Category Archives: Harlan Coben

They Both Met Movie Stars, Partied and Mingled*

Networking isn’t usually the first thing that comes to mind when you think about being a writer. But it’s important. If people don’t know who you are, and don’t know the kind of things you write, they’re not likely to read your work. Many writers I know aren’t especially fond of networking, but it does matter.

People I know who are musicians and visual artists tell me it’s similar for them. The ability to network can get you more readers, more people listening to your music, and more people looking at your art. Of course, with today’s social media, it’s much easier to network than it ever was. But there’s still an important role in real life for meeting people face to face, handing out a card, and talking about your work.

Networking matters in crime fiction, too. And it can have all sorts of consequences, depending on what the author plans. For instance, in Agatha Christie’s Five Little Pigs, Hercule Poirot is hired to find out who killed famous painter Amyas Crale. Everyone assumed his wife, Caroline, was responsible, and she had motive. There was evidence against her, too. In fact, she was convicted of the crime, and died in prison a year later. Now, the Crales’ daughter, Carla, wants her mother’s name cleared. Poirot takes the case and interviews the five people who were on hand on the day of the murder. He also gets written accounts of the murder from each of his interviewees. That’s how he learns the background of the affair that Crale was having with one of those people, Elsa Greer. It seems that Crale was at a studio party, where he was networking. Elsa attended the same event and asked to meet him. For her, one meeting was all it took, and it wasn’t long before they were involved. That (plus the fact that Crale was doing a painting of her) is the reason she was at the Crale home on the day he died. It’s also the reason, so said the prosecution, that Caroline Crale was motivated to kill her husband.

Networking causes an awful lot of trouble in Patricia Highsmith’s Ripley Under Ground. In that novel, Tom Ripley and three of his friends, Jeff Constant, Ed Banbury, and Bernard Tufts, have convinced the Buckmaster Gallery in London to carry the work of a relatively unknown painter named Philip Derwatt. The artist died a few years earlier, but Tufts has created some new ‘Derwatt paintings,’ and the business is going well. Then, things start to fall apart. An American Derwatt enthusiast named Thomas Murchison goes to London for a special Derwatt show at the gallery. He asks a few questions about some subtle but real differences between the genuine Derwatt paintings he knows, and those the Buckminster is showing. Ripley and his group conclude that the best way to head off disaster is for Ripley to go to London disguised as Derwatt and authenticate the work. The arrangements are made, and Ripley carries off the sham at a networking event. But Murchison isn’t convinced. Now, the team will have to think of another solution. Ripley deals with ‘the Murchison problem’ in his own way, but he soon finds he’s got even bigger problems…

Riley Adams’ (AKA Elizabeth Spann Craig) Hickory Smoked Homicide introduces readers to wealthy beauty pageant coach and judge Tristan Pembroke. She is malicious and competitive, so she hasn’t exactly won a lot of fans. But she is wealthy and influential. One night, she hosts a benefit art auction at her home. Local artist Sara Taylor has already had her share of run-ins with Tristan, but this art auction is a chance for her to get the word out about her work. So, she attends, and contributes some of her art. Tristan is murdered during the event, and Sara’s mother-in-law, Lulu Taylor, discovers the body. Sara is a likely suspect, but Lulu is convinced she is innocent. So, she starts to ask questions. And it’s not long before she discovers that plenty of people wanted Tristan Pembroke out of the way.

There’s an interesting networking event in Martin Edwards’ The Hanging Wood. In that novel, Detective Chief Inspector (DCI) Hannah Scarlett and her Cold Case Review Team look into the twenty-year-old disappearance of Callum Payne. At the same time, they’re investigating whether it might be related to the recent suicide (or was it?) of his sister, Orla. In one sub-plot of the novel, Scarlett’s boss, Assistant Chief Constable (ACC) Lauren Self, insists that she attend a ‘command performance’ Awards Dinner. It’s absolutely not Scarlett’s sort of thing. But a lot of business and community leaders will be there, and their funding is important to the constabulary. It’s important that the police network there, and leave as good an impression as they can, to secure that money. So, Scarlett attends. And it’s as well she does, too, because it helps her investigation.

Athletes have to do their share of networking, too. We see that, for instance, in Alison Gordon’s Kate Henry novels. Henry is a sportswriter for the Toronto Planet. Her specialty is baseball, so she follows the Toronto Titans to their away games, attends all of the home games, and is there for all of the team’s press events. And there are plenty of them, too. The Titans know that they need to network and get the word out if they’re going to keep their fan base, and hopefully get more fans. Members of the press know that networking allows them exclusive stories and other ‘ins’ that make them more competitive. That relationship is also explored a bit in Harlan Coben’s Myron Bolitar series. Bolitar is a sports agent, so part of his job is to network with owners and managers to get his clients on teams.

And then there’s Louise Penny’s Ruth Zardo. She is a gifted poet who live in the small Québec town of Three Pines. She’s not exactly a social person; in fact, she can be quite acerbic. But she knows that, as a poet, she has to get the word out about her work. So, in A Fatal Grace (AKA Dead Cold), she goes to a Montréal bookshop to do a reading and some networking. The event isn’t the main focus of the novel, but it does add to the plot, and it shows how difficult it can be for people to network and get others to pay attention. Trust me. It is. But networking has to be done. If you’re a writer, how do you network?

ps. The ‘photo is of a custom-printed tote that I use. It’s got the same logo as my business card, as you see. It’s one of the hopefully-not-annoying ways I have to ‘sell myself’ when the opportunity arises.

 
 
 

*NOTE: The title of this post is a line from Tom Petty’s Into the Great Wide Open.

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Filed under Agatha Christie, Alison Gordon, Elizabeth Spann Craig, Harlan Coben, Louise Penny, Martin Edwards, Patricia Highsmith, Riley Adams

In The Spotlight: Harlan Coben’s Deal Breaker

Hello, All,

Welcome to another edition of In The Spotlight. Harlan Coben’s work is both popular and highly regarded. It’s about time it found a place in this feature, so let’s do that today. Let’s turn the spotlight on Deal Breaker, the first of his Myron Bolitar novels.

Bolitar is a former basketball star whose career ended with a severe knee injury. After he recovered, he went back to college and got a law degree. He now owns New York-based MB SportsReps, where he’s assisted by Esperanza Diaz. As the novel begins, Bolitar has signed on to represent very hot (US) football prospect, Christian Steele. And Steele is about to sign a lucrative contract. The future looks promising for both men until one night, when Bolitar gets a strange call from Steele.

A year and a half earlier, Steele’s then-girlfriend, Kathy Culver, disappeared. A search for her turned up no real leads, and her body was never found. Now, Steele’s received a package addressed to him at Reston University. The package contains a pornographic magazine. In the back of the magazine, among the other ads for telephone sex lines, is a very compromising photograph of Kathy. And Steele says that the handwriting on the envelope is hers. If that’s so, then is Kathy alive? If she’s alive, where is she? Why did she send the magazine? And why hasn’t she been in contact with anyone?

Bolitar has a personal connection with the family, as his former girlfriend is Jessica Culver, Kathy’s older sister. And he wants to help Steele find out the truth about Kathy, so that he can focus on starting his professional career. So, he starts to ask a few questions. Then comes even more motivation. It seems that Otto Burke, who owns the team Bolitar’s negotiating with, has also gotten hold of a copy of the magazine, and is using it to leverage a very bad deal for Steele. If Bolitar caves, he won’t attract any more high-profile clients. So, he decides to find out the truth behind the magazine.

In the meantime, Jessica Culver has come back to New York, to attend her (and Kathy’s) father’s funeral. Adam Culver was murdered in what police say was a botched robbery. But Jessica suspects otherwise. She believes that his murder may have something to do with Kathy’s disappearance, and she wants Bolitar to help her get to the truth.

Together with his friend, Windsor Horne Lockwood III (AKA ‘Win’), Bolitar starts to follow both threads of the mystery. He traces Kathy’s last days and weeks and finds out some disturbing things. He also discovers that Kathy wasn’t always the hardworking, clean-scrubbed ‘perfect girlfriend’ she seemed. So, one possibility is that some darkness in her past came back to haunt her. Another is that she has gone missing deliberately and doesn’t want to be found. There are other possibilities, too. Slowly, Bolitar, Win, Esperanza, and Jessica Culver put the pieces together, and we learn the truth about both cases, and how they tie together.

Bolitar is a sports agent. So, there is an element of what sports agents do in the novel. Readers go ‘behind the scenes’ as Bolitar negotiates for Steele, tries to keep another client from leaving him, helps yet another client, and so on. Of course, he wants to make a living, and the better deal he makes, the more he earns. But at the same time, he cares about his clients’ welfare and doesn’t want to see them taken advantage of by unscrupulous owners and other agents. Readers who do not care for sports will want to know that this isn’t a book about (US) football. That’s just the background.

Another important element in the story is the set of characters in Kathy Culver’s life. As Bolitar finds out more and more about her, we get to know her family members, some of the people she knew at university, and so on. I can say without spoiling the story that the solution to the mystery lies in Kathy’s past and in things that have happened to her. To put it another way, as Bolitar gets to know some of the people in Kathy’s life, he gets different perspectives on her. He also slowly learns that some of these characters are lying or at least not telling everything they know.

This is not a light, easy mystery. There is some violence, not all of it ‘off stage.’ And readers who dislike a lot of profanity will want to know that this novel has more than a sprinkling of salt, so to speak. It’s also worth saying that part of the trail leads to sleazy magazines, telephone sex lines, and pornography photos.

That said, though, this also isn’t a gritty, noir sort of story. There are lighter moments in the story, as Bolitar has a wisecracking sort of wit. At one point, for instance, he’s negotiating with Burke:
 

‘‘You don’t want to lose money, Myron.’ [Burke]
Myron looked at him. ‘I don’t?’
‘No, you don’t.’
‘Can I jot that down?’
He picked up a pencil and began scribbling. ‘Don’t…want…to…lose…money.’ He grinned at both men. ‘Am I picking up pointers today or what?”

 

Needless to say, not everyone thinks Bolitar’s funny…

The novel introduces a few characters who become ‘regulars’ as the series goes on. One is Esperanza Diaz. She begins as Bolitar’s assistant/receptionist. But as the series evolves, Bolitar makes her a partner, and she develops as a character. There’s also Win. He’s both wealthy and eccentric, with strong martial arts skills and a habit of being there right when Bolitar needs him the most. Win’s a bit unpredictable, but he’s not a ‘loose cannon,’ and he’s extremely intelligent.

There is a bit of the thriller about the novel. The pacing and timing are consistent with the thriller structure, as is the fact that Bolitar gets himself into danger more than once. And there are some twists in the plot.

Deal Breaker is the story of a disappearance, and the secrets that some people have been keeping about it. It traces the history of a young woman and shows how that history has impacted everyone. And it introduces a sports agent with a talent for finding answers. But what’s your view? Have you read Deal Breaker? If you have, what elements do you see in it?

 
 
 

Coming Up On In The Spotlight

 

Monday, 5 March/Tuesday, 6 March – Innocence; or, Murder on Steep Street – Heda Margolius Kovály

Monday, 12 March/Tuesday, 13 March – Solomon vs. Lord – Paul Levine

Monday, 19 March/Tuesday, 20 March – Birth Marks – Sarah Dunant

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Filed under Deal Breaker, Harlan Coben

I Knew I Needed Representation*

When you think of famous film stars, athletes, authors, and so on, you probably don’t think of their agents. But the fact is, an agent can be a very powerful person. Many of the best-known publishers won’t even consider an author who doesn’t have an agent (trust me). And if a sports team wants a certain player, that team has to work the details out with the player’s agent. The same thing goes for a producer or director who wants a certain star in a film or stage performance.

Agents are an important part of life for certain professions, so it’s little wonder we see them in crime fiction, too. And, since there are all sorts of agents, and they play different roles, there’s a lot of flexibility when it comes to plots, character types, and so on. They can make effective sleuths, suspects, sources of information, and even murderers.

In Agatha Christie’s The Murder on the Links, Hercule Poirot gets a letter from Paul Renauld, a Canadian émigré to France. Renauld’s letter says that his life is in danger, and pleads with Poirot to go to France and help. Poirot and Captain Hastings travel to the small town of Merlinville sur Mer, where the Renaulds live, but by the time they get there, it’s too late: Renuald has been murdered. Poirot works with the police to find out who killed the victim and why. One line of questioning leads to an acrobat act that was playing in Paris. Poirot wants to find the acrobats, so he visits a theatrical agent, Joseph Aarons. Aarons quickly gives Poirot the information he needs about the act and its members, which proves very helpful. Christie fans will also know that Aarons makes appearances elsewhere in Christie’s work, including The Mystery of the Blue Train.

One of Harlan Coben’s most popular series features Myron Bolitar. He’s a former basketball star whose career ended after an injury. He wanted to stay in the world of sport, though, and became an agent (later in the series, he becomes an investigator). In the early novels, Bolitar often gets drawn into cases through his clients. For example, in Drop Shot, one of Bolitar’s clients, Duane Richwood, is competing in a tennis tournament. During the event, former tennis great Valerie Simpson is found dead. Richwood could have known her, and could have a motive for murder. What’s more, Bolitar had been getting calls from Simpson, who wanted to resurrect her career. With those personal connections to the case, Bolitar starts asking questions, and we find out who killed Simpson and why.

There’s another look at a sports agent in Alison Gordon’s The Dead Pull Hitter, the first of her Kate Henry series. Henry is a sportswriter for the Toronto Planet. Her specialty is baseball, so she follows the Toronto Titans team to all of their games. When one of their members, Pedro Jorge ‘Sultan’ Sanchez, is murdered in his home, it looks like a home invasion gone wrong. But then, another player, Steve Thorson, is murdered at the team’s clubhouse. Staff Sergeant Lloyd ‘Andy’ Munro works both cases, and he finds that Henry has useful information. For her part, Henry wants to find out who the killer is, and not just because it’ll be a big story for her. She’s gotten to know the players, and she wants to know the truth about what happened. One of the ‘people of interest’ is Sam Craven, who represented Thorson. It turns out that Thorson wanted to end their contract, and Craven had refused. In fact, they had a major argument about it. Throughout the novel, it’s interesting to see how he and what he does are portrayed.

In Kate Atkinson’s One Good Turn, we are introduced to literary agent Melanie Lenehan. Part of her job is to keep her clients’ names ‘out there,’ so she encourages them to attend literary events, signings, and so on. That’s a tall order for one of her clients, mystery novelist Martin Canning. He’s a basically shy, introverted writer who’d much prefer, in many ways, to live in the 1950s world he’s created for his sleuth. It’s a bit of a struggle for her, but Lenehan finally convinces Canning to appear at the Edinburgh Arts Festival, join a panel, and answer some reader questions. During his trip, Canning gets ready to attend a lunchtime radio comedy broadcast, for which he’s gotten complimentary tickets. He’s waiting to pick up those tickets when he witnesses a blue Honda crash into the silver Peugeot in front of it. The two drivers get out of their cars and begin to argue. When the Honda driver starts to attack Paul Bradley (who’s driving the Peugeot), Canning acts out of instinct, and throws his computer case at the Honda driver. Out of a sense of obligation, he accompanies Bradley to a local hospital, and gets drawn into a strange case of fraud and murder. Certainly not what Melanie Lenehan had in mind when she booked Canning for the event!

In one plot thread of J.K. Rowling/Robert Galbraith’s The Silkworm, private investigator Coromoran Strike gets a new client. Leonora Quine wants him to find her husband, famous – well, notorious, really – author Owen Quine, who’s gone missing. He’s always been a ‘fringe’ sort of writer; his last novel, Bombyx Mori, is considered unpublishable because of some of its unpleasant themes and scenes. The manuscript for the novel was leaked at about the same time as Quine went missing, so there’s a good possibility that his disappearance has something to do with what’s in the novel. One of the people Strike meets as he searches for his client’s husband is literary agent Elizabeth Tassel, who handles Quine’s work. She’s an unsuccessful writer who deeply resents the London literary community that wouldn’t accept her and won’t accept her client. As you can imagine, she has a rather pessimistic attitude about writing success. In the end, and with information he gets from Tassel and the other people in Quine’s life, Strike finds out who the killer is and what the motive is.

Whether their specialty is films, sport, music, books, or something else, agents are an important part of many professions. And they can have a lot of power. Little wonder they make so many appearances in the genre…

 
 
 

*NOTE: The title of this post is a line from Jimmy Buffett’s You’ll Never Work in Dis Bidness Again.

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Filed under Agatha Christie, Alison Gordon, Harlan Coben, J.K. Rowling, Kate Atkinson, Robert Galbraith

Pressure, Pushing Down on Me*

In the US, one of the last major hurdles for Ph.D. candidates is defending their dissertations. I understand it’s the same in many other places, too. If you have a Ph.D. yourself, or you’ve sat in on one of these events, then you know it’s a very intense experience. As this is posted, it’s my ‘dissertation anniversary,’ which has me thinking about the process. Candidates spend weeks or even months preparing their presentations of their material, as well as responses to possible questions they may get from members of their dissertation committees (and, at times, the audience). And, of course, those questions may be about any aspect of the dissertation, so the candidate needs to be thoroughly familiar with every bit of the material. It’s nerve-wracking, to say the least.

The thing about defending a dissertation is that it’s a bit difficult to describe, since it doesn’t have a lot of obvious parallels in other fields. But a look at crime fiction can help give a few insights.

Getting ready to defend a dissertation is a little like rehearsing for a performance. Just as actors must know their lines and musicians must know their pieces, Ph.D. candidates have to have their presentations well-prepared. We see the intensity of rehearsal in a lot of crime fiction. For instance, Christine Poulson’s Stage Fright sees her protagonist, Cassandra James, asked to adapt a Victorian novel, East Lynne, for a stage production. She’s Head of the English Department at St. Etheldreda’s College, Cambridge, and her specialty is Victorian literature. So, she’s the right choice for the job. All starts out well enough, and rehearsals begin. But then, Melissa Meadows, who is to take a leading role in the play, tells James that someone is stalking her. Then, she goes missing. This throws rehearsals into chaos, and, when she doesn’t return, leads to the investigation of a possible murder.

Fans of Ngaio Marsh, Simon Brett, and Deborah Nicholson, among others, will know that their novels also take the reader ‘backstage.’ In such novels, we see how many times material has to be prepared and how important timing is. We also see the suspense, nerves and tension that come out under so much pressure. It’s the same when one’s preparing to defend a dissertation.

Defending a dissertation isn’t really entertainment, though. Candidates need to be prepared to address challenges to everything about their work. They need to examine each aspect of their dissertations, from the topic, to the data collection, to the data analysis, and more. In that sense, preparing to defend a dissertation is a little like preparing for a trial. A good attorney prepares thoroughly for each trial. That includes working with witnesses and, possibly, the defendant. It also includes looking carefully at each aspect of the case, and addressing possible weaknesses. Attorneys know that any serious weaknesses in a case will be exploited by the other side. So, they do everything possible to prevent that. Admittedly, the Ph.D. candidate doesn’t risk prison. But it’s still quite a high-stakes process.

We see that sort of preparation in work by, for instance Scott Turow, John Grisham, Robert Rotenberg, and Paul Levine. The writing team of ‘Perri O’Shaughnessy’ also explore this sort of pre-trial work in their Nina Reilly novels.

Presenting one’s material before the dissertation committee, and fielding questions, isn’t exactly like a trial. The role of the dissertation committee is to support the candidate. After all, if the candidate doesn’t do well, this reflects on the committee, too – in particular on the candidate’s advisor/tutor, who generally chairs the committee.

In that way, defending a dissertation is a bit like a major sports competition. On the one hand, the player has to work very hard, and coaches can be difficult to satisfy. The Olympic Games, the World Series, the World Cup, and other such contests, all require discipline and focus. And coaches and trainers push and challenge players to get the most from them. At the same time, their role is to be allies and support systems.

Alison Gordon’s crime novels give readers a good look at what it’s like to play for a Major League baseball team. Readers see how important the actual games can be, and what the roles of coaches and trainers are. John Daniell’s The Fixer offers some similar insight into the world of rugby. And there’s Harlan Coben’s Myron Bolitar series, which takes the perspective of a sports agent. In all of these novels and series, we see how pivotal a game or series of games can be. That stress and tension is quite similar to what it’s like to defend a dissertation.

As I say, it’s a little difficult to describe getting ready to defend a dissertation. It’s a singular experience, and it challenges Ph.D. candidates to think about their work in ways they probably wouldn’t otherwise. But there is nothing quite like being informed you’ve passed, and having your committee address you as ‘Doctor.’ I often think it would actually be a solid context for a crime novel. There’s tension, intense preparation, possible ego clashes, and there’s no telling what the candidate might uncover in pursuit of that all-important data set. If you went through this process, I’d love to hear your experiences. I still remember mine, even after a number of years.

 
 
 

*NOTE: The title of this post is a line from Queen and David Bowie’s Under Pressure.

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Filed under Alison Gordon, Christine Poulson, Deborah Nicholson, Harlan Coben, John Daniell, John Grisham, Ngaio Marsh, Paul Levine, Perri O'Shaughnessy, Robert Rotenberg, Scott Turow, Simon Brett

Anyone For Tennis*

TennisAh, tennis! For many years it was one of those genteel sports, where players and coaches were supposed to behave politely. But if you’ve ever played tennis, you know that it can be extremely competitive. And for those with real talent, the international tennis circuit can be lucrative, so there’s a lot at stake.

With all of that competitiveness and money (not to mention the fame) on the line, it shouldn’t be surprising that tennis features in crime fiction. Here are just a few examples to show you what I mean. I know you’ll think of more than I could.

In John Dickson Carr’s The Problem of the Wire Cage, we are introduced to Frank Dorrance and his fiancée, Brenda White. Frank has made it clear that his main purpose in marrying Brenda is access to the money she will inherit if they marry. But Frank has a rival, Hugh Rowlands, an impoverished solicitor who’s genuinely in love with Brenda. One day, Frank and Brenda attend a tennis party, where Frank manages to alienate just about everyone there. When it’s over, they leave the court. After the party, Brenda finds her fiancé murdered on the same court. The only footprints on the wet, sandy court belong to Frank, so there’s very little evidence to suggest how and by whom he might have been killed. But there’s no lack of suspects, as the victim was arrogant and obnoxious, and had made many enemies. Dr. Gideon Fell gets involved in the case, and finds that he has to clear both Hugh and Brenda, since both had motives.

Several of Agatha Christie’s stories involve tennis. In Cat Among the Pigeons, for instance, we are introduced to Jennifer Sutcliffe, who is an avid tennis player. She’s a new student at Meadowbank, an exclusive girls’ school, and soon makes friends with another new student, Julia Upjohn, and both enjoy their shared interest in tennis. Late one night, the school’s games mistress, Grace Springer, is shot in the new Sports Pavilion. Then there’s a kidnapping. And another murder. Julia’s mother happens to be friends with Maureen Summerhayes, an acquaintance of Hercule Poirot’s, whom fans of Mrs. McGinty’s Dead will remember. When she finds an important clue to the murder, Julia uses that connection to visit Poirot. He returns with her to Meadowbank, and investigates the events there.  You’re absolutely right, fans of The Mystery of the Blue Train, and of Evil Under the Sun.

In Harlan Coben’s Drop Shot, sports agent Myron Bolitar and his friend, Win Lockwood, are attending a U.S. Open tennis event, where Bolitar’s client, Duane Richwood, is competing. Richwood is an up-and-coming tennis star from the proverbial wrong side of the tracks, ready to take the tennis world by storm, as the saying goes. During the game, Bolitar and Lockwood head to the food court outside the stadium, where they discover the body of former tennis great Valerie Simpson. For a number of reasons, Bolitar has an interest in finding out who killed the victim. First, it’s possible that his client might have known her. If there is a connection between the two, then Richwood could be a suspect. Second, Bolitar himself had been getting calls from Simpson, who wanted to resurrect her career. And it turns out that Lockwood referred her to him. With all of these connections hitting close to home, Bolitar decides to find out the truth behind the murder.

There’s a tennis angle in Elmore Leonard’s The Switch, too. Ordell Robbie and Louis Gara met in a Michigan prison, where both were serving time for stealing cars. They’ve become friends, and have decided to join forces to plan a potentially very lucrative crime. They’re going to kidnap Margaret ‘Mickey’ Dawson, wife of wealthy Detroit developer Frank Dawson. He’s in a position to pay a large ransom, and Robbie and Gara don’t think they’ll have any trouble from Mickey. She’s a devoted wife, and dedicated ‘tennis mum’ to thirteen-year-old Bo, who’s shown real talent on the court. But this plan soon goes wrong. First, Dawson has little interest in paying ransom. He’s got a girlfriend in the Bahamas, and was planning to divorce his wife, anyway.  There are other complications, too (no spoilers here!). As the novel goes on, we see that Mickey comes into her own, showing herself to be far from the ‘meek little housewife’ she seems to be at first. Among other things, this novel gives readers a peek at the perspective of the ‘sports parent.’

Many people know H.R.F. Keating best from his Inspector Ganesh Ghote novels. But he wrote several other novels too, including a series featuring Detective Superintendent Harriet Martens of the Greater Birchester Police. In one plot thread of A Detective in Love, the second in that series, Martens is seconded to the Leven Vales Police when U.K. tennis star Bubbles Xingara is stabbed to death during a morning training run. The victim was top-seeded at Wimbledon, so there’s more than just possible personal angle to this murder. What’s more, her fame and her reputation as a ‘media darling’ means that this case is going to get international exposure. So Martens will have to do everything right.

I don’t think I could do a post on tennis in crime fiction without making reference to Alfred Hitchcock’s 1951 film adaptation of Patricia Highsmith’s Strangers on a Train. As fans of the film will know, Hitchcock turns Guy Haines from an architect (his profession in the novel) to a professional tennis player. And there’s a very famous scene in the film that takes place at a tennis match in which Haines competes. Those who know the film will know exactly which scene I mean. If you haven’t seen this adaptation, I recommend it. But then, I admit to bias, as I like Hitchcock’s work very much.

See what I mean? Tennis seems like such a civil sort of game, where everyone is well-behaved. But under the surface? Hmm…. I’m not so sure.

 
 
 

*NOTE: The title of this post is the title of a song by Cream.

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Filed under Agatha Christie, Alfred Hitchcock, Elmore Leonard, H.R.F. Keating, Harlan Coben, John Dickson Carr, Patricia Highsmith