Category Archives: Martin Edwards

Got a New Wife, Got a New Life*

NewLifeThis is the time of year when a lot of people try to make changes in their lives. You know – ‘This is the year I’ll lose weight/quit smoking/find a partner/get rid of my partner/learn a language/get that great job, etc. .’ Sometimes people do get the chance to start all over, and it’s always interesting to see whether they really can make different lives.

Starting over is a very useful context for crime fiction.There’s always the possibility of the past coming back to haunt. There’s the challenge of trying to live a new life. And there’s all sorts of possibility for conflict as the character tries for a new beginning. It’s a flexible plot point too; the author can make it hopeful or bleak, light or dark and twisted. Perhaps that’s part of why we see so much of this plot point in crime fiction.

Agatha Christie uses the ‘fresh start’ plot point in several of her stories. It’s hard to discuss some of them without giving away spoilers, but here’s one example. In The Murder on the Links, Hercule Poirot gets a letter from Paul Renauld, a Canadian émigré to France. In the letter, Renauld says that his life is in danger, and begs Poirot to come to his aid. Poirot and Hastings travel to Merlinville-sur-Mer, where Renauld and his wife and son live. But by the time they get there, it’s too late: Renauld has been found murdered on the golf course that adjoins their property. Poirot works with the French authorities (and sometimes at cross-purposes with them!) to find out who the killer was. He discovers that Renauld wasn’t born in Canada. He moved there to start over completely. Later, he and his wife returned to France. Someone has found out about Renauld’s former life and that knowledge played a pivotal role in his murder.

Martin Edwards’ Lake District series features DCI Hannah Scarlett of the Cumbria Constabulary. She leads the Cold Case Review Team, and as we first learn in The Coffin Trail, she got that position after she became a ‘sacrificial lamb’ in another case. There were several mistakes made in an earlier investigation and since Scarlett was involved, it was decided to make as much of the problem as possible go away by moving her. The job is seen as a demotion – a dead-end position – but Scarlett determines to make the best of it. And as the series goes on, we see how she tries to do as much as she can with her new start. Oxford historian Daniel Kind, the other protagonist of this series, has also started over. A well-known ‘celebrity historian,’ he got tired of television and the limelight. So he’s bought a place in the Lakes, hoping to focus on his research and his writing. Kind’s expertise in history proves extremely helpful to Scarlett as she discovers local-history links to the ‘cold case’ murders she and her team solve.

Phillip ‘Poke’ Rafferty is an ex-pat American writer who ‘stars’ in one of Timothy Hallinan’s series. Rafferty is a ‘rough travel’ writer with a home base in Bangkok. He’s also quite good at finding people who don’t want to be found. So he’s a good choice when someone goes missing in Bangkok. Rafferty’s wife is Rose, a former bar girl who has made a new life for herself as the owner of an apartment cleaning company. All of her employees are also former bar girls. Rafferty loves his wife very much, and is happy to accept her exactly as she is. But Rose knows very well that it’s hard to leave the ‘bar girl’ life behind. After all, as she points out in A Nail Through the Heart, what happens when she and Rafferty happen to be out together and encounter one of Rose’s former clients? Still, the two of them work hard to put together a good life for themselves and for Miaow, a former street child Rafferty is in the process of adopting.

Eric Burdett’s Bangkok 8 introduces readers to Sonchai Jitplecheep, a member of the Royal Thai Police. For Sonchai, his career as a police officer is an important way of starting over. He and his best friend Pichai Apiradee were involved in a murder. According to the Buddhist tradition, this has badly damaged their karma, even though the victim was a drug dealer. The way to repair the damage, so they’ve been instructed, is to become police officers and try to work for the good of the community. In Bangkok 8, Pichai is tragically killed during the investigation of the murder of US Marine Walter Bradley. The strong desire to avenge his friend’s death is part of what drives Sonchai to go after Bradley’s (and Pichai’s) killer. He is also motivated by his commitment to using his new life to do good.

In Wendy James’ The Mistake, we meet Jodie Evans. Brought up on the proverbial ‘wrong side of the tracks,’ she seems in a way destined to live the same lower-class, economically disadvantaged life that her mother has had. But Jodie is both intelligent and driven. She is determined to have a new life for herself. Her ambition and brains are enough to get her a scholarship to the ‘right’ sort of school and eventually into the company of Angus Garrow. Angus is from a ‘blueblood’ family, so as you might expect, his mother is not happy about his relationship with Jodie. But the two marry and over the years, Jodie becomes a part of the upper-class circles within which Angus has always moved. All seems well until Jodie’s past comes back to haunt her. One day her daughter Hannah is rushed to the same Sydney hospital where Jodie gave birth years earlier to a daughter Elsa Mary. No-one knows about that child – not even Angus. But a nurse at the hospital remembers Jodie and asks about the baby. Jodie says that she gave Elsa Mary up for adoption; but when the nurse checks into the matter, she finds that there are no records of the adoption. So she begins to ask questions. Those questions soon become public property and before long, Jodie is the focus of a scandal. What happened to the baby? If she’s alive, where is she? If not, did Jodie have something to do with it? As Jodie, Angus and their children face the accusations, it’s clear that sometimes, no matter how much you try to make another start, it’s not as easy as it seems…

That’s certainly what Natasha Doroshenko finds in Lene Kaaberbøl and Agnete Friis’ Death of a Nightingale. She has fled her home in the Ukraine to escape the thugs who killed her journalist husband Pavel and threatened her life and that of her daughter Katerina. At first, it seems that Denmark, where they’ve ended up, will be a safe haven for them. In fact, Natasha even falls in love again and becomes engaged to Michael Vestergaard. But everything changes when Natasha is imprisoned for the attempted murder of her fiancé. One day she happens to overhear a conversation that convinces her that her past in the Ukraine has caught up with her. She manages to escape police custody and goes to Coal House Camp, a Red Cross facility where Katerina has been staying. Her plan is to get Katerina and go away somewhere where they can start over again. But the trip to Coal House Camp is only the beginning of real danger for her, her daughter, and Red Cross nurse Nina Borg.

People often do want to make a fresh start and do things differently this time. And sometimes it’s very successful. But it doesn’t always work out that way. These are only a few examples (I know, I know, fans of Mickey Spillane’s The Big Kill). Over to you.
 
 
 

*NOTE: The title of this post is a line from Billy Joel’s Scenes From an Italian Restaurant. I know I’ve used that song before. You’re welcome. ;-)

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Filed under Agatha Christie, Agnete Friis, John Burdett, Lene Lene Kaaberbøl, Martin Edwards, Mickey Spillane, Timothy Hallinan, Wendy James

Turn the Choral Music Higher, Pile More Wood Upon the Fire*

Preparing For GatheringsIt’s the time of year when people make plans for office parties, family gatherings and holiday travel. There are often all sorts of preparations to be made for everything from clothing to cleaning to food and travel tickets. And that’s to say nothing of gifts (but that’s for another post). It all can add up to an awful lot of stress. Part of the reason for that is arguably that people often picture an ‘ideal, perfect holiday’ as they plan, and hold themselves to that ideal. And of course, all sorts of disasters can happen, and people want to avoid them.

Certainly the stress of those preparations is a fact of real life, and of course, it’s there in crime fiction, too. That sort of stress is seldom the reason for a murder, but it does ratchet up the pace and sometimes the suspense. Here are just a few examples to show you what I mean.

In Agatha Christie’s Hercule Poirot’s Christmas (AKA Murder For Christmas and A Holiday For Murder), wealthy family patriarch Simeon Lee decides to invite the members of his family to Gorston Hall for Christmas. Lee is an unpleasant tyrant, but he is very wealthy, so no-one dares refuse the invitation. Lee’s son Alfred and Alfred’s wife Lydia share the home, so most of the preparations fall on them. And it’s not going to be pleasant, either. For one thing, Alfred finds out that his brother Harry, whom he’s disliked for years, will be there. So will his niece Pilar, whom he’s never met. For another, there will be extra bedrooms, more food and so on that will need to be planned. None of the other family members are any more keen to prepare for this holiday, but everyone duly gathers. On Christmas Eve, Simeon Lee is murdered. Hercule Poirot is staying in the area with a friend, and he agrees to work with the local police to investigate. As it turns out, the murder has everything to do with a past that came back to haunt the victim (I know, I know, fans of The Hollow…)

Gail Bowen’s Murder at the Mendel begins just before Christmas. The Mendel Gallery is planning an exhibition of the artwork of Sally Love. As it happens, she was a friend of academician and political scientist Joanne Kilbourn, so Kilbourn decides to go to the gallery and see the exhibit. She’d like if possible to see if the friendship could be renewed. But that doesn’t work out as planned; in fact, it’s awkward. Then, when gallery owner Clea Poole is murdered, Sally becomes a likely suspect. Then, there’s another murder. Kilbourn has to juggle getting involved in the murders with final preparations for Christmas and for a week of skiing that she’d planned for herself and her children. And the lead-up to the holiday is a little frantic. Here, for instance, is a snippet of a scene featuring Kilbourn’s daughter Mieka, who’s come home from university for the holidays:
 

‘…my daughter Mieka was sitting at the dining-room table behind piles of boxes and wrapping paper and ribbons…
‘Help,’ she said. ‘I’m three days behind in my everything.’
I sat down beside her and picked up a box. ‘For whom? From whom?’ I asked.
‘For you. From me. No peeking. Now choose some nice motherly paper. Something sedate.”
 

There’s nothing like the glittery clutter and frantic pace of gift-wrapping…

In Anthony Bidulka’s Flight of Aquavit, successful accountant Daniel Guest hires Saskatoon PI Russell Quant to find out who’s been blackmailing him. Guest is married and firmly ‘in the closet,’ but he has had some trysts with men. And someone’s found out about it. Quant agrees to see what he can do, although he thinks it would be more logical for his client to simply come out as gay. This Guest refuses to do, so Quant gets to work on the case. The search for the truth takes Quant to New York, where he finds out some surprising truths. When he returns, there’s a murder. And an attempt on his own life. Meanwhile, Quant’s mother Kay has come to stay for the Christmas holidays. He loves his mother, but it’s awkward living at close quarters with her now that he’s an adult. But Kay does come in handy as Quant gets ready for his annual Christmas come ‘n’ go. He’s not really a particularly high-strung person, as the saying goes, but he does want things to look nice and turn out well. And with Kay’s help, they do.

There’s a lot at stake in Riley Adams’ (AKA Elizabeth Spann Craig) Delicious and Suspicious. The Cooking Channel’s Rebecca Adrian has come to Memphis to choose the restaurant that will win the coveted Best Barbecue award. The award will mean lots of recognition and more business for the winning restaurant, so everyone at Aunt Pat’s Barbecue is eager to show the place off to best effect. Aunt Pat’s has been in Lulu Taylor’s family for generations, and as current owner, she oversees everything that goes on there. When Adrian arrives, Taylor’s as anxious as anyone else for the visit to go well:
 

Got to be the Cooking Channel scout,’ Lulu hissed. She scurried to the mirror. ‘I knew I should have worn my power suit today!”
 

She and her family members do their best to make their guest welcome, and she’s confident that the food will be delicious. But only a few hours later, Adrian dies of what turns out to be poison. Then the gossip starts to spread that the victim was killed by the food at Aunt Pat’s. Taylor wants to salvage the restaurant’s reputation and keep the business going, so she decides to investigate. And she soon learns that more than one person had a good reason to want Rebecca Adrian dead.

Martin Edwards’ The Serpent Pool begins on New Year’s Eve. Cumbria Constabulary DCI Hannah Scarlett and her partner Marc Amos are planning to go to a New Year’s Eve party at the home of successful attorney Stuart Wagg. It’s more upmarket than Scarlett likes, but she’s persuaded to go. She doesn’t lack confidence in herself most of the time, but there is of course the question of what to wear:
 

‘…her mind drifted back to the wardrobe challenge. Leather trousers were a safe bet. They were the colour of chocolate fudge cake – if she daren’t eat it, at least she could wear something that reminded her of it. That halter neck top with copper sequins, maybe, plus the brown boots for tramping outside to watch the firework display.’
 

The two go to the party and at first Scarlett’s pleased with her clothing choice, even getting compliments. But then then things go downhill. First, there’s a loud argument and one of the guests, after too much to drink, throws a glass of red wine at another and storms out. Not many days later, the host is murdered. Scarlett and her Cold Case Review Team are already looking into a six-year-old murder, and they find that this recent one (and another killing as well) is connected.

As crime fiction shows us, it doesn’t matter how frantically and carefully we prepare for gatherings. Anything can happen, and sometimes does…
 
 
 

*NOTE: The title of this post is a line from Billy Joel’s She’s Right On Time.

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Filed under Agatha Christie, Anthony Bidulka, Elizabeth Spann Craig, Gail Bowen, Martin Edwards, Riley Adams

I Was Checking You Out*

Sizing People UpSleuths have to develop the skill of being be able to ‘read’ people fairly quickly. It helps the sleuth in figuring out whether to take a case, what sort of person a suspect or witness is, and so on. Of course, sleuths can be wrong about their first ‘sizing up’ too, and that’s interesting in and of itself. But wrong or right, sleuths do, over time, learn to get a sense of what a person is like just from that person’s clothes, comments, bearing and so on.

We see a lot of this in crime fiction and that makes sense. It’s only human nature for us to size people up. And for the author, it allows for ‘showing, not telling’ what a character is like. There’s not enough space in this one post to mention all of the examples out there; here are just a few.

Arthur Conan Doyle’s Sherlock Holmes is a master of summing people up just from what he sees of them. And in fact, sometimes he doesn’t even need to meet a person to get a great deal of information. For instance, in The Adventure of the Blue Carbuncle, Commissionaire Peterson brings an interesting mystery to Holmes and Dr. Watson. He discovered a battered hat and a goose lying where someone had dropped them after a skirmish with some hooligans. Then, when his wife cooked the goose, she discovered a valuable gem in its craw. The mystery makes little sense to Peterson, so he wants Holmes’ impressions. Here’s what Holmes says after one look at the hat:
 

”He picked it up and gazed at it in the peculiar introspective fashion which was characteristic of him. ‘It is perhaps less suggestive than it might have been,’ he remarked, ‘and yet there are a few inferences which are very distinct, and a few others which represent at least a strong balance of probability. That the man was highly intellectual is of course obvious upon the face of it, and also that he was fairly well-to-do within the last three years, although he has now fallen upon evil days. He had foresight, but has less now than formerly, pointing to a moral retrogression, which, when taken with the decline of his fortunes, seems to indicate some evil influence, probably drink, at work upon him. This may account also for the obvious fact that his wife has ceased to love him.”
 

Holmes goes on to explain how he deduced each of these facts and later in the story, we find out just how right he was.

In Agatha Christie’s The Mirror Crack’d From Side to Side (AKA The Mirror Crack’d), Miss Marple is recovering from a bout of illness, and so has been under the too-watchful eye of hired housekeeper/nurse Miss Knight. One afternoon while Miss Knight is out doing the shopping, Miss Marple decides to take a walk. She ends up in the new council housing development where she accidentally falls and twists her ankle. She’s immediately rescued by Heather Badcock, who lives in the development with her husband Arthur. As she’s sitting in the Badcock home recovering from her fall, Miss Marple gets a chance to ‘size up’ her rescuer. And it’s not long before she’s reminded of someone else in the village with similar personality traits and a similar sort of story. And that worries Miss Marple because that person ended up dying. Sure enough, Heather Badcock dies too, of what turns out to be a poisoned cocktail. Miss Marple and her friend Dolly Bantry look into the murder and they find that the victim’s history has a lot to do with the murder. I know, I know, fans of Five Little Pigs

Cornell Woolrich’s Night Has a Thousand Eyes begins when New York City police officer Tom Shawn is taking a late-night walk. He notices a small, expensive handbag lying on the ground with its contents spilled out. Just by those things he can tell that the owner is a person of a certain social class and has certain tastes. What he can’t work out yet is why those things should have been spilled in what looks like a deliberate way. Shortly afterwards, he sees a young woman getting ready to jump from a bridge. He gets to her just in time and persuades her to come away from the bridge. His first impression of her is that she is both well-off and attractive. So there seems no reason (at least on the surface) for her to attempt suicide. He takes her to an all-night diner where he finally gets her to tell her story. She is Jane Reid, and as Shawn had guessed, she comes from a wealthy background. Her life has been turned upside-down lately because she is terrified that her father, with whom she is close, is about to die. As Shawn listens to her story, he is more and more intrigued by it, and decides to do what he can to help prevent what seems to be an inevitable death.

In Peter Corris’ The Dying Trade, Sydney PI Cliff Hardy makes a none-too-flattering first summing-up of a client just from a telephone call. One day, wealthy and powerfull Bryn Gutteridge calls to basically summon Hardy to his home. Hardy isn’t impressed with Gutteridge’s manner, but a fee is a fee, so he keeps the appointment. Here’s his first reaction to meeting the man in person:
 

‘Mr. Gutteridge didn’t look like he’d be nice to work for, but I felt sure I could reach an understanding with his money.’
 

And Hardy’s first summing-up is fairly accurate. Gutteridge isn’t pleasant or particularly polite. He’s self-involved, self-entitled and obviously spoiled. But he does have a problem that he’s willing to pay to solve. His twin sister Susan is being harassed and getting threats, and he wants it to stop. Hardy takes the case and begins to ask questions, starting with Gutteridge himself. As he gets deeper into the investigation, Hardy learns that there are several people who might want to threaten Susan and target the Gutteridge family.

Sometimes, sleuths can get a somewhat accurate sense of someone, and still be wrong. That’s what happens in Martin Edwards’ The Hanging Wood. Cumbria Constabulary DCI Hannah Scarlett is head of the Cold Case Review Team; as such, she often hears of old cases, and has to decide which ones to re-open. That’s why Orla Payne calls her one day. Twenty years earlier, Orla’s brother Callum disappeared. No trace of him has been found – not even a body. And Orla wants answers and justice for her brother. Unfortunately, Orla is mentally fragile to begin with, and is drunk when she calls in, so Hannah isn’t inclined to take the case seriously at first. Still, once she hangs up the ‘phone, she begins to feel guilty for her attitude and takes a second look at the case. Then, Orla dies, apparently by suicide. Now it’s clear that something more is going on here than a drunken call about a runaway brother.

And then there’s Kishwar Desai’s Witness the Night. Social worker Simran Singh is persuaded to travel from where she lives in Delhi to her home town in Punjab when she gets a call from an old university friend. Now Inspector General for the State of Punjab, her friend wants her to work with the police on a horrible case. Fourteen-year-old Durga Atwal has been arrested in connection with the poisoning murders of thirteen of her family members. Some were also stabbed. What’s more, someone set fire to the Atwal house. Durga may or may not have been involved in what happened, but the police can’t get any information from her, since she has not spoken of the tragedy since the night it occurred. It’s hoped that if Simran talks to her, she’ll be able to get the girl to open up and talk about the killings. Simran’s reluctant; at the same time though, she doesn’t want to see Durga ‘railroaded’ if she is innocent of any complicity in the killings. So she agrees to see what she can do. When she finally gets the chance to meet the girl, here’s her initial summing-up:
 

‘Durga is not pretty, but she has a healthy, pink complexion like most Punjabi girls from semi-rural India, who have been brought up on fresh milk and homegrown food. Yet, she hunches as she sits down, anxious not to be noticed. Or at least, not have any attention drawn to her. Her clothes are loose, and even though she is tall and well built, she gives an impression of frailty, further enhanced by her meek demeanour.’
 

Simran is also immediately struck by how young and vulnerable Durga is. At first, Durga doesn’t trust her at all (why should she?), but Simran knows that her best chance of finding out what really happened to the Atwal family is to get Durga to tell her.

Sleuths aren’t always correct about their first ‘sizing up’ of people they speak to, any more than any of us is. But over time, they have to learn that skill, as it often proves to be very useful…
 
 
 

*NOTE: The title of this post is a line from Billy Joel’s I Don’t Want to be Alone Any More.

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Filed under Agatha Christie, Arthur Conan Doyle, Cornell Woolrich, Kishwar Desai, Martin Edwards, Peter Corris

I Know It’s Building Up Inside of Me*

trysmsallpressuresHave you ever said (or at least thought), ‘If you do/say that one more time, I’m going to kill you!’? In actuality of course, we’d never follow through on those threats. But it goes to show how little things can add up to real stress. So it shouldn’t be surprising that a lot of murders, both fictional and real, aren’t the ‘big, splashy’ murders you may read about on the news or in thrillers. They’re committed because of small things that build and build.

It can be challenging to sustain the suspense in a story like that. But those stories often do reflect the way real people sometimes react to life’s pressures. Here are just a few examples to show you what I mean.

In Agatha Christie’s After the Funeral, the Abernethie family gathers when patriarch Richard Abernethie dies. When the family returns to the house after the funeral, Abernethie’s younger sister Cora Lansquenet says that he was murdered. Everyone hushes her up and even Cora asks the family not to pay any attention to what she says. But privately, the other family members begin to wonder whether she might have been right. When she herself is killed the next day, they’re even more sure of it. Family attorney Mr. Entwhistle visits Hercule Poirot and asks him to investigate. Poirot agrees and travels to the family home at Enderby Hall to look into the matter. As he gets to know everyone involved, he finds that this case isn’t about huge amounts of power or millions of pounds. It’s a ‘quieter’ sort of murder that’s all about, among other things, pressure building up.

So is Talmage Powell’s short story To Avoid a Scandal. Horace Croyden is a meticulous and quite straitlaced banker who prides himself on always carrying the family name with pride. He has a very quiet life that includes his work and his hobby of working ciphers. Then he meets his boss’ cousin Althea, and everything changes. At first, she seems quiet, ‘ladylike’ and a solid match for him. But he soon finds that she is livelier and more vivacious than he thought, and he’s not particularly pleased about that. What’s more, she’s started rearranging the furniture in his home, adding brighter colours and a different look. That in itself makes him uncomfortable, as do some of her other habits (she even shops without a list!). Then one day, Althea pushes too far. She destroys some of the ciphers her husband was working. So Horace takes his own approach to dealing with his domestic problem…

In Glenn Canary’s short story Because of Everything, a man named Ernie finds himself in trouble when he discovers that two men are looking for him. He’s well aware of what that means, so he decides to see if he can stay with his wife Cherry for a few days. He left her a year ago, so he’s not sure of the reception he’ll get, but he can’t think of anything else to do. Besides, they are still married, and he knows that Cherry loved him. She’s not exactly thrilled to see him, but when he tells her why he needs to stay with her, she lets him. As the story goes on, we learn about the little things that built up between the couple; Ernie was not exactly a steadily-working, faithful husband. And in the end, we see how those things figure in to what happens in the story.

There’s also Martin Edwards’ short story 24 Hours From Tulsa. In that short story, a sales and marketing director called Lomas finds his ordered world falling to pieces. For one thing, people’s buying habits have changed with the advent of online shopping, and Lomas can’t seem to adapt his sales strategy to respond to that change. For another, he’s finding that his business is relying more and more on modern technology that he dislikes and mistrusts. He’s expected to be comfortable with mobile ‘phones, computers and so on, but he isn’t. Even the road system has changed beyond his recognition. And then there’s the matter of his children, who no longer seem to live in the same world he occupies. Little by little, all of these things and others build up. In the end, the stress they all create drives Lomas to take a very drastic step.

Karin Fossum’s Don’t Look Back finds Oslo Inspector Konrad Sejer and his assistant Jacob Skarre investigating the murder of fifteen-year-old Annie Holland. At first, there doesn’t seem to be much of a motive for murder. Annie was well-liked, popular in her village and reasonably successful at school. She had a boyfirend, too, and they seemed happy together. It doesn’t take long though for Sejer and Skarre to discover that this wasn’t a random killing by a deranged stranger. Someone Annie knew is responsible for her death, and little by little, the detectives uncover the stresses, strains and series of events that led to it. It turns out that small, daily stresses and the way they build up have a lot to do with what happens in the novel.

And then there’s Helen Fitzgerald’s The Cry. Joanna Lindsay and Alistair Robertson take their nine-week-old son Noah from Scotland to Melbourne. When they arrive, they begin the long drive from the airport to their final destination in Victoria. Along the way, they face every parent’s worst nightmare: the loss of baby Noah. The couple alert the police and immediately the Australian media makes much of the case. There are pleas for the baby’s safe return, many volunteer search parties and national and international fundraising efforts. As time goes on though, some questions begin to come up about Noah’s disappearance. Could one of his parents have been responsible? If so, which one and why? Soon enough, the couple have as many detractors as they once had supporters, and there’s soon a full-scale investigation. As the story goes on, we see how little pressures, stresses and strains have led to what happens in the novel.

And that’s the thing about those ‘domestic’ murders (and I know I’ve only mentioned a few of them). They don’t usually result from a a major ‘splashy’ event. Rather, it’s the buildup of pressure, stresses and one thing after another that can lead to a tragic end. It’s not easy to pull off this kind of story, as it can be challenging to keep the suspense building credibly. But these murders really do happen, so it makes sense that we see them in crime fiction too. I’ve given a few examples; your turn.
 
 
 

*NOTE: The title of this post is a line from Billy Joel’s Running on Ice.

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Filed under Agatha Christie, Glenn Canary, Helen Fitzgerald, Karin Fossum, Martin Edwards, Talmage Powell

She’s Dead Serious About Her Family History*

Family SagasAn interesting book review at Cleopatra Loves Books has got me thinking about family sagas. Now, before I go any further, you’ll want to pay a visit to that fine blog. You’ll find all sorts of excellent, thoughtful reviews of crime fiction as well as some books from other genres too. It’s well worth a place on a bibliophile’s blog roll.

Right. Family sagas. Just about all families have their share of stories and ‘skeletons in the closet,’ and some of those stories have an effect for a very long time. Family sagas can be very effective contexts for crime fiction too, since some of those stories and ‘skeletons’ involve crime. Here are just a few examples to show you what I mean.

Arthur Conan Doyle’s The Hound of the Baskervilles concerns the ‘blueblood’ Baskerville family, which has had a home on Dartmoor for many generations. It’s said that the Baskerville family has been cursed since the 1600s, when Sir Hugo Baskerville sold his soul to the Powers of Evil in exchange for a young woman with whom he was infatuated. According to this tale, the family is haunted by a demon in the shape of a hound. In fact recently, the current head of the family, Sir Charles Baskerville, was found dead on the grounds of the Manor of Baskerville. Many people say the family curse was responsible, and now family friend Dr. James Mortimer is afraid for the new heir Sir Henry Baskerville. Sir Henry is due to come in from Canada soon, and Dr. Mortimer wants the matter settled before his arrival. Holmes is unable to leave London at the moment so he sends Dr. Watson in his stead. Between them they find that a curse had nothing to do with Sir Charles’ death…

Agatha Christie weaves in elements of the family saga in several of her novels. In Sad Cypress, for instance, Elinor Carlisle receives an anonymous note warning her that she could lose the inheritance she expects from her wealthy Aunt Laura Welman. Apparently someone’s been playing up to the elderly lady and the note hints that there’s an ulterior motive behind it all. Elinor isn’t particularly greedy, but she and her fiancé Roderick ‘Roddy Welman travel to the family home at Hunterbury. There they renew their acquaintance with Mary Gerrard, daughter of Hunterbury’s lodgekeeper. They soon find out that Aunt Laura has become very much attached to Mary, and insists on altering her will to make a good provision for her; however, Aunt Laura dies before the will can be changed. Much to Elinor’s shock and dismay, Roddy becomes infatuated with Mary. In fact, Elinor breaks off her engagement with him. Then, not long afterwards, Mary dies of what turns out to be poison. Elinor is the most obvious suspect, and not just because of Roddy. There’s a fortune at stake as well. Hercule Poirot investigates and finds that Mary’s death has everything to do with a family saga. I know, I know, fans of The Hollow, Five Little Pigs and Crooked House

In A Dark-Adapted Eye, her first novel as Barbara Vine, Ruth Rendell shares the story of the Longley family. The Longleys have always been a very respectable family – not a hint of grist for the ‘gossip mill.’ But in this case, appearances are, as the saying goes, deceiving. Many years ago, Vera Longley Hilliard was hanged for murder. No-one discusses the matter, but it’s haunted the family ever since. Then, journalist Daniel Stewart digs up the story and decides to write a book about the family and the hanging. He approaches Faith Longley Severn to help him with the work, since she’s a family member. She agrees and together they look into what really was behind the murder for which Vera Hilliard was executed. This novel is about the crime, but it’s also about the family, its history and its relationships.

One of the more famous family sagas is the story of the Vanger family, whom we meet in Stieg Larsson’s The Girl With the Dragon Tattoo. Journalist Mikael Blomkvist has just lost an expensive libel lawsuit against well-insulated and powerful Swedish industrial magnate Hans-Erik Wennerström. With his publication Millennium in danger of folding, he’s open to an offer from Henrik Vanger. Forty years earlier, Vanger’s grand-niece Harriet disappeared. Everyone thought she drowned, but Vanger has a good reason not to think so. He’s been receiving anonymous birthday gifts of dried flowers, just as Harriet gave him all those years earlier. Vanger offers to support Millennium financially, and give Blomkvist the information he needs to bring down Wennerström if Blomkvist will find out what really happened to Harriet. Blomkvist agrees and he and his research assistant Lisbeth Salander start exploring the Vanger family’s history and finances. And it turns out that this is quite a family saga…

In Gail Bowen’s Deadly Appearances, political scientist and academic Joanne Kilbourn has been working to support the political life of her friend Androu ‘Andy’ Boychuk. He’s got a very bright future in the party, and everyone’s looking forward to an important speech he’s scheduled to make. To everyone’s shock, he collapses during the speech and dies of what turns out to be poison. Kilbourn is grief-stricken at the loss of her friend, and decides to deal with that grief by writing a biography of Boychuk. As she does so, she begins to get closer and closer to the truth about why and by whom he was killed. She also learns quite a lot about the Boychuk family’s history and how it affected him.

Martin Edwards deals with family sagas and stories in several of his Lake District mysteries. For example, in The Hanging Wood, DCI Hannah Scarlett gets a call from Orla Payne, who wants to find out what happened to her brother. Twenty years earlier, Callum Payne went missing and no-one has ever found a trace of him – not even a body. Orla wants Scarlett and her team to look into the case, but unfortunately, she’s mentally fragile and is drunk when she calls, so Scarlett doesn’t make much of the matter. Then, Orla dies of what looks like suicide. Now Scarlett feels guilty for not taking that call more seriously, and begins to look into both Orla’s death and the the disappearance of her brother. That investigation turns up quite a lot of family history and a family saga that’s been going on for several generations.

When it comes to crime fiction, family sagas have to be handled deftly. Otherwise, the history of the family can take away from the story of the crime(s) that’s supposed to be at the heart of the novel. But when they’re well-written, family sagas can add a lot to a crime novel. And they can provide all sorts of useful and realistic motivations for murder. I’ve only mentioned some examples here. Your turn.

Thanks, Cleo, for the inspiration!
 
 
 

*NOTE: The title of this post is a line from The Lucksmiths’ English Murder Mystery. OK, this is really a fun song if you’re a crime fiction fan. :-)

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Filed under Agatha Christie, Arthur Conan Doyle, Barbara Vine, Gail Bowen, Martin Edwards, Ruth Rendell, Stieg Larsson