Category Archives: Donna Malane

Adventure of a Lifetime*

extreme-adventuresHave you ever been on what a lot of people call an extreme adventure? People who go on those adventures don’t necessarily do so for the kinds of goals most of us might think of at first. Many don’t take those adventures to reach a specific place, or to find food. Rather, they want to dare themselves to complete the task. And there’s something to that, if your goal is to test your mettle.

Those sorts of adventures can add an interesting dimension to a crime novel, too. For one thing, the forces of nature can add an element of suspense to a novel. After all, hiking in virgin forest, zip-lining, and climbing mountains are dangerous. For another, all sorts of things can happen on such adventures, simply because the people who engage in them are human. They have their own histories and ‘baggage.’

Timothy Hallinan’s Philip ‘Poke’ Rafferty knows about the sort of person who likes this type of adventure. He’s an ex-pat American who now lives in Bangkok. He earns his living as a rough travel writer, creating guides for those who want to forego the ‘tourist’ destinations. And some of the places he’s written about are dangerous. Rafferty is also rather good at finding people who would rather not be found. And that’s a skill that comes in useful for the people who hire him as a sort of unofficial PI.

Sam Hilliard’s The Last Track introduces readers to former Special Forces operative and smoke jumper Mike Brody. Now, Brody is co-owner of S&B Outfitters, an extreme adventure tour company.  He guides clients through the tours; and, of course, his role is also to see that they’re as safe as possible. Before their divorce, he and his ex-wife, Jessica, had planned a trip to Montana’s Pine Woods Dude Ranch. They decide to go through with the holiday, mostly for the sake of their son, Andy. While they’re at the dude ranch, another guest, fourteen-year-old Sean Jackson, goes missing. It turns out that he witnessed a murder, and is now afraid (and with good reason) that the killer will target him. It’s bad enough that Sean is so young; it’s even worse that he’s inexperienced. So Brody is engaged to go out into the country around the dude ranch and try to find Sean before the killer – or the elements – do.

Paddy Richardson’s Hunting Blind takes place on New Zealand’s South Island, a place of great natural beauty and plenty of rugged, unspoiled places for those who like to test themselves against the elements. In the novel, fledgling psychiatrist Stephanie Anderson, who lives and works in Dunedin, gets a new client, Elisabeth Clark. Over the course of several sessions, Elisabeth begins to trust Stephanie enough to tell her a haunting story. Years ago, Elisabeth’s younger sister Gracie disappeared. No sign of her was ever found – not even a body. This story is eerily similar to Stephanie’s own history. Seventeen years earlier, her own younger sister Gemma also disappeared – again, with no trace ever found. Against her better judgement, Stephanie decides to lay her personal ghosts to rest (and get some answers for the Clark family). She travels from Dunedin back to her home at Wanaka to find out who was responsible for so much devastation. Along the way, she meets Dan, a hunting guide whose specialty is taking clients into South Island’s wildernesses. Dan invites her to take a tour with him; and, although it’s not usually her sort of thing, Stephanie is persuaded to go. In the process, she gets a real understanding of what people find so appealing about such adventures. The land is unspoiled, the water absolutely pure, and the natural beauty is breathtaking.

In Donna Malane’s Surrender, we meet Wellington-based Diane Rowe, who is a missing person expert. In one plot thread of this novel, a grim discovery is made in Rimutaka State Forest: the remains of an unknown man. Inspector Frank McFay hires Rowe to try to find out who the man was, and how he came to be in the forest. Little by little, she’s able to put a name and identity with the remains. She finds that, among other things, the victim enjoyed the sort of adventure that pitted him against the elements. In this case, he ran into more danger than he’d bargained for, as the saying goes.

And then there’s Geoffrey Robert’s The Alo Release. In that novel, a Los Angeles-based company called Vestco is planning to release a new genetically modified seed coating that, so its manufacturer claims, will eliminate hunger. The Millbrook Foundation, an environmentalist watchdog group, has been suspicious for a long time about both Vestco’s claims and its motives. The foundation is convinced that the seed coating could be dangerous. But, with only nine days to go, the group hasn’t been successful at preventing the scheduled release, and Millbrook has decided to stop fighting it. Legendary environmental activist Jay Duggan has chosen to retire from the foundation, and return to his native New Zealand. He’s invited Science Director Dr. Catherine ‘Cat’ Taylor, and IT director Matthew Liddell to go with him for a short visit to New Zealand before they return to work. What they don’t know is that one of Vestco’s employees, Henry Beck, has been murdered, and that they will be framed for it. Once Vestco learns that they’ve left the country, the company uses all of its considerable influence to catch the three people who are now regarded as international fugitives. If they’re going to outwit their enemies, they’re going to have to make use of all of their resources, and that includes Duggan’s wide-ranging experience in out-of-the-way places. Along the way, they get help from an assortment of people, including an extreme adventurer who gives them some very useful equipment as they go deeper and deeper into the back country.

Extreme adventuring isn’t for everyone. But some people swear by the feeling of empowerment that comes from climbing that mountain, or going down that rough patch of whitewater. And those plot points can add a layer of interest and tension to a crime novel.


*NOTE: The title of this post is the title of a song by Coldplay.


Filed under Donna Malane, Geoffrey Robert, Paddy Richardson, Sam Hilliard, Timothy Hallinan

In the Jungle, the Mighty Jungle*

JunglesThere’s something about jungles and forests. If you don’t know what you’re doing, they’re very dangerous – even fatal. And if you couple that with the risk of murder, the context is even more menacing. So it’s little wonder that jungles feature in crime fiction. There’s also the fact that the jungle is, for a lot of people, an exotic setting. That can add a layer of intrigue to a crime novel.

In Agatha Christie’s Cards on the Table, for instance, we are introduced to Major John Despard. He is one of eight guests invited to a strange dinner party hosted by the very eccentric Mr. Shaitana. Four of those guests are sleuths (including Hercule Poirot). The other four (including Despard) are people Shiatiana thinks have gotten away with murder. During the dinner, Shaitana lets out various hints about the crimes some of his guests may have committed. That turns out to be a fatal mistake, as he is killed during a game of after-dinner bridge. The only possible suspects are the people Shaitana has accused of murder in his roundabout way, so Poirot and the other sleuths look into those people’s pasts to see which of them is guilty. That’s how they learn about Despard’s history. He’s spent plenty of time in wild places, and agreed to take Professor Luxmore and his wife into the Amazon jungle so that Luxmore could study some of the plant life there. Luxmore died there, and everyone said it was of a fever. But was it? Or did Despard commit murder? And if he did, did he also kill Shaitana? You’re absolutely right, fans of The Man in the Brown Suit.

In Aaron Elkins’ Little Tiny Teeth, anthropologist Gideon Oliver takes a trip into the Amazon rainforest. It’s partly a getaway adventure, and partly an opportunity to enhance his professional knowledge. Then, follow passenger Arden Scofield, an ethnobiologist, is murdered. Now, Oliver has to not only survive the jungle trip, but also find out which of the people with him is the killer.

There’s another Amazon jungle setting in Leighton Gage’s Dying Gasp. In that novel, Deputado Roberto Malan brings Chief Inspector Mario Silva a very disturbing case. Malan’s eighteen-year-old granddaughter, Marta, has gone missing. This isn’t an ordinary disappearance, either. The family is prominent and wealthy, and Malan doesn’t want any scandal attached to the Malan name. And scandal there would be, too. It turns out that Marta ran away from home after being beaten by her father. And her grandfather doesn’t want the media or the public to get word of the story. So he asks Silva to handle the case personally. This Silva agrees to do. The trail leads to Manaus, capital of the State of Amazonas, in the heart of the Amazon jungle. There, so it is believed, Marta is being held as part of an underage prostitution ring. If he’s going to learn the truth, and find Marta before it’s too late, Silva will have to go up against bureaucratic incompetence and greed, the jungle itself, and an old nemesis.

Of course, there are lots of other jungles besides the Amazon. For example, John Enright’s Apelu Soifua novels take place in American Samoa. Soifua is a police detective who’s originally from the island, but spent seven years with the San Francisco Police. In Pago Pago Tango, the first of the series, he’s returned to his homeland and now works with the local police force. One day, he’s called to the home of wealthy Gordon Turich, an executive with a powerful tuna company. Turich’s home has been invaded, and some things stolen. What Turich doesn’t tell Soifua is that one of the items is a gun. It turns out that that gun was used to commit murder, so Soifua soon finds himself going after a killer as well as a thief. Enright’s novels highlight the culture clash between the dominant US culture and the culture of the people who have always lived in Samoa. And that includes their views of living in and with the jungle.

And then there’s Donna Malane’s Surrender. That story features missing person expert Diane Rowe, who’s been commissioned by Wellington Inspector Frank McFay to help identify a ‘John Doe’ whose remains were found in Rimutaka State Forest. In one plot thread of this story, readers get to ‘follow along’ as Rowe goes into the forest where the remains were found, looks for any evidence at all that might help her, and slowly discovers the truth about the body. It turns out that this is a person who went missing twenty-five years earlier, so solving the case won’t be easy. But Rowe eventually learns the truth. And in more than one place in the novel, we see that a jungle can be a very dangerous place…

Although it’s not, strictly speaking, a jungle, a dense forest plays a role in Paddy Richardson’s Hunting Blind. Newly-minted psychologist Stephanie Anderson is living and working in Dunedin when she gets a new client, Elisabeth Clark. Years ago, her younger sister Gracie was abducted, and never found. Not even a body was discovered. That story is eerily similar to Stephanie’s own sad family history. When she was fourteen, her younger sister Gemma went missing. Despite a massive search, she was never found. Against her better professional judgement, Stephanie decides to lay her own ghosts to rest, and use what she learns from her client to find the person who devastated so many lives. She takes a journey back to her home town of Wanaka, and along the way, traces the person responsible. I won’t give away spoilers, but it’s another example of the danger of forests.

Jungles and forests are beautiful places, and necessary for the planet’s ecosystem. But that doesn’t mean they’re fun, worry-free places. At least, not in crime fiction.



*NOTE: The title of this post is a line from Solomon Linda’s The Lion Sleeps Tonight, made popular by The Tokens. Ladysmith Black Mambazo has done a version, too, with the Mint Juleps, that I personally like very much. There are other versions, too, of course.


Filed under Aaron Elkins, Agatha Christie, Donna Malane, John Enright, Leighton Gage, Paddy Richardson

You Had to Open Up Your Mouth*

LooseLipsThere’s wisdom to the old wartime saying, ‘Loose lips sink ships.’ A person may mean well, and may even agree to keep quiet about something. But the right setting, the right atmosphere and the right confidant can get people to say things they otherwise might not. And there are those who enjoy the feeling of seeming important – to whom boasting might come naturally.

In crime fiction, anyway, saying too much can get a person into real trouble. For the police, it can put an investigation in jeopardy. For a criminal, it can lead to getting caught. And in any case, it can lead to murder.

For example, in Agatha Christie’s Hallowe’en Party, we are introduced to twelve-year-old Joyce Reynolds. She and several other people are at the home of Rowena Drake one afternoon, getting ready for a Hallowe’en party to be held there that night. One of the others at that gathering is detective story writer Ariadne Oliver, who’s staying locally with a friend. When Joyce finds out who Mrs. Oliver is, she boasts that she herself saw a murder. Nobody believes her, and at first everyone hushes her up. But Joyce continues to insist that she’s telling the truth. Many people there put those remarks down to the efforts of a young girl to get the attention of a famous writer. But that evening, during the party, Joyce is murdered. Mrs. Oliver asks Hercule Poirot to look into the matter, and he travels to the village of Woodleigh Common to do so. It now seems clear that what Joyce said got someone frightened enough to kill, and that the peaceful town may very well be hiding a murderer.

In Arnaldur Indriðason’s Jar City, Reykjavík police inspector Erlendur and his team investigate the murder of a seemingly harmless older man named Holberg. At first, the case looks like a home invasion gone very wrong. But a few clues suggest that this was a deliberate killing. If that’s the case, then the more the team members know about Holberg, the more likely they are to find his killer. So they start to dig into the victim’s past. What they find is not at all pleasant, either. It turns out that Holberg has a history that includes multiple rapes. To check up on this, they have a conversation with a man named Ellidi, who’s been in regular trouble with the law and is currently in prison. Ellidi has this to say about Holberg:

‘Holberg liked talking about it [one particular rape incident]. Boasted. Got away with it.’

It soon turns out that more than one person could easily have wanted Holberg dead.

Gail Bowen’s A Killing Spring features her sleuth, Joanne Kilbourn, who is an academician and political scientist. In one plot thread of this novel, she is concerned about a student of hers, Kellee Savage, who has missed several classes lately. The last time anyone saw Kellee was one night when several students were at a local bar. The evening ended in disaster when someone noticed that Kellee had secretly been recording everyone’s conversation. Kilbourn follows up on what happened that night, and what was said. It turns out that Kellee had been drinking heavily, and said some things that would have been far better left unsaid. Later, those comments have their consequences.

Tonino Benacquista’s Badfellas concerns Fred and Maggie Blake and their two children, ex-pat Americans who have moved to a small town in Normandy. As we learn, though, the Blakes are not the people they seem. Fred Blake is really Giovanni Manzoni, a former member of the New Jersey Mafia. In return for testifying against his fellow gangsters, Manzoni was placed in the US Federal Witness Protection Program, along with the members of his family. Because of the sensitive and dangerous nature of what’s happened, it’s vital that all of the ‘Blakes’ keep quiet about everything related to that part of their lives. And at first, all goes well enough, although there’s plenty of ‘culture shock’ as they get used to living in Normandy. Then, the ‘rule of silence’ is broken, and word of the family’s whereabouts gets back to New Jersey. Now, getting along in a different country is the least of the family’s troubles.

In Donna Malane’s Surrender, missing person expert Diane Rowe learns of the murder of James Patrick ‘Snow’ Wilson. This death has special significance for her, because it’s suspected that Snow killed Rowe’s sister Niki a year earlier. Before his death, that suspicion was confirmed. Snow confessed that he’d been hired to commit that murder; he even boasted of his skill. Now he’s been killed in the same way. Rowe reasons that if she can find out who hired (and, presumably, killed) Snow, she’ll also learn who paid Snow to kill her sister.

And then there’s David Whish-Wilson’s Zero At the Bone, the second of his novels featuring former Perth Police Superintendent Frank Swann. It’s the late 1970’s, and Swann is dealing with the fallout from events in the first novel (Line of Sight  – recommended, by the way). One of the consequences of that fallout is that he’s not working as a copper. In one plot thread of this novel, another former police officer, Percy Dickson, hires Swann to help him get to the truth about a series of robberies. Dickson is head of security at one local department store, and consults with several others, and with some local jewelers. So for him, a series of robberies like this will mean the end of his job. Swann agrees to look into the matter, and in fact, finds out the truth about the thieves. This particular truth is very dangerous, though, and Dickson is under strict orders not to say anything to anyone about how the stolen merchandise was recovered, or even that the case has been solved. Unfortunately for both Dickson and Swann, Dickson makes mention of it to the wrong people…

And that’s the problem with unguarded words, whether they’re casual comments, boasts, drunken remarks, or things said in anger. They can get people in a lot of trouble. These are only a few examples; over to you.



*NOTE: The title of this post is a line from Billy Joel’s Big Shot.


Filed under Agatha Christie, Arnaldur Indriðason, David Whish-Wilson, Donna Malane, Gail Bowen, Tonino Benacquista

We Have Come to Relate Many Stories*

Separate Plot ThreadsIn many crime novels, the focus is on one main case. There may be sub-plots related to the case, but the novel really features one major investigation. But there is some crime fiction where several cases come under investigation. A few have completely separate plot lines.

It takes a deft hand to do that sort of novel well, as it can be difficult to follow separate plot lines through effectively. And it can be tricky for the reader to keep the plot lines straight. But when it’s done well, this approach can add some richness to a story. What’s more, if you think about modern police precincts, for instance, it’s realistic. The police don’t usually have just one case going, and most PIs don’t, either.

Robert Van Gulik’s Judge Dee stories often take this format. For instance, in The Chinese Maze Murders, Judge Dee has been newly appointed as District Magistrate for Lan-fang, on China’s northwestern border. He soon discovers that the area is more or less run by a local tyrant Chien Mow, who expects Dee to serve as his puppet. This Dee will not do, so the first order of business is finding a way to best Chien Mow. With that completed, Dee takes on three major cases. One concerns a former blacksmith named Fang, whose daughter White Orchid has gone missing. Another has to do with a cryptic message left to the widow of the late Governor Yoo. She was told that if she was ever in need, she should bring the scroll with the message to the magistrate, who would help her interpret it. In the third case, retired general Ding Hoo-gwo has been murdered. His son, Ding Yee, has accused Woo Fang, Commander of the Board of Military Affairs, of the crime. But Woo says he’s innocent. So Judge Dee investigates this ‘locked room’ mystery to see who is responsible.

Fans of ‘ensemble’ police series such as Ed McBain’s 87the Precinct novels, Dell Shannon’s Luis Mendoza series, or Fred Vargas’ Commissaire Adamsberg series will know that these often feature more than one case at a time. For instance, in Vargas’ The Ghost Riders of Ordebec, Adamsberg travels to the small town of Ordebec to investigate a series of strange events and a disappearance. At the same time, his team back in Paris is investigating the murder of the wealthy and well-connected Antoine Clermont-Brasseur. He was burned, along with his car, and the official theory is that a local arsonist named Momo is responsible, but he claims that he’s innocent. And Adamsberg is inclined to believe him. So along with solving the mysterious occurrences in Ordebec, Adamsberg and his team also look into Clermont-Brasseur’s death.

Tarquin Hall’s Delhi PI Vishwas ‘Vish’ Puri and his team frequently have more than one case going at the same time. Much of their day-to-day business involves ‘vetting’ potential spouses for families who want to be sure their son or daughter is marrying the right person. So, for example, in The Case of the Missing Servant, Puri takes on the case of an attorney, Ajay Kasliwal, who’s been accused of rape and murder. But at the same time, he’s looking into the background of Ramesh Goel for the family of Goel’s intended bride Vimi Singla. He’s also investigating Mahinder Gupta at the behest of Brigadier Kapoor, whose granddaughter Tisca is planning to marry Gupta. These cases aren’t closely related to each other; they’re separate plot threads. But Hall explores all three. Fans of Alexander McCall Smith’s Mma. Precious Ramotswe series will know that those novels, too, follow several cases, rather than just one mystery at a time.

Sometimes, authors explore separate plot threads even when the story doesn’t include an ensemble police or PI team. For example, Mark Douglas-Home’s The Sea Detective has two distinct plot threads. Caladh ‘Cal’ McGill is an Edinburgh oceanographer and Ph.D. student whose specialty is tides and wave motion. He’s using his expertise to find out the truth about his grandfather Uilliem, who disappeared during a sea voyage years earlier. The trail leads to ilean Isagaich Mor, Great Fishing Island, where his grandparents met, and where they lived until Uilliem’s disappearance. At the same time, readers follow the story of Preeti and Basanti, members of India’s Bedia group. They’ve agreed to become part of the sex trade for a few years, so that their families can earn money. They’re sent to Scotland where they’re separated. After a time, Basanti escapes from the people who brought her to Scotland, and goes looking for her friend. That’s how she finds McGill, who has expertise she thinks can help her find out what happened to Preeti. While both of these plot lines involve McGill, they are separate stories, really.

So are the two stories in Donna Malane’s Surrender. Diane Rowe is a Wellington-based missing person’s expert whose sister Niki was murdered a year before the events in this novel. When Rowe learns that James Patrick ‘Snow’ Wilson has been murdered in the same way, she wants to find out more. Not long before Snow was murdered, he confessed to having murdered Niki, and having been paid for it. Rowe reasons that if she finds out who hired Snow, she’ll learn who killed her sister. So one plot line in this novel is her search for the truth about Niki’s death. The other concerns a missing person case for which she’s been hired. Some human remains have been found in the Rimutaka State Forest, and Inspector Frank McFay wants Rowe to find out whose they are. These cases don’t really intermix, beyond the fact that Rowe investigates both. But they are both followed to their conclusions.

And that’s the thing about crime novels where more than one major plot thread is explored. When it’s done effectively, both (or all) stories are followed, so that the reader has a sense of conclusion. It’s not always easy to manage, but it can work quite well.


*NOTE: The title of this post is a line from Steeleye Span’s A Calling-On Song.


Filed under Alexander McCall Smith, Dell Shannon, Donna Malane, Ed McBain, Fred Vargas, Robert Van Gulik, Tarquin Hall

Halfway Down Dominion Road*


The building in this ‘photo is Auckland’s Supreme Courthouse. It’s even more beautiful and impressive in real life than it is in the photograph. It’s also a great reminder that crime happens everywhere, including New Zealand. You wouldn’t think so, but crime happens even in a beautiful place like this. Certainly crime-fictional sorts of crime happen.

If you want a thorough, rich discussion of Kiwi crime fiction, you’ll want to go and visit Crime Watch, which is the source for all things crime-fictionally Kiwi. It’s also your stop for updates and information on the Ngaio Marsh Award for Best Crime Novel, New Zealand’s highest award for crime writers. For now, though, let me just make mention of a few New Zealand authors who set their novels and series here.

Perhaps the most famous of New Zealand’s crime writers is Ngaio Marsh. Her Roderick Alleyn novels take place in different countries, often England. But she also wrote stories that take place in New Zealand. For example, Died in the Wool is the story of the murder of MP Florence ‘Flossie’ Flossie Rubrick. One day, she goes to one of the sheep pens on her husband’s farm to rehearse a speech she’s planning to give. She doesn’t return until three weeks later when her body turns up in a bale of wool. The victim’s nephew asks Inspector Alleyn to investigate, and he travels to New Zealand to do so. In the process of looking into the matter, he finds out that several members of Rubrick’s family had very good reasons for wanting her dead. This murder turns out to be related to espionage, and to one family member in particular.

Another crime novelist who’s gotten quite well known is Paul Cleave. In fact, Cleave won the 2015 Ngaio Marsh Award for Best Crime Novel for Five Minutes Alone. His debut novel, The Cleaner is set in Christchurch, where Joe Middleton works as a janitor at the police station. Unbeknownst to everyone, he is also a serial killer known as The Carver. The story is that The Carver has killed seven victims. But Middleton knows that’s not true, because he’s only killed six. He wants to find out who the ‘copycat killer’ is, so that he can frame him for the other killings, and punish him for pretending to be The Carver. It’s not going to be as easy as it seems, though…

Paddy Richardson’s novels are also set in New Zealand. Her novels Traces of Red and Cross Fingers feature Wellington TV journalist Rebecca Thorne. In the first, Thorne begins to suspect that Connor Bligh, who is in prison for murdering his sister, her husband, and their son, might be innocent. If he is, this is the story that could ensure her place at the top of New Zealand TV journalism. So she starts asking questions and looking into the case again. As time goes on, she finds herself getting closer to the case than is safe. In Cross Fingers, Thorne investigates the thirty-year-old death of a man who dressed up as a lamb and entertained crowds during the Springboks’ 1981 tour of New Zealand. That tour was controversial, and there were many, many protests and reports of police abuse of power; so at the time, not a lot of attention was paid to the death of one person. But Thorne finds it an interesting angle, and uncovers an unsolved murder. Richardson’s standalone novels, Hunting Blind and Swimming in the Dark, are set on New Zealand’s South Island.

So is Vanda Symon’s series featuring Constable Samantha ‘Sam’ Shephard, who works with the Mataura Police. Along with the crimes she investigates, she has to deal with a difficult boss, family strain, and, in Overkill, being suspected of murder. But she has plenty of grit and determination; and, despite the fact that she doesn’t always play ‘by the book’ she’s a skilled detective.

Paul Thomas’ Tito Ihaka novels are mostly set in Auckland. Ihaka is a Māori police detective with his own way of solving cases. In Guerrilla Season, his first outing, Ihaka wants to investigate a series of deaths claimed by extremists called Aotearoa People’s Army. Ihaka isn’t sure they’re responsible, though, and starts to dig deeper. This gets him into trouble with his superiors, though, and he’s taken off that case and put onto a case of suspected blackmail. When that proves to be related, it’s clear that Ihaka has uncovered something much more than he’d suspected.

Bev Robitai’s Theatre Mysteries are also set in Auckland, at the Regent Theatre. In Murder in the Second Row, and Body on the Stage, Robitai combines murder with a look backstage at the way stage productions are planned, created, rehearsed and executed (yes, pun intended😉 ) Readers also get to know some of the people outside the theatre who make those productions possible.

Under the pseudonym of Alix Bosco, Greg McGee has written two novels, Cut and Run and Slaughter Falls, featuring Auckland legal researcher Anna Markunas. In the first, she helps defend a young man accused of killing a rugby star. In the second, she investigates a series of deaths among a New Zealand tour group that’s visiting Brisbane. It’ll be interesting to learn if another Anna Markunas novel will be released.

And then there’s Donna Malane’s Diane Rowe novels. Rowe is a Wellington missing person expert who’s called in to identify twenty-five-year-old remains in Surrender. In My Brother’s Keeper, ex-convict Karen Mackie hires Rowe to find her fourteen-year-old daughter Sunny. As Rowe learns, Mackie was in prison for trying to kill Sunny, so the dilemma in this case is a real one.

There are plenty of other New Zealand writers, such as Cat Connor and Andrew Grant, who set their novels elsewhere. For a small country, Kiwi crime fiction leaves quite a footprint…


*NOTE: The title of this post is a line from The Mutton Birds’ Dominion Road.


Filed under Alix Bosco, Andrew Grant, Bev Robitai, Cat Connor, Donna Malane, Greg McGee, Ngaio Marsh, Paddy Richardson, Paul Cleave, Paul Thomas, Vanda Symon