell/Barbara Vine?

Other people (and I am one of them) started out with classic or Golden Age crime fiction. For instance, one of the first crime fiction novels I read was Agatha Christie’s Mrs. McGinty’s Dead. That’s the story of the murder of a seemingly inoffensive charwoman, allegedly by her lodger James Bentley. Superintendent Spence begins to believe that perhaps Bentley isn’t guilty, and asks Hercule Poirot to investigate. Poirot travels to the village of Broadhinny to look into the matter and finds that several of the villagers are keeping secrets and that Mrs. McGinty had found out more than it was safe for her to know about one of them.

If you started out with the classics, perhaps you began with Arthur Conan Doyle’s Sherlock Holmes novels or stories. The Adventure of the Red-Headed League, for instance is the story of pawnbroker Jabez Wilson, who gets hired for a job that seems too good to be true: he’ll be paid to copy the Encyclopaedia Britannica. When his “dream job” disappears, Wilson visits Holmes to ask his help in unravelling the mystery.

If you started with the classics or Golden Age novels, do you still love them as much as you did? Do you still read Rex Stout, Margery Allingham, Patricia Wentworth or Ellery Queen as much as ever? Do you also read more modern authors such as Colin Dexter, Peter Lovesey or P.D. James who keep some of the classic traditions?

Lots of people began their mystery reading with books in the British or U.S. tradition, whatever the sub-genre, and have discovered translated crime fiction. For example, when Maj Sjöwall and  Per Wahlöö’s Martin Beck series was first translated in the mid-1960’s, many English-speaking crime fiction fans who’d been reading authors like Patricia Highsmith, Dick Francis or Ed McBain had a whole new series of novels to enjoy. The first in the Martin Beck series, Roseanna, is the story of the discovery of the body of an unknown woman who was murdered during a holiday cruise. She turns out to be twenty-seven-year-old Roseanna McGraw, an American who was on a tour of Sweden when she was murdered. Martin Beck and his team may not have had today’s technology, but they doggedly pursue the case and in the end, they find out who the murderer is.

There have been many other translated authors since then of course, from all over the world. Have you moved from work only in your own language to translated work? Have your feelings about “homegrown” crime fiction changed as you’ve read novels originally written in other languages?

There are also readers who began by reading cosy mysteries. If you started out with cosies, perhaps you began with LIlian Jackson Braun’s Cat Who… series featuring newspaper columnist James “Qwill” Qwilleran. Much of that series takes place in Moose County, “400 miles north of nowhere” and follows the lives of Qwill, his two seal-point Siamese cats and the various “regulars” who live in the small town of Pickax. This was a very popular and enduring series actually; it lasted from 1966 until Braun’s death in 2011 (OK, there was an 18-year break between 1968 and 1986, but still!).

If your first mystery novels were cosies you might have begun with something like Joanne Fluke’s Hannah Swensen mysteries. Swensen is a former aspiring teacher of literature who returns to her Lake Eden, Minnesota home town after the death of her father and opens a bake shop The Cookie Jar. Fans of this series have followed the lives of Swensen, her love interests Mike and Norman, and the other residents of Lake Eden for thirteen years as I write this. These mysteries have the small-town setting, the amateur sleuth, the theme and the recipes that have become features of several cosy series over the years, so it’s easy to see why cosy fans would have started here.

If you’ve stayed with cosies, are you a fan of other cosy series such as M.C. Beaton’s Hamisch Macbeth series or Elizabeth Spann Craig’s Memphis Barbecue series? Perhaps you’ve branched out to “cosies with an edge” such as Kerry Greenwood’s Corinna Chapman series. Or maybe you’ve moved on to something completely different.

Sometimes it’s really interesting to look back at the way your crime fiction tastes have changed. If you’re a writer, it’s also interesting to think about theyou’re your changing tastes in crime fiction affect your writing. So thanks, Kathy D., for the food for thought. 🙂

 
 
 

*NOTE: The title of this post is a line from Elton John’s My Elusive Drug.

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Filed under Agatha Christie, Arthur Conan Doyle, Barbara Vine, Colin Dexter, Daniel Silva, Dick Francis, Ed McBain, Ellery Queen, Frederick Forsyth, Joanne Fluke, John le Carré, Lilian Jackson Braun, M.C. Beaton, Maj Sjöwall, Margery Allingham, P.D. James, Patricia Highsmith, Patricia Wentworth, Per Wahlöö, Peter Lovesey, Rex Stout, Ruth Rendell