Category Archives: T.J. Cooke

Driving Me to the Airport and to the Friendly Skies*

Modern security has changed a lot about airport experiences. But, if you think about it, they’re still places where hundreds of thousands of people pass through. If you bring all of these disparate people together, any number of things can happen. And they do. I’m sure you have your own stories that could start this way: ‘I was at the airport, when…’ Airports are like that.

It’s little wonder, then, that airports figure so often into crime fiction. For one thing, plenty of people use them; an airport experience is a real-life sort of thing. For another, there are many possibilities for interactions, conflict, suspense, and more.

Agatha Christie’s Passenger to Frankfort, for instance, begins as Stafford Nye, a low-level British diplomat, is waiting in an airport. A young woman approaches him and tells him that her life is in danger, and that she needs to flee the country. At first, Nye refuses to help her, but she persists. Finally, he relents and allows her to use his passport and diplomatic credentials (I know – that would never happen in today’s airline travel). Before long, that chance encounter (or was it really by chance?) draws Nye into a web of international intrigue and murder. Behind it all is a shadowy group bent on world domination. This one isn’t, perhaps, one of Christie’s best. But the airport scene shows that you never can tell what will happen in an airport.

Scott Young’s Murder in Cold Climate features Matthew ‘Matteesie’ Kitologitak of the RCMP. As the novel opens, he’s at the airport in Inuvik, on the first leg of a trip to his home in Ottawa. His plan then is to travel to an international conference. Instead, he gets a call from his boss, who wants him to look into the disappearance of a Cessna that was carrying three men. Matteesie agrees to see what he can find out, and gets on board his flight, which is heading to Edmonton. On the same flight is a Native Activist named Morton Cavendish. When the plane stops at the Fort Norman airport, a gunman forces his way onto the plane and shoots Cavendish. Matteesie was a witness to the murder, and in any case, he knew Cavendish. So, he wants to find out who the killer is. And it turns out that this murder may very well be related to the missing Cessna case that Matteesie’s already investigating.

In Karin Fossum’s Calling Out For You (AKA The Indian Bride), we are introduced to Gundar Jormann. He’s lived a very quiet life in the Norwegian village of Elvestad. There, he has the reputation of being a steady worker and a good man, if not exactly brilliant or scintillating. When Jormann decides he wants to get married, people are surprised, although, as he sees it, he’s not a proverbial bad catch. But when he decides to go to Mumbai to find his bride, everyone’s shocked. He goes ahead with his plans, though, and makes the trip. There, he meets Poona Bai, and it’s not long before he is smitten with her. After a short time, he proposes to her, and she accepts. But she needs some time to manage the details of leaving India and getting to Norway. So, the plan is for Jormann to go back to Elvestad and meet his bride at the airport when she arrives. His plans have to change, though, when his sister, Marie, is involved in a car accident. Since he can’t leave Marie’s side, he asks a friend to meet Poona at the airport. His friend duly travels to the airport and waits for Poona. But the two miss each other. If you think about it, that’s not an impossible scenario, since they don’t know each other, and since airports can be busy, crowded place. The next morning, Poona’s body is found in a field not far from Jormann’s home. Oslo police inspector Konrad Sejer and his assistant, Jacob Skarre, investigate the murder. They find that several people in Elvestad aren’t telling everything they know.

Anthony Bidulka’s Aloha Candy Hearts begins as Saskatoon PI Russell Quant visits Hawai’i. He’s there to spend time with his partner, Alex Canyon, who’s based in Melbourne. When the visit’s over, Quant goes to the airport to return to Saskatoon. While he’s there, he meets an enigmatic stranger named Walter Angel, who turns out to be an archivist. Angel slips a cryptic message, much like a treasure map, into Quant’s hand luggage; shortly afterwards, he is murdered. Quant uses the message he was giving to try to find out who would have wanted to kill the victim. It turns out that this death is related to some secrets that are based back home in Saskatoon.

In T.J. Cooke’s Kiss and Tell, London attorney Jill Shadow gets a call from a custody sergeant at Heathrow Airport. It seems that a young woman named Bella Kiss has been caught carrying drugs into the country. She insists on talking to Shadow. Although Shadow’s never met the woman before (even the name is unfamiliar), she goes along to the airport. When she meets Bella, she hears a little of the story. Bella admits to bringing drugs into the country, but she won’t say who paid or coerced her. It’s obvious that she fears for her life, and she wants Shadow to help her. At the same time, she’s uncooperative. So, Shadow has to find out the answers for herself. And they lead to some dangerous high places.

See what I mean? Airports are busy places where a lot happens at once, and where thousands of people are at the same place at the same time. Anything can happen there, so it’s little wonder they’re present in crime fiction.

 
 
 

*NOTE: The title of this post is a line from Crosby, Stills, & Nash’s Just a Song Before I Go.  

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Filed under Agatha Christie, Anthony Bidulka, Karin Fossum, Scott Young, T.J. Cooke

Know the Word’s ‘Discreet’ With Part-Time Lovers*

A police investigation is supposed to be objective. That is to say, individual police are not supposed to investigate cases if they have close ties to one of the people involved (e.g. the victim, or one of the suspects). That makes sense, too, especially if that relationship makes the police officer a ‘person of interest.’

And, yet, if you look at crime fiction, you see several novels and stories in which the sleuth does have a close tie to either the victim or a suspect. Whether or not that plot point works depends a lot on the author’s way of handling it. Sometimes, it can be successful. Sometimes, it pushes the limits of credibility. I was reminded of this by an interesting comment exchange with Bill Selnes, at Mysteries and More From Saskatchewan. You’ll want to make that excellent blog one of your blog stops; I know it’s a must-visit for me. It’s a treasure trove of rich reviews and news about, especially, Canadian crime fiction.

In Agatha Christie’s The Murder on the Links, Hercule Poirot receives a letter from Paul Renauld, a Canadian émigré to France. In the letter, Renauld claims that his life is in danger, and makes reference to a secret that he has. He then pleads for Poirot to come to his aid. Poirot and Captain Hastings make the trip to France, only to find that Renauld has been killed. The investigation is in the hands of M. Giraud of the Sûreté, but Poirot feels an obligation to his now-dead client, so he looks into the matter. It turns out that there’s more than one possible suspect, and Poirot’s task is not made any easier by the relationship that Hastings develops with one of the ‘people of interest’ in the case.

Scott Turow’s Presumed Innocent introduces readers to Rožat ‘Rusty’ Sabich, a Deputy Prosecutor for Kindle County, and a respected attorney. When another prosecuting attorney, Carolyn Polhemus, is murdered, the rest of the team goes full out to find her killer, and Sabich is put in charge of the investigation.  What he doesn’t tell anyone, though, is that he had an intimate relationship with the victim. It didn’t last, and it was over by the time she was killed. But it still puts Sabich very, very close to the case. Still, the investigation gets underway, and it soon comes out that Polhemus had a complicated personal life, as well as a complex past. So, there are several possible leads. Then, Sabich’s boss, Raymond Horgan, learns of Sabich’s affair with the victim. He immediately takes Sabich off the case and replaces him with another prosecutor, Tommy Molto. Sabich’s decision to keep quiet about his relationship adds fuel to the proverbial fire when he himself becomes a suspect, and ends up on trial for the murder.

T.J. Cooke’s Defending Elton features solicitor Jim Harwood. He gets involved in a case of murder when the body of Sarena Gunasekera is found at the bottom of a cliff at Beachy Head, near Eastbourne. It’s soon clear that the victim was murdered (i.e. this isn’t a case of an accidental fall or a suicide). The most likely suspect in the case is a mentally troubled young man named Elton Spears. He has a history of inappropriate contact with women, and he was known to be in the area at the time of the death. Spears is unable to defend himself against the charges; in fact, he’s quite inarticulate. Still, Harwood knows the young man, and takes the case. He works with his colleague, Loren Granger, and with barrister Harry Douglas to clear Spears’ name. All along, though, there’s a secret relationship with the victim that’s woven through the novel, that profoundly impacts the case, and that would change everything, were it known.

Lynda La Plante’s Above Suspicion is the first of her Anna Travis novels. In it, Travis joins the Murder Squad at Queen’s Park, London, just as the team is investigating a series of murders. Thus far, the victims have been older prostitutes. This time, though, the victim is seventeen-year-old Melissa Stephens. There is a possibility that the killings were committed by the same person; many things about the deaths are the same. But this victim was not only young, but also not a prostitute. So, it’s just as likely that she was killed by someone else. Detective Chief Inspector (DCI) James Langton, Travis, and the rest of the team work to find out the truth. One very likely suspect is beloved television actor Alan Daniels. But the team will have to be very careful. Daniels, is wealthy, charming, and well-connected. If he’s the killer, the team will have to have incontrovertible evidence. Daniels and Travis meet, and he wants to see her to ‘help out the case’ if he can. On the one hand, Travis doesn’t lie about his interest in her (and, truth be told, she finds him intriguing, too). Her colleagues know that she sees him socially; in fact, they use that opportunity to support her as she tries to get information from him. On the other hand, more than once, she doesn’t tell her colleagues about every time that he calls and visits. It’s a very delicate situation, especially if Daniels is the killer. And it leads to some real tension in the story.

And then there’s Gordon Ell’s The Ice Shroud. That’s the novel that sparked the comment exchange I had with Bill. The body of Edie Longstreet is retrieved from the icy waters near Queenstown, on New Zealand’s South Island. Detective Sergeant (DS) Malcolm Buchan has recently moved from Dunedin to head the local Criminal Investigation Bureau (CIB). This is his first murder investigation with this team (although not his first murder case), so he wants to ‘make good.’ As the team looks into the killing, Buchan chooses not to tell anyone that he had an intimate relationship with the victim. It ended amicably, and was completely over before she was killed. Still, he says nothing about it. On the one hand, that does, as Bill says, add tension to the story. On the other, it compromises the investigation, and you could argue that it’s not realistic.

And that’s the thing. If the author is going to include such a ‘hidden relationship,’ it’s got to be done in a credible way. And that isn’t easy to do. Thanks, Bill, for the inspiration.

 
 
 

*NOTE: The title of this post is a line from Stevie Wonder’s Part-Time Lover.

 

 

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Filed under Agatha Christie, Gordon Ell, Lynda La Plante, Scott Turow, T.J. Cooke

Be My Bodyguard*

In Agatha Christie’s Murder on the Orient Express, successful American business magnate Samuel Ratchett is making a journey across Europe on the famous Orient Express train. When Ratchett learns that Hercule Poirot is on the same train, he makes an unusual proposal. He wants to hire Poirot as a sort of bodyguard, since he feels threatened. Poirot refuses, angering Ratchett. It turns out Ratchett was right to be concerned, though, because he’s stabbed to death the next night. The only possible suspects are the other passengers in the first-class carriage, and Poirot works to find out who the killer is.

Perhaps we can’t easily imagine Poirot in the role of bodyguard, but there are plenty of people who work in that capacity, in real life as well as crime fiction. They’re professionals, but at the same time, they aren’t law enforcement officers or PIs. So, they fill interesting roles, and they can be interesting characters. And situations that call for bodyguards can add real tension to a story.

In Robert Colby’s novella No Experience Necessary, we are introduced to Glenn Hadlock. He’s recently been released from prison, so his job choices are limited. Then, he sees an advertisement that catches his attention. Victor Scofield is looking for a bodyguard/chauffer for his wife, Eileen. Hadlock decides to apply, and is granted an interview. He learns that Scofield is permanently disabled, and can’t leave his room. But, he says, he doesn’t want to impose the same limitations on Eileen. So, he’s decided to hire someone to escort her. Hadlock gets the job, and at first, everything goes well. The pay is good, he gets a free apartment in the Scofield mansion, and Eileen is pleasant company. But it’s not long before Hadlock discovers that this job has a lot of hidden dangers…

There are plenty of dangers for bodyguard Martin Lemmer, too, whom we meet in Deon Meyers’ Blood Safari. He works for a Cape Town private security firm called Body Armour, and he’s had his share of risky experiences. But he gets in much deeper than he thought when Emma Le Roux hires him to escort her from Cape Town to the Lowveld. She’s following up on a lead that could help her locate her brother, Jacobus. She’d thought he was killed years ago in a skirmish with poachers, while he was working at Kruger National Park. It turns out, though, that he may very well still be alive. If so, she wants to find him. Lemmer goes with her, and soon learns that some extremely dangerous people are determined not to let anyone find out the truth about Jacobus Le Roux. Lemmer’s going to need all of his skills if he’s going to keep himself and his client alive.

In Jassy Mackenzie’s Random Violence, we are introduced to Jade de Jong. Ten years before the events of the novel, she left her native Johannesburg when her police-detective father was killed. She went to the UK, where she spent several years working in private security and bodyguarding. Since then, she’s become a PI. So, she’s well able to take care of herself. But even she’s not prepared for what awaits her when she goes back to Johannesburg. Annette Botha has been killed in what looks like a carjacking gone wrong. But then, there’s another murder. And another. The three deaths don’t seem on the surface to be linked, but there are little pieces of evidence that they might be. Police Superintendent David Patel, who was a friend of de Jong’s father, is glad she’s back in town, and grateful for her help in the investigations. And, in the end, Patel and de Jong find that the three murders are, indeed, linked, in a way they hadn’t imagined.

When key police witnesses are believed to be in danger, they’re often provided ‘safe’ accommodations and bodyguard protection. That’s what happens in T.J. Cooke’s Kiss and Tell. In that novel, London attorney Jill Shadow becomes involved in a web of drugs trafficking, high-level corruption, and murder when she gets an unusual request. Bella Kiss has been arrested at Heathrow Airport on suspicion of drugs smuggling. She doesn’t deny the charges, but won’t say anything about who paid/coerced her to carry the drugs. And Shadow’s been asked to do what she can to defend the young woman. It’s clear that Bella is afraid for her life, and Shadow wants to help her. But it’s not going to be easy, since this client isn’t saying anything. Bit by bit, and after a murder, Shadow comes closer to the truth, and it gets her into grave danger – so grave that she has to be taken to a safe house. There’s she’s provided with a bodyguard/procurer called Ralph, who is her only link to the outside world. And we see how important that protection becomes when some powerful and nasty people target Shadow.

And then there’s Peter James’ Not Dead Yet, which in part tells the story of superstar Gaia Lafayette. A native of Brighton, she’s returning from the US to her home town to do a film. There’s already been at least one attempt on her life, so her personal security is a major issue. She has an entourage that includes personal bodyguards, but her representatives want to be assured of her safety during her stay at Brighton. So, Superintendent Roy Grace is told that the local police will need to make the star’s safety a priority. This isn’t good news for Grace, who’s already dealing with a bizarre murder. But the authorities don’t want there to be any questions about the town’s willingness to protect visitors. So, the word comes down that Grace will have to manage as best he can. And it’s interesting to see the relationship between the police who are supposed to protect the visitors, and the personal bodyguards who have the same charge.

Bodyguards have a unique perspective on security and on their charges. And they certainly have challenging, sometimes dangerous, jobs. That can make for an interesting layer of suspense and character development in a crime novel. Which ones have stayed with you?

 
 
 

*NOTE: The title of this post is the title of a song by Robyn Hitchcock.

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Filed under Agatha Christie, Deon Meyer, Jassy Mackenzie, Peter James, Robert Colby, T.J. Cooke

A Few of Your Buddies, They Sure Look Shady*

The late Steve Irwin is credited with a really interesting comment about humans:
 

‘Crocodiles are easy. They try to kill and eat you. People are harder. Sometimes they try to be your friend first.’
 

If you’ve ever had the experience of being badly hurt by someone you thought was a friend, you’ll probably agree with Irwin.

That plot point has become an important part of many crime fiction novels; and, if you think about it, it’s a natural fit for the genre. Sadly, it’s an all-too-realistic scenario. And it can make for suspense and tension in a plot.

For example, Agatha Christie’s Hickory Dickory Dock introduces Celia Austin, who lives in a hostel for students. When some troubling events happen at the hostel, Hercule Poirot investigates. At first, it looks as though the solution is easy. Celia admits to being responsible for some of what’s happened, and everyone thinks the matter is closed. Then, two nights later, she dies. It’s soon proven that she was murdered. And Poirot works with Inspector Sharpe to find out who was responsible. It turns out that Celia made the tragic mistake of trusting that someone at the hostel was a friend, and paid a very high price for that. Christie uses that in several of her other stories, too (right, fans of Death on the Nile?).

In James M. Cain’s Double Indemnity, insurance representative Walter Huff is drawn into a web of deceit and murder by someone he thinks he can trust. He happens to be in the Hollywood area one day, and decides to visit one of his clients, H.S. Nirdlinger, who lives nearby. He arrives at the house to find that Nirdlinger isn’t home. His wife, Phyllis, is, though, and she and Huff strike up a conversation. Soon enough, Huff falls for her, and she does nothing to discourage him. Before he knows it, he’s so besotted that he falls in with her plan to kill her husband for his life insurance money. Huff even writes up the sort of policy that she needs. The murder goes as planned – at first. Then it hits Huff that he has actually been responsible for killing someone – because of someone he thought was more than a friend. And things spiral out of control from there.

They do in Pascal Garnier’s The Front Seat Passenger, too. In that novel, Fabien Delorme is distressed to learn that that his wife, Sylvie, has been killed in a car accident. He’s even more upset to learn that she wasn’t alone in the car. Unbeknownst to him, she had taken a lover, Martial Arnoult, and that bothers him even more than does the fact that she is dead. Delorme finds out that his rival left a widow, Martine, and becomes unhealthily obsessed with her. He stalks her, and finally gets to meet her. They begin a relationship which spins completely out of control and ends up in ugly tragedy all around. I don’t want to give away too much, but I can say that, like most noir stories, there’s plenty of betrayal and hurt from people who seem trustworthy at first.

T.J. Cooke’s Defending Elton introduces readers to solicitor Jim Harwood. He gets a very difficult case when a young man named Elton Spears is accused of murder. According to the prosecution, Spears killed an enigmatic woman named Sarena Gunasekera, and threw her body off a cliff at Beachy Head, near Eastbourne. There’s plenty of evidence against him, too. He was seen in the area, and it’s already well-known that he’s a troubled person. What’s more, he’s had brushes with the law before because of inappropriate contact with girls and women. Harwood knows Spears, and agrees to take the case. Together with barrister Harry Douglas, Harwood sets out to prove that Elton Spears is innocent. If he is, then someone else must be guilty. It turns out that that someone had seemed to be a person Spears could trust…

And then there’s Sinéad Crowley’s Can Anybody Help Me? Yvonne Mulhern and her husband, Gerry, have recently moved from London to Dublin with their newborn daughter, Róisín. It’s a major disruption, but it means that Gerry can take advantage of an important career opportunity, and that means a great deal more money for the family. Everyone settles in as best they can, and Gerry digs into his new job. Yvonne is exhausted, as new parents tend to be. What’s more, she doesn’t really know anyone in Dublin, so she feels isolated. Then she discovers an online forum for new mums called Netmammy. She joins the group and soon feels much of the camaraderie and support that she’s been missing. She gets to know the other members, too, and feels a real sense of friendship with them. And that’s why, when one of them seems to go ‘off the grid,’ Yvonne gets concerned. She’s worried enough to go to the police, but there’s not much they can do. Then, the body of an unidentified young woman turns up in an abandoned apartment. Detective Sergeant (DS) Claire Boyle, herself an expectant mother, investigates the death. The victim’s profile is similar enough to Yvonne’s missing friend that it could be the same person. If it is, then that has frightening implications for Netmammy. Little by little, and each in a different way, the two women find out the truth. Throughout this novel, there’s a strong thread of people one thinks are friends, who turn out to be anything but…

And that’s the thing. There are people who seem to be friends, but aren’t at all to be trusted. And when they show themselves for what they are, it can change everything.

 
 
 

*NOTE: The title of this post is a line from Leon Huff, Gene McFadden, and John Whitehead’s Back Stabbers.

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Filed under Agatha Christie, James M. Cain, Pascal Garnier, Sinéad Crowley, T.J. Cooke

And a Man is Held in a Foreign Jail*

international-arrestsWith travel as straightforward (if not always easy!) as it is in now, there’s more international travel than ever. And in crime fiction, that means it’s more likely that a suspect might easily be from another country. That can present some legal issues, which can add an interesting layer of complexity to a story. And then there are the cultural issues, too. So it’s not surprising that this sort of story has made its way into the genre.

In Angela Savage’s Behind the Night Bazaar, for instance, Bangkok-based PI Jayne Keeney works to find out the truth behind two murders. One is the killing of her good friend Didier ‘Didi’ de Montpasse. The other is the murder of his partner, Nou. The trail puts Keeney on an intersecting course with Australian Federal Police (AFP) agent Mark D’Angelo. He’s in Thailand as a part of an effort to put a dent in the child sex trafficking industry by going after Australian perpetrators. It’s a challenge to begin with, made all the more difficult by the cultural differences between Australia and Thailand. Admittedly, D’Angelo is not the reason for the two murders. But his reason for being in Thailand sheds an interesting light on facing the issue of crimes that are committed by citizens of another country.

We also see that in Stefan Tegenfalk’s Project Nirvana, the second of his trilogy featuring Stockholm County police detectives Walter Gröhn and Jonna de Brugge. In this novel, the German police are working on a case in which four scientists have been murdered. They suspect a Swedish man named Leo Brageler, who’s currently in Germany. However, there doesn’t seem to be a real motive for the crime. The German authorities are hoping that they can get some background on the man from Swedish authorities, and ask for help from the Swedish National Bureau of Investigation. Then Brageler goes missing, and the case gets much more complicated…

The real action in T.J. Cooke’s Kiss and Tell begins when Bella Kiss, a Hungarian national, arrives at Heathrow Airport. She’s trying to smuggle in drugs, but she’s caught and quickly arrested. She admits to having the drugs, but she won’t say who paid or coerced her into bringing them to the UK. Once in custody, she asks to speak to London attorney Jill Shadow. Shadow has never heard of Bella Kiss before, but she goes to the prison where the young woman is being held. There, Bella asks for her help and seems very much afraid for her life. But she’s uncooperative, so Shadow soon sees that she’ll have to find the answers for herself. The closer she gets to the truth, the more in danger she finds herself. And it turns out that this case goes far beyond a woman trying to earn a little extra money by smuggling drugs. There’s an interesting look in this novel at the legalities of working with clients from other countries who’ve been arrested in the UK.

In Marla Cooper’s Terror in Taffeta, San Francisco- based event planner Kelsey McKenna is in the small Mexican town of San Miguel de Allende, managing the destination wedding of Nicole Abernethy and Vince Moreno. During the festivities, Dana Poole, one of the bridesmaids, collapses and dies of what turns out to be poison. For several reasons, the police suspect the bride’s sister Zoe, and she is duly arrested and imprisoned. She claims to be innocent, and Kelsey believes her. So she starts to ask questions. One of the plot threads in this novel is the challenge of being arrested while one’s in a foreign country.

Geoffrey Robert’s The Alo Release introduces readers to the Los Angeles-based Millbrook Foundation, an environmentalist watchdog group. Along with many others, the Millbrook people are concerned about a new, genetically modified seed coating that a company called Vestco is about to release. Millbrook’s people are suspicious of Vestco’s claims and its agenda, and have worked to stop the release. They haven’t been successful. With nine days to go, the foundation’s leaders have decided to stop fighting Vestco, and turn their energies elsewhere. Legendary environmental activist Jay Duggan has taken this opportunity to retire to his native New Zealand, and has invited Science Director Dr. Catherine ‘Cat’ Taylor, and IT Director Matthew Liddell to visit him in New Zealand before they return to work. Then, Vestco employee Henry Beck is found murdered, and Duggan, Taylor and Liddell are framed for the killing. Unaware of this, they land in New Zealand, and soon find that they’re considered international fugitives. Now, they have to go up against some very powerful people, to say nothing of the police of two countries, as they work to find out who really killed Beck and what the truth is about the release of the new seed coating.

And then there’s Jean-Denis Bruet-Ferreol’s The Cemetery of Swallows. That novel begins as Manuel Gemoni travels from France to the Dominican Republic. There, he kills an old man named Tobias Darbier, a Dominican citizen. He’s been badly injured, so Police Commissioner Amédée Mallock of the Paris CID has been sent to bring Gemoni back to France as soon as his condition allows. Then he’ll face justice for what he’s done. Mallock is especially interested in this case because Gemoni’s sister, Julie, works for the CID as well. When he gets to the Dominican Republic finds that the only thing Gemoni says about the killing is that he killed Darbier,
 

‘…because he had killed me.’
 

That response doesn’t help Mallock at all, so he has to start digging to find out the history of the two men. One of the plot threads running through this novel is the paperwork and bureaucracy involved in taking Gemoni into French custody without causing problems with the Dominican authorities. It makes for an interesting layer in this novel.

With more people than ever going to different countries, it makes sense that this plot point would find its way into crime fiction. And it certainly has. Which novels with this motif have stayed with you?

 
 
 

*NOTE: The title of this post is a line from Graham Parker’s Everything Goes.

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Filed under Angela Savage, Geoffrey Robert, Jean-Denis Bruet-Ferreol, Marla Cooper, Stefan Tegenfalk, T.J. Cooke