Category Archives: Don Winslow

It Wasn’t You*

There are many ways that an author can add suspense to a crime novel. One of them, for instance, is the ‘second murder’ trope. I’ve done that, myself, and it can be effective. Another is what I’ll call the ‘misidentified body’ trope. In that sort of plot, a body is identified. Then, it’s discovered that it’s not that person at all.

This trope gives the writer a lot of flexibility. Perhaps the writer wants to make the real victim the intended victim all along. Or, perhaps the writer wants an ‘accidental murder.’ Or two murders. In any case, a misidentified body can add plot twists, suspense, and interest to a story.

Agatha Christie uses this sort of plot point in more than one of her stories. For example, in The Body in the Library, Colonel Arthur Bantry and his wife, Dolly, awake to the terrible news that the body of a young woman has been found in their library. Neither knows who the dead woman was, nor how her body got there. The police are called in and begin the task of finding out who the victim was, but Dolly Bantry isn’t sure they’ll get to the truth. So, she asks her friend, Miss Marple, to help. A search of missing person records suggests a match with eighteen-year-old Ruby Keene, who was a professional dancer at the Majestic Hotel. With that as a starting point, the police interview Ruby’s co-workers and friends to find out who would have wanted to kill her. There are several suspects, too. Everything gets much more complicated when the burned-out hulk of a car belonging to George Bartlett is discovered with a body in it, also the body of a young woman. As it happens, Bartlett was the last person to see Ruby Keene alive, so there’s a good chance that the two deaths are related. And so they turn out to be. And throughout this story is the question of who, exactly, has been killed…  I see you, fans of The Man in the Brown Suit, and Taken at the Flood.

In Vera Caspary’s Laura, New York police detective Lieutenant Mark McPherson is assigned to investigate when the body of successful advertising executive Laura Hunt is discovered in her apartment. McPherson starts by trying to trace the victim’s movements during her last days, and soon discovers that she had planned to marry a ‘blueblood’ named Shelby Carpenter. She’d postponed the wedding, though, saying she needed some time away. As it turned out, though, she never left town. What’s more, she had planned to have dinner with an old friend, Waldo Lydecker, on the night of her death, but called him to cancel. Neither man knows why she changed her plans, and neither claims to know who killed her. Then comes a shock. The body turns out not to be Laura Hunt’s after all. In fact, she comes home from a stay in the country and surprises McPherson while he’s in her home. Now, the police have to find out who was actually killed. It turns out that the real victim was a woman named Diane Redfern. Laura knew her, and even gave her permission to stay in the apartment. But she claims not to know who killed her. But, as McPherson soon learns, Laura had a very good motive for murder, since Diane was having an affair with Shelby Carpenter. Now, Laura becomes the chief suspect, as McPherson tries to get to the truth.

In one plot thread of Ruth Rendell’s Simisola, Dr. Raymond Akande gets concerned when his twenty-two-year-old daughter, Melanie, goes missing after a visit to the local employment bureau. He tells his friend and patient, Inspector Reg Wexford, what’s happened. At first, Wexford isn’t unduly worried, as there might be any number of reasons why a young woman might take off for a few days. Akande insists that Melanie wouldn’t have left, even for a short trip, without telling her parents. So, after a bit more time goes by, Wexford starts the missing persons process. Then, the body of a young woman is found in a local wood. Wexford’s sure it’s Melanie’s body, and asks her parents to identify her. They go to the mortuary and, to Wexford’s shock, tell him that the young woman is not Melanie. Now, Wexford has two tasks (beyond, of course, making things right with Melanie’s parents as best he can). One is to find out what happened to Melanie. The other is to find out who the dead woman is, and who killed her.

Priscilla Masters’ River Deep is the first of her series featuring Martha Gunn, Coroner for Shrewsbury. In the novel, the body of an unknown man floats out of a basement when the River Severn overflows its banks. The body is not that of the house’s owner. In fact, he says he has no idea who the dead man is. At first, the police think the dead man may be Clarke Haddonfield, who was reported missing, and whose description is a solid match. But they soon learn they’re wrong. Finally, the victim is identified as Gerald Bosworth. So, the police concentrate on trying to trace Bosworth’s last days and weeks and find out who would have wanted to kill him. This raises other questions, though. What happened to Haddonfield? And, is his disappearance related to Bosworth’s death? And why was Bosworth’s body found in the basement of someone he didn’t know?

And then there’s Don Winslow’s The Dawn Patrol. San Diego PI and passionate surfer Boone Daniels gets a new case. It seems that Coastal Insurance is being sued by Daniel ‘Dan Silver’ Silvieri. A warehouse he owned was burned, and he filed a claim with Coastal. However, Coastal investigated the blaze, and concluded that it was a case of arson. Now Silvieri is suing for damages and bad faith. The key to this case is a stripper named Tamera Roddick, who was a witness to the fire. But she’s disappeared. Coastal wants Daniels to find her, so that she can testify. Then, a young woman dies after a fall from the balcony of a cheap motel. She has Tamera Roddick’s ID with her, so at first, the obvious assumption is made. But it turns out that she is Tamera’s best friend, another stripper who called herself Angela Hart. Was she killed in a case of mistaken identity? Was the killer after her the whole time? And where is Tamera? Daniels finds the case getting increasingly complex – and dangerous.

If it’s not handled well, the plot point of a misidentified body can come off as contrived. But if it’s handled effectively, it can add layers of interest and suspense to a crime novel. Which examples have stayed with you?

 
 
 

*NOTE:  The title of this post is a line from Thom Bell and Linda Creed’s You Are Everything.

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Filed under Agatha Christie, Don Winslow, Priscilla Masters, Ruth Rendell, Vera Caspary

Everybody in the World Likes Chocolate*

Recently, FictionFan, at FictionFan’s Book Reviews, conducted an interesting scientific study of chocolate. Using the My Life in Books meme from Adam at Roof Beam Reader, Fiction Fan compared two sets of data. One set, collected before eating any chocolate, was an initial list of responses to the My Life in Books prompts. Then, FictionFan provided answers to the same prompts after eating chocolate. As you can clearly see from FictionFan’s answers, there was a definite positive effect of chocolate on mood.

Of course, any study ought to be replicated, if possible, in order to lend support to the results. So, I decided to do just that. Like FictionFan, I collected two sets of data: one was collected before eating chocolate, and the other after. My own data is presented below:

 

Prompts

Before Chocolate

After Chocolate

In high school, I was:

Among Thieves

In Like Flynn

People might be surprised (by):

The Colaba Conspiracy

[What] Harriet Said

I will never be:

You

Wife of the Gods

My fantasy job is:

Nunslinger

An Easy Thing

At the end of a long day, I need:

Burial Rites

A Jarful of Angels

I hate it when:

Days are Like Grass

Not a Creature Was [is] Stirring

Wish I had:

The Frozen Shroud

Greenlight

My family reunions are:

Murder and Mayhem at Honeychurch Hall

Above Suspicion

At a party, you’d find me with:

The Hidden Man

Ruby and the Blue Sky

I’ve never been to:

The Cemetery of Swallows

China Lake

A happy day includes:

Dead Lemons

Crystal Ball Persuasion

Motto I live by:

Can Anybody Help Me?

Happiness is Easy

On my bucket list is:

Talking to the Dead

The Dawn Patrol

In my next life, I want to have:

A Moment’s Silence

A Three-Pipe Problem

 

As you can see, chocolate also had a positive effect on my mood. Now, of course, this study is limited, as all studies are. For one thing, I made use of Belgian chocolates for this research. Other sources and types of chocolates would have to be studied to really confirm the hypothesis that chocolate enhances one’s mood. For another thing, FictionFan’s data and mine are only two iterations of this study. More researchers would be needed, to rule out effects based on any similarities between me and FictionFan (I mean, we are both crime fiction readers, etc..). There are other limitations, too, as any academician can tell you.

That said, though, I think it’s safe to say that this study certainly lends support to FictionFan’s conclusion that chocolate has mood-enhancing effects. Anyone else care to take part in this all-important research?

Thanks, FictionFan, for your groundbreaking study!

 
 
 

NOTE: The title of this post is a line from Soul Control’s Chocolate (Choco Choco).

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Filed under Babs Horton, Beryl Bainbridge, Christopher Abbey, Don Winslow, Edney Silvestre, Finn Bell, Gordon Ell, Hannah Dennison, Hannah Kent, Harry Bingham, Jane Haddam, Jean-Denis Bruet-Ferreol, John Clarkson, Julian Symons, Katherine Dewar, Kwei Quartey, Lynda La Plante, Meg Gardiner, Paco Ignacio Taibo II, Rhys Bowen, Robin Blake, Sinéad Crowley, Stark Holborn, Sue Younger, Surender Mohan Pathak, Zoran Drvenkar

In The Spotlight: Don Winslow’s The Dawn Patrol

Hello, All,

Welcome to another edition of In The Spotlight. Some crime novels are as much about a particular culture or sub-culture as they are about the crime. It’s tricky to pull that off without losing the main plot thread – the crime and its solution. But when it’s done well, such a novel can evoke an atmosphere and culture quite effectively. As an example, let’s turn today’s spotlight on Don Winslow’s The Dawn Patrol.

Boone Daniels is a former San Diego Police Department officer who’s become a PI. But his real passion is surfing. He lives in San Diego’s Pacific Beach, and spends as much of his time surfing as he can. He’s got a group of friends called the Dawn Patrol who join him. Daniels’ friends Hang Twelve (usually called ‘Hang’), High Tide, Johnny Banzai, Dave the Love God (he is a legend among women, both locals and tourists), and Sunny Day almost always surf together before they go to their various jobs. Then, when they can, they get together after work, too, and surf. In fact, Daniels would rather surf than actually make a living at a regular job.

Everything changes when attorney Petra Hall, from the law firm Burke, Spitz, and Culliver, approaches Daniels about taking a case on behalf of Coastal Insurance Company. They’re being sued by Daniel ‘Dan Silver’ Silvieri. It seems a warehouse he owns in Vista (something like 45 miles/72 km north and east of San Diego) burned. Coastal investigated and believes that it’s a case of arson, so they won’t pay. Dan Silver’s now suing them for damages and bad faith to the tune of US$5 million. Hall wants Daniels to find a stripper named Tamera Roddick who is a witness to the fire, and whose testimony will be important. Daniels doesn’t want to take the case, as a major set of waves is due in the area in the next few days, and he doesn’t want to miss his chance. But he’s finally convinced.

Then, a young woman dies of a fall from the balcony of a cheap motel room. At first, it’s assumed that she is the missing Tamera, because she has Tamera’s ID. But it soon turns out that the dead woman is actually Tamera’s best friend, another stripper who calls herself Angela Hart. But why was Tamera’s ID found with the dead woman? And which woman was the killer actually targeting?

As Daniels and Hall try to find the missing woman, they learn bits and pieces about her life in the past few months. And Daniels, in particular, wants to know who killed Angela Hart. He’s driven in part by a case from years earlier, when he was on the police force. A six-year-old girl disappeared from her front lawn, and was never found. He’s been trying to learn what happened to her since, since he blames himself for not solving the case. Little by little, he and Hall find out what happened to Tamera Roddick, how it’s linked up with Angela Hall’s murder, and what it all has to do with the warehouse fire. And before they’re done, they turn up some truly ugly secrets that some people are keeping.

This novel takes place in San Diego County, and Winslow places the reader there in many ways. Winslow provides background information on how the area developed, what it’s like geographically and demographically, and so on. Each reader is different about how much of that sort of information is ‘too much,’ so your mileage, as the term goes, may vary. But it’s more than just the history. The various small towns in the county, the roads that connect them, and so on, are all a part of the story.

San Diego has many different cultures and sub-cultures. Winslow concentrates on the surfing life, including the mix of cultural influences on it. Surfing takes athletic ability and lots of practice to surf, even to surf a little. And these people know the water, the weather patterns, and the beaches. One of them, Sunny Day, is so skilled at surfing that she has a real chance at national and international coverage, endorsements, and more. What’s more, they all have other jobs (cop, PI, lifeguard, restaurant server, etc.). Winslow evokes surfing and the surfing life as the story unfolds, even in details such as the language and surfing customs (and yes, there are surfing customs).

The members of the Dawn Patrol figure heavily in the novel. They don’t join Daniels’ investigation, but all of them have a part to play in the way the mystery unfolds. So, we get to know each. We learn their backstories, how they got into surfing, their plans, and so on. And we see how close-knit the group is. They are close friends as well as surfing partners.

But that friendship is tested and changed by the mysteries at hand. And the truth about Tamera Roddick’s disappearance, Angela Hart’s death, and the warehouse fire, is ugly. It’s even harrowing. Readers who prefer light mysteries will want to know that. There’s violence, too, some of it also ugly. But it’s not gratuitous or extended.

That said, though, there is wit in the story. Here, for instance, is Daniels’ reflection on the explosion of interest in Southern California after the Beach Boys became popular:
 

‘So many people moved to the SoCal coast, it’s surprising it didn’t just tilt into the ocean. Well, it sort of did; the developers threw up quick-and-dirty condo complexes on the bluffs above the ocean, and now they’re sliding into the sea like toboggans.’
 

Daniels mourns the loss of the days before the surge of popularity, when not many people knew about the great Southern California surfing beaches.  

It’s also worth pointing out that this isn’t one of those stories where every question is answered. Readers learn the answers to the main mysteries, but there are some ‘loose ends.’ Things aren’t wrapped up neatly at the end.

The Dawn Patrol is the story of a group of surfers whose lives are changed when one of them takes a case that turns out to be gut-wrenching. It’s set against a distinctive San Diego backdrop, and features a PI who’d rather surf than fight, but has a strong sense of what’s right. But what’s your view? Have you read The Dawn Patrol? If you have, what elements do you see in it?

 
 
 

Coming Up On In The Spotlight
 

Monday, 18 September/Tuesday, 19 September – Another Margaret – Janice McDonald

Monday, 25 September/Tuesday, 26 September – Among Thieves – John Clarkson

Monday, 2 October/Tuesday,3 October – Crocodile on the Sandbank – Elizabeth Peters

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Filed under Don Winslow, The Dawn Patrol

Wouldn’t You Like to Get Away*

If you think about it, most people have three major ‘places’ where they spend most of their time. That usually means three major social networks. One of them is, of course, home and family. Another is work.

It’s that third place that’s really interesting. It might be a pub or bar, or a sport club, or a religious group, or a group of people with a shared hobby or interest. Whatever it is, that ‘third place’ can help people unwind, and can put them in touch with others in a unique way. And, for the crime writer, the ‘third place’ offers all sorts of possibilities for plot threads, characters, tension, backstory, and more. So, it shouldn’t be surprising that we see a lot of ‘third places’ in the genre.

One of the classic ‘third places’ that people have is their local. Bars and pubs are often gathering places for ‘regulars.’ That makes sense, too. For plenty of people, there’s nothing like a drink and a chance to catch up with friends who go there, too. And, of course, they can be really effective places for character interactions, plot points, and more.

There are dozens of series with a bar or pub as the ‘third place.’ One of them is Peter Temple’s Jack Irish series. Irish is a sometimes-lawyer, who is also good at finding people. So, he does his share of PI work, too. Besides his work, Irish also has a ‘third place’ – the Prince of Prussia pub. His father’s ‘football friends’ all gather there, and they all know Irish. They may not help him solve mysteries, but that ‘third place’ is very important to Irish.

The focus of Ray Berard’s Inside the Black Horse is a pub on New Zealand’s North Island called the Black Horse Bar and Casino. It’s owned by Toni Bourke, a recently-widowed Māori who’s doing the best she can to support her children. She isn’t getting rich from the pub, but she makes ends meet, usually. It’s not an upmarket or famous place, but the local people gather there. Toni knows most of them, and they know her. Everything changes when a young man named Pio Morgan targets the Black Horse. He’s in debt to a ruthless local pot grower, and the only way he can think of to get money quickly is to rob the pub. Unfortunately, he picks a time when a drugs dealer, Rangi Wells, happens to be there, so that deal is interrupted, and there will be consequences for that. The robbery goes horribly wrong, and there’s a murder. Pio gets thousands, though, and flees, leaving Toni with a large debt she now owes to the betting authorities. Toni’s insurance company isn’t about to pay up without an investigation, so they send PI Brian Duncan to look into the matter. Little by little Brian and Toni get to the truth about the theft and murder, but they have to go up against two nasty gangs and an insurance company that suspects Toni of being a thief.

Another traditional ‘third place’ is the club. Club memberships are a major part of several cultures, and have been for a long time. Just ask Arthur Conan Doyle’s Sherlock Holmes. His brother, Mycroft, is a member of the Diogenes Club, and rarely goes anywhere but there or his home. Everyone there knows him and vice versa. What’s interesting, too, is that he can put together clues and make solid deductions on cases without ever leaving his club.

In Dorothy L. Sayers, The Unpleasantness at the Bellona Club, Lord Peter Wimsey investigates two murders, one of which takes place in his own club. Old General Fentimen dies while sitting in his usual chair at the club. His sister, wealthy Lady Dormer, also dies. The question of which died first becomes extremely important, because of the terms of Lady Dormer’s will. Under those terms, if Lady Dormer dies first, her considerable fortune passes to Fentimen’s grandson. If Fentimen dies first, the money goes to Lady Dormer’s distant cousin, Ann Dorland. Matters get complicated when it’s discovered that Fentimen was poisoned. Now, Lord Peter and his friend, Inspector Parker, have to discover not just which person died first, but also, who killed Fentimen. Among other things, it’s an interesting look at the club setting.

Agatha Christie used that setting in several of her novels and stories, too. For instance, in Taken at the Flood, Hercule Poirot first hears about the small town of Warmsley Vale, and the Cloade family that lives there, from a fellow club member named Major Porter. The story comes back to haunt, as it were, when a murder takes place in Warmsley Vale, and the Cloade family is involved in it.

For many people, their local church or other house of worship is that ‘third place.’ It’s not just a matter of religion. It’s also about social interaction. We see that, for instance, in Elizabeth Spann Craig’s Pretty is as Pretty Dies. In that novel, retired teacher Myrtle Clover is ‘volunteered’ by her son to volunteer at her church. She’s not happy about that, but she goes to the church. Then, she discovers the body of real estate developer Parke Stoddard in the church. Myrtle’s not ready to be ‘put out to pasture’ yet, and she decides to prove that by finding out who the murderer is.

A Toronto-area mosque serves as a ‘third place’ for the transplanted Bosnian Muslim community in Ausma Zehanat Khan’s The Unquiet Dead. In that novel, Inspector Esa Khattak and Sergeant Rachel Getty of the Community Policing Section (CPS) of the Canadian federal government investigate the death of Christopher Drayton. It comes out that he may have been Dražen Krstić, a notorious war criminal known as the butcher of Srebrenica. So Khattak and Getty have to consider those who might have known him in that capacity. They make contacts within the mosque, and get to know some of its members. But at the same time, they don’t overlook the victim’s family members. There are other possibilities, too, and this case becomes more complicated than either thought it would be.

Some ‘third places’ are sport or hobby groups. Just ask the surfers we meet in Don Winslow’s The Dawn Patrol. This group of San Diego surfers meets just about every morning for a pre-work surf session. And it’s much more than just fun for them. They are passionate and very knowledgeable about the water, about surfing, and about weather conditions, too. They have their differences, but surfing is part of the glue that holds them together. For former cop-turned-PI Boone Daniels, the Dawn Patrol is very much his ‘third place.’ In fact, he’d probably say that it’s more important than his work. That’s the impression we get when he’s hired to find a missing stripper named Tamera Roddick. Then, her best friend, who goes by the name of Angel Heart, is murdered. Daniels and his friends get drawn into the case, and Daniels is forced to face his own past.

Almost all of us have a ‘third place.’ Certainly, fictional characters do. What’s yours?

 
 
 

*NOTE: The title of this post is a line from Gary Portnoy and Judy Hart Angelo’s Where Everybody Knows Your Name.

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Filed under Agatha Christie, Arthur Conan Doyle, Ausma Zehanat Khan, Don Winslow, Dorothy L. Sayers, Elizabeth Spann Craig, Peter Temple, Ray Berard

We Could Ride the Surf Together*

Today is the 75th birthday of Brian Wilson, who’s perhaps best known for being a co-founder of the Beach Boys. So, it seems like a good time to take a look at crime fiction that takes place on the beach. And if you think about it, the beach can be an effective context for a crime story. There are plenty of disparate people, and they tend to be there for only short periods of time. That makes it harder to link a particular person to a particular crime. And that’s not to mention the water, which provides all sorts of opportunities for murder methods.

In Agatha Christie’s Evil Under the Sun, Hercule Poirot makes an interesting comment about the beach as a setting for a murder:
 

‘‘…here at the seaside it is necessary for no one to account for himself. You are at Leathercombe Bay, why? Parbleu! it is August – one goes to the seaside in August – one is on one’s holiday. It is quite natural, you see, for you to be here…’’
 

He’s got a well-taken point. There really isn’t much need to explain your presence at the beach. And that gives a fictional murderer all sorts of flexibility. And in this novel, the beach setting provides an effective ‘cover’ for the killer of famous actress Arlena Stuart Marshall. At first, her husband, Captain Kenneth Marshall, is the prime suspect. But when it’s proven that he is innocent, Hercule Poirot and the local police have to look elsewhere for the murderer.

In Phoebe Atwood Taylor’s The Cape Cod Mystery, we are introduced to Prudence Whitsby. She and her niece, Betsey, have decided to escape the heat of the city and go to their summer cottage at Cape Cod. The cabin next to theirs has been rented for the summer by famous writer Dale Sanborn. One night, Sanborn is murdered. When Prudence discovers the body, Sheriff Slough Sullivan begins to investigate. Soon enough, Sullivan settles on Whitsby family friend Bill Porter as the most likely suspect. There’s evidence against him, too. But Porter’s cook and ‘man of all work,’ Asey Mayo, doesn’t think his boss is guilty. Neither, for the matter of that, does Prudence. So, the two of them look into the matter more closely. And it’s not long before they find that more than one person wanted Sanborn dead. Among other things, this novel shows the way people tended to head to New England seaside towns in the days before there was air conditioning.

Even today, plenty of seaside towns make a living on the fact that the beach is a popular destination. Just ask Chris Grabenstein’s Danny Boyle. He’s a police officer in the fictional New Jersey beachside town of Sea Haven. It’s got a relatively small year-round population; during the summer months, though, the population swells considerably. Many people come in for just a week or two:
 

‘Saturday is changeover day. People who rented last week are leaving; people renting this week will show up later, after the maid brigades have vacuumed the sandy floors and tossed out the abandoned seashell collections.’
 

Others rent a place for the whole summer. Either way, Boyle and his boss, John Ceepak, have a lot to contend with during the ‘crunch months.’ And that makes for plenty of opportunity for a murderer to strike.

Minette Walters’ The Breaker takes place in the Chapman’s Pool area of Dorset. The Spender family is taking their holiday there when, one morning, brothers Daniel and Paul decide to go exploring. They ‘borrow’ their father’s expensive binoculars and set out. They’re shocked and frightened when they discover the body of a young woman on the beach, and give the alarm. PC Nick Ingram begins the investigation. It turns out that the victim is Kate Sumner, whose toddler daughter, Hannah, has just been discovered wandering along in the nearby town of Poole. Ingram works with WPC Sandra Griffiths, DI John Galbraith, and Superintendent Carpenter to find out who killed Kate Sumner, and to find out how Hannah ended up in town. The solution lies in Kate’s complicated personal life and history.

Angela Savage’s The Dying Beach takes place mostly at Krabi, on the Thai coast. Bangkok-based PI Jayne Keeney and her partner, Rajiv Patel, have decided to take a short holiday break there, and have been enjoying themselves. Then, they discover that their tour guide, Chanida Manakit ‘Miss Pla’ has been found dead. They’d grown to like her very much, so this is personally distressing to both of them. Miss Pla’s body washed up in a cave, and the official police account is that this was a tragic accident. But Keeney doesn’t think that’s true. After all, Miss Pla was an expert swimmer. Keeney and Patel decide to take a few extra days and look into the matter. And they soon find that this death was no accident. The more they look into the case, the clearer it is that several people benefited from Miss Pla’s death.

There’s also Don Winslow’s Boone Daniels, whom we meet in The Dawn Patrol. Daniels and his friends are dedicated San Diego surfers, who’d rather be on their surfboards than at their ‘day jobs.’ Then, Daniels get drawn into the case of Tamera Roddick, a local stripper who’s disappeared. Not long afterwards, her best friend, who goes by the name of Angela Hart, is killed. This case ends up being connected to a tragedy from years earlier: the heartbreaking disappearance of a young girl from her own yard. Among other things, this novel gives readers a look at the Southern California surfing culture.

Surfing, sand, and sun are extremely appealing when you want a winter getaway or a summer holiday. But the beach isn’t nearly as peaceful as it seems. Which surfside mysteries have stayed with you? I hear you, fans of Agatha Christie’s A Caribbean Mystery.

 
 
 

*NOTE: The title of this post is a line from the Beach Boys’ Surfer Girl. Happy Birthday, Mr. Wilson!

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Filed under Agatha Christie, Angela Savage, Chris Grabenstein, Don Winslow, Minette Walters, Phoebe Atwood Taylor