Category Archives: Surender Mohan Pathak

One Little Choice*

In many stories, there’s a point of decision. And that decision has consequences that drive the rest of the plot. It may not seem like a momentous decision at the time the character takes it, but it often turns out to make all the difference in the story.

Certainly, we see those sorts of moments in crime fiction. For example, in Agatha Christie’s The Man in the Brown Suit, we are introduced to Anne Bedingfield. Her father has recently died, leaving her with very little money. She doesn’t envision a life for herself as, say, a typist. And she’s not really interested in settling down and marrying. She’s a bit at loose ends when she happens to witness a tube accident in which a man falls (or is pushed) under an oncoming train. Anne happens to pick up a piece of paper that the dead man had in his pocket, and soon works out that it refers to the upcoming sailing of the Kilmorden Castle for Cape Town. On impulse, she goes to a travel agency and books passage on the ship. That decision turns out to have important consequences for her, as she ends up caught in a web of intrigue, smuggled gems, and murder.

William Hjortsberg’s historical (1959) novel Falling Angel is the story of a low-rent New York private investigator named Harry Angel. One day, he gets a call from the upmarket law offices of McIntosh, Winesap, and Spy. It seems that one of their clients, Louis Cyphre, wants to find a man named Jonathan Liebling. Better known as Johnny Favorite, Liebling was a gifted jazz musician. Cyphre says that he helped Johnny Favorite at the start of his career, in return for which he was promised certain ‘collateral,’ which he doesn’t specify. Then, Liebling was drafted into service in World War II. He returned from the war physically and emotionally badly damaged, and was placed in a psychiatric hospital. Then, he disappeared from the hospital. Now, Cyphre wants to find him. Angel’s decision to take the case and look for Johnny Favorite turns out to have major consequences, and drives the rest of the plot. He ends up caught in a case of horror, multiple murder, and worse.

In Pascal Garnier’s The Front Seat Passenger, the police inform Fabien Delorme that his wife, Sylvie, has died in a car crash. Delorme will miss his wife, but their marriage hadn’t been a loving one for some time. What’s worse, in his mind, is that Sylvie was not alone in the car. She had taken a lover, Martial Arnoult, who also died in the crash. Against his better judgement, Delorme sneaks a look at the information the police have on Arnoult. That’s how he learns that Arnoult left a widow, Martine. Delorme’s decision to peek at that information, and then act on it, turns out to be a fateful one. He becomes obsessed with Martine, and it’s not long before things spiral completely out of control for both of them.

Paddy Richardson’s Traces of Red is the first to feature Wellington television journalist Rebecca Thorne. She’s at a crossroads in her career, and wants to cement her position at the top of New Zealand journalism. It’s not going to be easy, as there are younger, ‘hungry’ journalists coming up the ranks. Then, she learns about a possible story that could exactly what she needs. Connor Bligh has been in prison for years for the murder of his sister, Angela Dickson, her husband, Rowan, and their son, Sam. Only their daughter, Katy, survived, because she wasn’t home at the time of the killings. Now, little pieces of evidence suggest that Bligh might be innocent. If that’s true, it’s a major story. Several people caution Thorne against pursuing the story. But she decides to go after it. Doing so has real personal and professional consequences for her, and for other people in her life.

And then there’s Surender Mohan Pathak’s The Colaba Conspiracy. In it, former safecracker/lockbreaker Jeet Singh has ‘gone straight,’ and now owns a Mumbai kiosk where he makes keys. Then, he gets a call from a former underworld connection, offering him quite a lot of money if he agrees to do a job. Singh refuses outright. He doesn’t want to have any more to do with police or prison. Not long afterwards, he gets a visit from his former lover, Sushmita. She tells him that her wealthy husband died in what looked like a carjacking gone wrong. It’s since been proved to be a murder, and she’s suspected of hiring the killer. She has a good motive, too, as she stands to inherit a fortune. Now, she needs a good lawyer to help her clear her name, and she asks Singh for help. He’s still more than half in love with her, although she broke his heart. So, he agrees to get the money she needs. That decision draws Singh into the underworld again, and ends up putting him under suspicion of murder.

A decision may seem like a trivial one on the surface. But sometimes, even those smaller decisions can lead to very big consequences. And those consequences can be dangerous…

 
 
 

*NOTE: The title of this post is a line from Dave Malloy’s Hero.

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Filed under Agatha Christie, Paddy Richardson, Pascal Garnier, Surender Mohan Pathak, William Hjortsberg

A Tiger is a Tiger, Not a Lamb*

Isn’t this wombat cute? I think so, too. But don’t let that fool you. Wombats are extremely strong, have sharp teeth, and can be very aggressive and destructive. That’s part of why they’re best left in their natural habitat. It’s a big mistake to be blind to what wombats can really be like.

The same is true of people. I think most of us would like to believe the best about the people in our lives. That’s arguably part of the reason we make excuses, at least to ourselves, for the way some people behave (e.g. ‘Yes, she’s very short-tempered, but look how creative she is!’). And sometimes, that way of thinking can allow us to work with others productively, even if we’re aware of their faults. And, in any case, no-one’s perfect.

It can be a mistake, though, to ignore others’ character traits, or to think that someone will change a fundamental trait (e.g. ‘I know he cheated on her, but it’ll be different with me.’). Making those sorts of excuses can lead to all sorts of sad consequences. And in crime fiction, it can lead to disaster.

For example, in Agatha Christie’s Five Little Pigs (AKA Murder in Retrospect), Hercule Poirot investigates the sixteen-year-old poisoning murder of famous painter Amyas Crale. At the time of Crale’s death, it was believed that his wife, Caroline, was responsible, and she certainly had motive; he was having a very obvious affair. In fact, Caroline was arrested, tried, and convicted in connection with the murder. But now, their daughter Carla wants to clear her mother’s name. So, Poirot interviews the five people who were on the scene at the time of the murder. He also gets written accounts of what happened from each one. Using the interviews and accounts, he works his way towards the truth of the matter.  As the story goes on, we learn more about the victim’s character. For him, his art was the most important part of his life. In fact, he even warned his mistress, Elsa Greer, not to believe in him or trust him, except for his art. She didn’t listen to him, though, and took their relationship far more seriously than he did. She believed they would marry as soon as Crale divorced his wife. Her refusal to see Crale for what he was caused all sorts of conflict and tragedy that play a role in the story.

In Megan Abbott’s Die a Little, we are introduced to former Hollywood dressmaker’s assistant Alice Steele. She meets Bill King, a junior investigator for the district attorney’s office, and the two begin a relationship. Bill’s brother, Lora, a Pasadena teacher, isn’t enthusiastic about Alice at first, but she puts that down to her protectiveness about her brother. Even so, as she gets to know Alice, Lora begins to have questions. Alice and Bill marry, and Lora tries to be nice to her new sister-in-law, but the questions and concerns won’t go away. The more she learns about Alice, the more repulsed Lora is by Alice’s life. At the same time, though, she is drawn to it. And she comes to have, as she sees it, fewer and fewer illusions about her sister-in-law. Bill doesn’t share her concerns, though, and Lora knows that he doesn’t see Alice for what she is. Then, there’s a murder, and it looks very much as though Alice might be mixed up in it. Telling herself she’s looking out for her brother, Lora starts to ask questions. In the end, refusal to see things as they are ends up wreaking havoc.

Will Thomas’ Fatal Enquiry is the sixth in his series featuring London PI Cyrus Barker and his assistant, Thomas Llewellyn. In the novel, Scotland Yard Inspector Terence Pool goes to Barker with an odd request. It seems that the British government has granted immunity to Sebastian Nightwine, and that he will be returning to London at the government’s request, so as to take part in a top-secret mission. Nightwine has indicated that he’s afraid he’s in danger from Barker. It was Barker’s discovery of some of Nightwine’s crimes that caused him to flee England in the first place. Now that he’s returning, he’s concerned that Barker represents a threat to him. Pool warns Barker to stay away from Nightwine. But Barker strongly suspects that Nightwine has his own agenda, and may even have a major criminal plan underway. To Barker, the government is naïve in not acknowledging the sort of person Nightwine is, and that naivety will lead to disaster. So, he does a little checking, and discovers that he’s right. Before he can do anything about it, though, he’s neatly framed for a murder. Now, the police are after him, and so are Nightwine’s people. So, with help from Llewellyn, Barker’s going to have to clear his name and stop Nightwine if he can.

Lynda La Plante’s Above Suspicion is the first of her Anna Travis novels. In it, Travis has recently been promoted to the rank of Detective Sergeant (DS), and has joined the Murder Squad at Queen’s Park, London. The team is facing a very perplexing case. The body of seventeen-year-old Melissa Stephens has been discovered, and her murder is similar in many ways to six other deaths the team is investigating. But there are some major differences. For one thing, the other victims were all prostitutes, and Melissa wasn’t. For another, the other victims were all older; Melissa was a teenager. Still, it’s certainly possible that all seven women were killed by the same person. Gradually, the team comes to believe that a man named Alan Daniels is that person. But that possibility presents several challenges. Daniels is a beloved television actor who’s about to ‘make it’ in films. Any public aspersions on him will not be taken kindly. What’s more, there’s no conclusive evidence against the man. And, Daniels is wealthy and well-connected. He can afford the best legal representation, and the team risks a lot of public embarrassment (and more) if they botch this case. As a part of the investigation, Travis gets to know Daniels, even seeing him socially. All of this is planned by her team, but that doesn’t mean it’s not risky. And, as she sees more of him, Travis has to consider what sort of person he is, and whether there’s a ruthless killer underneath his charming surface. He is charming and attractive, and Travis needs to remind herself, more than once, not to make excuses for him.

And then there’s Surender Mohan Pathak’s The Colaba Conspiracy, which features a locksmith named Jeet Singh. He’s a former safecracker/lockbreaker who’s ‘gone straight,’ and now operates a keymaking kiosk in Mumbai. One day, he gets an unexpected visit from his former lover, Sushmita, who asks for his help. It seems that her husband, wealthy industrialist Pursumal Changulani, has been killed in a planned murder disguised as a carjacking gone wrong. Sushmita says that she’s being accused of hiring a killer, so she could inherit her husband’s money. Now, she needs her name cleared. For that, she needs money, and that’s why she’s come to Singh. He’s still at least partly in love with Sushmita, so he agrees to do what he can. And that means taking on one more illegal job, so that he can earn some quick money. He knows that Sushmita broke his heart, callously (to him) marrying another man because he was very rich, and Singh is not. But he refuses to really see her for what she is, and that leads to all sorts of trouble in this novel.

And that’s the thing about not seeing people for what they are. Most of us acknowledge that everyone has faults. But we sometimes ignore troubling character traits. And that can cause real trouble. So…be careful if you pet a wombat.

 
 
 

*NOTE: The title of this post is a line from John Kander and Fred Ebbs’ Mein Herr.

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Filed under Agatha Christie, Lynda La Plante, Megan Abbott, Surender Mohan Pathak, Will Thomas

Everybody in the World Likes Chocolate*

Recently, FictionFan, at FictionFan’s Book Reviews, conducted an interesting scientific study of chocolate. Using the My Life in Books meme from Adam at Roof Beam Reader, Fiction Fan compared two sets of data. One set, collected before eating any chocolate, was an initial list of responses to the My Life in Books prompts. Then, FictionFan provided answers to the same prompts after eating chocolate. As you can clearly see from FictionFan’s answers, there was a definite positive effect of chocolate on mood.

Of course, any study ought to be replicated, if possible, in order to lend support to the results. So, I decided to do just that. Like FictionFan, I collected two sets of data: one was collected before eating chocolate, and the other after. My own data is presented below:

 

Prompts

Before Chocolate

After Chocolate

In high school, I was:

Among Thieves

In Like Flynn

People might be surprised (by):

The Colaba Conspiracy

[What] Harriet Said

I will never be:

You

Wife of the Gods

My fantasy job is:

Nunslinger

An Easy Thing

At the end of a long day, I need:

Burial Rites

A Jarful of Angels

I hate it when:

Days are Like Grass

Not a Creature Was [is] Stirring

Wish I had:

The Frozen Shroud

Greenlight

My family reunions are:

Murder and Mayhem at Honeychurch Hall

Above Suspicion

At a party, you’d find me with:

The Hidden Man

Ruby and the Blue Sky

I’ve never been to:

The Cemetery of Swallows

China Lake

A happy day includes:

Dead Lemons

Crystal Ball Persuasion

Motto I live by:

Can Anybody Help Me?

Happiness is Easy

On my bucket list is:

Talking to the Dead

The Dawn Patrol

In my next life, I want to have:

A Moment’s Silence

A Three-Pipe Problem

 

As you can see, chocolate also had a positive effect on my mood. Now, of course, this study is limited, as all studies are. For one thing, I made use of Belgian chocolates for this research. Other sources and types of chocolates would have to be studied to really confirm the hypothesis that chocolate enhances one’s mood. For another thing, FictionFan’s data and mine are only two iterations of this study. More researchers would be needed, to rule out effects based on any similarities between me and FictionFan (I mean, we are both crime fiction readers, etc..). There are other limitations, too, as any academician can tell you.

That said, though, I think it’s safe to say that this study certainly lends support to FictionFan’s conclusion that chocolate has mood-enhancing effects. Anyone else care to take part in this all-important research?

Thanks, FictionFan, for your groundbreaking study!

 
 
 

NOTE: The title of this post is a line from Soul Control’s Chocolate (Choco Choco).

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Filed under Babs Horton, Beryl Bainbridge, Christopher Abbey, Don Winslow, Edney Silvestre, Finn Bell, Gordon Ell, Hannah Dennison, Hannah Kent, Harry Bingham, Jane Haddam, Jean-Denis Bruet-Ferreol, John Clarkson, Julian Symons, Katherine Dewar, Kwei Quartey, Lynda La Plante, Meg Gardiner, Paco Ignacio Taibo II, Rhys Bowen, Robin Blake, Sinéad Crowley, Stark Holborn, Sue Younger, Surender Mohan Pathak, Zoran Drvenkar

What I Didn’t Realise Was How You Would Change My Life*

One of the most common types of blended families is the stepfamily. In fact, there’ve been stepparents and stepchildren for so many years that we could even think of it as one of the traditional family structures.

Blending a family in this way can work, especially if everyone involved is willing to be flexible. But ‘stepping’ almost always presents challenges, even when family members love one another, and really want the relationships to be successful. And when there’s spite or malice, things can turn very bad, indeed.

There’ve been many, many crime novels that involve stepfamilies. One post couldn’t possibly do the topic justice. But I’ll mention a few examples, to start the conversation. Oh, and you’ll notice I don’t include examples of what a lot of people call domestic noir. Too easy…

Agatha Christie used stepfamilies many times in her work, so there are several examples. One is Evil Under the Sun. In that novel, Captain Kenneth Marshall and his daughter, Linda, travel to the Jolly Roger Hotel on Leathercombe Bay for their holiday. With them is Marshall’s second wife (and Linda’s stepmother), famous actress Arlena Stuart Marshall. It’s soon clear that Linda dislikes her stepmother heartily. It’s not so much that Arlena is cruel to her, but she is self-involved, and mostly, she ignores Linda. What’s worse, Arlena is beautiful and graceful, and Linda is at an awkward point in her life, as young people often are at sixteen. One day, Arlena is found strangled in a cover not far from the hotel, Linda becomes a ‘person of interest,’ as does her father. Hercule Poirot is also staying at the hotel, and he works with the police to find out who killed the victim and why. And as far as the ‘evil stepmother’ stereotype goes, there’s Christie’s Appointment With Death

In Ellery Queen’s The Origin of Evil, we are introduced to the Priam family. Roger Priam and his business partner Leander Hill ran a successful company for years. But then, they both began receiving macabre ‘gifts’ that unsettled them. In fact, Hill died of a heart attack shortly after getting one of them. Hill’s daughter, Laurel, asks Ellery Queen  to find out who has sent the parcels, because she believes her father’s death is directly related to them. At first, Queen demurs, but he’s finally persuaded. When he learns that Priam also received packages, he tries to get his help. But Priam is unwilling to get involved at first. Still, Queen meets Priam’s wife, Delia, and her son, Crowe ‘Mac’ MacGowan. Mac is a very unconventional person. He lives in a treehouse he’s made on the Priam property, and wears as little as possible – sometimes nothing at all. He’s convinced that nuclear bombs are about to be unleashed (the book takes place in the early 1950s, during a particularly tense part of the Cold War), and wants to be ready to live in a world where not much is left. Priam has little to do with his stepson; he’s a businessman through and through. There’s an interesting, if dysfunctional, dynamic in the Priam household…

James M. Cain’s Double Indemnity begins when insurance sales representative Walter Huff decides on a whim to visit one of his clients, H.S. Nirdlinger. Huff happens to be in that area, and wants to see if he can get Nirdlinger to renew his policy. When Huff gets to the house, he finds that Nirdlinger isn’t there, but his wife, Phyllis is. The two get to talking and Huff soon finds himself attracted to her. She does nothing to discourage him, and before long, they’re having an affair. Then, Phyllis reveals that she wants her husband killed. By this time, Huff is so besotted that he falls in with her plan, even going so far as to write the double indemnity insurance policy she’ll need in order to collect from the company. The murder is duly pulled off, but that’s really only the beginning of Huff’s problems. He’s going to have to protect Phyllis as best he can if he’s going to protect himself. Then, he meets Phyllis’ stepdaughter, Lola. The two form a friendship (which Huff would like to be more than a friendship), and Lola tries to warn him about her stepmother. There is no love lost between the two, so there’s a possibility her attitude might simply be spite. But it turns out that Huff is in much deeper than he thought…

M.J. McGrath’s White Heat is the first in her series featuring Ellesmere Island hunting guide Edie Kiglatuk. As the story begins, Kiglatuk is escorting two hunters, Felix Wagner and Andy Taylor. During the trip, Wagner is fatally shot. Taylor says he’s not responsible, and the evidence supports him. So, at first, the death is put down to a tragic accident. But Kiglatuk is fairly certain that’s not the truth. Evidence that she saw suggests that another person shot Wagner. But she’s told that the Council of Elders, on whom she depends for her guide license, wants the ‘accident’ explanation ‘rubber stamped.’ Still, she starts to ask some questions. There’s not much she can do officially, but she tries to get answers. Then, there’s a disappearance. Then, her former stepson, Joe, with whom she’s still close, dies. On the surface, it looks like a suicide. But Kiglatuk is now sure that it was murder. In the end, we learn what connects all of these events; it turns out that there’s something much bigger going on than most people knew. The relationship between Kiglatuk and Joe is an undercurrent throughout the novel. It’s clear that they see each other as family, and take care of each other as close family members do. Not much of the ‘wicked stepmother’ stereotype here…

There’s also Surender Mohan Pathak’s The Colaba Conspiracy. In that novel, former safecracker/lockbreaker Jeet Singh has decided to ‘go straight.’ He now owns and runs a small keymaking business. Everything changes, though, when he gets drawn into just one last job, for the sake of his former lover Sushmita. She married wealthy industrialist Pursumal Changulani, but now, he’s been murdered. At first, the murder looked like a carjacking gone wrong. But now, there’s evidence that it was a pre-planned murder. Sushmita is the main suspect, since her husband’s death means she now stands to inherit a considerable fortune. However, Changulani has three children from a previous marriage, and they claim that she was never legally married to their father. They argue that their stepmother was really just their father’s live-in lover. Sushmita needs money to pay a good lawyer to defend her interests, so Singh decides to help her. He ends up, though, being framed for murder. Throughout the novel, it’s interesting to see how stepmother and stepchildren view each other when a lot of money is involved.

Many stepfamilies work well, function as a unit, and love each other (right, fans of Gail Bowen’s Joanne Kilbourn Shreve?). But there are always some complexities, and sometimes, they play out in unexpected ways.
 
 
 

*NOTE: The title of this post is a line from Peter Andre’s Unconditional.

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Filed under Agatha Christie, Ellery Queen, Gail Bowen, James M. Cain, M.J McGrath, Surender Mohan Pathak

In The Spotlight: Surender Mohan Pathak’s The Colaba Conspiracy

Hello, All,

Welcome to another edition of In The Spotlight. Surender Mohan Pathak is a prolific Indian writer with a long list of crime novels to his credit. He’s written several series, as well as some standalone thrillers, and this feature can only be broadened by including one of his novels. Let’s do that today and turn the spotlight on The Colaba Conspiracy, the seventh of his Jeet Singh series.

Singh is a former safecracker/lockbreaker who’s determined to go straight. As the story begins, he owns a Mumbai kiosk where he makes and sells keys. One day, he gets a call from a former underworld connection, offering him a considerable amount of money if he agrees to do a job. Singh refuses categorically; he doesn’t want any police attention. Then, he gets word that a local taxi driver named Gailo, who also knows about his past life, wants him to do a job. And this isn’t just any job; it’ll be lucrative, but it’ll put both men up against some dangerous criminals whose money they’ll be taking.

On the one hand, Singh feels he owes Gailo, who was partially responsible for keeping him out of prison on his last job. On the other hand, he is serious about wanting to go ‘straight.’ So, while he agrees to at least think about Gailo’s job offer, he initially refuses.

Everything changes when Singh gets an unexpected visit from his former lover, Sushmita, who broke his heart by marrying wealthy industrialist Pursumal Changulani, a man much older than she is. Now, Changulani has been murdered, and she needs Singh’s help. At first, the murder looked like a carjacking gone horribly wrong. But there’s now evidence that this death was pre-planned. In fact, it’s believed that someone paid some hired assassins to do the job. And Sushmita is suspected, since his death would mean she stands to inherit quite a bit of money.

There’s worse, though. Changulani has three children from his first marriage: two sons, Alok and Ashok; and a daughter, Shobha. Those three, and Shobha’s husband, Lekhumal, have every motivation to ensure that their stepmother gets nothing from their father’s will. So, they’ve claimed that she and the victim were never legally married. If that’s true, then she can’t inherit.

Sushmita has no access to money right now, so she needs financial help. What’s more, she wants it proved that she was, in fact, married to Changulani, and therefore, is eligible to inherit. Singh is still more than half in love with Sushmita, so he agrees to see what he can do. Immediately, he contacts Gailo, says that he’s changed his mind, and agrees to do the job he wanted, so that he can earn some quick money.

Singh and Gailo pull off the job, but almost immediately, things go wrong. For one thing, someone seems to know what they did, and makes things very difficult for them. After all, the people they’ve crossed are not nice people. For another, all of the witnesses who could attest to the fact that Sushmita was legally married to Changulani seem to have gone missing. So has any will naming Sushmita in particular as a beneficiary. It’s obvious that someone wants to cover up the murder, frame Sushmita (if she is, in fact, innocent), and frame Singh in the bargain, since he is her former lover.

If he’s to clear his own name, keep the police away, and help Sushmita, Singh is going to have to go up against some dangerous people. And he’s going to have to do things he wouldn’t have imagined.

As you can no doubt already sense, there are several elements of the noir novel in this story. There’s the femme fatale (or is she?), the somewhat down-and-out unlikely protagonist, and a group of people who may or may not be trustworthy (mostly not). There’s also a look at Mumbai’s underworld, as Singh has plenty of contacts among the criminal element.

The story takes place in Mumbai, and Pathak places the reader there in several ways. Culture, daily life, and so on are all distinctly Mumbai. The language is, too. Many of the characters use the speech patterns used in Mumbai English, and Pathak includes some non-English words. That said, though, it’s not difficult to understand either the dialogue or the untranslated words. In that way, and in other ways, the novel has a bit of the feel of a Bollywood thriller.

In many ways, the novel is also a whodunit. We don’t know who killed Changulani, nor why. And the solution isn’t obvious right from the start. And, since this isn’t a police procedural, Singh has to put the pieces together without the benefit of having the law on his side. We do learn who the killer is, though, and readers will have to decide for themselves whether the solution pushes their disbelief too far.

The Colaba Conspiracy is a noir­-style thriller that features criminal underworld elements, an unlikely protagonist who would really rather have just minded his own business, and a beautiful woman at the heart of it all. It’s got a distinctive Mumbai context that adds a touch of Bollywood to the story, and a whodunit mystery. But what’s your view? Have you read The Colaba Conspiracy? If you have, what elements do you see in it?

 
 
 

Coming Up On In The Spotlight
 

Monday, 4 September/Tuesday, 5 September – The Earth Hums in B Flat – Mari Strachan.

Monday, 11 September/Tuesday, 12 September – The Dawn Patrol – Don Winslow

Monday, 18 September/Tuesday, 19 September – Another Margaret – Janice McDonald

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Filed under Surender Mohan Pathak, The Colaba Conspiracy