Category Archives: Reginald Hill

Meet the New Boss*

BossesUnless you’re self-employed, chances are you’ve got a boss. If you’re fortunate, you have a supportive boss who looks out for you and helps you to develop and use your skills. That makes sense when you think about it. After all, if you look good, your boss looks good. Of course, you may be unlucky enough to have a boss who’s not supportive at all, and that can make your work life horrible. Either way, bosses play an important role in the way we feel about our work.

Bosses also play important roles in crime fiction. Some crime fictional sleuths are independent PIs; except for laws and policies that govern what they’re allowed to do, they don’t have bosses in the usual sense of the word. But a lot of fictional detectives have bosses (some are also bosses themselves). Here are just a few examples.

Arthur Upfield’s Napoleon ‘Bony’ Bonaparte is sometimes unorthodox in his approach to solving cases. Just as one example, the alternate title of The Bushman Who Came Back is Bony Buys a Woman. No, it’s not exactly the way it sounds; it’s more complicated than that. And no, Bony isn’t a human trafficker. But he does have different ways of going about things. In that particular novel, he has a rather unusual way of helping one of the other characters as he solves the mysterious shooting of a housekeeper. Sometimes his approach gets him into trouble with the ‘higher ups’ in the Queensland Police. But Bony is fortunate enough to have a boss who understands both his value to the police and his not-always-by-the-book ways. So although they do ‘butt heads’ from time to time, Bony knows that his supervisor supports him and wants him to use his skills.

On the surface of it, you might not think that Reginald Hill’s Superintendent Andy Dalziel would make a particularly good boss. After all, as fans will know, he’s demanding, sometimes quite rude, and certainly not one to care much about the finer sensibilities of his staff. And as the saying goes, he does not suffer fools gladly. But he is in many ways a very supportive boss. He’s not at all one to gush, but he is well aware that he’s got a good team of people working for him. And he looks after them, too. For example, in Child’s Play, the team is investigating the case of a man who’s found murdered not long after claiming to be the son (and only heir) of a wealthy woman who’s recently died. In the meantime, Sgt. Wield faces a difficult personal matter. He’s gotten involved in a relationship with a young drifter who has his own agenda. Now Wieldy has to decide what to do about coming out as gay. When internal police politics threaten Wieldy’s career, Dalziel finds a very clever way to protect his sergeant. He takes care of the rest of his team too, even when it doesn’t seem so.

Fred Vargas’ Commissaire Adamsberg supervises a very unusual team of detectives. At first glance, it seems as though they’d be any boss’ nightmare. One’s a narcoleptic, one has an uncomfortably close relationship with the bottle, and one works better with animals than with people. But Adamsberg is a supportive boss. For one thing, he knows he’s not perfect either. For another, he knows that he has a team of skilled detectives who are good at their jobs. So he looks out for them and listens to them. They may be misfits in a lot of people’s estimation, but Adamsberg gets the best out of them.

The same is true of the team at Andrea Camilleri’s fictional Vigàta constabulary. Inspector Salvo Montalbano can be short-tempered and brusque with people, including those he supervises. And anyone who works for him knows better than to interrupt him when he’s eating. But they also know they can count on him. For one thing, he’s a fine detective. For another, he’s loyal to them and cares about them. As an example, in one plot thread of Dance of the Seagull, one of Montalbano’s team members, Giuseppe Fazio, goes missing. Montalbano immediately puts together a plan to find him. At the time of his disappearance, Fazio was following up some leads on a dangerous smuggling ring, and pursuing that case seems to be the best chance to find him. So Montalbano and the team do exactly that. They find Fazio too, wounded but alive. Throughout the novel, we see how Montalbano’s leadership and his loyalty to his team play roles in what happens.

Martin Edwards’ DCI Hannah Scarlett has to learn leadership skills as she takes over and heads up the Cumbria Constabulary’s Cold Case Review Team. At first it’s seen as a demotion – a punishment for a case that went wrong. But Scarlett is determined to do the best job she can. And she loves her work. So she buckles down and develops the skills she needs to get the best from her team members. Along the way, she has to deal with some very complicated relationships and with the inevitable performance evaluations and other paperwork involved in being a boss. In this series, we get a look at what it’s like to learn how to be a supervisor and lead a team.

Kerry Greenwood’s Corinna Chapman may not head up a large team, but she cares about the people who work for her. Chapman is a Melbourne baker with two shop assistants, Kylie Manners and Gossamer ‘Goss’ Judge. She also has an apprentice baker, Jason Wallace. All three employees are young, and sometimes need some adult guidance. For example, Kylie and Goss have a potentially very dangerous encounter with some weight-loss tea in Devil’s Food. When Chapman learns what’s happened, she does what’s needed to help take care of them and ensure that they’ll be all right. For his part, Jason is learning to live on his own, without the use of drugs. He makes his share of mistakes, but Chapman supports him as he starts to grow up. In turn, all three of the young people are just as loyal to their boss. They step in when needed, they work to make sure that customers are happy, and they are trustworthy.

Those relationships are possibly the best thing about being (or having) a good boss. If you are a good boss, you get your subordinates’ loyalty and best work. If you have a good boss, you get the chance to develop your skills, and you grow professionally. You also forge really positive relationships. Of course, not all of us are lucky enough to have a good boss; that’s the stuff of another post…

 
 
 

*NOTE: The title of this post is a line from The Who’s Won’t Get Fooled Again.

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Filed under Andrea Camilleri, Arthur Upfield, Fred Vargas, Kerry Greenwood, Martin Edwards, Reginald Hill

If You Think I’m Feeling Older and Missing My Younger Days*

RetiredCopPolice officers see and learn a lot over the course of their careers. So when they retire, they’re often treasure troves of information about different cases and often, about the history of an area. Their perspectives can be helpful and certainly they can add richness to a crime novel. When retired cops are consulted, they can give the fictional sleuth a lot of insight and, provided they are well-drawn, can be really interesting characters in and of themselves. Here are just a few examples; I know you’ll think of more than I ever could.

Fans of Agatha Christie will know that Hercule Poirot works with Superintendent Albert ‘Bert’ Spence on more than one case. By the time of Hallowe’en Party, Spence has retired to the village of Woodleigh Common, where he lives with his sister Elspeth. Poirot knows the value of Spence’s experience and wisdom. So he pays Spence a visit when a village girl, thirteen-year-old Joyce Reynolds, is murdered during a party. On the afternoon of her death, Joyce boasted that she’d seen a murder, but wouldn’t give any details about it. The fact that she’s now dead leads Poirot to believe that she might have seen something. So he asks Spence about the history of the area, and Spence is able to give him some valuable input. And in fact, Joyce’s murder has everything to do with past history and past crime.

In Stephen Booth’s Dying to Sin, DS Diane Fry and DC Ben Cooper investigate when the remains of two women are found on the property of Pity Wood Farm in the Peak District. The farm was owned for many years by brothers Derek and Raymond Sutton. Derek has died but his brother is still alive and living in a care home. The police interview him, but he can’t add much to their investigation, as he sold Pity Wood Farm before the bodies were buried there. The current owner is Manchester attorney Aaron Goodwin, but he bought the land for development, and has no connection to it or to the area. While the Suttons and Goodwin aren’t completely crossed off the suspect list, Fry and Cooper do see that they’ll need to look into the history of Pity Wood Farm and the nearby village of Rakedale. They soon discover though that Rakedale is a very insular community. No-one seems willing to talk to outsiders, and certainly not about any of the local ‘dirty laundry.’ But there is one person who’s lived there a long time, and who may be able to help. He is ex-PC David Palfreyman, who was the local bobby for thirty years before he retired. Cooper and Fry pay Palfreyman some visits, and it’s interesting to see what his perspective adds to the story. He gives them some background information on the Sutton family and about Rakesdale, and it’s clear that as they talk, he enjoys being part of an investigation again and that he’s missed his ‘police’ role.

Jan Costin Wagner’s Silence features detective Antsi Ketola. After years with the Turku police, Ketola has retired and is just beginning the next phase of his life. But he is still obsessed with one case that he never solved. In 1974, Pia Lehtinen disappeared and later was found in a field, raped and murdered. Ketola followed all the leads, but was never able to catch the criminal. A new case comes up when Sinikka Vehkasalo rides her bicycle to volleyball practice one day and never makes it. Her bicycle is later found, covered in blood and with the handlebars twisted round, in exactly the spot where Pia Lehtinen’s body was found. Inspector Kimmo Joentaa soon suspects that the same killer is responsible for both murders, so he decides to seek Ketola’s help in finding out who killed these two girls and why. And it turns out that Ketola’s knowledge of the old case and the area are very helpful in getting to the truth.

Reginald Hill’s novella One Small Step takes place in the future (well, it was the future when Hill wrote it in 1990). In this story, Superintendent Andy Dalziel has retired, and Peter Pascoe is now the Commissioner of the EuroFed Police. An international team of scientists and astronauts is conducting research on the moon, when one of them, a French astronaut, is murdered. Pascoe takes charge of the investigation and benefits greatly from the input and help he gets from Dalziel. This may not be regarded as Hill’s finest work, but it’s an interesting look at how he imagined the future might be.

Fans of Håkan Nesser will know that at the beginning of his Maardam series, Inspector Van Veeteren is a homicide detective who leads the investigating team. But after decades on the force, he has plans to move on with his life. In the course of the series, he leaves the force and becomes part owner of an antique bookshop. He enjoys his new life, but he still misses solving investigation puzzles. And for their parts, his former team-mates miss working with him and getting the benefit of his experience and his skill at detection. So in stories such as The Unlucky Lottery and The Weeping Girl, his former colleagues informally consult with him on their cases. In the former, Intendant Münster taps Van Veeteren’s wisdom as he solves the murder of retiree who’d just won a lottery. In the latter, Inspecter Ewa Moreno gets involved in the investigation when eighteen-year-old Mikaela Lijphart disappears. Moreno met the girl once and hasn’t been able to forget her. She finds that Makaela’s disappearance is connected with the disappearance of her father and with two murders.

Wendy James’ The Lost Girls concerns two murders that took place in 1978. One is the murder of fourteen-year-old Angela Buchanan. The other is the murder of sixteen year-old Kelly McIvor. The police investigated both deaths, but were never able to solve them. Now, journalist Erin Fury is making a documentary on the effect of murders on the victims’ families. As part of the film, she wants to interview Angela’s family members. Her parents are no longer alive, but her cousins Jane Tait and Jane’s brother Mick Griffin are. So are Jane and Mick’s parents Doug and Barbara Griffin. Doug is a retired police officer who could likely shed a great deal of light on the case and Erin wants very much to interview him. The problem is that he’s been diagnosed with possible dementia. He’s not spoken in a very long time, and seems to be losing his connection to the outside world. So he’s now living in a care home and there’s very little likelihood that Erin will be able to interview him. She finds her own way to gain access to him though, and we learn a surprising amount from what he has to say.

And that’s the thing about retired cops. They’ve seen a lot and been through a lot. They may be ‘straight arrows’ or ‘bent,’ and they may be willing or unwilling to talk about old cases. But they all provide a fascinating perspective on policing, and they often can give some very good insight and advice. Which retired police characters have stayed with you?
 

In Memoriam
 
WarrenClarke

This post is dedicated to the memory of Warren Clarke, who brought Superintendent Andy Dalziel to life on the small screen. He will be much missed.
 
 
 

*NOTE: The title of this post is a line from Billy Joel’s Keeping the Faith.

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Filed under Agatha Christie, Håkan Nesser, Jan Costin Wagner, Reginald Hill, Stephen Booth, Wendy James

In Silent Graveyards – They Look For Saviors*

GraveyardThere’s something about cemeteries and graveyards that has a certain kind of mystique. Sometimes people visit them to remember loved ones, or to commemorate a tragic event such as a war. They are also of course where the final parts of funeral and burial rites are held in many cultures. And they can provide a lot of information for historians and genealogists. There are a lot of spooky myths about graveyards and cemeteries too; after all, the dead are buried there.

A terrific post by Moira at Clothes in Books on The Guardian Book Blog has got me thinking about how cemeteries and graveyards fit in with crime fiction. And of course it makes perfect sense that we’d see a lot of them, since so much crime fiction has to do with murder. Here are a few stories that came to my mind after reading Moira’s post.

Agatha Christie’s Tommy and Tuppence Beresford find more than one clue during walks through graveyards and cemeteries. For example, in By The Pricking of My Thumbs, the Beresfords visit Tommy’s elderly Aunt Ada, who lives at Sunny Ridge, a rest home. While they’re there, Tuppence hears of a strange mystery and about something ‘behind the fireplace.’ She decides to find out what’s behind the ramblings of the woman who has mentioned the fireplace. At the same time, Tuppence has a strange sense of familiarity about a picture she finds among Aunt Ada’s possessions, although she has never seen the picture before. As it turns out, the two mysteries are related. Both have roots in a very sad story from the past. At one point, the trail leads Tuppence to a graveyard, where she is searching for a particular tombstone. The visit turns out to be very dangerous for her…

Dorothy Sayers uses a cemetery to add a fascinating plot twist in The Nine Tailors. Lord Peter Wimsey and his valet/assistant Mervyn Bunter are on a trip one New Year’s Eve when they have a car accident. Stranded in East Anglia, they are taken in by Rector Theodore Venables of the nearby village of Fenchurch St. Paul. Venables offers them lodging while they wait for the car to be repaired, and the two accept. Wimsey is able to return the rector’s kindness when he fills in as a New Year’s Day change-ringer for Will Thoday, who is ill. That day, news comes that Lady Thorpe, wife of the local squire Sir Henry Thorpe, has died. Wimsey and Bunter stay on for her funeral and then, their car having been fixed, they go on their way. A few months later, Wimsey gets a letter from Venables. Sir Henry died, and preparations were made for his burial. But when the gravediggers opened the family grave where Lady Thorpe was already buried, they found another body already there. Venables asks Wimsey to return to Fenchurch St. Paul and investigate. Wimsey agrees and he and Bunter go back to the village. They find that the unexplained corpse is related to a long-ago robbery and some valuable missing emeralds.

There’s a startling cemetery scene in Reginald Hill’s Child’s Play. Wealthy Geraldine Lomas’ son disappeared during World War II, but she never gave up hope that one day he would come back. In fact, she’s made a will leaving all of her considerable fortune to her son, so long as he returns before 2015. If not, her money is to be divided among three charities. When she dies, her family and others gather at the cemetery for the final burial rituals. An unknown man shows up, calling out ‘Mama!’ and claiming to be her son. Now it looks as though he will inherit everything. But before the will can be sorted out, he is found dead in his car. Now Superintendent Andy Dalziel and his assistant Peter Pascoe have to look through the motives of a number of people to find out who killed the victim. They also have to establish whether he really was Geraldine Lomas’ son.

Jacqueline Winspear’s Maisie Dobbs introduces readers to Maisie, a former World War I nurse who’s returned to England and set up shop as a private investigator. Christopher Davenham hires Maisie to find out whether his wife Celia has been unfaithful. Maisie takes the case and begins to follow Celia to learn her daily patterns. One day, she follows her quarry to a cemetery. She strikes up a conversation with Celia under the pretense of visiting a cousin’s grave. Slowly, she finds out why Celia visited the cemetery and what’s behind her troubling behaviour. She is able to reassure her client that his wife has been true to him, but the cemetery visit leads to another mystery. Several of the soldiers buried there (including the soldier whose grave Celia Davenham visited) had been living at The Retreat, a home especially designed for badly injured WWI veterans. The idea is that they will have a safe place to live, among others who understand what they’ve gone through. In fact, James Compton, son of Maisie’s former employer, is considering moving there, as he is having a great deal of difficulty adjusting to life after the war. But Lady Rowan Compton is concerned about that decision and asks Maisie to look into the place. Maisie agrees and finds out that there are some unsettling things going on at the home.

The real action in Paul Cleave’s Cemetery Lake begins in a Christchurch cemetery. There, cop-turned-PI Theodore Tate is following up on the case of a man who’s died of arsenic poisoning. His wife is suspected of murdering him, and questions have been raised about the death of her first husband. So it’s agreed to exhume that body and test it for poison. Tate is on hand when the exhumation team comes in to do the job, but it’s far from an ordinary exhumation (as if there really is one). As the team is working, several bodies start rising from the lake by the cemetery. What’s more, when the coffin the team is looking for is opened, there’s a real question of the identity of the person in it. In this case, the cemetery holds a lot of secrets…

Steve Robinson’s Jefferson Tayte is a genealogist, so he is accustomed to visiting cemeteries and graveyards as he tracks down information on people’s ancestries. In In the Blood, Tayte has been hired by wealthy businessman Walter Sloane to trace his wife’s genealogy as a gift to her. Tayte has so far learned that one branch of the Fairborne family, his client’s wife’s forbears, settled in the American South. But that line died out. The other branch, beginning with James Fairborne, went to England in 1783 with a group of other Royalists. Sloane wants to find out everything about the family, so Tayte goes to England to follow up on that branch of the family. He begins with the Cornish church nearest where the modern-day Fairbornes live. There he encounters Reverend Joliffe, who shows him round the churchyard. But to Tayte’s disappointment, there are no records of Fairbornes buried in the churchyard. Instead, says Joliffe, those ancestors are probably buried on the modern-day Fairborne estate Rosenmullion Hall. Joliffe makes it clear that the Fairbornes have a lot of local clout, and their co-operation will be needed if Tayte is to get any answers. So Tayte visits Rosenmullion, only to find that no-one in the family is interested in sharing their history with him. Still, Tayte has a paying client and he’s now curious himself as to what happened to the family. So he goes on with his search, although he’s warned off. In the end, he finds out the truth, and I can say without spoiling the story that there’s a very spooky graveyard/cemetery scene in it.

Cemeteries and graveyards really are full of myth, history, and the personal stories of those in them. Little wonder they’re so often mentioned in crime fiction (I know, I know, fans of Arnaldur Indriðason’s Jar City). Thanks very much, Moira, for the inspiration!
 
 
 

*NOTE: The title of this post is a line from The Flower Kings’ Silent Graveyards.

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Filed under Agatha Christie, Arnaldur Indriðason, Dorothy Sayers, Jacqueline Winspear, Paul Cleave, Reginald Hill, Steve Robinson

Do You Remember Your President Nixon*

NIXON RESIGNATIONAs I post this, it’s forty years today since Richard Nixon resigned as President of the United States. Whatever you think of Nixon’s presidency, his politics, or the scandal that brought down his administration, it’s hard to deny the impact of his resignation, at least in the US.

Of course, there’d been scandals before at very high levels of the US and other governments. But this was the first time for the US that a scandal led to a presidential resignation. What’s more, the investigation into Nixon’s activities and those of other members of his administration were very public – on television for the world to see. For many people who’d always trusted their government, the Nixon resignation was a rude shock and a bitter lesson that sometimes that trust is misplaced.

But if you look at crime fiction, you see that high-level government scandal has been around for a long time. There are a lot of examples of this plot point in the genre; space only permits me a few. But I’m sure that you’ll be able to think of many more than I could anyway.

A few of Agatha Christie’s stories feature government scandals. One of them is the short story The Incredible Theft. In that story, Lord Charles Mayfield hosts a house party that consists of himself, his secretary Carlisle, Retired Air Marshal Sir George Carrington and Carrington’s wife Julia and son Reggie. Also present is an enigmatic American Mrs. Vanderlyn. During the visit, Mayfield and Carrington want to consult about the plans for a new air bomber. Those plans have been kept top secret since they would be of great interest to England’s enemies. During the evening, the plans are stolen. Recovery of the plans is essential in order to protect them, and it’s got to be done quietly, too. Otherwise the scandal and the insinuation that someone powerful is aiding the enemy could bring down the government. So Sir George calls on Hercule Poirot to help find the plans.

Reginald Hill’s Recalled to Life concerns a case from 1963. Cissy Kohler was arrested and imprisoned for her involvement in the murder of her employer’s wife Pamela Westropp. At the time, Ralph Mickledore was also arrested and convicted in connection with the murder. As the novel begins, Kohler has recently been released from prison, and new hints are surfacing that suggest that she was innocent. More than that, they suggest that the investigating officer Wally Tallentire know that and hid evidence of it. When Superintendent Andy Dalziel finds this out, he’s determined to prove those allegations false. Tallentire was his mentor, and he has absolute faith in the man’s integrity. So Dalziel looks into the case again and from a different angle, so does Peter Pascoe. One interesting thing about this case is that it was tried in the same year as the famous Profumo case, in which John Profumo’s relationship with Christine Keeler was made public and eventually led to the resignation of then-Prime Minister Harold Macmillan. In fact that scandal is mentioned in the novel as a way of explaining public attitudes towards the Westropp case, and the assumption that Kohler was guilty.

In Kel Robertson’s Smoke and Mirrors, Australian Federal Police (AFP) Officer Bradman ‘Brad’ Chen is recovering physically and psychologically from his last case (detailed in Dead Set). His plans are to work on his Ph.D. thesis and have a normal life, whatever that means. But he’s drawn back to AFP work by a double murder at Uriarra, a writer’s retreat near Canberra. The victims are Alec Dennet, a member of the 1972-75 Gough Whitlam government, and Dennet’s editor Lorraine Starke. As the investigating team learns, Dennet and Starke were working on Dennet’s memoirs at the time of their deaths. Since the manuscript has disappeared, it looks as though someone committed murder to be sure it wouldn’t be published. And that suggests several possible suspects. For one thing, there are some very highly-placed people who don’t want everything about the Whitlam government’s activities to be known. For another, there are some very nasty groups from other countries too who would very much like that manuscript, not just for the information it may contain, but also for its monetary value. Among other things, this novel gives readers a look at the effects of a scandal years after it’s broken.

And then there’s Philip Margolin’s Executive Privilege. Washington-based former cop-turned-PI Dana Cutler is hired by prominent attorney Dale Perry to follow a young intern Charlotte Walsh and report on where she goes and whom she sees. Cutler doesn’t see why a ‘nobody’ intern could be of interest to anyone, but a fee is a fee. So she begins her work. Then one night, Walsh leaves her car in a mall parking lot, is picked up in another car and is taken to a secluded safe house. Cutler is shocked to find that Walsh is meeting with US President Christopher Ferrington. The next morning, Cutler learns that Walsh’s body has been found in her car, which is still in the parking lot. Now Cutler is an important witness – and a target for some very powerful people who don’t want the young woman’s death investigated. It turns out that Charlotte Walsh’s murder is connected with another murder and a common experience the two victims had.

There are also several books by Margaret Truman, including Murder at the White House, in which scandal at the very highest levels of government is explored. But Nixon’s resignation didn’t just change people’s attitudes about government and its leaders. It also made heroes out of journalists such as Robert Woodward and Carl Bernstein, who uncovered what was going on in the Nixon administration.

The perception of journalists as interfering annoyances (you see this attitude come up in some classic crime fiction) changed for a lot of people during the Watergate investigation. And we see that shift in some modern crime fiction. For instance, Liza Marklund’s Annika Bengtzon is a crime reporter who breaks several high-level scandals in the series that features her. One of the recurring characters in Peter Temple’s Jack Irish series is journalist Linda Hiller. She helps Irish bring down some very powerful people in Bad Debts, and even though she doesn’t appear in all the novels, she’s presented in a positive light, as a someone who’s working to stop corruption. And of course to get herself a major story. And Ian Rankin’s John Rebus co-operates more than once with journalist Mairie Henderson. The image of the reporter/journalist as the gutsy, heroic protagonist may not have originated with Woodward and Bernstein, but it certainly got a boost as a result of their Watergate investigation.

The Nixon resignation had powerful and lasting effects, and not just on those directly involved. It was one of the pivotal US events of the 1970s. Little wonder that scandals are still given nicknames that end in ‘-gate.’

ps. If you’re kind enough to read this blog occasionally, you know that I almost always take my own ‘photos. But this one’s far better than any I could take. Thanks, Channel One News.

 

 

 

*NOTE: The title of this post is a line from David Bowie’s Young Americans.

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Filed under Agatha Christie, Ian Rankin, Kel Robertson, Liza Marklund, Margaret Truman, Peter Temple, Philip Margolin, Reginald Hill

They’re Talkin’ About You and It’s Bringin’ Me Down*

PoliceInvestigationWhen the police investigate or re-investigate a case, they don’t always confine themselves to just looking at whether the right person was arrested. They also look at the way the case was pursued, and that means looking at their own. I’m not talking here of police corruption. Crime fiction fans know that there are plenty of stories where the protagonist goes up against corrupt cops. Rather, I mean stories in which the police have to look at the way a case has been handled. It’s always uncomfortable to do that, as the cops may be investigating someone they’ve known and liked for a long time. But sometimes it’s indicated, and it can make for a very effective layer of suspense in a story.

For instance, in Reginald Hill’s Recalled to Life, Cissy Kohler has been released from prison after serving time for the 1963 murder of Pamela Westrop. Soon, allegations are made that Kohler was innocent and that Wallly Tallentire, who investigated the case, knew that and hid relevant evidence. Superintendent Andy Dalziel resents that claim bitterly; Tallentire was his mentor, and he is convinced that Tallentire’s conduct was entirely appropriate. He also believes that Kohler was guilty all along. Still, the case is re-opened and a new investigation is made. Dalziel and Peter Pascoe go about it from different angles, but each pursues the real truth about what happened to Pamela Westrop. Throughout the novel, there’s a thread of tension brought on by the reality of investigating a cop whom Dalziel knew and respected for years.

There’s a similar kind of tension in Colin Dexter’s The Remorseful Day. Harry Repp has been released from prison after serving time for burglary. An anonymous tip now alleges that he is also guilty of the two-year-old murder of a nurse Yvonne Harrison. So Superintendent Strange asks Inspector Morse and Sergeant Lewis to re-open the case. Morse seems unusually apathetic about the investigation, so Lewis does a lot of the work. As he looks into the matter, he makes a truly upsetting discovery that seems to show the reason for Morse’s apparent lack of interest in this murder. Dexter makes it clear how difficult it is for Lewis to continue the investigation after his find. But of course, this is Colin Dexter, so things are not what they seem.

Louise Penny gives readers a look at what it’s like to be on the receiving end of those sorts of questions in her series featuring Chief Inspector Armand Gamache of the Sûreté du Québec. Beginning with Still Life, the first in the series, we get hints, and later facts, about an earlier case involving Gamache. We later learn that questions about it have been raised.  I don’t want to say more for fear of spoilers. But I can say that this particular story arc lends a solid layer of tension to the novels. Although each of the novels contains a separate murder investigation, the story arc shows that these kinds of questions can go on in the background and can have a profound effect on the life of the subject of them.

Peter Lovesey’s The Last Detective: Introducing Detective Superintendent Peter Diamond has a similar sort of sub-plot. The body of famous TV actor Geraldine ‘Gerry’’ Jackman has been found in Chew Valley Lake not far from Bristol. Superintendent Peter Diamond and his assistant DI John Wigfull investigate the death and they soon find that this is going to be a difficult case. For one thing, it turns out that the victim didn’t die by drowning, and was probably killed elsewhere and brought to the lake. For another, the deeper they dig into her background, the more complications they find. As if that weren’t enough, there’s already somewhat of a cloud over Diamond, resulting from his conduct during an earlier case. He’s very much ‘on probation’ in this investigation and in fact, it’s even arranged for a ‘company spy’ to keep tabs on him.

The murder of Sergeant John White of the Tasmania Police brings on a deep look into his life in Y.A. Erskine’s The Brotherhood. White has the reputation of being very much ‘a cop’s cop.’ Never accused of ‘going dirty,’ always supportive of his colleagues, he is much respected and admired by his peers. One morning he and probationer Lucy Howard respond to reports of a break-in. While they’re at the scene, White is stabbed. The most likely suspect is seventeen-year-old Darren Rowley, who’s been in trouble with the law before. But the police can’t move too quickly here. Rowley is part Aboriginal and from what people call a ‘disadvantaged background.’ The police know that the media is watching everything they do to be certain they ‘play by the rules.’ Besides, there are some hints that something more was going on with this case. As we learn what really happened in the days leading up to the murder, and on the day itself, we also see how the police react when one of their own – someone they really respected – comes under the proverbial microscope.

And then there’s Annie Hauxwell’s  In Her Blood. In that novel, London investigator Catherine Berlin has been building up a case against loan shark Archie Doyle. She’s been working with an informant who goes by the name of Juliet Bravo. One day ‘Juliet’ is found dead in Limehouse Basin. Berlin feels responsible for putting her informant at risk, so she takes a special interest in finding out who killed her. Soon, though, she finds herself suspended for not following protocol with regard to her interactions with her informant. But she wants to know the truth about ‘Juliet’s’ death. Then, Berlin faces a personal crisis. She’s a registered heroin addict who’s been getting her supply from Dr. George Lazenby under the registered addicts program. One afternoon she goes to his office to keep her regular appointment only to find him dead and herself a suspect in his murder. With only seven days’ supply of the drug left, she’ll have to clear her name as quickly as she can, before withdrawal sets in. In the end, she finds out the truth behind Lazenby’s murder and how it ties in with ‘Juliet’s’ murder. She also discovers some things best left unknown about some of her colleagues.

There are also novels such as Ian Rankin’s The Complaints that deal with internal investigations of police. It’s difficult to have the responsibility of ‘policing the police,’ and those who do so don’t necessarily have a lot of friends in the rest of the department. But it’s a fact of police life.

It’s always difficult when questions are raised about a colleague, especially if that colleague is someone you’ve liked and respected. It’s even worse when it’s a member of the police force, who are supposed to be worthy of public trust. When it happens in real life it’s distressing for everyone. When it happens in crime fiction, it can add suspense to a story. Which gaps have I left?

 

 
 

*NOTE: The title of this post is a line from REO Speedwagon’s Take it on the Run.

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Filed under Annie Hauxwell, Colin Dexter, Ian Rankin, Louise Penny, Peter Lovesey, Reginald Hill, Y.A. Erskine