Many crime fiction authors write more than one series. There are a lot of reasons for doing that, too. For instance, the author may want to ‘start fresh’ if a series has gone on for a while. Or, the author may want to experiment and try something new. Sometimes, if an author’s first series has done well, a publisher may request that the author start another series. Whatever the reason, the choice to have more than one series raises a question: how to generate interest in what may be a lesser-known series.
In some cases, both (or, at times, all three) of an author’s series are well-known. For instance, one of Elly Griffith’s series features Ruth Galloway, a forensic archaeologist who teaches at North Norfolk University. Her expertise is frequently tapped by the police, mostly in the form of Harry Nelson. Griffiths fans will know that she also has another series, the Max Mephisto novels. These novels are set in the 1950’s, and feature Mephisto, who is a magician by profession. Both series are highly regarded. In this case, you might argue that Griffiths’ success with the Ruth Galloway series meant that there was an audience likely to be interested in the Max Mephisto series.
Robert B. Parker first gained a reputation with his Spenser novels, which he wrote between the mid-1970s and 2013. In fact, he may be best known for those novels. But he also wrote other series. Beginning in the late 1990s, he wrote a series featuring Police Chief Jesse Stone, and another featuring PI Sunny Randall. He even took the risk of having Stone and Randall join forces, both personally and professionally. Those series may be less well-known than the Spenser novels, but they are well-regarded.
Beginning in 1970, Reginald Hill became best-known for his series featuring Superintendent Andy Dalziel and Sergeant (later DI) Peter Pascoe. As fans can tell you, the series ran for decades, and was successfully adapted for television. Starting in 1993, Hill created another protagonist, small-time PI Joe Sixsmith. He’s quite a different character to Dalziel (and to Pascoe). He’s an unassuming former lathe operator who also sings in a choir. Among other differences, this series isn’t as gritty as the Dalziel/Pascoe series can be. It’s also likely not as well known. But it’s certainly got fans.
That’s also the case for Kerry Greenwood. Her Phryne Fisher series takes place in Melbourne in the late 1920s, and features socialite Phryne Fisher, who becomes a ‘lady detective.’ Phryne is wealthy, elegant, and has access to the highest social circles. She’s quite independent and free-thinking, too. Greenwood’s other series, which began in 2004, is a contemporary series, also based in Melbourne, that features accountant-turned baker Corinna Chapman. Like Phryne, Corinna is independent and intelligent. But this is a very different series. Chapman is very much ‘the rest of us’ in appearance and income. Like most people, she has bills to pay, and doesn’t live in a sumptuous mansion. Both series feature regular casts of characters, and tend to be less violent and gritty than dark, noir novels are.
If you’ve read any of James Lee Burke’s work, my guess is that you probably read from his Dave Robicheaux series. That series features New Iberia, Louisiana police detective Robicheaux, and is one of the best-regarded series in American crime fiction. It’s a long-running series, and has gotten all sorts of acclaim. But it’s not Burke’s only series. He’s also written a series that feature the different members of the Holland family. This series is written as a set of standalone books that feature the different members of the Holland family. For instance, there’s Texas sheriff Hackberry Holland and his cousin Billy Bob Holland (who is a former Texas Ranger and now an attorney). Their grandfather was another lawman, also named Hackberry Holland. There’s also Weldon Avery Holland. He is another of the original Hackberry Holland’s grandsons. Several of the Holland family novels are historical, and are almost as much saga as they are crime novels. In fact, some question whether some of them are crime novels. In that sense, they’re quite different to the Robicheaux stories.
Fans of Ann Cleeves’ work can tell you that she’s done the Jimmy Perez Shetland novels, as well as the Vera Stanhope novels. These series are set in different parts of the UK, and feature different protagonists with different backstories. Both are very well regarded, and both have been adapted for television. But, before either of those series was published, Cleeves wrote another series featuring Inspector Ramsay of the Northumberland Police. She also wrote a series, beginning in the late 1980s, featuring retired Home Office investigator George Palmer-Jones and his wife, Molly.
And then there’s Vicki Delany, who writes the Moonlight ‘Molly’ Smith series, a contemporary police procedural series set mostly in British Columbia. She’s also written historical crime fiction featuring saloon and dance hall owner Fiona MacGillivray. That series takes place at the end of the 19th Century, in Dawson, Yukon Territory. Delany has also just started a new series. This one takes place in Rudolph, NY, and is a lighter series featuring shop owner Merry Wilkinson.
There are, of course, other authors, such as Elizabeth Spann Craig, who write multiple series. Sometimes, those series are equally well-known. Other times, one series is much better known than the other.
Now, here’s the question. If you’ve really enjoyed an author’s work in one series, does that prompt you to go back and look for another series by that author? Does it depend on whether the two series are concurrent? Or on whether they’re similar (e.g. both cosy series)? I’d really like your opinion on this. Please vote, if you wish, in the poll below. I’ll let it run for a week, and then we’ll talk about it again.
*NOTE: The title of this post is a title of the song by the Mighty Lemon Drops.