Category Archives: Michael Stanley


Traditional MysteriesOne of the enduring legacies of Agatha Christie and other Golden Age/classic-era crime writers is arguably the traditional mystery structure. The ‘whodunit’ has survived very well, thank you, and continues to thrive.

To give one example of how the traditional mystery has thrived, consider that every year, the Malice Domestic convention is held in the US. Its focus is the traditional mystery, which is loosely defined as a mystery that contains no gratuitous violence, excessive gore or explicit sex. The Agatha Awards are given each year at Malice Domestic to US authors (or authors who publish in the US) who write the best traditional mysteries. And the Agathas are not the only awards that celebrate such crime fiction.

So what is the appeal of the traditional mystery? Why do they sell, and why do so many people love them? One reason is arguably that the traditional mystery is a really flexible way to tell a story. There are no rules that determine who the killer has to be, who the sleuth has to be, how many suspects there are, etc.

What this means is that there’s room for a lot of variety. For example, Cathy Ace’s Cait Morgan novels are considered traditional mysteries. They feature Morgan, a criminologist and academician who uses her experience, plus her own photographic memory, to solve crimes. Morgan is originally Welsh, but now lives in British Columbia. As an academic, she travels, presents at conferences, and so on. The mysteries that she solves don’t contain a lot of gore, gratuitous violence or explicit sex. They’re ‘whodunits’ in the traditional style. And yet, they’re thoroughly modern in outlook.

And they’re quite different to Martin Edwards’ Lake District mysteries. Also considered traditional, the Lake District mysteries feature Cumbria Constabulary’s DCI Hannah Scarlett and Oxford historian Daniel Kind. Together (and sometimes independently) they work to solve contemporary crimes that have connections to the past in some way. Edwards’ stories also bear the hallmarks of the traditional mystery; yet, they’re not like Ace’s. That’s what I mean by flexibility.

Another reason for the traditional mystery’s appeal arguably lies in its very nature. Many readers enjoy crime novels, but aren’t so fond of a lot of gore, blood and explicit sex. Since traditional mysteries, by their very natures, don’t feature those elements, they’re attractive to such crime fiction fans. For instance, consider work like that of D.S. Nelson, whose Blake Heatherington novels are traditional. Her stories take place mostly in the fictional village of Tuesbury, and feature contemporary life, contemporary issues and so on. There’s nothing ‘frothy’ about them. And yet, they aren’t gory, and Nelson leaves the reader to imagine whatever intimacy there is among different characters.

The same is true of Michael Sears and Stanley Trollip, who write as Michael Stanley. Their David ‘Kubu’ Bengu series takes place in modern Botswana, and features Kubu, who works for the Botswana CID. These novels are contemporary in outlook, and include an honest look at today’s Botswana. Sears and Trollip don’t gloss over the horror of murder. But at the same time, the novels are not gratuitous, and don’t feature a lot of gore or explicit sex. The focus is on the crime(s) and on the search for the killer.

And this leads me to another reason for which the traditional mystery may be so appealing. Just because a reader may not care for a lot of gore or explicit sex doesn’t mean that reader prefers Golden Age/classic social views. Novels written during that time period often reflect, however subtly, the prejudices and ‘isms’ of the times. Many modern readers don’t care for those attitudes, no matter how elegantly the mystery is done. Modern takes on the traditional mystery allow readers to enjoy the traditional structure without gritting their teeth at the ‘isms.’ For instance, Louise Penny’s Armand Gamache series features many characters who would probably have been marginalized in earlier times. As an example, there are Olivier Brulé and his partner Gabriel Dubeau, who own the local B&B/bistro. They’re an integral part of the community of Three Pines, where many of the novels take place, and the ‘regulars’ in this series see them as excellent cooks and hosts, and good friends – not as gay people who run a bistro. There are plenty of other examples, too, of characters who might be marginalized in classic or Golden Age novels, but aren’t as much in today’s world.

We also see that in the work of Martin Walker. His sleuth, Benoît ‘Bruno’ Courrèges, is chief of police in the small French town of St. Denis. The town and area are becoming more diverse, as indeed France is; and many of the characters are members of groups that might have been marginalized in earlier crime fiction. But they really aren’t in Walker’s world. And although Bruno is the protagonist, there are plenty of strong, independent female characters as well. This isn’t to say that there is no prejudice in these novels. They’re about people and people have biases. But you don’t see the systematic, sometimes casual bias that you sometimes do see in earlier crime novels.

There’s also the matter of engagement in the mystery itself. Many, many readers enjoy matching wits with the author to find out whodunit before that information is revealed. There are other intellectual challenges, too, that come from modern-day traditional-style mysteries. Cryptic clues, intellectual puzzles and so on are often really appealing to readers, and traditional mysteries offer them. There are too many such novels for me to list them, but I’m sure you can think of at least as many examples as I ever could.

It’s also worth noting that while today’s traditional mysteries don’t contain a lot of gore, ugly violence or explicit sex, they are also realistic. They don’t tend to be ‘frothy,’ and they include the kind of character development that invites the reader to engage in the story. Some of them are witty, but they don’t offer trite, easy solutions to mysteries.

To me, it’s little wonder that the traditional mystery, that’s low on gore, doesn’t indulge in gratuitous violence or explicit sex, and does feature the whodunit puzzle, is popular. It’s at least as popular now as it ever was.

What do you think? Do you enjoy traditional style mysteries? Why (not)? If you’re a writer, do you use that structure? Why (not)?



*NOTE: The title of this post is the title of a song by Jerry Bock and Sheldon Harnick


Filed under Agatha Christie, Cathy Ace, D.S. Nelson, Louise Penny, Martin Edwards, Martin Walker, Michael Sears, Michael Stanley, Stanley Trollip

I Leave a Big Tip With Every Receipt*

ReceiptsIf you look among your things, you’ll probably see random receipts and cash slips for things. They can clutter up a pocket or handbag. And when it’s something simple like getting fuel, it may seem a waste to get a cash slip. But those little pieces of evidence can be very useful.

Anyone who’s on an expense account or who gets reimbursed can tell you that keeping receipts is important. Detectives use those pieces of information too. A cash slip, newspaper clipping or even a passport stamp can either support or refute what a witness or suspect says. So that kind of ‘paper trail’ can be of real value when the police are investigating a crime, or when a PI is looking into a case. Little wonder then that we see things like receipts and stamps all throughout crime fiction.

Agatha Christie uses these details in more than one of her novels. For instance, in Sad Cypress, Hercule Poirot investigates the poisoning murder of Mary Gerrard. The most likely suspect is Elinor Carlisle, who had more than one motive for murder. In the first place, Elinor’s fiancé Roderick ‘Roddy’ Welman had become smitten with Mary, which ended their engagement. What’s more, Elinor’s very wealthy aunt, Laura Welman, had taken a great interest in Mary, and might very well have altered her will to leave Elinor out of it entirely. Local GP Peter Lord has fallen in love with Elinor and wants her name cleared. So Poirot looks into the matter more deeply. And in the case of one character, he finds that passport stamps put the lie to what that character claimed.

In Colin Dexter’s The Silent World of Nicholas Quinn, Inspector Morse and Sergeant Lewis investigate the poisoning murder of Nicholas Quinn, the only Deaf member of Oxford’s Foreign Exams Syndicate. This group is responsible for overseeing exams given in other countries that follow the British education model. The detectives start with those closest to the victim, and soon find that several members of the Syndicate might have had a good reason to want Quinn dead. For one thing, his appointment to the Syndicate was by no means universally supported. For another, he’d learned some secrets about some of the different members. One aspect of this investigation is finding out where each person was on the afternoon of Quinn’s death. As they piece together what happened that day, Morse and Lewis find that ticket stubs from an adult cinema are very informative.

Donna Leon’s Through a Glass, Darkly is among other things, the story of the death of Giorgio Tassini, night watchman at one of Venice’s glass blowing factories. At first it all looks like a terrible accident. He’d been working independently on a glass project and the evidence suggests that an accident with the oven caused his death. But Commissario Guido Brunetti is not so sure. Tassini had been a very vocal critic of the glass blowing factories’ procedure for getting rid of toxic waste. He claimed that they were illegally dumping it, putting everyone at risk. Brunetti and Ispettore Lorenzo Vianello discover who is responsible for Tassini’s murder, but they’ll find it very hard to prove what they know. Then one evening, Brunetti gets exactly what he needs: a receipt from a canal boat. That piece of paper puts the lie to what the killer said to the police, and allows for an arrest.

The Michael Stanley writing duo introduces us to Botswana police detective David ‘Kubu’ Bengu in A Carrion Death. He is drawn into an investigation when the remains of an unknown man are found on the property of the rural Dale’s Camp. At first, it looks as though the man was attacked by hyenas. But soon enough, forensics tests suggest that he was murdered. Forensics experts also provide a very important clue: a cash slip found by the body. It turns out to be a receipt from the Number One Petrol Station, and for Kubu, that’s a valuable lead. When he follows up on it and finds the station, he learns that the vehicle in question was a Land Rover painted a garish shade of yellow. Such vehicles are owned by the Botswana Cattle and Mining Company (BCMC). And that information puts Kubu on a trail that eventually connects someone associated with that company to this murder and to another that occurs.

There’s also Tess Gerritsen’s Vanish, which follows two major plot threads. In one, Boston medical examiner Dr. Maura Iles discovers to her shock that one of the body bags in the mortuary contains a young woman who’s still alive. Iles gives the alert, and the woman is taken to the nearby hospital. The unidentified woman recovers quickly, and rushes from her hospital room after killing a security guard. Then, she goes to the hospital’s Diagnostic Imaging Department, where she takes a group of people hostage. One of them is Boston police detective Jane Rizzoli, who’s there for a sonogram. The police, a SWAT team, and hostage negotiators now have to figure out what the hostage-taker wants, and how to rescue her captives. In the meantime, the other plot thread concerns seventeen-year-old Mila, who left her home in Belarus, lured by promises of a good job in the US and a better life. To put it mildly, things haven’t worked out as planned. The two plot threads are related, ‘though not as you might think. One of the leads that the police get on this case is a credit card receipt for a fuel purchase. That information helps them to piece together at least part of the mystery.

Receipts and odd pieces of paper might just seem like so much junk. But they can prove absolutely invaluable to detectives. They’re also very useful to attorneys on both sides of a case who want to establish a person’s whereabouts or purchases. That oft-repeated bit of advice about saving receipts is actually fairly solid…


On Another Note…

There’s still time to vote for the Jo Nesbø novel you’d like to see me spotlight. If you’d like to let your voice be heard, check out my poll right here.

*NOTE: The title of this post is a line from Billy Joel’s Big Man on Mulberry Street.


Filed under Agatha Christie, Colin Dexter, Donna Leon, Michael Stanley, Tess Gerritsen

He Does Love His Numbers*

Pi DayAs I write and post this, it’s 14 March (3.14), also known as Pi Day. Even if you hated maths in school, it’s hard to deny the importance of mathematical principles in life. They help us understand quite a lot about our universe; and we use them constantly, whether it’s following a recipe, keeping track of bank accounts, or deciding how much space we’ll need in that new place. The other thing about mathematics is that much of it is quite objective. Two of something, plus two more of that same something, equals four of that something. For those who like the objective and the clear (as opposed to the subjective and ambiguous), that can be quite refreshing.

Mathematics finds its way into just about everything, including music and poetry. So it’s little wonder we find a lot of mathematics and mathematicians in crime fiction, too. Here are just a few examples.

Fans of Arthur Conan Doyle’s Sherlock Holmes will know that his nemesis, Professor James Moriarty, is a brilliant mathematician. Here is what Holmes says about him in The Adventure of the Final Problem:

‘‘He is a man of good birth and excellent education, endowed by nature with a phenomenal mathematical faculty. At the age of twenty-one he wrote a treatise upon the binomial theorem, which has had a European vogue. On the strength of it he won the mathematical chair at one of our smaller universities, and had, to all appearances, a most brilliant career before him.’’

As Holmes goes on to explain, though, Moriarty has a dark side and is now London’s top criminal leader. In this story, Holmes and Watson find the man such a dangerous enemy that they end up having to leave London for a time. They end up in Switzerland, where Holmes and Moriarty have a climactic meeting at the Reichenbach Falls. Of course, if you are a fan of these stories, you’ll know the saga doesn’t end there…

Plenty of the action in Agatha Christie’s Cat Among the Pigeons takes place at Meadowbank, an exclusive school for girls. The school is very capably run by Honoria Bulstrode. But she depends very much on Miss Chadwick, the mathematics mistress and the co-founder of the school. Miss Chadwick is a bit vague when she talks and she’s hardly a fashionable dresser. But she is a brilliant mathematician, and passionately devoted to the school. When games mistress Grace Springer is shot in the school’s new Sports Pavilion, Miss Chadwick is one of the two people who discover the body. Then, there’s a disappearance. And another murder. One of the pupils, Julia Upjohn, discovers an important clue to the events at the school. She visits Hercule Poirot, who knows a good friend of her mother’s, and tells him what she knows. Poirot goes back to Meadowbank with her to investigate; and in the end, he finds out the connection between the murders, the disappearance, and a revolution in a Middle East country.

In Peter Høeg’s Smilla’s Sense of Snow (AKA Miss Smilla’s Feeling For Snow), we are introduced to Smilla Jaspersen. She’s half-Inuit and half-Danish, but was originally raised among her mother’s people on Greenland. She’s since moved to Copenhagen and, after a troubled childhood and adolescence, has become a mathematician and scientist. She forms a friendship with a young boy Isaiah Christiansen, who lives in the same building and is also a Greenlander. When Isaiah falls (or jumps, or is pushed) from the roof of the building, Smilla takes a special interest in his death. The police account is that the boy was playing on the roof and accidentally fell. But that’s not what the snow patterns say. So Smilla begins to ask some questions. The trail leads back to Greenland and to a particular expedition there. And it’s mathematics, science and a deep knowledge of snow and ice that give Smilla the answers.

Keigo Higashino also uses mathematics in his series featuring physicist/mathematician Dr. Manabu ‘Galileo’ Yukawa. In The Devotion of Suspect X, Tokyo police officer Shunpei Kasanagi investigates the murder of Shinji Togashi. The victim’s ex-wife Yasuko Hanaoka comes under suspicion, but Kasanagi can’t find any really good evidence to connect her with the crime. So he brings in Galileo to consult on the case. It’s not long before Galileo sees that he is up against a formidable opponent (and former college mate) Tetsuya Ishigami, a mathematics teacher who lives in the same building as Yasuko Hanaoka. Ishigami has fallen in love with her and would do anything to protect her. In this case, mathematics and physics are woven throughout the novel.

There are also mathematics-related mysteries intended for younger readers. For instance, Leith Hathout’s Crimes and Mathdemeanors is a collection of stories featuring fourteen-year-old Ravi, a math genius who helps the local police solve crimes. Readers who remember the Encyclopedia Brown mysteries will find this a similar sort of context. What’s interesting in this collection is that mathematics principles are used to solve the cases.

There are even crime writers who are mathematicians. For instance, fans of the Michael Stanley writing duo’s Detective David ‘Kubu’ Bengu series may know that one half of that duo, Michael Sears, is a mathematician. His specialty was applied mathematics (e.g. image analysis and ecological modeling).

So you see? Mathematics is everywhere, including crime fiction. Now, if you’ll excuse me, I think I’ll have a piece of π.


*NOTE: The title of this post is a line from Kate Bush’s π.


Filed under Agatha Christie, Arthur Conan Doyle, Keigo Higashino, Leith Hathout, Michael Sears, Michael Stanley, Peter Høeg

It’s a Light and Tumble Journey*

Wildlife SanctuariesI’ve been fortunate enough to visit animal preserves and sanctuaries on three different continents. They can be breathtakingly beautiful places, and certainly give one a perspective on a lot of things. At least they do me. And it is fascinating to see all sorts of animals that you can’t see anywhere else.

But animal preserves and sanctuaries have a dangerous side to them too. There are all sorts of political and economic issues around them, and that’s to say nothing of the animals themselves. So it’s no wonder that this setting comes up in crime fiction. Here are just a few examples; I know you can think of lots more than I could.

Nevada Barr’s Anna Pigeon is a US National Park Service Ranger. In that capacity, she is sent to a variety of different US parks and preserves, and she knows first-hand how dangerous those places can be. For instance, in Track of the Cat, she’s been assigned to Guadalupe Mountains National Park. There she discovers the body of a fellow ranger Sheila Drury one morning. At first, it looks as though Drury was killed by a mountain lion, and there’s the local outcry about it that you’d expect. It doesn’t help matters that the locals have never liked the fact that mountain lions living within the boundaries of the national park are off limits to hunters. They resent what they see as the damage caused by the animals and the government’s unwillingness to protect their land. Pigeon isn’t so sure that the culprit was a lion though, and she certainly doesn’t want mountain lions to become the targets of hunters. So she begins to ask questions. In the process she discovers that the victim’s death had a very human cause…

Banff National Park, Canada’s oldest national park, features in Vicki Delany’s Under Cold Stone. In that novel, Lucy ‘Lucky’ Smith and her partner Paul Keller (Trafalgar, British Columbia’s Chief Constable of Police) have decided to take a trip to Banff, in Alberta’s Rocky Mountains. Their plan is for some relaxing ‘just the two of us’ time. But that’s not how it works out. Keller’s estranged son Matt disappears. And since he’s experienced at camping and living in the outdoors, he could be anywhere and it would be very hard to find him. What’s more, he may very well be guilty of murder. Banff isn’t within the jurisdiction of Lucky’s daughter, Trafalgar Police Constable Moonlight ‘Molly’ Smith. But she travels there to be of whatever support she can to her mother. Then Matt’s girlfriend begs her to clear his name, claiming that he’s innocent. So Molly begins to ask some questions. And you thought bears, cougars and wolverines were the biggest living threats in the park…

In Michael Sears’ and Stanley Trollip’s (AKA Michael Stanley) A Carrion Death, Professor of Ecology Benani Sibisi has taken a trip to Dale’s Camp, on the verge of Botswana’s Central Kalahari Game Reserve. He’s out in the field one day when he discovers the body of an unknown man. At first it looks as though the man was killed by wild animals; certainly hyenas have already paid the body a visit. Botswana CID Assistant Superintendent David ‘Kubu’ Bengu is called to the scene and supervises sending the remains for forensics testing, mostly to try to identify the victim. Results of that testing suggest that the man was murdered. Now it’s even more important to find out who he was and what he was doing at the Reserve. So Kubu and his team begin to look more closely into the case. They find a connection between the dead man and the Botswana Cattle and Mining Company (BCMC), a powerful voice in the country’s economic and political arenas. That connection makes this case delicate, since the Botswana government has a major interest in making sure that the company remains a going concern. In the end, though, Kubu is able to find out who the dead man was and how his murder is related to events and interactions at BCMC.

Much of Michael Allan Mallory and Marilyn Victor’s Killer Instinct takes place at the Minnesota Wolf Institute (MWI), which in part functions as a preserve for wolves. Zookeeper Lavender ‘Snake’ Jones is invited to the MWI to film an episode of her television documentary series Zoofari. When she arrives, she finds herself in the middle of a dangerous controversy. Her friend Gina Brown, a biologist associated with the MWI, is a passionate defender of wolves and their preservation. That pits Brown against several locals, led by Ivar Bjorkland, who want to see the wolves exterminated. In fact, they have a very public dispute about the matter when four wolves are illegally killed. Then, Bjorkland is found murdered. Jones is worried that her friend might have been involved in the killing, although she doesn’t want to think so. Then there’s another murder. And another. Now Jones has to help clear her friend’s name and stop the killer before there’s another death. Wolves are by no means the most dangerous species in this novel…

In Deon Meyer’s Blood Safari, Emma le Roux hires professional bodyguard Martin Lemmer to accompany her from Cape Town to the Lowveld to find out the truth about her missing brother Jacobus. He disappeared twenty-five years earlier in what everyone thought was a skirmish with poachers. But now Emma thinks he’s still alive. So she wants to trace his history from Kruger National Park, his last known whereabouts. She and Lemmer arrive in the area only to find out that this is much more than the case of a man who was killed by dangerous poachers. In the end, they find out that the truth about Jacobus le Roux is related to coverups, corruption and ugly realities about politics and environmentalism. Along the way, they visit more than one animal preserve, and it’s interesting to read the different perspectives and views on taking care of South Africa’s unique ecosytems while at the same time nurturing the economy.

New Zealand’s Rimutaka State Forest is the scene of some of the action in Donna Malane’s Surrender. Wellington missing person expert Diane Rowe is hired by Inspector Frank McFay to trace the identity of a ‘John Doe’ whose body has been found in the forest. There isn’t much to go on at first, but with the help of pathologist Grant ‘Smithy’ Smith, Rowe slowly learns that the man was in his twenties when he died, and that he died sometime during the early1970s. Bit by bit, Rowe puts the pieces together and finds out who the man was. At the same time, she’s on another case of her own choosing. Her sister Niki was murdered a year ago. Now, the man who claims he was paid to kill Niki has himself been murdered in the same way. Rowe believes that if she can find out who killed the ‘hit man,’ she’ll find out who’s responsible for her sister’s murder. Although the wildlife in the forest doesn’t hold the key to Niki’s death, the forest does have its role to play in the events in the story.

And that’s thing about animal preserves and sanctuaries. They can seem like peaceful places, and their natural beauty is practically unmatched. But safe? Erm – possibly not. I’ve only had space here to mention a few examples (I know, I know, fans of Ann Cleeves’ The Crow Trap and Blue Lightning). Which stories with this context have stayed in your mind?

*NOTE: The title of this post is a line from Paul Simon’s At the Zoo.


Filed under Ann Cleeves, Deon Meyer, Donna Malane, Marilyn Victor, Michael Allan Mallory, Michael Sears, Michael Stanley, Nevada Barr, Stanley Trollip, Vicki Delany

Somebody Help Me Tame This Animal*

Creating a MonsterOne of the things that crime fiction teaches is that we’re never quite as much in control as we might like to think we are. And that’s an unsettling thought. But it can make for solid suspense and tension in a crime novel. There are lots of cases for instance where characters think they can manage a situation or even another character, only to find they’ve created a monster as the saying goes. Here are a few examples to show you what I mean.

In Michael Stanley’s A Carrion Death, Botswana CID Assistant Director David ‘Kubu’ Bengu is called to the scene when a body is discovered not far from Dale’s Camp. It’s hard to determine the cause of death at first, since hyenas found the body before humans did. And on the surface it looks as though the victim simply strayed too far from camp and was attacked by animals. But Kubu isn’t so sure, and forensic evidence supports the idea that this may have been murder. The trail leads to the Botswana Cattle and Mining Company (BCMC), and that creates its own problems. The Botswana government considers BCMC essential for its economy, and there’s no desire to embarrass anyone who works there, especially not those at the top. But then there’s another murder, also with company connections. And another. In the end, Kubu and his team find out who’s behind the murders and how it all relates both to past history and to BCMC. And it turns out that someone’s ‘business arrangement’ has created a monster.

There’s also a sort of arrangement that leads to a monster being created in Ernesto Mallo’s Needle in a Haystack. Venancio ‘Perro’ Lescano is a Buenos Aires cop in the Argentina of the late 1970s, a time and place when it’s very dangerous to navigate life. Early one morning, he gets a call about two bodies that have been found by a river bank. Both murders bear the hallmark of an Army hit, and Lescano knows the consequences of speaking up about them. But he also finds a third body – one that wasn’t reported. It turns out that this dead man is Elías Biterman, a successful moneylender and pawnbroker. Lescano soon learns that some very important people do not want the truth about this murder to come out, and there is a great deal of pressure on him to leave it all alone. But he perseveres and we learn the truth about what really happened. This murder and others that occur in the novel are in part the tragic consequence of someone who didn’t have nearly as much control of a situation as was thought.

That’s also true in Åsa Larsson’s The Savage Altar (AKA Sun Storm). Very late one night, Sanna Stråndgard discovers the body of her brother Viktor in the Church of the Source of All our Strength. Stråndgard was a very popular, almost cult-like figure among the locals of Kiruna and outlying areas, and he was becoming very well-known in the rest of Sweden too. At first, there doesn’t seem to be much motive, since he had so many devotees. Sanna is distraught, and turns to her former friend, Stockholm attorney Rebecka Martinsson, for help. Martinsson has no desire to return to her home town of Kiruna, but for Sanna’s sake she reluctantly does so. Then, the police get some evidence that Sanna herself may be the killer. She claims that she’s innocent though, and begs Martinsson to defend her. For various reasons Martinsson would really like to have no part in this. But Sanna has two daughters and Martinsson doesn’t want them turned over to the state. So she agrees to represent Sanna. That’s how she meets police investigators Anna-Maria Mella and Sven-Erik Stålnacke. At first uneasily, but later willingly, they work find out who the killer is. In the end, we see a clear example of how proverbial monsters can be created.

In Sulari Gentill’s  A Few Right Thinking Men, we meet artist Rowland ‘Rowly’ Sinclair and his brother Wilfred. They’re very different people and often don’t get along. Both are devastated though when their uncle, also named Rowland, is bludgeoned one night. At first, the police suspect that the victim’s housekeeper may have had something to do with the killing, but Rowly is certain she’s completely innocent. So he begins to ask questions. He soon learns that his uncle’s murder might be connected with a far-right group called the New Guard. This group seeks to stamp out communism and any left-leaning sympathy and create a new society run by ‘a few right thinking men.’ Rowly decides that the only way to learn the truth about the murder is to infiltrate the group, so he contrives a commission from the group’s leader, Colonel Eric Campbell, to paint his portrait. Little by little, Rowly learns the truth about what happened to his uncle. And as he gets closer to the group’s top members, he also learns the group’s ultimate plans. This too is a case of a monster being created.

Antti Tuomainen’s The Healer is the story of poet Tapani Lehtinen and his wife Johanna, who is a news reporter. In their world, climate change has wreaked havoc on the world, leaving millions of climate refugees. Little is done to maintain order and society is quickly descending into anarchy. Against this backdrop, Johanna is pursuing a story about a man who calls himself the Healer. He claims to be responsible for the murders of several CEOs of corporations that he believes are guilty of the ongoing destruction of the planet. The idea of the murders is to avenge those affected by this devastation and to call attention to it. When Johanna disappears, Lehtinen decides that the best way to trace her is to follow the story she was working on, and he begins to do just that. Little by little he learns the truth about the Healer and as he does so, he also gets closer to knowing what happened to his wife. In the end we see that someone created a monster, which led to some tragic and unintended consequences.

Katherine Howell’s Silent Fear introduces readers to Paul Fowler. One hot afternoon, he and some friends are tossing a football around in a local park when he suddenly collapses and dies. Soon enough it’s established that he was shot, sniper-style, and New South Wales Police detectives Ella Marconi and Murray Shakespeare investigate. They begin with Fowler’s ex-wife Trina and his friends and business associates. As they interview and follow up with these people they learn that Fowler had a hidden side to his life and that some people aren’t telling everything they know about it. When the police finally find out who killed Fowler and why, we see that sometimes, when you create a monster, it turns on you…

There are a lot of other examples of this plot point in crime fiction. It’s an effective one for the genre, and I’ve only had space here for a few instances. Your turn.



*NOTE: The title of this post is a line from Three Days’ Grace’s Animal I Have Become.


Filed under Antti Tuomainen, Åsa Larsson, Ernesto Mallo, Katherine Howell, Michael Sears, Michael Stanley, Stanley Trollip, Sulari Gentill