Category Archives: Elizabeth Spann Craig

Like a Tree, Ability Will Bloom and Grow*

I’ll bet you’ve had the experience. You enjoy skiing, and you’ve tackled some challenging runs. Then, you don’t get the chance to ski for a while. When you finally do again, it’s back to the bunny slopes, because your skills have gotten a bit rusty. Or, perhaps you’re a card player who takes a break from it for a while. Then, when you get into a poker game, you find yourself making ‘beginner mistakes.’

Whether it’s music, running, poker, or cooking, your skills get and stay sharper if you use them regularly. The same is true for writing. That’s why writers are so often urged to write every day, even if it’s just a few sentences.

If you ask Agatha Christie’s Hercule Poirot, he’ll tell you that detection skills need to be sharpened regularly, too. In The A.B.C. Murders, he works with Chief Inspector Japp and other police detectives to solve a baffling series of murders. It’s a challenging case, and certainly puts Poirot on his mettle. But that actually suits Poirot. At the beginning of the novel, before the first murder actually occurs, he has a conversation with Captain Hastings, who’s returned from Argentina for a stay in London. Hastings makes a comment about Poirot’s being retired; here’s Poirot’s answer:
 

‘‘And I will admit it, my friend, the retirement, I care for it not at all. If the little grey cells are not exercised, they grow the rust.’’
 

Research bears him out. Studies show that the more we use our thinking skills, the longer in life we have them.

And it’s not just thinking and detecting, although there are several examples of those in crime fiction. We see plenty of other examples of characters who know the value of regular discipline to keep skills strong. That side of a character can add an interesting dimension; it’s realistic, too.

For example, fans of Helene Tursten’s Irene Huss can tell you that she is a police detective with the Violent Crimes Unit of the Göteborg Police. She is also a former Swedish national judo champion, and former European champion. Her job and family life keep her very busy, but that doesn’t mean she wants to give up martial arts. So, she goes to the dojo sometimes to work out and to keep her skills strong. Her judo sessions are also very useful for keeping her in good physical condition. And sometimes, when she’s on the job, her skill at judo turns out to be very useful.

One of Elizabeth Spann Craig’s series features Beatrice Coleman, a former Atlanta folk art curator who’s retired to the small town of Dappled Hills, North Carolina. As we learn in Quilt or Innocence, the first of this series, she originally moved to Dappled Hills to be nearer to her daughter, Piper. But she’s soon drawn into life in her new home. And that includes the Village Quilters, one of several local quilting guilds. When she first gets to know the members of the guild, Beatrice doesn’t know much about how to quilt.  It doesn’t help, either, that some of the members have been quilting for decades, and make it all look very easy (which it’s not, really). Part of the reason for this is that the guild members mees regularly, both to keep their skills sharp and to keep their social network strong. Little by little, Beatrice learns some quilting skills, and is better able to contribute to the group’s work. Among other things, this series shows how something like quilting really has to be done regularly to hone skills.

So does playing baseball. Like any athletes, baseball players have regular workout sessions, even during the off-season. Skills such as pitching, catching, running, and communicating with teammates, have to be kept sharp if a team is going to win. And that doesn’t happen if players spend too much time off the field. There’s a dose of this in Alison Gordon’s Katherine ‘Kate’ Henry series. Henry is a sportswriter for the Toronto Planet. Her specialty is baseball, as was her creator’s. So, she travels with the (American League) Toronto Titans, and, of course, attends their home games. Readers follow along as the team members sharpen their skills during spring training (in Night Game), and work out before games during the baseball season (e.g. in The Dead Pull Hitter). The series gives readers an ‘inside look’ at the way professional athletes keep their skills from getting rusty.

But it’s not just athletic or other physical skills that need to be honed. Just ask John Burdett’s Sonchai Jitpleecheep. He’s a member of the Royal Thai Police, based in Bangkok. He is also a devout Buddhist. As you’ll know, Buddhism entails the mental discipline of regular meditation and focus. And it doesn’t come easily. It requires patience, lots of repetition and training, and regular mental exercise. And all of that takes time. Still, Jitpleecheep has found that study and meditation help him keep his focus and develop his spiritual and cognitive side.

You might say a similar thing about Tony Hillerman’s Sergeant Jim Chee. As fans can tell you, he is a member of the Navajo Nation. He is also a member of the Navajo Tribal Police. Chee has kept many of the Navajo traditions, too. In fact, at the beginning of the series, he is studying to be a yata’ali, a Navajo singer/healer. To be a skilled yata’ali takes a great deal of training and time. Each ritual has its own complexities, and Chee aims to learn to do each one exactly correctly. So, he hones his skills regularly, by going through the steps of each ritual. And, at least in the first novels of the series, he doesn’t let a lot of time go by between sessions. He knows the importance of not allowing his skills to rust.

And that’s the thing about skills, whether they are mental or physical. They need to be used, on a regular basis, or they do get rusty. Little wonder we see characters keeping their skills sharp in crime fiction.

 
 
 

*NOTE: The title of this post is a line from Richard Sherman and Robert Sherman’s Scales and Arpeggios.

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Filed under Agatha Christie, Alison Gordon, Elizabeth Spann Craig, Helene Tursten, John Burdett, Tony Hillerman

Oh, Let’s Go Back to the Start*

In a recent post, crime writer and fellow blogger Elizabeth Spann Craig made an interesting point about taking a story full circle. She suggested that one way to do this is to end a story by going back to the beginning. For instance, her Pretty is as Pretty Dies begins one morning at the home of Myrtle Clover. She’s a retired teacher who isn’t ready to be ‘put out to pasture’ yet. So, when she discovers the body of real estate developer Parke Stoddard in a local church, she can’t resist getting involved in the investigation, much to the chagrin of her son, who happens to be the local chief of police. As Myrtle starts to ask questions, she finds that there are plenty of people who had a good reason to want the victim dead. She was, to say the least, malicious and vindictive, and had alienated just about everyone in town. Myrtle discovers who the killer is, and in the final scene, is back at her home. In that sense, the story goes full circle, beginning and ending at Myrtle Clover’s home. But a lot of things have happened in the interim, and we see that as the final scene plays out.

And that’s one way in which that ‘full circle’ approach to storytelling can be useful. It allows the author to show character changes, but at the same time bring the story to some closure. And there are plenty of examples of how this works in crime fiction. Here are just a few.

In one of the very first scenes in Agatha Christie’s The Hollow, sculptor Henrietta Savernake is in her studio, creating a piece for an upcoming show. We soon learn that she is one of several guests invited to spend a weekend at the home of some cousins, Sir Henry and Lady Lucy Angkatell. Two of the other guests are to be Harley Street specialist Dr. John Christow and his wife, Gerda; and for Henrietta, this makes the visit all the more special, since she is Christow’s mistress. On the Sunday afternoon, Christow is shot. Hercule Poirot has been invited for lunch, and arrives just after the murder. He and Inspector Grange work to find out who murdered Christow. At the very end of the novel, there’s another scene, again in Henrietta’s studio. It brings the story round to the beginning again, and shows some of what’s happened to Henrietta as a result of the events in the novel.

Simon Beckett’s Whispers of the Dead more or less begins at the London home of forensic anthropologist David Hunter. He’s recovering from the physical and mental trauma he suffered as a result of events in Written in Bone, and now he’s preparing to leave for a trip to Tennessee’s Anthropological Research Laboratory, often called The Body Farm. For Hunter, this is a welcome trip, as he wants to get out of London for a time. He’s looking forward to doing some research as well as to renewing his acquaintance with his mentor, Tom Liebermann. Hunter arrives in Tennessee just in time to hear the news of the discovery of a decomposed body in a cabin not far from the laboratory. Hunter gets involved in the investigation, and it turns out to be a wrenching case. At the end of the novel, he returns to his London apartment. There’s a final scene in which he has a short conversation with the woman who lives in the flat above his. That conversation, and his return, really only take up a few sentences. But they bring the story back to the beginning to give some closure to it. And the scene shows some of what’s happened to Hunter in the course of the novel.

Ilsa Evans’ Nefarious Doings is the first of her series featuring Victoria journalist Nell Forrest. As the story opens, she’s at the home she shares with two of her five daughters (the other three are adults who have their own homes). She gets a visit from the police, who inform her that there’s been a fire at her mother’s house, not far away. Nell’s mother, Lillian ‘Yen’ is safe, but the fire has done considerable damage. And the body of a man has been found in the garage. It turns out that this man is Dustin Craig, who lived next door to Yen. And it turns out that he was murdered before the fire started. Now, Yen is a suspect in a murder investigation. Nell doesn’t believe her mother is guilty. And there’s no lack of other suspects. So, she starts looking into the matter, and ends up getting into real danger. At the very end, there’s a scene where Nell is back at her home. She’s having a glass of wine with DS Ashley Armistead, who’s the official investigator on the case. In a way, the scene takes us back to the beginning of the novel. But it’s not the same Nell Forrest at the end, if I can put it that way. She’s learned a few things about herself, and sees the world a little differently.

And then there’s Donald Smith’s The Constable’s Tale. This story begins in 1758 in the British colony of North Carolina. Plantation owner Henry ‘Harry’ Woodyard is serving his term as a Royal Constable for Craven County. His work mostly involves breaking up drunken quarrels, levying fines on people who don’t attend church services, and catching petty thieves. Everything changes when Edward and Anne Campbell and their son are discovered brutally murdered at their home. Only their infant survived. On the surface, it looks like it might be the work of Indians. And, considering that this novel takes place during the Severn Years/French and Indian War, that wouldn’t be out of the question. But there are hints that that might not be what happened. A broach found at the murder scene provides a clue, and Woodyard decides to follow up on it. He believes that if he can find its owner, he can find the killer. So, he starts to follow the trail. In fact, it leads on a four-month journey all the way into Canada. In the end, though, Harry finds that the truth is closer to home than he would have imagined. The last scene in the novel has him back in Craven County, getting ready to resume his duties. He’s gone through some changes, though, and Smith makes that clear.

And that’s one of the advantages of using this sort of plot structure. Going back to the beginning can help the reader see how a character has grown or changed. It also allows the author to ‘tie up’ the novel and give some closure to it. Thanks, Elizabeth, for the inspiration.

 
 
 

*NOTE: The title of this post is a line from Coldplay’s The Scientist.

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Filed under Agatha Christie, Donald Smith, Elizabeth Spann Craig, Ilsa Evans, Simon Beckett

Watching My Favorite Reality Show*

I’ll bet you’ve watched at least some of them. They can be addictive, even as you admit they’re not exactly edifying. Yes, I’m talking about TV competitions and reality shows. They’re everywhere, and they cover all sorts of topics. There’s MasterChef Australia, Power Couple, The Chase, Cash Cab, Survivor, and The Bachelor, to name just a few.

They’ve found their way into crime fiction, too, and that’s not surprising. All sorts of things can go on when the camera is turned off. And there’s the suspense and tension of the competition, too. And that’s to say nothing of the stress of the ‘ratings war.’ So, it’s little wonder that we see those shows in the genre.

In Elizabeth Spann Craig’s Delicious and Suspicious, we are introduced to Lulu Taylor, who owns Aunt Pat’s Barbecue, one of Memphis’ popular restaurants. Aunt Pat’s has a chance at television fame (and the resulting increase in sales) when Rebecca Adrian, food critic for the Cooking Channel, visits. She’s in Memphis to search for the best barbecue restaurant in the city, and Aunt Pat’s is a strong contender. It’s exciting to think of the possibilities that the fame will bring, but Adrian is, to say the least, not a pleasant guest. She alienates nearly everyone. Still, Taylor makes certain that she serves the very best the restaurant can provide. Only hours later, Adrian dies of what turns out to be poison. And it’s not long before gossip starts about Aunt Pat’s. Mostly in order to clear her restaurant’s name, Taylor starts asking questions to find out who the killer really is.

Isis Crawford’s A Catered Christmas features a cooking competition on a popular local television show. The Hortense Calabash Cooking Show has invited five local caterers to compete on the show. One of those companies is A Little Taste of Heaven, which is run by sisters Bertie and Libby Simmons. It’s an exciting chance at important publicity, so the Simmons sisters get to work planning what they will cook. Then, on the day of the competition, an oven on the show’s set explodes. The blast kills Hortense, and of course, puts an end to the competition. The natural conclusion is that one of the five competitors must have been responsible. But it’s not the only possibility, and it turns out that Hortense had plenty of enemies. So, the Simmons sisters have a number of possible suspects as they look for answers.

A reality show turns very, very creepy in Ian Rankin’s Dark Entries, a graphic novel illustrated by Werther Dell’Edera, and featuring John Constantine, from the Hellblazer series. In this novel, Constantine (a paranormal investigator) is hired by the staff of Haunted Palace. That’s a reality show in which young contestants are trapped in a ‘haunted house.’ The only way to win is to get into a hidden room and claim the prize. This group of contestants has been bothered by visions and other scary incidents, but they aren’t the ones that the show’s staff have rigged. It seems, instead, that these young people are seeing these visions themselves. Constantine’s been engaged to find out who, or what, is behind the eerie events, before anyone is killed…

Max Allan Collins has written two novels featuring a sort-of reality show called Crime Seen! The host, former sheriff J.C. Harrow, tracks down criminals with the help of tips and information from viewers. In the first, You Can’t Stop Me, the show’s team uncovers a dangerous murderer who just might have been the one who killed Harrow’s family, and got him started with the show. In the second, No One Will Hear You, Harrow is about to wrap up the show, which was never intended to be a permanent fixture. But then, a killer sends a grotesque ‘demo tape,’ challenging the show’s crew to spotlight him. At the same time, there’s another killer at work, too. So, instead of ending production, the team has no choice but to try to find the killers before more people die.

And then there’s Douglas Lindsay’s We Are the Hanged Man. Met DCI Robert Jericho is ‘volunteered’ by Superintendent Dylan to participate as a consultant on a reality show called Britain’s Got Justice. In this show, contestants compete as apprentice police officers, and Jericho is to be one of the experts/judges. As it is, Jericho isn’t particularly interested in doing the show. He’s got other cases and concerns on his mind, and he’s not a big fan of reality television to begin with. Everything changes, though, when one of the contestants, Lorraine, ‘Lo’ Allison, goes missing. At first, it’s suspected that she simply decided to drop out of the competition, and gave no warning. But soon enough, it’s shown that she wanted to win as much as anyone else does. So, the police start a missing person search, and, since Jericho’s been involved with the show, he takes a major part in it. Among other things, this novel takes a cynical look at reality television, its creators, and the people who watch it.

And that’s the thing. A lot of people do watch this sort of TV, even at the same time as they acknowledge that it’s not exactly highbrow. And it can make for a very effective context for a crime novel. Do you ever watch reality/unscripted shows? What’s the draw if you do?

 

 

 

*NOTE: The title of this post is a line from Pascale Picard’s That is the Matter.

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Filed under Douglas Lindsay, Elizabeth Spann Craig, Ian Rankin, Isis Crawford, Max Allan Collins, Werther Dell’Edera

Gone to Carolina in My Mind*

Have you ever been to North Carolina? Perhaps you live (or have lived) there? It’s a beautiful place, with an interesting mix of cosmopolitan, (sub)urban areas, beaches, and small towns. There are plenty of very rural places, too. And North Carolina is rich with history, beginning before the state was a colony.

On the surface, it’s a lovely, peaceful state. But just look at crime fiction, and you’ll see that a lot can happen, even in a friendly, small town or lovely city. As this is posted, it’s the birthday of North Carolina’s own James Taylor. So, what better time to share some fine North Carolina-based crime fiction?

For those who enjoy cosy mysteries, there are two series by North Carolina author Elizabeth Spann Craig. One features retired teacher Myrtle Clover. She lives in the small town of Bradley, where her son, Red, is chief of police. Myrtle may be retired, but that doesn’t mean she wants to be put out to pasture, as the saying goes. Much to her son’s chagrin, Myrtle gets very interested when there’s a murder, and likes to do her own sleuthing. She’s fairly good at it, too. She knows almost everyone in town, and, since she’s a ‘harmless old lady,’ she can go places and hear things that the police might not. Spann Craig’s other series features Beatrice Coleman, a retired art expert who moves to the small town of Dappled Hills for some peace and quiet after a busy career. That’s not what she gets, though. Through her association with the Village Quilters, Beatrice gets to know a lot of people in town – and gets involved in more than one murder investigation.

North Carolina has some prestigious universities and colleges, too. And Sarah R. Shaber gives us a look at higher education in that state with her Simon Shaw series. Shaw is a Pulitzer Prize-winning historian, who could have had his pick of any of the US’s top institutions. But he’s chosen to work at Kenan College, a small but selective and well-regarded school in a typical ‘college town.’ Shaw couldn’t imagine living and working anywhere but the South, and there’s plenty for him to do. As I say, there’s rich history in the state, and Shaw’s interested in a lot of it. For instance, in the first of this series, Simon Said, he’s works with an archaeologist friend to find out the truth about a long-buried set of remains that’s found on the old Bloodworth property. Part of it’s been deeded to the college, but that gift won’t go through without an investigation. So, Shaw looks into the family history to discover who the victim might have been, and who would have wanted to commit that murder.

Another look at North Carolina’s history comes from Donald Smith’s The Constable’s Tale, which takes place in 1758.  Plantation owner James Henry ‘Harry’ Woodyard is serving his term as a Royal Constable for Craven County. Usually, that’s mostly a matter of breaking up drunken quarrels, catching petty thieves, and other small crimes. Everything changes when the bodies of Edward and Anne Campbell and their son are discovered. It looks like a sort of ritual killing, and that it might have been the work of local Indians. And that’s not impossible, considering this story takes place during the Seven Years (French and Indian) War. Soon enough, an Indian named Comet Elijah is arrested for the crime. Woodyard’s known the man for a long time, and cannot imagine him committing these murders. And there are other possibilities, too. For instance, why was a brooch engraved with Masonic symbols found at the scene? Campbell wasn’t a Mason, so there has to be another explanation. Woodyard takes an interest in the case, and, despite pressure from the Craven County authorities to accept the obvious solution, he finds out the real truth. Besides the mystery at the core of the novel, readers also get an interesting look at life in North Carolina during its colonial history.

Barbara Neely offers readers another perspective on modern North Carolina. In Blanche on the Lam, we meet professional housekeeper Blanche White. Originally from New York, White moved to North Carolina, and, as the series begins, works for a housekeeping agency. Her job means that she gets a very intimate look at her clients’ lives. That’s especially true because she is black, while most of her clients are white. They tend to see her as ‘the help,’ rather than as an individual. That attitude makes her almost invisible, which is very helpful as she investigates. Two of the novels (Blanche on the Lam, and Blanche Passes Go) take place in North Carolina, so readers get a sense of the setting. Along with that and the mystery plots, this series offers a close (and not always comfortable) look at race relations and social structure.

And then there’s John Hart’s The Last Child, which is set in contemporary small-town/rural North Carolina. Thirteen-year-old Johnny Merrimon has been devastated since his twin sister, Alyssa, went missing a year ago. He hasn’t stopped looking for her, although his mother has all but given up hope. He has a map, a bicycle, and a plan, and is determined to find Alyssa, or at least, her body. One day, Johnny’s skipping school, spending time at a local river, when he witnesses a car accident on the bridge over the river. A man’s body hurtles towards him, landing nearby. The man dies but not before telling Johnny,
 

‘‘I found her…the girl that was taken.’’
 

This gives Johnny hope that Alyssa may still be alive, and he renews his search. Detective Clyde Hunt has also been looking for the girl, and is afraid of the trouble Johnny may find if he keeps looking on his own. Still, he respects the boy’s motives and effort, and he tries, in his own way, to help. Each in a different way, he and Johnny pick up the search for Alyssa, and relate it to the unknown dead man, and to another disappearance.

See what I mean? North Carolina is physically beautiful, with lots of rich history and interesting places. But safe? Well….

ps. The ‘photos were taken on Emerald Isle, in North Carolina’s Outer Banks. See? Lovely!

 
 
 

*NOTE: The title of this post is a line from James Taylor’s Carolina in My Mind.

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Filed under Barbara Neely, Donald Smith, Elizabeth Spann Craig, John Hart, Sarah R. Shaber

Listen to the Auctioneer*

auctionsHave you ever been to an auction? They can be a lot of fun, whether or not you’re actually bidding on something. And sometimes, you can find a very good deal on something you really like. Auctions have their own kind of tension, too, as the items are described and the bidding starts. That’s one reason they can be such good backgrounds for scenes in novels, or even for contexts.

They’re quite varied, too. There are charity auctions, fun auctions (at street fairs, for instance), and silent-bid auctions. There are also, of course, extremely exclusive, high-bid auctions for ultra-expensive items. So, an author has flexibility when it comes to weaving an auction into a book.

Auctions bring a lot of disparate people together, and that can be part of their appeal, both in real life and as a tool for the writer. Wherever you have a group of people, you can have conflict and tension. And that can add much to the suspense of a story.

For instance, in Phoebe Atwood Taylor’s Going, Going, Gone, an auction turns out to be murderous. Atwood Taylor’s sleuth, Asey Mayo, takes his cousin, Jennie, to a local auction. Wealthy John Aiden has died, and the story is that he hid a lot of cash among his things. If that’s true, any of the items up for bid could have a lot of money in them. Aiden’s brother, Gardner, pays the unusually high price of three thousand dollars (the story takes place during WWII) for an old chest that’s supposed to contain books. But the key’s gone and the chest is locked. Mayo, being a local handyman, among other things, has a lot of different sorts of keys, and he’s asked to help open the chest. When it is finally opened, everyone’s shocked to see the body of Solatia Spry, who is said to be the local antiques ‘eyes and ears’ for a wealthy California client. Now, Mayo gets drawn into the investigation, and it turns out that more than one person had a very good motive for murder.

John Grant, who wrote as Jonathan Gash, wrote a series of mysteries featuring Lovejoy, an antiques expert and dealer. He’s got more than his share of faults, but Lovejoy knows an antique’s value. He what he does, and is passionate about antiques. And he’s gotten to know many of the other people in the field, as it’s a small community, so to speak. He attends his share of auctions, where he picks up on a lot of the gossip going around that community. In fact, in The Judas Pair, that’s one strategy he uses to try to track down a mythical (or is it?) pair of flintlocks called the Judas Pair. George Field wants Lovejoy to find these guns, because one of them was used to shoot his brother, Eric. Lovejoy’s not even sure they really exist, but he agrees to see what he can do. He puts the word out among his friends in the business, and starts going the rounds of the auctions. He soon learns that the guns actually do exist, and that someone really did use one of them to kill Eric Field. The closer Lovejoy gets to the truth, the more danger there is for him.

Tony Hillerman’s People of Darkness features his sleuth, Navajo Tribal Police Officer Jim Chee. In one part of this novel, Chee is looking for a man named Tommy Charley, who may have information on a case he’s investigating. He’s told that Charley will be attending a rug auction at a local elementary school, so he changes plans and goes. The auction itself doesn’t solve the case, but Chee does get some information. And, he meets a teacher there named Mary Landon, whom fans will know as Chee’s love interest for part of the series. The auction scene also gives readers a look at smaller, local auctions where you can find truly beautiful, handmade items that you can’t get at more ‘touristy’ or big-budget places.

Riley Adams’ (AKA Elizabeth Spann Craig) Hickory Smoked Homicide features a charity dinner and art auction hosted by Memphis-area socialite and beauty pageant coach Tristan Pembroke. The evening is to be a benefit event, but Tristan is hardly a kind, generous person. She’s vindictive, malicious, and motivated only by self-interest. Still, plenty of people attend. One of the artists whose work will be featured is Sara Taylor. She’s already had a serious argument with Tristan about one of the paintings, but she can use the recognition (and money) that comes from being featured at the auction. When Sara’s mother-in-law, restaurant owner Lulu Taylor, discovers Tristan’s body that evening, Sara becomes the most likely suspect. Lulu knows she’s innocent, so she starts asking questions. And, as you’d imagine, she finds plenty of people who are not upset by Tristan Pembroke’s death.

And then there’s Gail Bowen’s The Gifted, which features her sleuth, political scientist and (now-retired) academician Joanne Kilbourn Shreve. Her daughter, Taylor, has real artistic talent and passion, and has been invited to include some of her work in an upcoming charity art auction to be held in aid of Regina’s Racette-Hunter Centre. She’s only fourteen, and her parents aren’t entirely sure she’s ready for all the recognition this event could bring her. But they give permission for her to go ahead with her work. Taylor’s already shown her parents one of the pieces that she’ll present at the auction. The other, though, she keeps secret. And that painting proves to have tragic consequences for several people.

Auctions bring together people from all over, and they can be fun and exciting. But they can also be tense, and full of suspense. Little wonder we see them in the genre.

 
 
 

*NOTE: The title of this post is a line from REM’s Auctioneer (Another Engine).  

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Filed under Elizabeth Spann Craig, Gail Bowen, John Grant, Jonathan Gash, Phoebe Atwood Taylor, Riley Adams, Tony Hillerman